MLK holiday movie marathon (VIDEO): Paddington, Foxcatcher, Selma, American Sniper

Enjoy this quick video synopsis of movies we saw over the Martin Luther King holiday weekend – Paddington, Foxcatcher, Selma, American Sniper. (You can read the full reviews of all four below this entry).

 

And thanks to The Columbia City Post & Mail for this additional shout-out for the release of Reel Roy Reviews, Vol. 2: Keep ‘Em Coming!

Post and Mail RRR2 Redux

________________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

How do you solve a problem like jingoism? American Sniper

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Gosh, I did not like American Sniper, Clint Eastwood’s latest entry in his ongoing cinematic efforts to celebrate war heroes of every stripe.

And if you’re the kind of reader who’s going to tell me I’m not a good “patriot” because I don’t like this movie, just move along … right now. Or, better yet, check out classic film The Mortal Storm, about a culture run aground by totalitarianism as certain citizens dare to challenge the propaganda being shoved down their collective throats (that society in question would be Nazi Germany, BTW).

If the intent of this Oscar-nominated film American Sniper is to reveal the horrors post-9/11 warfare has had upon its participants, there have been much better, much more nuanced, much more sensitive cinematic efforts in that regard: JarheadZero Dark ThirtyStop/Loss.  If the intent of this film is to rally the Lee Greenwood-loving “Proud to be an American” contingent, then count me out.

With that said, Bradley Cooper in the title role does yeoman’s work, communicating a world of hurt and confusion and well-intentioned if misused patriotism. With just his eyes, Cooper gives us a Chris Kyle (one of the most successful snipers in US military history) haunted by his actions and what appears to be a sneaking suspicion that his particular talents have been misapplied in a world gone mad. Unfortunately, that doesn’t seem to be the film Eastwood is intent on making.

At times (chiefly during the interminable scenes set in Iraq), I felt I was watching a WWII-era propaganda film blurred into one of those single-shooter video games where jackbooted soldiers blow away any flesh-and-blood creature identified in big, bold font as ENEMY. Has Eastwood finally regressed to his cowboy roots, with a simplistic white hat/black hat approach to world affairs, totally disregarding our messy connectivity – technologically, economically, socially? Sure feels like it.

Sienna Miller as Kyle’s long-suffering wife Taya does her best Kate Beckinsale impression, running the gamut from slightly worried to really worried to slightly worried again. She has a thankless role, and does her best, like Cooper, to offer layers that the script doesn’t provide. Miller is a crackerjack actor, and her scenes with Cooper offer a glimpse into the film’s potential. Her exasperation with his dedication to duty and country versus her hopes for his potential as husband and father are rich territory to explore; sadly, the film spends more time in Iraq than at home, with Miller relegated to bringing whatever flavor she can to one-sided cell phone calls.

Chris Kyle killed 161 men, women, and children in the Middle East in his career, all in an effort to spread liberty across the globe. However you may feel about the war effort, making a compelling movie about a soldier who sits on rooftops all day long picking off insurgents is a tough sell. I’m not downplaying his contributions, but I would like to see a film that helps us better understand the why and the what of his activities in Iraq, especially since his life took such a tragic turn when he finally came home for good, shot at a rifle range as he was trying to rehabilitate a fellow veteran. Was that devastating price worth the wartime outcomes? Perhaps, but I’m not sure I got that from American Sniper.

I’m unclear as to the intended audience for this film, but I suspect it isn’t yours truly. I felt profoundly uncomfortable during the lengthy 2 1/2 hour running time, as if every jingoistic button I do not possess was being pushed and prodded: the inflated sense of American superiority; the fetishization of firearms; the paranoid survivalism (better conveyed I might add in the superior Prisoners); the notion that life (be it animal or human) must be sacrificed for our ongoing prosperity. I don’t buy into any of that, and I never shall.

I don’t mean to be glib, but I feel that at some level this film may be recklessly misinterpreted by a red-blooded, fist-pumping audience looking for simplistic villains that just don’t exist in the modern world. If you want to watch people being heroic and making the world safe for their fellow man, I suggest you check out Selma. Or Paddington.

________________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“A vicious lie as placation.” Selma

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Selma is a beautiful film beautifully made and could not arrive at a more appropriate time in our nation’s history. Selma depicts a world in which we as a nation invest time and energy fighting foreign wars while neglecting our own people at home. Sound familiar? This core message in the film resonates today as it did then, and it is delivered flawlessly.

I won’t go into the recent Oscar controversy surrounding the film, but I do concur with those who feel the film’s lead actors and director not being nominated is a gross oversight. Like so many modern films depicting historic situations, Selma suffers from some genre clichés: collapsing too many complex issues into a glib exchange or two, projecting the passage of time chiefly through changes in wardrobe and hairstyle, giving us historical figures who sometime seem as if they walked out of a book of paper dolls.

However, and this is key, Selma is written and directed with a sharp eye toward how far we think we’ve come yet how little we’ve actually achieved when it comes to human rights in America. We are a country that celebrates freedom and equality but thrives economically on an ingrained caste system, which is based on race and ethnicity and gender and age, all superficial qualities ultimately irrelevant to one’s true value. The film wisely focuses on an episode in Martin Luther King‘s storied career (the march on Selma) as a means of understanding the man and his role in history, rather than doing the tired lifetime-crammed-into-three-hours biopic approach of yore.

Director Ava DuVernay stacks the deck with a cast that is both credible and compelling. David Oyelowo so inhabits the soul and voice and mannerisms of  Martin Luther King, you forget at times that you’re watching an actor (let alone a Brit) portray one of our greatest historical figures. Carmen Ejogo (another Brit!) offers a Coretta Scott King who is flinty and self-possessed, gracious and justifiably exhausted in the face of harrowing trials both domestic and public.

Tom Wilkinson (Brit number three!) as a blustering, well-intentioned, frustrated and frustrating LBJ and Tim Roth (Brit number four!) as misguided/misanthropic political animal George Wallace round out a terrific cast. All are dynamite. With great nuance, Oprah Winfrey, one of the film’s producers (and not a Brit), plays a pivotal (if small) role in Annie Lee Cooper , whose efforts to gain the right to vote are the essential issue at play in King’s historic march from Selma to Montgomery.

Unlike Lee Daniels’ The Butler, which presented another take on the civil rights movement of the 1960s, Selma does not fall prey to its own high-minded aspirations. The filmmakers are not afraid to show King warts and all (his philandering is addressed in a quietly powerful confrontation between Coretta and her husband) or even to imply that King is as much a political opportunist as those white leaders both alongside and in opposition to his efforts. DuVernay lets her lens show King in a number of lights: noble, maddeningly self-serving, obtuse, kind. I found that approach refreshing, educational, and enlightening, particularly as I continue to scratch my head at the decision-making of our world’s current leaders.

In the film, King, in his climactic speech in Montgomery, uses the phrase “a vicious lie as placation,” impugning the very nature of a system that pushes one class down to the benefit of another. This insidious concept continues to corrupt our ability to peacefully coexist, both among ourselves as Americans and with all other denizens of the world; viewing Selma could be part of the antidote: instructive, heart rending, and essential

________________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Les Miserables in a wrestling ring: Foxcatcher

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Like some Oscar-bait cross between Million Dollar Arm and Sunset Boulevard with a pinch of Psycho and Jane Eyre thrown in, Foxcatcher details the sordid tale of Olympic gold-medal wrestlers Dave and Mark Schultz and their dubiously motivated benefactor John E. du Pont. The film is a slow moving, frosty enterprise that deftly skewers the out-of-touch misanthropy of one-percenters, the sweaty desperation of competitive athletics, and the strange sycophantic creatures known as athletic boosters.

Steve Carell, richly deserving his recently minted Oscar nomination, portrays the scion of the American chemical dynasty as a heartbreakingly creepy, incestuously inbred superpatriot whose preoccupation with Americana and misplaced mommy issues leads him to adopt a cadre of wrestlers to live and train on his sprawling estate. Vanessa Redgrave – in all of her three minutes of screen time – exonerates any lingering Freudian implications about du  Pont’s mother, Jean, a world class horse trainer. With just a flicker of those legendary eyes and a pursing of the lips, Redgrave telegraphs, with a quietly, comically poignant thunderstorm intensity, her profound disappointment and confusion over the oddball son she raised.

You see, John du Pont runs around in a Revolutionary War three-quarter length jacket (when he’s not rocking a cheesy wrestling coach track suit), buys tanks to tool around his property, goes skeet shooting with the local police, insists that people call him “Eagle” or “Golden Eagle,” snorts cocaine, and decorates his home in a faux colonial style that would have been tacky during the ’76 Bicentennial. In other words, he would be a great addition to the Bush family. Sorry.

He aims to overshadow his mother’s equestrian accomplishments by helping Mark Schultz (and thereby ‘Murica) bring home the gold at the ’88 Seoul Olympics. Du Pont is a pathetically amateurish wrestler himself, with a very kinky preoccupation with singlets and wrestling mats. And an even kinkier preoccupation with the younger Schultz brother, as portrayed by Channing Tatum.

Tatum hasn’t gotten the accolades garnered by Carell as du  Pont or by Mark Ruffalo as Mark’s older brother David. That’s a shame. Tatum turns in a brilliant variation of his standard lunkhead routine, swiping a bit from James Dean’s Cal Trask (East of Eden) playbook as the wounded, ever-ignored baby brother. It is this broken spirit that connects Mark with du Pont in a toxic brew of clammy co-dependence. As du Pont continues to derail the younger Schultz with his sociopathic manipulation, the thick-headed heartbreak of Tatum’s emotionally stunted Mark Schultz is palpable. His breakdown in a hotel room at the Olympic trials is epically harrowing (if not a touch overbaked).

Ruffalo, as always, is scruffy perfection as Tatum’s brother. He captures the pathetic swagger of an athlete whose accomplishments were forgotten before they even really began. Olympic gold for these brothers is more of a dead end than an open door. Ruffalo is warm and lovely and appropriately stilted in all of his interactions with family, not quite as stunted as his brother Mark … but awfully close. When he finally meets his tragic end, it is both shocking and expected but no less horrifying.

Director Bennett Miller, like Carell and Ruffalo, also has been nominated for an Oscar, though his recognition is arguably the least deserving. Bennett is brave enough to let the quiet moments speak for themselves, capitalizing on the expressiveness of his crackerjack cast to great effect. The movie’s strongest moments are in its silences; the most telling exchanges from a wordless look of disdain from one character to another.

However, the film’s pacing is ponderous, and, occasionally, Bennett allows the flick to devolve into TV movie clichés:  Mark Schultz now has highlights in his hair … so he must be having an illicit relationship with du Pont; Mark Schultz is surrounded by beer bottles, so he must be letting training slide; Du Pont is snorting cocaine during a helicopter ride, so he must be a reckless ne’er do well; David Schultz can’t remember simple things like picking up his kids from school, so let’s have him write notes on his own hand like “pick up kids” which must show what a regular Joe he is. Ain’t that cute?

Regardless, the film is very much worth seeing, for the implications it offers regarding the super rich in this country … of their inability to understand the hopes and dreams of the rest of us, of their inability to see that we aren’t here as chattel for their amusement.  To me, that was the most powerful message of all in the film, like Les Miserables in a wrestling ring.

________________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Paper Lions: George Plimpton, my mom, and me

Thanks to Deb Lowrance of Columbia City’s Peabody Public Library for finding this article and sending it to me. I love the movie reference and the photo of little me with author and raconteur George Plimpton, but I adore what they say about my mom Susie Duncan Sexton even more!

 

Plimpton Article

And the letter I received from Mr. Plimpton back in the day (after the meeting detailed in the above article) …

 

Plimpton Letter

________________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Reel Roy Reviews … VIDEO: Vlog the Impaler

My publisher www.open-bks.com has been nagging me to start a video component to my blog  … So here is my pathetic attempt. Click here to view. Enjoy! Also, my mom’s website as mentioned in the clip is www.susieduncansexton.com – go buy our books here and here! Pretty please?

________________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Volume 2 is number 2 … right now on Amazon

Thanks, everyone! What an exciting Oscar Nomination Thursday for Reel Roy Reviews! Get your copy of the latest volume here.

 

IMG_1285

Thanks to Columbia City Post & Mail for coverage of Volume 2!

Thanks to the Columbia City Post and Mail for this coverage of the release of Reel Roy Reviews, Vol. 2: Keep ‘Em Coming – available now to order at Amazon: http://www.amazon.com/Reel-Roy-Reviews-Keep-Coming/dp/0692360433/ref=asap_bc?ie=UTF8

Post and Mail coverage of RRR2

Click to view larger version

 

Volume 2 now available on Amazon – just ask my parents!

Reel Roy Reviews 2

Reel Roy Reviews 2

You can now purchase Reel Roy Reviews, Vol. 2: Keep ‘Em Coming!” on Amazon in whatever form you like (paperback, Kindle … well, that’s about it). Click here – please, click here – buy the d*mn thing. It’s good – I promise! :)

Wait … if you don’t believe me … just ask my parents. They are TOTALLY objective here …

Excellent – honest – fun – intelligent reviews! These reviews of current films and concerts are perfect pieces reflecting the state of entertainment and the amount of creativity, or lack of creativity, that is found in each endeavor. And unlike some reviewers who take themselves too seriously, Roy uses humor and good sense to make this book enjoyable and pure pleasure. Highly recommended. – Don Sexton

Night at the Museum

Night at the Museum

About time a genius emerged from our vast family tree…and here he is…brilliant, fair-minded, entertaining, and provocative. The other genius in our genealogy served as Harry Truman’s secretary…so it has indeed been awhile. Buy this book…volume II and enjoy the reverence for and keen judgment of the film industry…casts, characters, scripts, cinematography, special effects or lack of them, themes, and all delivered with authority and humor from an astute author and fun and witty critic! He is the best! Gene Siskel, move over!Susie Sexton

So, there you go! And if you can’t trust the parents of a shameless self-promoter like me, whom can you trust?

Legal News coverage: Law firm VP to publish second book of film and media critiques

Thanks to The Legal News for this coverage (click here for digital version) …

RRR2 Legal News Coverage 1 7 14

“Keep ’em coming!” is something Roy Sexton’s readers have said frequently over the past dozen months since the release of his first book of film reviews, Reel Roy Reviews: Keepin’ it Real.

000_0007Sexton, a resident of Saline/Ann Arbor, started out penning saucy missives about the latest Hollywood blockbusters at his blog www.reelroyreviews.com, but lately he has been writing more about theatrical productions, concerts, and other live musical performances, as well as conducting the occasional interview.

In his latest book Reel Roy Reviews, Vol. 2: Keep ‘Em Coming!, Roy reviews Sting’s new musical The Last Ship, offers musings on shows by Lady Gaga, Cher, Randy Newman, and Katy Perry; and has written one of the snarkiest pieces you will ever read about a Transformers film.

hindbaugh__me__edna__don_and_roy_0005Open Books Technical Editor Kelly Huddleston observes, “Honest, humorous, witty, delightfully snarky… Sexton’s approach to movie, concert, music, and theatre reviews rivals that of legendary Gene Siskel. If you loved the first volume, then you are sure to enjoy Volume 2: Keep ‘Em Coming.”

Fellow author Tom Joyce (The Freak Foundation Operative’s Report) adds, “The guy’s obviously a hardcore film geek, who’s seen a ton of movies and has a good sense of what makes a quality film. But there’s an element of populism to his approach that I see lacking in a lot of film reviewers. He understands that sometimes you’re just not in the mood for a transcendent redefinition of the cinematic art form. Sometimes you just want a fun night at the movies. In other words, he doesn’t review like a serious student of cinema, so much as a regular person who just happens to really like movies. And, since that description fits me and — I’d venture to say — the vast majority of movie viewers that makes his reviews enormously engaging.”

Legal News RRR 2 Banner

Reel Roy Reviews, Vol. 1: Keepin’ It Real was released on the Open Books (www.open-bks.com) imprint in February 2014, and this second volume is available for pre-order now (print edition and digital downloads distributing mid-January 2015). Both volumes will also be available on Amazon, iTunes, and Nook. The books can be found in Southeast Michigan at Dearborn’s Green Brain Comics and Ann Arbor’s Bookbound and Common Language book stores.

animals_and_us_0010In the second volume’s introduction, Sexton writes, “As my blog rolls into another year of entertainment, rife with comic book adaptations, sequels, Oscar bait, arena shows, and theatrical productions big and small, sometimes I wonder if I am choking the life right from this hobby of mine. Can you imagine if every time you saw a film that your OCD tendencies forced you to rush home, throw some quippy hoo-ha on the internet, and wait eagerly for 3.5 comments to appear? Ah, well, it’s still too much fun to stop now—anticipate Volume THREE Roy’s Movie Migraine shortly.”

Sexton, son of Don and Susie Sexton, grew up in Columbia City, Indiana. His mother (www.susieduncansexton.com) is also a published author, whose two essay collections Secrets of an Old Typewriter and More Secrets of an Old Typewriter, are published by Open Books.

Roy earned his Bachelor’s degree from Wabash College in 1995 and is a 1997 graduate of The Ohio State University, where he earned his Master’s degree in Theatre. In 2007, Roy graduated with his MBA from the University of Michigan. He is a graduate of Leadership Detroit, is a governor-appointed member of the Michigan Council of Labor and Economic Growth and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012. He is currently participating in the Ann Arbor/Ypsilanti Chamber of Commerce’s yearlong Leadership A2Y program, and he is an active member of the Legal Marketing Association.

animals_and_us_0003Roy has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. Sexton is Senior Vice President of Corporate Affairs for Trott Law, P.C., a Farmington Hills, Michigan-based real estate law firm.

Prior to joining Trott, Roy spent 10 years in various planning and communications roles at Oakwood Healthcare System, serving as the Corporate Director of Strategic Communications and Planning. In this role he led a staff of 20 marketing professionals and developed the strategic direction for the $1 billion health care system.

wedding_of_susie___don_0005Sexton has been an active participant in the local theatre scene for nearly twenty years, having appeared in a number of productions. Sexton most recently performed in The Penny Seats’ sold out run of the Tom Lehrer cabaret Tomfoolery at Conor O’Neill’s in Ann Arbor. Prior to that, Sexton had the lead role in Ann Arbor’s Penny Seats production of the Neil Simon/Cy Coleman/Carolyn Leigh musical Little Me, playing seven different characters. He is a co-founder of the theatre company. He was featured as Professor Callahan in Legally Blonde the Musical at Farmington Players, and he played Georg Nowack in She Loves Me with The Penny Seats. He has also appeared in Goodnight Desdemona (Good Morning Juliet), What Corbin Knew, Oklahoma!, The Pajama Game, Company, Bells are Ringing, Rags, Side by Side by Sondheim, The Taming of the Shrew, Fiddler on the Roof, The Fantasticks, The Merry Wives of Windsor, Ah, Wilderness!, God’s Country, The American Clock, As You Like It, Tartuffe, The Battle of Shallowford, Trout, and The Merchant of Venice. He is also an active cabaret performer.

Sexton comments, “Thanks to all those people out there who support with their time, their money, their attention popular art in all its varied forms. Now go see something fun and tell all your friends about it! That’s the best kind of reviewing in the world.”