More Dickens than Kubrick: Interstellar

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

I went into Interstellar with a bad attitude. I wanted to hate this movie. It’s three hours long. It stars swaggering/ posturing Matthew McConaughey, an actor I find as irritating as sand in my shoe. It has Anne Hathaway who is not that far behind McConaughey in the line of annoyingly self-satisfied celebs. It is directed by Christopher Nolan, who seems to have gotten more ponderous and more pretentious with every successive flick. Hell, it has a score by Hans Zimmer, who has gotten so lazy that most of his latter-day scores seem like they were composed on auto-pilot by a drum machine.

I’m an ass. And I was wrong.

I loved this movie.

It is, in fact, too long by half and, yes, is a bit ponderous and pretentious. All of the aforementioned annoying attributes of cast and crew are apparent. And the score does sound like a drum machine having a nervous breakdown … a really LOUD! nervous breakdown. Yet, it all works so beautifully.

The film has been billed as Nolan’s version of 2001, but I found the movie more Charles Dickens than Stanley Kubrick. Yes, the narrative involves slow-moving, quietly-haunting, ethereally-staged space travel with the future of all mankind at stake, but at its heart, this is a film about the devastating impact of time’s passage and of well-intentioned decisions that unfortunately drive wedges between family/friends. There are moments, especially toward the film’s gonzo, fever-dream denouement that I thought I was watching A Christmas Carol … if staged by Twyla Tharp. That’s a compliment, by the way.

The older I get, the more I realize what an underrated gem Dickens’ holiday novella is. “Underrated” may seem like a strange word choice for something so widely known, but A Christmas Carol is often viewed as a lesser literary work or as a holiday novelty or as both. What Dickens captures so elegantly/efficiently, though, is that, with each year, we add layers and layers of memories – good and bad – and all the regrets and heartaches that accompany … like an ever-expanding box of ornaments gathering dust in the attic.

This is the psychological murk in which Interstellar traffics. Space exploration is but a metaphor for our unyielding pursuit of some brief, crystalline moments of unadulterated joy amidst all the sadness life brings.

The film is set in a disturbingly near-time future, a Ray Bradbury-esque Earth, where all of our selfish consumption has reduced our planet to a cruel, barren dustbowl in which the only remaining growable crop is corn. The world no longer needs engineers or scientists or professors – rather just people willing to grow corn with the aid of mindless robotic farm implements.

America appears to have been reduced to one continuous farm town (blink and you’ll miss the New York Yankees, now quite literally a farm team, playing ball in a sad little cornfield), and, periodically, the citizens have to set fire to the latest round of blight-infested crops. The only upshot I could see is that these circumstances finally force everyone to go vegetarian/vegan. :)

Nolan’s great gift is how he uses fantasy as metaphor for present-day turmoil. (See Dark Knight Rises for his take on the 1% ruling class). Interstellar is no exception. His muted gray yet epically widescreen cinematography creates some of the most indelible images in recent memory of our ongoing environmental crisis.

In the midst of this ecological upheaval, and in one of the film’s seemingly more nonsensical moments, McConaughey’s “Cooper” and his beloved daughter “Murphy” stumble across a hidden cadre of space scientists who decide that Cooper (yes, he just happens to be a former astronaut himself!) is our only hope to pilot the last remaining rocket ship off the planet, in order to find a new (less angrily dusty) world for us to inhabit.

If this movie weren’t so purposeful, so moving, and so well-acted, I would have lost it right there and been forcibly carried out of the theatre, racked by a convulsive giggle fit.

McConaughey and Hathaway are surrounded by top-shelf talent like Jessica Chastain, John Lithgow, and Michael Caine, all exhibiting gravitas and heartache in poignantly compelling spades. There’s a surprise cameo that I won’t spoil, but said unnamed actor (whom I typically find a bit boring) does a marvelous job in a pivotal role as an appropriately dubious explorer.

Heck, we even get some subtly funny voice work from delightful Bill Irwin as robot companion TARS, a sleek automaton who bears more than a passing resemblance to a giant, walking/talking deck of cards. Humor? In a Nolan film? Crazy talk! That alone should tell you this is a (sort of) different direction for him. Sort of.

There is a lot of gobbledy-gook pseudo-science talk: singularity! relativity! event horizon! There are a lot of epically dreamy long-shots of planets and cosmic gases and spinning spacecraft. There are a lot of lines that are trying so hard for deep poetic thought that they sounds stilted and just darn goofy. And, yes, there is a lot of furrowed-brow, sweaty-faced ACTING!

Eventually, though, our intrepid spacefaring crew do end up on other worlds, most of which are as deadly as the one they left behind. I don’t want to ruin any of the surprises (or the movie’s more head-scratchingly kooky moments), but, in essence, humanity prevails … quite literally. The film, in total, is an argument for our innate goodness, even when we aren’t sure of it ourselves. Whether today or tomorrow, we will help each other and we will care.

This is a more hopeful message then we typically see in a Christopher Nolan production, and the optimism suits him.

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

A collective of crazies: Hard Taco’s Chisels ‘n Dust

Penny SeatscompanyBecause time plays funny tricks, I find myself in the peculiarly delightful place of singing the chorus (as an army of miners nonetheless) on a song written by the elementary school-aged son Malcolm of my good friends Zach and Lauren. Malcolm, mind you, had not quite arrived in this world when I first met Lauren, who was pregnant with him when she first co-music-directed (along with Rebecca Biber) me in Spotlight Players‘ production of Company. WHEW! “Bobby, Bobby, Bobbeeeee.”

Anyway, enjoy the song “Chisels ‘n Dust” and Zach’s much funnier blog post (than mine) which follows.Company Fans Company Fans 2

Hey, be sure to sign-up for his blog. It comes out the first of every month, is chock-full-of-fun, and is FREE!

You can find all of Zach’s Hard Taco output (sounds rather odd to write that sentence) at hardtaco.org … but, for sheer vanity, here are shortcuts (in chronological order …I think!) to all the songs I’ve been privileged to perform with his collective of crazies – click title to listen/download (free!):

This has been so much fun … I look forward to many more musical adventures with them!Vainglorious Training
And if you find yourself in Metro Detroit tomorrow afternoon and you’ve got nothing to do, stop by Sirius/XM’s Seth Rudetsky’s master class at Farmington Players (noon to 3 pm).He will be torturing … er … teaching a dozen of us guinea pigs how to be better auditioners (auditionees?) to the delight and amusement (and horror) of the audience. Tickets still available at farmingtonplayers.org
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From Zach – view original post here

November Hard Taco Digest:  Another Ick in the Wall

 

Jupiter ApproachDear Friends,

“There’s a pit where bad guys have to dig up crystals all day instead of going to jail.”

That is my son Malcolm’s vision for the new Hard Taco song, “Chisels ‘n Dust,” which he co-authored. I enjoyed this collaboration, and hope it is the first of many. I look forward to breaking up over aesthetic differences and grudgingly reuniting after a decade of unsuccessful solo endeavors.

I always feel a bit embarrassed about posting a link to my songs on Facebook, but I do it anyway, just in case one or two people are curious. Other than that, I’m a pretty reserved Facebook poster.

We all know people that exist at the other end of the spectrum. One of my friends furnishes her timeline with new material five or more times a day. Most of the posts are just three letter interjections, such as Yay or Ick, but within minutes, each of these garners hundreds of Likes and Comments.

So what is her secret? Am I an unpopular person or am I just providing unpopular content? To find out, I took 24 hours and posted the same kind of stuff as everybody else. The results will shock you.

1  2345678With warmest regards,
Zach

 

Tomfoolery

Tomfoolery

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Our Favorite Horrors — By Friends of the Blog

Roy Sexton (Reel Roy Reviews):

Thanks for the shout out, Gabriel! “Film/theatre critic Roy Sexton, who’s been a great supporter of our site, offered The Shining, Scream, and Psycho, but added ‘sometimes the best “horror” movies are those that deal with the terror of the mundane and, if that’s the case, one of the best recent examples for me would be Prisoners.’” Read more and be sure to follow his site below …

Originally posted on Gabriel Diego Valdez:

Alien violation

by Gabriel Valdez

I recently conducted a poll regarding artists’ and filmmakers’ favorite horror movies, and the results aren’t what I expected at all. Now, this poll is about as scientific as my foot, so take it with a grain of salt, but it ended up being a tale of three very different movies:

Now, I wanted the artists themselves to define what “favorite” meant, and when pressed, I described it as “the movie you’ll berate your friends about until they sit down and watch it” and “the movie you’ll watch when you get home after a hard day and pull over yourself like a warm horror blanket.”

Playwright and critic Chris Braak, who wrote not just one, but two of the best articles of this past year, broke the question down into categories: which is the best movie, which is scariest, and which one does he like to watch the most?

View original 2,418 more words

Tomfoolery Sells Out Every Show. Encore Date Added!

Roy Sexton (Reel Roy Reviews):

Another great night of Tomfoolery – sold out – and hardly any tix left for November 9! Thanks to Diane Hill, Naz Edwards, Rich Geary, Kelly Little, Jim Lynch, Melynee Weber, Nina and Bob Schwartz, Jason Ringholz for coming this week and to anyone I missed! I’m spent! Read more below…

Originally posted on The Penny Seats:

Guys. Can you believe it?  Our little show, Tomfoolery, sold out Every Single Performance at Conor O’Neill’s this month. Every single one!  How thrilling!  We filled the restaurant.  We sang our hearts out.  We even got to talk about it on the radio.  The phone rang off the hook all month, and we’ve been overwhelmed with support and warm fuzzy goodness.

Which brings us to this:  Due to high demand, we added one additional performance: Sunday, November 9th. Same time, same place, same everything.  Just on a Sunday.  Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Click here to buy tickets, or just call us at (734) 926-5346.

Brent, Roy, and Matt sing a Southern Song.

Brent, Roy, and Matt sing a little Southern Song.

We were thrilled at the reception this got, from patrons and critics alike. See this awesome review for Encore…

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“In fact, they should ‘be prepared’ to spend every week at Conor O’Nell’s. I’m expecting a long, long run …” Additional performance date added for Penny Seats’ Tomfoolery (Sunday, November 9)

Irish Ballad (Photo by Victoria Gilbert)

Irish Ballad (Photo by Victoria Gilbert)

Through the month of October, The Penny Seats enjoyed a sold-out run of the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer, at Ann Arbor’s Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies have partnered to offer this cabaret-style show, with dinner seatings available starting around 6:00 pm, and performances at 8:00pm. Due to high demand, an additional performance date has been added: November 9. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Silent E  (Photo by Victoria Gilbert)

Silent E (Photo by Victoria Gilbert)

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline. Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor). Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Poisoning Pigeons in the Park  (Photo by Victoria Gilbert)

Poisoning Pigeons in the Park (Photo by Victoria Gilbert)

In his review for Encore Michigan, Martin F. Kohn writes, “A spirited four-person cast and piano accompanist have a ball with such Lehrer favorites as ‘Be Prepared’ (‘Don’t solicit for your sister, that’s not nice/ Unless you get a good percentage of the price’), ‘The Masochism Tango’ (‘You can raise welts/ Like nobody else’), ‘The Vatican Rag’ (‘Ave Maria/ Gee it’s good to see ya’) and ‘The Irish Ballad’ (‘She weighted her brother down with stones/ Rickety-tickety-tin…/And sent him off to Davy Jones’). … Matt Cameron, Laura Sagolla, Roy Sexton and Brent Stansfield are lusty singers whose appreciation for the material is fully evident. … Director Lauren London has added inspired props and bits of business to many of the numbers.”

Masochism Tango  (Photo by Victoria Gilbert)

Masochism Tango (Photo by Victoria Gilbert)

Fellow critic Davi Napoleon observes, “I suppose it’s kind of mean to tell you how much fun Tomfoolery is – they keep adding chairs to accommodate the crowds, but I doubt the room at Connor O’Neill’s will even have SRO for the next show. But really, it’s that much fun. … Maybe The Penny Seats can be talked into extending the run. … In fact, they should ‘be prepared’ to spend every week at Conor O’Nell’s. I’m expecting a long, long run …”

I Hold Your Hand in Mine  (Photo by Victoria Gilbert)

I Hold Your Hand in Mine (Photo by Victoria Gilbert)

With the announcement of the additional performance, music director Rebecca Biber notes, “I am excited for this encore show, as I never grow tired of the material. Lehrer is a master satirist, not only of cultural tropes and historical moments, but of music itself.   He will pair a romantic parlor waltz with ghoulish lyrics, or use a peppy march to skewer jingoism and lockstep thinking. He always picks his musical forms for maximum humor and maximum discomfiture, and that funny/squirmy quality keeps us performers as engaged as our audience.”

She's My Girl  (Photo by Victoria Gilbert)

She’s My Girl (Photo by Victoria Gilbert)

Cast member Brent Stansfield, a faculty member at the University of Michigan, echoes this sentiment, “The show combines all my favorite things in life: satire, science, jest, education, politics, math, irony, and of course music. Better yet, it does it in a smart, sassy, gleeful, and naughty way. The Penny Seats cast and crew is also smart, sassy, gleeful, and naughty and they bring an ocean of joy and verve to these songs. Best of all, ‘Tomfoolery’ is tailor-made for an Ann Arbor audience who, as I have now learned, can be relied upon to bring their own smarts, sass, glee, and naughtiness! Each show has been raucous and I have had so much fun performing in it.”

Folk Song Army  (Photo by Victoria Gilbert)

Folk Song Army (Photo by Victoria Gilbert)

Gonna Go Back to Dixie  (Photo by Victoria Gilbert)

Gonna Go Back to Dixie (Photo by Victoria Gilbert)

Director Lauren London, who was recently interviewed about the production alongside Conor O’Neill’s Caroline Kaganov for The Lucy Ann Lance Show, adds, “This show has been a pure delight, from the first rehearsal through every single performance. It plays to our strengths as a company and fits perfectly with the jovial tone at Conor O’Neill’s. It’s a comfortable, fabulously funny night, and we’re ecstatic that so many people want to experience it. This is one of those lightning-in-a-bottle moments for us. We couldn’t be happier with Conor’s as a partner, and I hope we have the chance to do this again, soon!”

We Will All Go Together  (Photo by Victoria Gilbert)

We Will All Go Together (Photo by Victoria Gilbert)

Stansfield concludes, “Tom Lehrer’s work is beloved for good reason. He’s a sharp intellectual with a gallows humor (much like some of my other heroes: Edward Gorey, Ambrose Bierce, George Romero, et alia) and his songs are at once titillatingly dark and eerily catchy. His wit is incisive but never derisive. It’s so easy to fall in love with these songs that performing them for people who have never heard them before is an honor as much as it is a pleasure. I’ve been so excited to work with The Penny Seats again. Every rehearsal has been full of playfulness and silliness, and our director, Lauren London, has managed to funnel all of that love and sweat directly into the show. It’s 90 minutes of frenetic romp, but after each performance I’ve felt like doing the whole thing again. Well, maybe after a cold pint of beer. We are performing it in one of Ann Arbor’s best pubs, after all.”

For more information, visit the group’s website, www.pennyseats.org, or call 734-926-5346.

Tomfoolery

Tomfoolery

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

WAHOO! We’ve added an encore date of Tomfoolery! November 9

Matt Cameron and Yours Truly

Matt “Smut” Cameron and Roy “Prurient” Sexton (Photo by Victoria Gilbert)

Wow – this Tomfoolery is such a fun show to do! We’ve added an encore date to our sold-out run of Tom Lehrer’s Tomfoolery: November 9, dinner around 6 pm, show 8 pm – get your tickets pronto here.

Thanks to Mark Lezotte, Patti Little, John DeMerell, Rebecca Hardin and family, Rebecca Dale Winder, Nan Reed Twiss, Ian Reed Twiss, Jim and Linda O’Hara Cameron, Ed and Anne Young, Esther Dale, Leslie Pardo, Steve Pardo, and, heaven knows, anyone I missed who came to see the show last night! Such an appreciative and delightful audience, and we (Laura Sagolla, Lauren M. London, Matt Cameron, Brent Stansfield, Rebecca Biber, Skippy Hankes) seem to be hitting our stride. This show is just unadulterated yet saucy fun! TWO more shows now – 10/23 is sold out, but tickets are still available for 11/9. Don’t miss it!

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Brent "Shredder" Stansfield (Photo by Victoria Gilbert)

Brent “Shredder” Stansfield (Photo by Victoria Gilbert)

Through the month of October, The Penny Seats have enjoyed a sold-out run of the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer, at Ann Arbor’s Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies have partnered to offer this cabaret-style show, with dinner seatings available starting around 6:00 pm, and performances at 8:00pm. Due to high demand, an additional performance date has been added: November 9. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline. Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor). Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Laura Sagolla and Lauren London (Photo by Victoria Gilbert)

Laura “Tectonic Plates” Sagolla and Lauren “Plate Tectonics” London (Photo by Victoria Gilbert)

In his review for Encore Michigan, Martin F. Kohn writes, “A spirited four-person cast and piano accompanist have a ball with such Lehrer favorites as ‘Be Prepared’ (‘Don’t solicit for your sister, that’s not nice/ Unless you get a good percentage of the price’), ‘The Masochism Tango’ (‘You can raise welts/ Like nobody else’), ‘The Vatican Rag’ (‘Ave Maria/ Gee it’s good to see ya’) and ‘The Irish Ballad’ (‘She weighted her brother down with stones/ Rickety-tickety-tin…/And sent him off to Davy Jones’). … Matt Cameron, Laura Sagolla, Roy Sexton and Brent Stansfield are lusty singers whose appreciation for the material is fully evident. … Director Lauren London has added inspired props and bits of business to many of the numbers.”

Fellow critic Davi Napoleon observes, “I suppose it’s kind of mean to tell you how much fun Tomfoolery is – they keep adding chairs to accommodate the crowds, but I doubt the room at Connor O’Neill’s will even have SRO for the next show. But really, it’s that much fun. … Maybe The Penny Seats can be talked into extending the run. … In fact, they should ‘be prepared’ to spend every week at Conor O’Nell’s. I’m expecting a long, long run …”

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common

Watch me get kicked out of Seth Rudetsky’s master class Nov. 2 (Plus, Tomfoolery update!)

Tomfoolery Cast (Photo by Victoria Gilbert)

Tomfoolery Cast (Photo by Victoria Gilbert)

Second performance of Tomfoolery was a hit! What a fun night – with a record attendance for us li’l Penny Seats!

Thanks to everyone who attended (and anyone I missed):

Roxane Raffin Chan and Kevin Chan, Magda Gulvezan and Dan Johnson, Sam Gordon, Linda Hemphill, Angie Choe and Sean, Jeff Weisserman, Barbie Amann Weisserman,  Bob Hotchkiss, Beth Kennedy, Nick Oliverio, Meredith Brandt, Alex and Cristina Rogers, Davi Napoleon, Jason Gilbert, Trista Selene Kreutzer-Whalen, Roxanne Kring and Joe Diederich, Kyle Lawson, Sean Murphy, Rachel Green Murphy, the Biber family, and Ryan Lawson.

Get your tickets, kids, for 10/16 or 10/23 – they are almost all gone … and that’s no “tomfoolery” -  http://pennyseats.org/box-office/

Seth RudetskyAND, thanks to the Farmington Players and Amy Becker Lauter for including me among Seth Rudetsky’s “students” for their upcoming master class with him on November 2 from noon to 3 pm.

Should be fun! I’m honored to be a part of this. He might kick me out of class – you don’t want to miss that!!  Here’s the event description (tickets available here) …

The Farmington Players Barn (Photo by Don Sexton)

The Farmington Players Barn (Photo by Don Sexton)

You may know Seth Rudetsky from his Sirius/XM Satellite Radio show “Seth’s Big Fat Broadway” or his viral “deconstruction” videos on YouTube where he breaks down the elements of classic musical theater songs and singers. Now our local performers and patrons have the opportunity to participate in a Master Class Workshop.

A varied and talented group of local performers have been selected to Sing for Seth – and for you! They will each get personal attention and will receive advice on how to improve their audition and overall performance skills.

Registration is still open to be an audience member for only $25! You will learn from the advice Seth provides to the singers – and get to experience some of the area’s finest performers.

  • Taylor Alfano
  • Tony Battle
  • Rachel Biber
  • Gary Castaneda
  • Joshua Coates
  • Katie Dodd
  • Elizabeth Heffron
  • Joel Hunter
  • Grace Knoche
  • Maryanna Lauter
  • Amy Malaney
  • Marc Meyers
  • Roy Sexton (ME!)
  • Nina White
  • Jason Wilhoite

The event begins with an informative lecture from Seth, continues with each of the Master Class Students’ performances and ends with a Q&A – so come prepared with a question.

This is a once in a life time opportunity so register today!

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Get those Tomfoolery tickets … regardless your state of origin or spelling ability

Thanks to The Columbia City, Indiana Rotary for the Tomfoolery shout out (lower right corner below). Er … translation of what you will discover therein: “Carmen O’Neill’s” in “An Arbor” would be “Conor O’Neill’s” in “ANN Arbor.” :)

(Possible song inspiration for Lehrer … or London?)

Get your tickets, regardless your state of origin or your spelling ability, at http://pennyseats.org/box-office/

#readingisfundamental, #spellcheck, #gottalovehometowns, #cute, #pennyseats, #annarbor, #conoroneills, #michigan, #tomlehrer, #tomfoolery, #rotary

Rotary!

Rotary!

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“More to do with the delicatessen than the synagogue.” Jewish News covers The Penny Seats production of Tom Lehrer’s Tomfoolery

Wonderful coverage from The Washtenaw Jewish News - read the scan below. And more Tomfoolery news: Conor O’Neill’s has graciously opened up a few more seats for us this week. If you’d hoped to see the show this Thursday, October 9 and were bummed that you missed out on tickets, here’s your chance!

Also, we’re keeping a wait list for the sold-out show on the 16th and hope to open up more seats for that day soon! Plus, our final show October 23 still has availability. Visit www.pennyseats.org/box-office or call (734) 926-5346.

 

Jewish News coverage of Tomfoolery

Jewish News coverage of Tomfoolery

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Transformers: Age of Extinction – now on home video … “Should you be tempted to rent it … well, consider this a public service announcement.”

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

Transformers: Age of Extinction

Thanks to wonderful Tom Joyce for re-posting my review of the godawful Transformers: Age of Extinction (on home video today). Tom writes:

The DVD release date of “Transformers: Age of Extinction” will be here in less than two hours, Eastern Standard Time. I believe that movie coming out on DVD, along with a hail of fire and the oceans turning to blood, is one of the signs of the Apocalypse cited in the Book of Revelation. Beware. Anyway, film reviewer Roy Sexton of Reel Roy Reviews has generously allowed me to run his review from the movie’s original theatrical release here. Should you be tempted to rent it … well, consider this a public service announcement.

Read the rest here: Transformers: Age of Extinction Review.