Tongues in Trees*: Ignorance is not bliss – a new appreciati​on for Ann Arbor’s Summer Festival

Ignorance is Not Bliss

Ignorance is Not Bliss

When Pat and Marjorie Lesko approached me after my recent book-reading at fabulous local treasure Bookbound and asked if I would like to be a regular contributor in their pages, I was thrilled.

[Alas, this is likely the last contribution I shall make. Another story for another day.]

However, their movie review slot was already taken. (Phooey! but if you want to read my views on popcorn epics, please check out my blog at www.reelroyreviews.com…oh, right, you’re already here!) So they said to me, “How about culture? You’re a theatre guy. You must love to write about culture. I mean, this is Ann Arbor!”

“You got it!” I sheepishly replied, fearful to reveal my true colors as a pop maven who prefers “The Harlem Shake” over Shakespeare, The Mighty Thor over Jane Austen, and Kathy Griffin over the ballet.

[You can read my first contribution to The Ann Arbor Independent about Ann Arbor's Performance Network Theatre by clicking here.]

Pat, ever the good journalist, could see right through my ruse. “You haven’t gone to anything here, have you? No festivals, no art installations, no opera?” The jig was up. I suspected that my seven-year-successful-dodge of anything of artistic substance was about to come to a crashing halt.

Her next comment surprised me even more: “Good! Then you’re a blank slate. Write about that!” And like rat-a-tat Rosalind Russell from screwball classic His Girl Friday, she gave me a quick “Off you go!” and clicked off the receiver.

So … here I go. May as well start at the top … Top of the Park, that is.

Entering its 31st season, Ann Arbor’s famed Summer Festival was founded in 1984, and Top of the Park, the free outdoor cornucopia of movies and concerts and activities is arguably the fest’s most famous component. Of course, the festival is so much more, running from June 13 to July 6 with many ticketed offerings sprinkled about Ann Arbor, in addition to the outdoor events. (You’ve already read about Lily Tomlin’s opening weekend concert in The Ann Arbor Independent – I wonder if Pat would let me do those interviews in the future? Hmmm. I better be a good kid!)

If you want to find yourself overwhelmed, just check out the festival’s comprehensive website at www.a2sf.org – talk about sensory overload.

Ann Arbor Summer FestivalIf I have any (feeble) defense to offer for our household’s neglect of this Ann Arbor mainstay, it may be that, for a Tree Town neophyte, all of this activity can shut down a person’s central cortex. If you don’t know where to start or even how to navigate the various locations and parking challenges therein, you might be tempted to just to head to the Rave or Quality and watch the latest Channing Tatum/Michael Bay/Pixar offerings with their predictable start times, easy access, and pre-digested storylines.

However, the evil geniuses at the festival must have anticipated this quibble, and they have introduced a mobile app (free!) that can be your pocket guide to all things Fest related. Having done a quick spin through the app, they nailed it. It’s easily searchable, responsive, social, interactive and with just the right amount of content to help you have a good time. Kudos!

So, now that I have no excuses, I turn to the people who may shake their heads in shame at my ignorance but love me anyway – my long-time Washtenaw County-based pals – for some much-needed guidance and advice. (I won’t divulge who, but I did have one comrade-in-arms who emailed, “I have never been there [Summer Fest] either. Don’t tell anyone!”)

Rebecca Hardin, associate professor at U of M’s School of Natural Resources and Environment (not to mention someone who has suffered playing my spouse in The Penny Seats’ production of What Corbin Knew and helps host the fabulous radio show It’s Hot in Here on WCBN, Friday from 12-1 pm), offers,  “Highlights of past summer festivals, for me, include the acrobats from Australia towering over assembled crowds on enormous stilts, swaying among the roofs of Rackham, the Michigan League, and the Alumni Center, in brightly colored clothes. I also loved the eruption of local talent ‘from the ground up’ during a Bollywood flash mob dance moment…just look for ‘Bollywood flash mob connects communities’ on YouTube. Nothing compares to the chance to see local bands like Hullabaloo, eat local brands like Sylvio’s Organic Pizza, and just be, together with so many other Ann Arborites, grateful for the beautiful evenings.”

Clearly, Rebecca’s comments get to the heart of what makes Ann Arbor – and any of its various activities like Summer Fest – so special: spontaneity, creativity, involvement. And what a wealth of opportunities there are.

Beth Kennedy, Ann Arbor teacher and blogger (check out her witty ididnthavemyglasseson.com for a nostalgic yet fresh look at life in Michigan), concurs, “I love the music, people of all ages getting up to dance together, uninhibited,  feeling the rhythm. I love that they moved it from ‘top of the park’ on top of the parking structure down to street level and never went back up to the cement wasteland. That change alone puts people in a very festive and friendly mood. The beer garden is nice … I have never seen anyone unruly while there … a good thing. Most events are free, except for a few headliners. As a teacher, I adore that they have had the children’s bands perform here, giving them a friendly open space to play, with a receptive audience. I do wish there were more food stand choices, but those seem to be growing each year. Free movies at dark are great with classics and cult films. I will add that family ones are challenging because most kids are asleep by that time but that is just a consequence of Daylight Savings Time, alas!”

The challenges of kids, movies, and late sunsets seem to be a common refrain.

Ian Reed Twiss, an Ann Arbor resident and the pastor at Saline’s Holy Faith Church, remarks, “When the weather’s good, Summer Fest is a lot of fun to hang out and just listen to music. They have had some great high-wire and circus-type acts out on the green as well.  When we were childless, we used to go for the outdoor movies too, but haven’t done THAT in a while. We haven’t participated in any of the ticketed items at, say, The Power Center, but the offerings look great.” (As an aside, Ian mentioned another event to pass along. Summer is a month of fun but it can also be a great time to re-establish community. “et al,” a group aiming to create an inclusive and affirming environment for LGBT individuals and families in the Saline community through education and legislative advocacy and support, hosted a Gay Pride event on June 20, at Mill Pond Park in Saline.  It was a meet-and-greet, and local political leaders attended. It was co-sponsored by the Saline High Gay Alliance “Spectrum” and Diversity Circle. Thanks, Ian!)

Top of the Park definitely is the gateway for most attendees to Summer Fest’s offerings overall. One downside is that there seems to be some disconnect between the ticketed fare and what people commonly think of when they hear the words “Ann Arbor Summer Festival.”

Rebecca Biber, local music instructor, pianist, and conductor, remarked, “Is that where they have Top of the Park?  I have enjoyed an outdoor movie on occasion, because there is beer for the adults and the audience tends to have good camaraderie, yell out lines, and so on.  And some of the local bands are good.  Actually, this month on my birthday, the Fest is featuring two bands I have been meaning to see for years: The Crane Wives and the Ragbirds.  If you are up for some on-site research, I would love to drag you along.”

[Note: I did attend and it was fabulous!]

Well, look at that? My Summer Fest dance card is starting to fill up.

Linda Nyrkkanen, founder (and baker) at Flour Lab, Inc. (if you see her at the farmer’s market in Kerrytown, you must buy her cookies, eat immediately, and then buy some more), echoes Rebecca’s perspective, “I must confess that I am not a regular attender either, although I have been to a few of the free movies at Top of the Park.  The first one was the Wizard of Oz back when I was in college, and it was pretty magical seeing my favorite childhood movie under the stars with my friends. And fast forward to current times – we saw E.T. The Extra-Terrestrial a few years ago with our friends Sean and Rachel.  So fun! I don’t know if this helps you or not, but just wanted to share my limited experience.  I know the musical performances are great too, but it’s the outdoor movies that hold the most memories for me.  I think you and John should definitely try to catch one this year.”

Now that I have my marching orders, keep an eye out – you may just see us wandering about, iPhones in hand, scrolling through the many offerings, looking bedraggled, possibly dehydrated, but with big smiles on our faces as we’ve finally immersed ourselves in one of Ann Arbor’s signature events: “The Ann Arbor Summer Festival’s mission is to present a world-class celebration of arts and entertainment that enriches the cultural, economic, and social vitality of the region.” Well, all right – sounds good to me! See you next fall, Channing Tatum!

[P.S. Wonder what the heck "Tongues in Trees" indicates? One of the first monologues I ever delivered on-tage 20 years ago in Wabash College's production of "As You Like It" directed by Michael Abbott - click here ... not me reading it, but you get the drift.]

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Funky college professors who change your life … The Carolina Chocolate Drops with Grace & Tony at Ann Arbor’s The Ark

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Carolina Chocolate Drops [Image Source: Wikipedia]

Effervescent. Witty. Intelligent. … Force of nature! These are the best words I can devise to describe Carolina Chocolate Drops’ performance Wednesday night at Ann Arbor’s The Ark.

If you aren’t familiar with this group, stop reading this right now, go to YouTube and check out their stuff. I have never seen so raucous a crowd at The Ark as I did last night, jubilant and joyous and energized by the band’s world-class musicianship and delightfully irreverent intellectualism.

This group of multi-hyphenate performers have mined hundreds of years of musical history: folk, roots, hip-hop, spiritual, blues, country, bluegrass, and even Celtic rhythms to create an intoxicating brew of acoustic, string driven, pop delights.

The drum!

The drum!

While the lineup of the group has undergone some changes in recent years, lead singer Rhiannon Giddens is a mainstay. (One of the night’s biggest laughs came when she stated, “A certain pop star came on the scene a few years back [the similarly named Rihanna] … and pretty much ruined my life … I wear clothes, though.”

Giddens is a marvel. As much accomplished actress as she is exceptional vocalist and amazing instrumentalist, she breathes life into songs that veer wildly from a 200 A.D. war chant to Blu Cantrell’s one-hit-wonder “Hit ‘Em Up Style (Oops).” She makes every song her own. With wide-eyed wonder, heartfelt intelligence and charm, and an impish smile, she delivers raw roots vocals with operatic technique, all while playing nearly every stringed instrument on stage from mandolin to banjo. Many of last night’s selections focused on the mistreatment of women through the ages and the essential reclamation of female power. That may sound stuffy. It ain’t.

The band!

The band!

The talents of this quartet cannot be overstated. The Chocolate Drops’ nearly two hour set flew by. Opening with the propulsive and gripping “Country Girl” through their encore “Cornbread and Butterbeans” (which was aggressively  – and quite humorously – requested all night long by one notably vocal fan), the set was a dynamic and earthy array of the group’s best work with a handful of undiscovered gems tossed in for good measure.

I felt like I was at a fabulous party that I never wanted to end. The Chocolate Drops were relaxed and authentic, gracious and inclusive. Their repartee between songs (and during!) was both instructive and hysterically funny, like that of funky college professors whom you adore for making you laugh … and changing your life.

(The Chocolate Drops also gave some local dancers the opportunity to hit the stage and interpret their music as they were playing it. If there ever was a textbook definition of a “happening,” this was it.)

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

Grace & Tony [Image Source: Wikipedia]

Opening act, alt-country/folk/steampunk husband/wife duo Grace & Tony may have been an acquired taste for some. I loved them! By the time they played their last number, they had completely won me over. (I listened to their CD November in the car today on my way to work, and I highly recommend it – ethereal, zany, and compelling.)

Tony White (brother of The Civil Wars’ John Paul White) knows how to work his hipster winsome charm in service to songs inspired by such diverse topics as Stephen King’s book Salem’s Lot, Frankenstein’s monster, and a couple of serial killers who sold cadavers to universities in the 1800s. These topics sound ghoulish, but Tony (and Grace!) sold these cracked ditties with such saucy glee that the audience was in the palm their hands by the time the Chocolate Drops took the stage.

Thanks to our dear pal Rachel Murphy who introduced all of us to the Carolina Chocolate Drops music. And I, in turn, hooked my parents on the group and have given several copies of their spectacular CDs as gifts.

A plug for The Ark: this is a fabulous, nonprofit venue staffed by volunteers, bringing in internationally known performers many times a week. Definitely check out their schedule, and take in a show there first chance you get!

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Empathetic philosophy and ebullient heartache: Laura Benanti at Indianapolis’ The Cabaret at the Columbia Club

Benanti with my mom and me

Benanti with my mom and me

On this Tony Award weekend, we had the privilege of meeting a fabulous Tony-winner – Laura Benanti – last night at Indianapolis’ The Cabaret at the Columbia Club.

The Columbia Club

The Columbia Club

You might recall last fall that I was a staunch defender of NBC’s production of The Sound of Music (click here), which I thought suffered unfairly from a lot of social media-fueled schadenfreude. The one element that did not need defending, by me or anyone else, because it was universally lauded as perfection, was the performance by Laura Benanti as the Baroness.

Roy and Susie with poster

Roy and Susie with poster

I am happy to report that she is even more terrific in real life.

Benanti with my dad

Benanti with my dad

Throughout her fizzy cabaret show, not a note is missed – musically, comedically, thematically. She is one of the most engaging performers I’ve ever had the privilege to observe.

But even more importantly, she is kind and down-to-earth and real.
My mother and I accidentally ran into her at the elevator right before her performance. Rather then keep her distance, she walked right over to us, and with an effervescent smile, queried, “You’re coming back, aren’t you?” Of course we were! And, even though she had a two hour set to get herself psyched up for, she stood there and talked to us for several minutes.

 

 

 

I might add that she is just as gracious with all of her fans following the performance in what otherwise can be sometimes awkward for both audience and performer: the dreaded meet and greet. She takes time with each and every one and genuinely connects with all.

Almond with me and my mom

Almond with me and my mom

With my starstruck gushing aside, what about the performance itself? It is such great fun – a brilliant blend of soaring vocals, crack comic timing, cheeky irreverence, and poignant character analysis. The essence of what makes cabaret such a viable art form.

The Big Room

The Big Room

Benanti is marvelously aided and abetted by her amazing musical director Todd Almond who is as much sidekick and partner as accompanist, composing the original tunes, vocalizing with Benanti, and offering the periodic witty aside. And, by the way, he is equally personable, following the performance, happily taking my loony suggestions of pop nuggets they can skewer in their act – notably, my latest obsession Ariana Grande and Iggy Azalea’s “Problem.”

Why, might you ask was I so bold to suggest such a silly song for these accomplished musicians to perform in their act?
Susie and Roy Capone

Susie and Roy Capone

 

Well, for someone like Benanti who moves seamlessly between My Fair Lady‘s “On the Street Where You Live” to Beyoncé’s “Single Ladies” to Nine‘s “Unusual Way” (mesmerizing!) not to mention Sisqo’s “The Thong Song,” it seems a logical addition.

What you may gather from the preceding paragraph is that Benanti’s show is a gutsy synthesis of her tastes and style and identity. She wears all these songs easily … which is a remarkable gift. She is always herself yet simultaneously channeling a wild array of characters.
Benanti and me

Benanti and me

 

This tour is captured live on her album “In Constant Search of the Right Kind of Attention,” recorded at 54 Below, formerly the iconic disco Studio 54. My recommendation? Buy this album now, and enjoy it like you would a cast recording before going to see a Broadway show. The album is remarkable, but seeing Benanti act and sing these songs live is something not to be missed. There are enough variances between the album and the show to keep things interesting, and I won’t spoil the surprises here. If she comes to your town, run (don’t walk) to see her.

Most compelling is the manner in which Benanti paints a picture of her life as a perpetual (though fiercely independent) underdog. About someone so talented and beautiful, that may be hard to believe, but the reality is she has always been a quirky theater kid on the outside looking in. Amusingly, she lays bare the personal turmoils of a young girl listening to cast albums, learning to play the ukulele, and dressing up as obscure musical theater characters for Halloween.
Cheers

Cheers

 

(She also isn’t afraid to go off script, poking gentle fun at the more provincial elements of the Hoosier-land where she was performing. I love my home state, but I give Benanti many props for gently reminding her audience that tolerance and compassion and humanity are essential regardless your background or beliefs. And if one can get that message across with a smile on one’s face, it makes an impact.)

I leave you with a clip of her singing “Mr. Tanner,” a forgotten gem by Harry Chapin. This number was a highlight for me both when I first listened to the recording as well as during the live performance. It definitely gives you a sense of her empathetic philosophy and ebullient heartache. Enjoy!

[All photos by Don Sexton - more here.]

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

You’ve got a friend in me: Captain Kangaroo, blogging buddies, and movies

Captain Kangaroo

Captain Kangaroo

Facebook is fun! As some of my colleagues might tell you, I fought social media tooth and nail about five years ago, but now I can’t imagine a world without it. It breaks down barriers, opens minds, and disseminates interesting information like no other channel.

My pal Nick Sweet, a crime novelist born in England and now living in Spain, tagged me in a blog chain and asked me to answer the following questions. You can read his original post here.

But me being me … I can’t just do what I’m told. So I’m going to intersperse my answers with pages from another one of the “reviews” I wrote in my toddler years – this time about an episode of my beloved Captain Kangaroo. In fact, I adored the show so much I have my own autographed photo of Bob Keeshan as the Captain. (And you can check out Baby Roy’s take on The Bullfighter and the Lady here – thanks to my mom for saving these whimsical pages from my youth.)

Captain 1

Part of my task as assigned by Nick is also to “pay it forward” and acknowledge some bloggers that I love – please check out their work …

  • My mom Susie Duncan Sexton’s fabulous free-thinking blog about animals, culture, empathy, and understanding here.
  • Beth Kennedy’s charming musings about yesterday and today at I Didn’t Have My Glasses On.
  • Lovely Kat Kelly Heinzelman’s thoughts on family, friends, and baseball at RedSoxLady35.
  • Gabriel Diego Valdez’ careful analysis of film, culture, and social politics at Basil Mariner Chase.
  • And my fellow thespian JP Hitesman’s energetic romp through local theatre offerings at Theatrical Buddha Man.

All five blogs are engaging and challenging and informative and rich – written by kind and thoughtful souls, hoping for a better, kinder world.

Captain 2

And here are my answers to Nick’s questions …

What am I working on?

What am I not working on? Between my daily life as a legal marketer, communicator, and strategic planner and my “free time” writing this blog, getting the word out about the Reel Roy Reviews book, proudly promoting my mom’s marvelous output as an author and a columnist and an animal rights activist, trying to be a good friend and family member, sharing a loving home and minding two nutty mutts, keeping up with my weekly comic book addiction, acting in and supporting local theatrical efforts, going to concerts and movies and plays, buying an ungodly amount of cds and dvds, and on and on, I’m not sure which end is up most days!

How does my work differ from others in its genre?

Stealing this from the press release about the book … “I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster….Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.”

Captain 3

Why do I write what I do?

Also stealing from the release (lord, I’m lazy today) … “Film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story-beginning, middle, and end-introducing you to new friends, enemies, and locales in an efficiently designed delivery mechanism. With a good film, I feel you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion. … In the best movie-going experience, your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.”

How does your writing process work?

John laughs that he thinks I write my reviews as we’re still in the parking lot of the theatre. There is some truth to that. I’ve always been annoyingly analytical while watching a movie or a play or a concert – what choices were made, why, what do they say about the artist or about our culture? So all of that stuff is swirling in my head, and I quite literally have to purge it when I get home, or I lose track of the ideas and find myself on the cranky side. So, the minute we walk in the house, I grab the laptop, head upstairs, plunk myself on the bed, and exorcise these crazy thoughts.

Captain 4

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Bleeding gratitude for her Little Monsters – Lady Gaga’s ArtRave tour at Detroit’s Joe Louis

The Lady herself

The Lady herself

Little Monsters, Mama Monster did you proud in the “D” tonight. Lady Gaga rocked the house at Joe Louis Arena and made me a Gaga-believer.

I freely admit that her last effort ArtPop left me a bit cold. I’d been a fair-weather fan all along, absolutely adoring some of her hook-laden hits  and scratching my head on others. Lyrically, she occasionally seemed to be picking at Tori Amos’ or Bjork’s verbally tortured scraps, yet the uptempo accompaniment always kept bringing me back for more.

Opening number

Opening number

 

 

 

But that needle skipped the record, quite literally, when I heard ArtPop for the first time, the only cut speaking to me on any level being the incredibly infectious “Applause.”

However, watching Lady Gaga’s ArtRave tour tonight, suddenly all of ArtPop snapped into perfect relief. Like watching a musical after only hearing the cast album, every number made sense in the context of Gaga’s Jeff-Koons-meets-Haruki-Murakami vision.

And most importantly Gaga seemed to be having fun. She was an inferno, dancing with military precision, belting like some Liza Minnelli/Janis Joplin lovechild, and commanding us, like some hippie dippy drill sergeant, to accept and to love and to move.

Her stage

Her stage

I fell head over heels in adoration with this talented woman tonight.

Often dressed like The Birth of Venus (by way of the Jersey Shore) or like The Little Mermaid‘s Ursula (by way of Sigmund the Sea Monster), Gaga definitely had a “we’re all in one big aquarium together” vibe going. Her backup dancers were dressed as sea creatures more often than not, and the amazingly tight orchestra seemed to be playing from the inside of a fabulous sand castle onstage.

With my pal Terry (and a Little Monster behind us)

With my pal Terry (and a Little Monster behind us)

Gaga tore through all the familiar hits – from “Poker Face” to “Paparazzi” to “Bad Romance” – landing on my personal favorite “Born This Way” as an exquisite piano ballad (as opposed to its typical four-on-the-floor sonic blast). The song took on a touching resonance that it never had when Madonna (the queen of swipe-as-homage) called it a “reductive” version of Madge’s “Express Yourself.”

(Really, Madonna, I love you, but that was unnecessary. There’s room for us all in Gaga’s big tent.)

Applause

Applause

But most notably, Gaga – whether schtick or sincerity or both – opened her heart (sorry, Madonna, couldn’t help it) time and again to the fans surrounding her fabulously asymmetrical catwalk of a stage and to those of us in the cheap seats, imploring us to be kind to one another, to be tolerant of difference, and to be empathetic in every action and deed. She bleeds gratitude for her followers, and to witness that in person is the greatest spectacle of all.

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“and i was so happy to be a part of it all” – April 26 author event at Ann Arbor’s Bookbound

Wonderful friends [Photo by Megan Blackshear]

Wonderful friends [Photo by Megan Blackshear]

With references to forgotten Broadway musicals and even more forgotten films (Buckaroo Banzai or Time Bandits, anyone?), analysis of my ongoing “war” with the Cher-army, many funny asides, boffo binge-book-buying by all in attendance, and a whole lot of zany fun, yesterday’s book signing/singing event was a hit!

With Peter Blackshear [Photo by Don Sexton]

Magic to do [Photo by Don Sexton]

Magic to do [Photo by Don Sexton]

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Songs were sung: “Corner of the Sky” from Pippin, “Pure Imagination” from Willy Wonka and the Chocolate Factory, “Send in the Clowns” from A Little Night Music, “My Funny Valentine” from Pal Joey, and “This is the Life” from Golden Boy.

 

Film musings were read: both entries from the book on the beautiful black and white comic weepie Penny Serenade – one by my mom, author and columnist Susie Duncan Sexton and one by yours truly.

And we got to catch up with some wonderful, kind, supportive friends (photos here)…

[Photo by Megan Blackshear]

[Photo by Megan Blackshear]

With accompanist Rebecca Biber [Photo by Don Sexton]

With accompanist Rebecca Biber [Photo by Don Sexton]

John Mola, Susie and Don Sexton, Sean Murphy, Jim Lynch, Melynee Weber, Lauren M. London and the London kids, Angie Choe and Sean and kids, Matthew Theunick, Zaida Hernandez, Karen Southworth, Beth Kennedy, Jenna Jacota Anderson, Sarah Rauen, Marjorie and Patricia Lesko.

Thanks to Rebecca Biber for the wonderful accompaniment and witticisms. And thanks again to Bookbound and Peter Blackshear and Megan Andrews Blackshear (and Chester!) for hosting such a fun event.

[Thanks to BroadwayWorld for this coverage - click here to view.]

Signing actress Sarah Rauen's book [Photo by Megan Blackshear]

With actress Sarah Rauen [Photo by Megan Blackshear]

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Here is Bookbound’s write-up:

“Bookbound (1729 Plymouth Road, Ann Arbor) hosted local community theater actor, blogger, and author Roy Sexton for an afternoon of laughs and music. He read from his new book of cheeky movie reviews, Reel Roy Reviews, and entertained with movie themes and show tunes with Rebecca Biber accompanying.”

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Finally, what an honor and a privilege for us to be included in dear and talented and beautiful Beth Kennedy’s fantastic blog I Didn’t Have My Glasses On.

Here’s a quote: “there were so many sextons, so little time……and i was so happy to be a part of it all, and in awe of the heartfelt and mutual support shared by all.” We love you, Beth! Read the rest by clicking here.

ReelRoyReviews is officially launched, y’all! Time for me to collapse…

 

Celebratory dinner at vegetarian restaurant Seva

Celebratory dinner at vegetarian restaurant Seva

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound, Common Language, and Memory Lane also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

Guitar heroes and heartaches: Howie Day at Ann Arbor’s The Ark

Howie Day

Howie Day

I’m not much for folk music (see my review of Inside Llewyn Davis) or, for that matter, guitar-driven singer/songwriters. So, when our friend Bonnie offered an extra ticket to see Howie Day at Ann Arbor’s The Ark, I wasn’t sure what to expect.

I had vague memories of Day as an early aughts pop/rock folkie with the following attributes: an inescapable (and kinda bland) radio hit “Collide,” a reputation as having been Britney Spears’ rehab rebound boy toy, some TMZ-style controversies that involved berating flight attendants and throwing cell phones, and a Russell Crowe-esque fiery temper (that last point being the most intriguing to me).

It’s a shame that this is his legacy to ignorant lay-people like yours truly, because he is phenomenal.

The joy of seeing a musician live when you know pretty much none of their songs is that every tune is a new discovery. (My apologies to those Howie Day fans looking for a set-list or some other detail from tonight’s show. I have no idea what the songs were titled.)

Bonnie and Roy

Bonnie and Roy

Day was such a compelling presence, with just his honey-husky voice, his Liev Schreiber-ish look, a guitar and a microphone, and (his secret weapon) some astonishing gizmo that let him record, dub, layer, and re-layer his own voice and instrumentation in real time. I don’t know how else to describe it.

I’m sure someone out there knows the name for this, but he had a device on the floor that he would tap with his foot and record a snippet of guitar or voice or some other noise that would then loop and repeat and become the accompaniment for any given song. This technique – which was part dusty troubadour, part Ibiza-bound DJ – was transfixing and transporting.

This beat-infused folktronica (lord, I always hated that term, yet here I am using it) offered a surreal soundscape for the heartache dripping from every lyric. While Day gave sparkling between-song  patter (he kept returning to the notion that he really should have seen the film Noah today if he was going to perform at a venue called “The Ark”), every song he played related the tale of someone abandoned by love, by friends, by life. Haunting doesn’t even begin to describe the musical stories he wove.

Shane Piasecki

Shane Piasecki

Opening act Shane Piasecki was a sunny counterpoint to Day’s melodic solemnity. Piasecki – resembling some mashed up hybrid of Ed Norton, Bob Dylan, and James Franco – captivated the audience with his shaggy dog charm, playing guitar and harmonica and vocalizing, with studied casual aplomb. His numbers all had a loping frat boy charm but with a musical sophistication that belied his youthful demeanor. He had the audience in the palm of his hand … and that was prior to him telling us he had to rush back to his mischievous dog at the hotel where he’s staying before the establishment lost every last pillow to the canine’s canines.

If these two wandering minstrels find their way to your town (or somewhere nearby), do not hesitate to check them out. You won’t be disappointed. I, for one, bought all of Piasecki’s musical output (four CDs – $35 in total) at the merchandise table, and Day’s are now added to my Amazon cart for ordering posthaste!

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Reel Roy Reviews is now a book! Please check out this coverage from BroadwayWorld of upcoming book launch events. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound, Common Language, and Memory Lane also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

“The beat goes on …” Cher’s “Dressed to Kill” tour at Detroit’s Joe Louis Arena

Heart of Stone

Heart of Stone

This review of Cher’s “Dressed to Kill” tour stop at Detroit’s Joe Louis Arena will not mention anything about how good she looks or how great she sounds or how well she moves or her stamina, all of which seem to be referenced by other reviewers with the qualifier “for her years.” These remarks annoy me for many reasons, chiefly that they are ageist and sexist and demeaning and, well, just plain dumb. Cher is an awe-inspiring pro regardless the era of her storied career.

A Woman's World

A Woman’s World

 

 

 

 

With that disclaimer out of the way, the show kicks ass. Yes, she employs the arena spectacle template that Madonna and Janet Jackson perfected in the 90s, but she definitely makes it her own. (Some might argue that Cher actually invented the genre with her “Take Me Home” tour in the 70s/80s.) There are plenty of Cirque du Soleil style moves from her backup dancers, a thunderously tight band, and all manner of pyrotechnics and digital displays.

And the costumes. Oh, the costumes. Rather famously, Bob Mackie had to withdraw from his long-time professional relationship with Cher because he couldn’t handle the demands of this tour. Well, whoever filled his sequined loafers did a fantastic job. Cher, with a knowing wink to her audience, proceeds seamlessly (pun intended) through just about every iconic outfit of her forty-plus year career, including the ginormous Native American headdress and that leather-thong-up-her-derrière get up.

Cher ... of Troy?

Cher … of Troy?

Unlike some other pop stars, who shall remain nameless, Cher sings full voice throughout, with no apparent backing vocals other than those provided by the onstage backup singers. She doesn’t seem to lip-sync for one moment. I know that should go without saying when you pay exorbitant prices for concert tickets, but I’ve seen plenty of stars in recent years quite obviously mouthing along to prerecorded vocals.

Cher covers all of the major hits, and even some forgotten ones. But her strongest moments are when she breaks through all the Vegas glitz, and talks directly to us in that inimitable, down-to-earth, saucy style.

Her tribute to Sonny Bono is touching without being maudlin, and her overview of her film career is surprisingly moving, given how uneven some of those movies have been.

The Beat Goes On

The Beat Goes On

(At one moment tonight, she let loose a delightfully irreverent diatribe about her addiction to Dr. Pepper and how the company has never given her any swag in her decades of drinking the stuff, save one shabby cooler filled with a lowly six pack after one of her recent shows. She also told the crowd that her cat was rescued from under a tour bus on another concert stop in Detroit years ago. “He’s a Malibu cat now,” she drawled in that distinctive contralto of hers.)

She is at her best when she just stands still and SINGS (!), including “You Haven’t Seen the Last of Me,” an underrated gem from her last cinematic foray Burlesque. The song is lyrically perfect for a performer who has launched about four “farewell tours” in the last decade.

Benatar and Giraldo

Benatar and Giraldo

The mod 1960s montage of hits from “The Beat Goes On” through “Half Breed” is also a high point. Cher efficiently glides through those numbers, giving us just enough to remember how much we love those songs and not so much that we realize how darn silly they are.

Opening act, Pat Benatar and Neil Giraldo are outstanding as well. They shred gleefully through all their 80s classics, having a ball tonight as they celebrated their 32nd wedding anniversary with all of us at Joe Louis Arena. Benatar’s vocals are crisp and throaty as ever, and Giraldo proves what an amazing guitarist he is over and over. And I really don’t give a hoot about guitarists, but I was impressed.

Finale

Finale

 

Cher and Benatar are wonderful examples of smart, savvy, witty women – no, strike that last word and replace it with people. They have given their all to the entertainment industry and yet retain strikingly distinctive senses of self. Their authenticity should give hope to all the young performers out there who may be tempted to sell their souls to the devil. Cher likely would wink and nod, flip her hair, and say, “Don’t sell your soul to the devil … just give it to him on consignment … whoooaaahhh.”

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Dinner before at Ferndale's Local Kitchen

Dinner before at Ferndale’s Local Kitchen

 

 

Reel Roy Reviews is now a book! Please check out this coverage from BroadwayWorld of upcoming book launch events. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound, Common Language, and Memory Lane also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

“Oh, what a night!” Reel Roy Reviews book launch event at Ann Arbor’s Common Language

Paula Rivera Kerr and Darin Kerr and John Mola

Paula Rivera Kerr and Darin Kerr and John Mola

Wow! What a night! I may be recovering from last night’s book launch at Common Language for weeks (which is going to be tough ’cause there is another fun event scheduled for April 26 at 3 pm at Bookbound in Ann Arbor – I may need to get in some power naps before then).

Event PosterEnjoy these photos from last night, courtesy of expert presenter and photographer John Mola. (You can view more pics here and here.)

Keith Orr

Keith Orr

 

 

 

 

 

 

 

 

 

 

 

Thanks to Keith Orr and Martin Contreras, owners of Common Language, for their generosity as our hosts for the evening. They are wonderful souls! Go now (right now!) to their store and buy lots of stuff. And meet their beautiful, happy, sweet canine rescue mascot Duke.

AudienceThanks to my guinea pigs … er … amazing readers who took part in presenting some of my wilder reviews. Yes, there were accents, cartoon voices, Mad Libs-esque games, saucy asides aplenty, laughter, editorializing, aural mimicry of John Barry’s hypnotically bizarro Black Hole score, and spot-on Xanadu roller boogie choreography.

Lyn Weber

Lyn Weber

 

 

 

After a lovely intro by Keith who had some very encouraging things to say about me being a reviewer who blends the personal and professional in a humorous and (more or less) kind-hearted way (I’m paraphrasing shamelessly!), the rogues gallery rundown of readers (who pretty much unraveled any good will achieved by Keith’s remarks) included the following folks …

Rachel Murphy

Rachel Murphy

 

 

 

Rachel Murphy with “Did you read the book first? Life of Pi“; Lyn Weber with “Never trust a movie with a colon in the title … The Mortal Instruments: City of Bones“; John Mola with “Whatever the hell that is supposed to mean … HBO’s Behind the Candelabra“; Rebecca Biber with “Twerking, tongue all a-twangle: Miley Cyrus’ Bangerz“; Nick Oliverio with “A psychedelic fever dream … for kids! Disney’s The Black Hole“; and Barbara Bruno with “Gene Kelly, sir, you owe us an apology: Xanadu.”

Nick Oliverio

Nick Oliverio

 

I love my talented friends, who made me feel so very special reading these crazy musings of mine. My mom once told me that Quentin Tarantino will show up at friends’ homes and make them listen to his scripts (in development), read aloud by the maestro himself. I totally get that now, as last night I realized (while listening intently, of course!) that I have a tendency to overuse the terms “heebie jeebies,” “balsa wood,” and “skeezy.” I’ll leave it to you to figure out where and how!

 

Thanks again to Keith and Martin for a fun night – they are now carrying copies of Reel Roy Reviews in the store as well as my mom’s Secrets of an Old Typewriter essay collections. (Read her latest Homeward Angle column here.)

And my deepest appreciation for the friends who participated and who attended.

Rebecca Biber

Rebecca Biber

Speaking of friends, while I’m in this giddily self-promotional haze, thanks to new friend Gina Furia Rubel for the following comments about the book. (Gina’s Twitter bio describes her as “CEO of FuriaRubel, a Legal Marketing, Web & Public Relations Agency; media source, speaker, blogger, & attorney who loves travel and photography” … all true! But she is also a warm, very witty, and delightful soul who loves animals and movies. My kind of person!)

 

Barbara Bruno

Barbara Bruno

 

 

 

Gina writes, “If you love movies, wit, snarky commentary and humor as much as me, you will love reading Roy Sexton‘s book, Reel Roy Reviews. Perhaps, Roy, you will solve the riddle of how the $10+ movie ticket and $8 popcorn entitles many of us to ‘armchair quarterbacking’ or answer why the movie Xanadu was ever filmed….”

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books

 

Reel Roy Reviews is now a book! Please check out this coverage from BroadwayWorld of upcoming book launch events. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound, Common Language, and Memory Lane also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

Reel Roy Reviews in Ann Arbor Current Magazine + New Amazon Reviews

Thanks to Nan Bauer and Ann Arbor’s Current Magazine for this coverage of the release of Reel Roy Reviews (available at www.open-bks.com, www.reelroyreviews.com, and www.amazon.com). Click images below to read …

Ann Arbor Current

Ann Arbor Current

EPSON MFP imageThanks to Maureen Paraventi for this review on Amazon: “Frequently hilarious, always thoughtful, these reviews were entertaining even when I disagreed with them. (Note to author: Skyfall was NOT a good Bond movie.) I don’t know how Roy Sexton makes the time to see as many movies as he does, but I’m glad he shares his opinions of them with the world, via this book. He includes a host of movies released over the past few years and even revisits some classics. Very well written. Highly recommended for movie lovers.”

Movie fun at AMC Livonia

Movie fun at AMC Livonia

Also, appreciation to Mary Shaull for this entry on Amazon: “I love Roy’s Reel Reviews! He tells it like we wish we could. He expresses himself so cleverly and knowledgeably. I don’t always agree with him, but I always enjoy and delight in his reviews.”

(I’m sensing a theme of occasional disagreement with my little missives here! :) )

Movie fun at AMC Livonia

Movie fun at AMC Livonia

 

To celebrate the book’s launch, two Southeast Michigan booksellers are holding author events in April. Common Language in Ann Arbor (317 Braun Ct.) will host a mixer on Thursday, April 10 at 7 pm. I will be signing books, and theatre colleagues from The Penny Seats (including Rachel Murphy, Lyn Weber, Rebecca Biber, Nick Oliverio, and Barbara Bruno among others) will offer interpretive readings of some of my wilder essays. Light refreshments will be provided.

Movie fun at AMC Livonia

Movie fun at AMC Livonia

Then, Bookbound, also in Ann Arbor (1729 Plymouth Road), will hold a book-signing/Q&A on Saturday, April 26 at 3 pm. Accompanied by local musician and teacher Rebecca Biber, I will sing a few of my favorite movie themes (the ones with words, that is).

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Reel Roy Reviews is now a book! Please check out this coverage from BroadwayWorld of upcoming book launch events. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound and Memory Lane both also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.