A Willy Loman for the internet era: Birdman (The Unexpected Virtue of Ignorance)

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As a theater person who loves superheroes, Birdman (The Unexpected Virtue of Ignorance) was the perfect cinematic storm for me: a film about an actor who walked away from a superhero franchise at the peak of his box office powers in order to rediscover his pretentious inner-theater muse … quite an intoxicating brew for yours truly.

Michael Keaton, whom I admit was most appealing to me back in his Mr. Mom days, plays the title character, an actor named Riggan Thomson. The film tracks the Quixotic enterprise to mount his own adaptation of a Raymond Carver short story … starring himself … and directed by … himself. If that conceit weren’t so believable in this egocentric day and age, it would be absurd. Keaton does his manic best, aided and abetted by director Alejandro González Iñárritu (Babel) and his woozy one-continuous-take cinematic approach, to convince us that he is a failed superstar on the verge of a nervous break down.

After a clunky, self-aggrandizing first act, where all the players seem to be channeling Robert Altman-esque self-indulgence, the film kicks in and the enterprise becomes dizzyingly entertaining. Keaton is surrounded by a cast of superstars from Emma Stone playing his rehab-quirk-addled daughter to Zach Galifianakis as his neurotic consigliore to Edward Norton who steals the show as his Brando-ized Method (!) Acting co-star.

Once Norton enters the scene, the film finds its groove. (Norton can do no wrong in my book). Norton (both in character and in real-life) gives Keaton a similarly monumental ego against which to clash, and their scenes together are dynamite. The two actors create sparks as they literally beat each other to bloody pulps in their rehearsals for what appears to be one of the most turgid dramas that could ever grace the Great White Way. Norton is the saving grace (and secret weapon) of this film.

Birdman goes a long way to skewer our superhero-obsessed culture, casting many veterans of the genre, including Keaton (Batman), Norton (The Incredible Hulk), and Stone (The Amazing Spider-Man). They knowingly wink at the camera, actors who long for real parts to play but who have been forced to play spandex-clad clowns (or their paramours) to pay the mortgage.

I will add, though, that, like some lesser Oscar-bait films, the metaphors are laid on a little thick. This film is no Being John Malkovich, with its thrilling heights of meta-lunacy. Riggan literally (there’s that word again) cuts off his nose to spite his face by the movie’s conclusion. You don’t get much more obvious than that … unless Riggan had actually bitten that hand (audience member’s? producer’s?) that feeds. If the movie had been any longer, I bet he would have.

What the film gets so, so very right is the petty, competitive, ugly world of theater, rife with people who claim to be part of a larger artistic community but who can’t wait to plunge the proverbial ice pick in the back of a scenery-chewing costar. And, there is a wonderful moment in the film where Keaton says everything every actor has ever wanted to say to a theater critic. He eviscerates a New York Times pundit over drinks in a speakeasy; she, the gate keeper of all Broadway success, is excoriated by Riggan for what he sees as her lack of actual artistic credibility, channeled as it is into destroying the hopes and dreams of those treading the boards. It is a highlight of the film, which spectacularly identifies the Faustian pact that performers make with the media to promote and support their unyielding insecurities.

As an aside, this film made me think about what kind of creative person I am, both as an actor and a critic. I have acquaintances who are what one might call more “artistic” than I … or perhaps more “affected” if one is being cruel. In this blog, I don’t write about camera angles or nuance or sociopolitical constructs … at least not much. I write about my visceral response as a regular person wandering from multiplex to multiplex. I don’t know if that makes me a good critic or bad critic … a good witch or a bad witch. And I don’t really care.

That’s the joy of social media and blogging. People in the Fourth Estate might resent that there are folks out there like yours truly writing our thoughts for all the world to see. Well, get over it.

This film nails how creative people tear each other down for a lack of external validation. We are extremely, unnecessarily competitive. Sometimes we’re overtly harsh to each other in our commentary, and sometimes our absence of comment is even more so. I will never understand that. I remember vividly a dinner conversation after a local performance of Legally Blonde the Musical. (Yeah, I was in that show.) My cast-mates let me know how some other community theater types had seen the production and had identified at length all the things they thought we were doing incorrectly. WTF?!?  It was Legally Blonde the Musical.  It’s a cruise ship show.  A cartoon. This ain’t Hamlet, kids. Why anyone who is in community theater (myself included) would knock someone else’s community theatre show is beyond me. But I digress.

Back to Birdman. While I applaud Iñárritu’s efforts to create a Rube Goldberg cinematic style that sweeps us seamlessly from one scene to the other – in what appears to be a two hour continuous take – at times, it was a bit visually nauseating for me.  Or maybe that’s his point: when anybody launches into the fool’s errand of performing live theater, it is an experience that creates headaches, stomachaches … visceral highs and lows.

I will admit that I didn’t love this movie. It felt more like a student exercise at times than a fully-realized film. But I often find myself on the outskirts of what critics hail as artistic entertainment. The movie goes to great lengths to lampoon those films that the masses adore; yet, it misses the fact that most of us go to movies for escapism not torture.

Regardless, I found myself compelled by Keaton’s performance, a Willy Loman for the internet era, who sells his soul for credibility yet only finds validation when he accidentally lands on YouTube.

I believe the writers stole a bit from Carol Channing’s life, If I recall, she tells a wonderful story of being locked in the alley during a performance of Hello, Dolly! having to come around to the front door and enter through the audience. Granted, she was in full costume and not dingy BVDs like Keaton’s Riggan Thomson. And maybe that’s most obvious and most appropriate metaphor of all. The emperor is not wearing any clothes.

Musical postscript …

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Tomfoolery Sells Out Every Show. Encore Date Added!

Roy Sexton (Reel Roy Reviews):

Another great night of Tomfoolery – sold out – and hardly any tix left for November 9! Thanks to Diane Hill, Naz Edwards, Rich Geary, Kelly Little, Jim Lynch, Melynee Weber, Nina and Bob Schwartz, Jason Ringholz for coming this week and to anyone I missed! I’m spent! Read more below…

Originally posted on The Penny Seats:

Guys. Can you believe it?  Our little show, Tomfoolery, sold out Every Single Performance at Conor O’Neill’s this month. Every single one!  How thrilling!  We filled the restaurant.  We sang our hearts out.  We even got to talk about it on the radio.  The phone rang off the hook all month, and we’ve been overwhelmed with support and warm fuzzy goodness.

Which brings us to this:  Due to high demand, we added one additional performance: Sunday, November 9th. Same time, same place, same everything.  Just on a Sunday.  Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Click here to buy tickets, or just call us at (734) 926-5346.

Brent, Roy, and Matt sing a Southern Song.

Brent, Roy, and Matt sing a little Southern Song.

We were thrilled at the reception this got, from patrons and critics alike. See this awesome review for Encore…

View original 182 more words

“In fact, they should ‘be prepared’ to spend every week at Conor O’Nell’s. I’m expecting a long, long run …” Additional performance date added for Penny Seats’ Tomfoolery (Sunday, November 9)

Irish Ballad (Photo by Victoria Gilbert)

Irish Ballad (Photo by Victoria Gilbert)

Through the month of October, The Penny Seats enjoyed a sold-out run of the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer, at Ann Arbor’s Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies have partnered to offer this cabaret-style show, with dinner seatings available starting around 6:00 pm, and performances at 8:00pm. Due to high demand, an additional performance date has been added: November 9. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Silent E  (Photo by Victoria Gilbert)

Silent E (Photo by Victoria Gilbert)

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline. Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor). Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Poisoning Pigeons in the Park  (Photo by Victoria Gilbert)

Poisoning Pigeons in the Park (Photo by Victoria Gilbert)

In his review for Encore Michigan, Martin F. Kohn writes, “A spirited four-person cast and piano accompanist have a ball with such Lehrer favorites as ‘Be Prepared’ (‘Don’t solicit for your sister, that’s not nice/ Unless you get a good percentage of the price’), ‘The Masochism Tango’ (‘You can raise welts/ Like nobody else’), ‘The Vatican Rag’ (‘Ave Maria/ Gee it’s good to see ya’) and ‘The Irish Ballad’ (‘She weighted her brother down with stones/ Rickety-tickety-tin…/And sent him off to Davy Jones’). … Matt Cameron, Laura Sagolla, Roy Sexton and Brent Stansfield are lusty singers whose appreciation for the material is fully evident. … Director Lauren London has added inspired props and bits of business to many of the numbers.”

Masochism Tango  (Photo by Victoria Gilbert)

Masochism Tango (Photo by Victoria Gilbert)

Fellow critic Davi Napoleon observes, “I suppose it’s kind of mean to tell you how much fun Tomfoolery is – they keep adding chairs to accommodate the crowds, but I doubt the room at Connor O’Neill’s will even have SRO for the next show. But really, it’s that much fun. … Maybe The Penny Seats can be talked into extending the run. … In fact, they should ‘be prepared’ to spend every week at Conor O’Nell’s. I’m expecting a long, long run …”

I Hold Your Hand in Mine  (Photo by Victoria Gilbert)

I Hold Your Hand in Mine (Photo by Victoria Gilbert)

With the announcement of the additional performance, music director Rebecca Biber notes, “I am excited for this encore show, as I never grow tired of the material. Lehrer is a master satirist, not only of cultural tropes and historical moments, but of music itself.   He will pair a romantic parlor waltz with ghoulish lyrics, or use a peppy march to skewer jingoism and lockstep thinking. He always picks his musical forms for maximum humor and maximum discomfiture, and that funny/squirmy quality keeps us performers as engaged as our audience.”

She's My Girl  (Photo by Victoria Gilbert)

She’s My Girl (Photo by Victoria Gilbert)

Cast member Brent Stansfield, a faculty member at the University of Michigan, echoes this sentiment, “The show combines all my favorite things in life: satire, science, jest, education, politics, math, irony, and of course music. Better yet, it does it in a smart, sassy, gleeful, and naughty way. The Penny Seats cast and crew is also smart, sassy, gleeful, and naughty and they bring an ocean of joy and verve to these songs. Best of all, ‘Tomfoolery’ is tailor-made for an Ann Arbor audience who, as I have now learned, can be relied upon to bring their own smarts, sass, glee, and naughtiness! Each show has been raucous and I have had so much fun performing in it.”

Folk Song Army  (Photo by Victoria Gilbert)

Folk Song Army (Photo by Victoria Gilbert)

Gonna Go Back to Dixie  (Photo by Victoria Gilbert)

Gonna Go Back to Dixie (Photo by Victoria Gilbert)

Director Lauren London, who was recently interviewed about the production alongside Conor O’Neill’s Caroline Kaganov for The Lucy Ann Lance Show, adds, “This show has been a pure delight, from the first rehearsal through every single performance. It plays to our strengths as a company and fits perfectly with the jovial tone at Conor O’Neill’s. It’s a comfortable, fabulously funny night, and we’re ecstatic that so many people want to experience it. This is one of those lightning-in-a-bottle moments for us. We couldn’t be happier with Conor’s as a partner, and I hope we have the chance to do this again, soon!”

We Will All Go Together  (Photo by Victoria Gilbert)

We Will All Go Together (Photo by Victoria Gilbert)

Stansfield concludes, “Tom Lehrer’s work is beloved for good reason. He’s a sharp intellectual with a gallows humor (much like some of my other heroes: Edward Gorey, Ambrose Bierce, George Romero, et alia) and his songs are at once titillatingly dark and eerily catchy. His wit is incisive but never derisive. It’s so easy to fall in love with these songs that performing them for people who have never heard them before is an honor as much as it is a pleasure. I’ve been so excited to work with The Penny Seats again. Every rehearsal has been full of playfulness and silliness, and our director, Lauren London, has managed to funnel all of that love and sweat directly into the show. It’s 90 minutes of frenetic romp, but after each performance I’ve felt like doing the whole thing again. Well, maybe after a cold pint of beer. We are performing it in one of Ann Arbor’s best pubs, after all.”

For more information, visit the group’s website, www.pennyseats.org, or call 734-926-5346.

Tomfoolery

Tomfoolery

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

WAHOO! We’ve added an encore date of Tomfoolery! November 9

Matt Cameron and Yours Truly

Matt “Smut” Cameron and Roy “Prurient” Sexton (Photo by Victoria Gilbert)

Wow – this Tomfoolery is such a fun show to do! We’ve added an encore date to our sold-out run of Tom Lehrer’s Tomfoolery: November 9, dinner around 6 pm, show 8 pm – get your tickets pronto here.

Thanks to Mark Lezotte, Patti Little, John DeMerell, Rebecca Hardin and family, Rebecca Dale Winder, Nan Reed Twiss, Ian Reed Twiss, Jim and Linda O’Hara Cameron, Ed and Anne Young, Esther Dale, Leslie Pardo, Steve Pardo, and, heaven knows, anyone I missed who came to see the show last night! Such an appreciative and delightful audience, and we (Laura Sagolla, Lauren M. London, Matt Cameron, Brent Stansfield, Rebecca Biber, Skippy Hankes) seem to be hitting our stride. This show is just unadulterated yet saucy fun! TWO more shows now – 10/23 is sold out, but tickets are still available for 11/9. Don’t miss it!

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Brent "Shredder" Stansfield (Photo by Victoria Gilbert)

Brent “Shredder” Stansfield (Photo by Victoria Gilbert)

Through the month of October, The Penny Seats have enjoyed a sold-out run of the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer, at Ann Arbor’s Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies have partnered to offer this cabaret-style show, with dinner seatings available starting around 6:00 pm, and performances at 8:00pm. Due to high demand, an additional performance date has been added: November 9. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline. Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor). Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Laura Sagolla and Lauren London (Photo by Victoria Gilbert)

Laura “Tectonic Plates” Sagolla and Lauren “Plate Tectonics” London (Photo by Victoria Gilbert)

In his review for Encore Michigan, Martin F. Kohn writes, “A spirited four-person cast and piano accompanist have a ball with such Lehrer favorites as ‘Be Prepared’ (‘Don’t solicit for your sister, that’s not nice/ Unless you get a good percentage of the price’), ‘The Masochism Tango’ (‘You can raise welts/ Like nobody else’), ‘The Vatican Rag’ (‘Ave Maria/ Gee it’s good to see ya’) and ‘The Irish Ballad’ (‘She weighted her brother down with stones/ Rickety-tickety-tin…/And sent him off to Davy Jones’). … Matt Cameron, Laura Sagolla, Roy Sexton and Brent Stansfield are lusty singers whose appreciation for the material is fully evident. … Director Lauren London has added inspired props and bits of business to many of the numbers.”

Fellow critic Davi Napoleon observes, “I suppose it’s kind of mean to tell you how much fun Tomfoolery is – they keep adding chairs to accommodate the crowds, but I doubt the room at Connor O’Neill’s will even have SRO for the next show. But really, it’s that much fun. … Maybe The Penny Seats can be talked into extending the run. … In fact, they should ‘be prepared’ to spend every week at Conor O’Nell’s. I’m expecting a long, long run …”

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common

Watch me get kicked out of Seth Rudetsky’s master class Nov. 2 (Plus, Tomfoolery update!)

Tomfoolery Cast (Photo by Victoria Gilbert)

Tomfoolery Cast (Photo by Victoria Gilbert)

Second performance of Tomfoolery was a hit! What a fun night – with a record attendance for us li’l Penny Seats!

Thanks to everyone who attended (and anyone I missed):

Roxane Raffin Chan and Kevin Chan, Magda Gulvezan and Dan Johnson, Sam Gordon, Linda Hemphill, Angie Choe and Sean, Jeff Weisserman, Barbie Amann Weisserman,  Bob Hotchkiss, Beth Kennedy, Nick Oliverio, Meredith Brandt, Alex and Cristina Rogers, Davi Napoleon, Jason Gilbert, Trista Selene Kreutzer-Whalen, Roxanne Kring and Joe Diederich, Kyle Lawson, Sean Murphy, Rachel Green Murphy, the Biber family, and Ryan Lawson.

Get your tickets, kids, for 10/16 or 10/23 – they are almost all gone … and that’s no “tomfoolery” -  http://pennyseats.org/box-office/

Seth RudetskyAND, thanks to the Farmington Players and Amy Becker Lauter for including me among Seth Rudetsky’s “students” for their upcoming master class with him on November 2 from noon to 3 pm.

Should be fun! I’m honored to be a part of this. He might kick me out of class – you don’t want to miss that!!  Here’s the event description (tickets available here) …

The Farmington Players Barn (Photo by Don Sexton)

The Farmington Players Barn (Photo by Don Sexton)

You may know Seth Rudetsky from his Sirius/XM Satellite Radio show “Seth’s Big Fat Broadway” or his viral “deconstruction” videos on YouTube where he breaks down the elements of classic musical theater songs and singers. Now our local performers and patrons have the opportunity to participate in a Master Class Workshop.

A varied and talented group of local performers have been selected to Sing for Seth – and for you! They will each get personal attention and will receive advice on how to improve their audition and overall performance skills.

Registration is still open to be an audience member for only $25! You will learn from the advice Seth provides to the singers – and get to experience some of the area’s finest performers.

  • Taylor Alfano
  • Tony Battle
  • Rachel Biber
  • Gary Castaneda
  • Joshua Coates
  • Katie Dodd
  • Elizabeth Heffron
  • Joel Hunter
  • Grace Knoche
  • Maryanna Lauter
  • Amy Malaney
  • Marc Meyers
  • Roy Sexton (ME!)
  • Nina White
  • Jason Wilhoite

The event begins with an informative lecture from Seth, continues with each of the Master Class Students’ performances and ends with a Q&A – so come prepared with a question.

This is a once in a life time opportunity so register today!

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Get those Tomfoolery tickets … regardless your state of origin or spelling ability

Thanks to The Columbia City, Indiana Rotary for the Tomfoolery shout out (lower right corner below). Er … translation of what you will discover therein: “Carmen O’Neill’s” in “An Arbor” would be “Conor O’Neill’s” in “ANN Arbor.” :)

(Possible song inspiration for Lehrer … or London?)

Get your tickets, regardless your state of origin or your spelling ability, at http://pennyseats.org/box-office/

#readingisfundamental, #spellcheck, #gottalovehometowns, #cute, #pennyseats, #annarbor, #conoroneills, #michigan, #tomlehrer, #tomfoolery, #rotary

Rotary!

Rotary!

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“More to do with the delicatessen than the synagogue.” Jewish News covers The Penny Seats production of Tom Lehrer’s Tomfoolery

Wonderful coverage from The Washtenaw Jewish News - read the scan below. And more Tomfoolery news: Conor O’Neill’s has graciously opened up a few more seats for us this week. If you’d hoped to see the show this Thursday, October 9 and were bummed that you missed out on tickets, here’s your chance!

Also, we’re keeping a wait list for the sold-out show on the 16th and hope to open up more seats for that day soon! Plus, our final show October 23 still has availability. Visit www.pennyseats.org/box-office or call (734) 926-5346.

 

Jewish News coverage of Tomfoolery

Jewish News coverage of Tomfoolery

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Transformers: Age of Extinction – now on home video … “Should you be tempted to rent it … well, consider this a public service announcement.”

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

Transformers: Age of Extinction

Thanks to wonderful Tom Joyce for re-posting my review of the godawful Transformers: Age of Extinction (on home video today). Tom writes:

The DVD release date of “Transformers: Age of Extinction” will be here in less than two hours, Eastern Standard Time. I believe that movie coming out on DVD, along with a hail of fire and the oceans turning to blood, is one of the signs of the Apocalypse cited in the Book of Revelation. Beware. Anyway, film reviewer Roy Sexton of Reel Roy Reviews has generously allowed me to run his review from the movie’s original theatrical release here. Should you be tempted to rent it … well, consider this a public service announcement.

Read the rest here: Transformers: Age of Extinction Review.

The music of Tom Lehrer – Penny Seats “Tomfoolery” cabaret opens this Thursday, October 2

Be Prepared

Be Prepared

The Penny Seats return to the stage this October with the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer. The production also includes an opening short—a 5-minute mini-musical called Volcanoes!!—composed by Ann Arbor’s Zach London, who cites Lehrer as an early inspiration.

Production photos by Victoria Gilbert – view more here.

 

Hunting Song

Hunting Song

Silent E

Silent E

Generation X knows Lehrer best as having written the songs for Electric Company (“Silent E”), but he also wrote a number of satirical songs in the 50s and 60s for shows like That Was The Week That Was, The Frost Report, and The Steve Allen Show as well as his own concerts.

The Elements

The Elements

Irish Ballad

Irish Ballad

Lehrer observed, “I know it’s very bad form to quote one’s own reviews, but there is something the New York Times said about me [in 1958], that I have always treasured: ‘Mr. Lehrer’s muse [is] not fettered by such inhibiting factors as taste.’“

Volcanoes

Volcanoes

Volcanoes

Volcanoes

Tomfoolery will run on Thursdays, October 2, 9, 16 and 23, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies are partnering to offer a cabaret-style show, with dinner seatings available starting at 6:30 pm, and performances each night at 8:00pm. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at pennyseats.org or by phone at (734) 926-5346.

Smut

Smut

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline. Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor).

 

 

Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Folk Song Army

Folk Song Army

 

 

 

 

Lauren says of the piece, “This show is a guilty pleasure for us. It’s pure, brash, silliness, presented with gusto in a bar setting. So many of us remember Tom Lehrer’s acerbic, satirical songs from our childhood (Electric Company, “Poisoning Pigeons in the Park,” “Pollution”). In particular, we recall that feeling of not knowing whether our parents would approve, but presuming the worst. We snuck around, giggling and singing these songs to each other eagerly, reveling in their mischievousness; it’s wonderful to celebrate them loudly now, in all their glory. And Zach’s short piece, Volcanoes!!, is a fitting opener. It pays homage to Lehrer in its tone and staging, and will, I think, get patrons in the right frame of mind for the evening.”

Wanna Go Back to Dixie

Wanna Go Back to Dixie

Folk Song Army

Folk Song Army

 

 

 

 

 

 

 

 

 

 

Sexton adds, “The show, originally conceived by Cameron Mackintosh (Phantom of the Opera, Les Miserables), celebrates the music of Tom Lehrer, a comic misanthrope who makes Lewis Black and Jon Stewart seem like Mr. Rogers and Spongebob Squarepants.”

Vatican Rag

Vatican Rag

Wiener Schnitzel Waltz

Wiener Schnitzel Waltz

 

 

 

 

 

 

 

 

The company is also thrilled to partner with Conor O’Neill’s, a cornerstone of Ann Arbor’s downtown scene. “Conor’s has been a delight to work with,” says Lauren. “We’re thrilled at the support they’ve given us at every stage, and can’t thank them enough. It’s gratifying to be able to offer theatre patrons the incredible food, personalized service, and value that make Conor’s such a satisfying place. We can’t wait.”

Our Director

Our Director

The show continues a successful 2014 season for The Penny Seats, who presented an acclaimed production of Elektra this July in West Park. The group is now in its fourth year of operation and continues to be overseen by a volunteer staff from the Ann Arbor area. (Later, The Penny Seats will re-team with 826 Michigan for their annual Five Bowls of Oatmeal performance, featuring short plays written by local schoolchildren in the Ann Arbor and Ypsilanti area.)

For more information, visit the group’s website pennyseats.org or call 734-926-5346.

Production photos by Victoria Gilbert

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Tomfoolery

Tomfoolery

 

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Ann Arbor Observer: “Tomfoolery … Nothing but fun” by Davi Napoleon

Davi Napoleon wrote this wonderful article for the Ann Arbor Observer on our production of Tomfoolery (opening next Thursday at Conor O’Neill’s here in Ann Arbor) – such a nice story, and we look suitably like lunatics in the accompanying photo (which is TOTALLY accurate)! Enjoy, and get your tickets at pennyseats.org/box-office/

Davi Napoleon Article on Tomfoolery from Ann Arbor Observer________________________

Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.