“Sometimes I don’t want to let it go.” Idina Menzel at Detroit’s Fox Theatre – PLUS, my mom Susie Duncan Sexton on Patty’s Page tv show

No Day But Today

“No Day But Today”

For a bit of time now, I’ve had a love/hate relationship with Idina Menzel, she of the soaring vocals that are such a shot of adrenaline in beloved (overrated?) musicals like Rent and Wicked. The first time I saw her perform Wicked‘s signature tune “Defying Gravity” on the Tony Awards (10+ years ago), I got chills and my eyes welled up from the underdog-makes-good vitriol in her delivery. She was the best thing – the much-needed battery acid – in Chris Columbus’ misguided candy-coated film version of Rent. Her sporadic appearances on Glee – as the brilliantly cast mother of All About (Baby) Eve Rachel Berry (Lea Michelle) – were spiky, oddball fun, notably their peculiar duet of Lady Gaga’s “Poker Face.”

However, “Let It Go” (the ubiquitous ditty from Disney’s Frozen) seemed like an underwritten redux of “Defying Gravity” (not her fault of course), and the whole “Adele Dazeem” debacle just got more cloying and unfunny with each passing day (again not her issue … exactly). And the “brand” of Menzel – not unlike that of Wicked co-star Kristin Chenoweth or, for that matter, Audra McDonald or the queen mother of kewpie doll divas Bernadette Peters – suffers from a “gee, aren’t I darling” humblebrag self-absorption and a disingenuous projection of “how did I get here?!” humility that belies the ragingly talented, driven loon lurking underneath.

“Don’t Rain On My Parade”

Blessedly, Menzel’s show last night at Detroit’s Fox Theatre (more or less) stripped away that glossy artifice and laid bare the broken soul with the big voice. It was a revelation.

In her between-song patter, Menzel offered a rambling treatise on her befuddlingly amazing 18-month ride, with epic highs like the runaway success of Frozen and performing on the Oscars and devastating lows like her divorce from Taye Diggs (whom she never mentioned by name). Lest you think she was milking all of this life experience in some kind of self-serving “Oprah” confessional, that was not the vibe at all. Her chatter was too loopy, too heartfelt, too, well, lost to be anything but that of a desperate soul searching for an anchor in a swirling moment of intense success and loss.

“River”

She channeled this personal crisis into a fascinatingly raw (and dare I say schizophrenic) array of song choices. Yes, the favorites were all present: “Defying Gravity,” “The Wizard and I,” “For Good” (for which she dropped the mic and used the Fox Theatre’s legendary acoustics to chilling effect), all from Wicked; “Take Me or Leave Me” (which she used as an opportunity to winningly share the stage with many hyperventilating Idina-groupies in the audience) and “No Day But Today” from Rent; and, of course, show-closing “Let It Go,” again sharing the mic with all the wannabe “Elsa”s in the audience (weirdly/delightfully interpolating the song with Red Hot Chili Peppers’ funky classic “Give It Away”?!?!).

The Wicked tunes especially seemed to get a perfunctory, hastened treatment, as if Menzel is as tired of them as we are. She seemed anxious to get to the caustic musical nuggets at the heart of her show, gleefully dropping many f-bombs along the way, hoisting a middle finger to the Disney empire (and all the blue-dressed dollies) that allowed her to mount such an extensive summer tour in the first place. That’s my kind of diva (and I hate that word).

“Defying Gravity”

She delivered expected Broadway bon-bons like Funny Girl‘s “Don’t Rain on my Parade” and an Ethel Merman tribute medley (Annie Get Your GunGypsy) with powerhouse vocals and a salty element of sad understanding, as if trying to say, “We women have been treated like crap forever, no matter how talented we are. Knock it off!”

The deepest heartache was telegraphed during a one-two punch of the crystalline elegance of Joni Mitchell’s “River” and what could only be described as a “hooker medley” of Cole Porter’s “Love for Sale” and The Police’s “Roxanne.” Both numbers were electrifying, eliciting a hushed awe from the audience. “River” with its repeated chorus of “I wish I had a river I could skate away on” seemed to serve as Menzel’s central thesis. In her introductory remarks to “Love for Sale/Roxanne,” she mentioned a fearsome theatre professor who excoriated her about her performance of the Porter tune, challenging “Do you even know what that song is about?!?!” She wanted us to know – especially juxtaposed with her earlier performance of “There’s No Business Like Show Business” – that, yes, Mr. Man, she does know that the song is about. It was sheer theatrical brilliance.

Fox Theatre

Fox Theatre

She performed a number of original works, none of which alas quite held up to the other material, but the punk rock passion with which she delivered the tunes revealed an alternate reality where Idina might have been another Alanis, instead of a wannabe Barbra. She offered If/Then‘s 11 o’clock number of “Always Starting Over” as a fiery yawp over the Sisyphean nature of daily living. Her take on Radiohead’s 90s classic “Creep” was a dizzyingly effective blend of Broadway bombast and grunge existentialism. I would love to have that performance on a permanent loop in my head.

John and Roy

John and Roy

At one point in the show, Menzel joked that, while she’s appreciative of her recent success, “sometimes I just don’t want to let it go.” Some days she just wants to stay in her bed and let the world run its course while she tries to figure out which end is up. Her candor and her authenticity were much appreciated, and, along with her prodigious use of the f-word, just the eye-opening experience all those baby Elsa princesses in the audience needed to hear. I, for one, can’t wait to see what happens next.

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BONUS! Enjoy part 1 of my mom Susie Duncan Sexton‘s two-part interview with delightful Patty Hunter on her Patty’s Page TV program. Also in the house are journalist and advocate Terry Doran and my dad Don Sexton. It’s a free-wheeling and fun discussion of politics, small-town living, animal rights (and, yes, pig wrestling), writing, and other insights and adventures. Enjoy! Click here to view.

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Urinetown reviewed! “Enjoyable two hours out in the park with fine singers, actors and dancers and an amusing, satirical musical comedy”

Ensemble

Ensemble

WOW! What a fantastic opening weekend for Urinetown – capacity crowds, wonderful feedback, marvelous coverage, and an amazing review from Bridgette Redman for Encore Michigan – click here to read.

Here is an excerpt …

“Director Lauren M. London has her work cut out for her with the space. There is a moat between the bandshell where the orchestra plays and the main staging area where most of the action takes place. She has no choice but to let some of her actors be seen before the arrive on stage as they have a bit of a hike to get to the stage, but she manages that well and creates compelling stage pictures so that you’re not looking off to the sides.

Maika Van Oosterhout and Roy Sexton

Maika Van Oosterhout and Roy Sexton

“Roy Sexton plays Officer Lockstock, the narrator for the evening. He kicks off the musical with a speech that prepares the audience for what they can expect—an evening of satire and parody. Little Sally (Paige Martin) joins him in his early exposition and they frequently break the fourth wall to outright talk about the musical. Both are skilled in their roles. Sexton narrates with aplomb, moving in and out easily of narrator and police officer. Martin is loveable and innocent, asking naïve questions that Sexton answers magnanimously. She has great physicality, doing cartwheels and splits and interacting with the teddy bear she carries with her. She believably creates a child much younger than her actual age.

Ensemble

Ensemble

“Linda Rabin Hammell brings character and spice to the role of Penelope Pennywise. She’s peppery as the custodian of Public Facility #9, insisting that everyone pay the proper fee else not get to pee. Her voice is perfect for the role.

“Brendan Kelly makes a handsome lead as Bobby Strong, the revolutionary leader who follows his heart. He’s earnest and heroic, with a strong singing voice that carries him through his many songs. …

Sarah Ann Leahy, David Kiley, and Roy Sexton

Sarah Ann Leahy, David Kiley, and Roy Sexton

“Playing opposite Kelly was Maika Van Oosterhout as Hope Cladwell. Hers was a fun role and she carried it off with style and grace. Her eyes were constantly wide, portraying an innocence and naîveté that fit the part well. She was especially amusing dancing while bound and gagged in a chair.

“There were no weak members in the ensemble either. Each of them had their own characteristics, making them individuals while still fulfilling the part of an ensemble. They were giving to each other and changed quickly between roles when doubled. They did an especially good job as the town’s poor who desperately needed to pee in the first act and in the second were revolutionaries that were brash and frightened.

Maika Van Oosterhout and Brendan Kelly

Maika Van Oosterhout and Brendan Kelly

“The singing, under the musical direction of Richard Alder, was impressive, as was the pit band that performed the music to accompany it. There were complicated harmonies throughout and upbeat songs that often belied what they were singing about. …

“Victoria Gilbert’s choreography was most often amusing and always fit with the character of the show. Bridget Bly deserves a callout for her costumes. She provided good contrast between the UGC employees and the run-down poor of the city. She also made it possible to switch in and out of costumes, sometimes right on stage.”

Read the complete post here

Roy Sexton

Roy Sexton

AND a subset of the cast (including yours truly) appeared Friday on Rebecca Hardin’s charming WCBN radio show Hot in Here. The audio is here, and you can read about the special collaboration that prompted the broadcast here. Be sure to check out Hot in Here‘s page (here) if you want to hear me epically mangle the “Cop Song” from Urinetown. Plus, I say words like “crap,” “damn,” and “tinkle” on the air … probably why it took them a while to post it! :) You will also hear our director and president Lauren London say really smart things about art and theatre and Ann Arbor as well as the mellifluous tones of fellow cast members Brendan Kelly, Maika Van Oosterhout, and Paige Martin, accompanied by our wonderful music director Richard Alder (BTW, a great article about Richard appeared in the latest Detroit Jewish News – see below).

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Last but not least, a special thanks to the friends who made this opening weekend so special with their attendance (and apologies to anyone I missed): John Mola, Rachel Green, Kyle Lawson, Jim Lynch, Nick Oliverio, Brent Stansfield, Zach London, Sharon Steig, Ashley Kryscynski, Heidi Fisher, Matt Cameron, Kelly Cameron, Anne Cattermole Levy, Artun Kircali, Leanne Young, Ivan Procopovich, Robin Skiba Myler, Laura Sagolla, Barbara Davenport, Roxane Raffin Chan and Kevin and friends and family, Magda and Dan Johnson, Rachel Urist, Jen Esch and friends, Angie Choe and Sean, Roberta and Richard­­­ London and family, Jason Gilbert, Ivan Procopovich, Christopher Taylor, Eva Rosenwald, Narda Wishka, Kristy McDonald and Thatcher. Two more weekends (Thursday, Friday, Saturday performances, all 7 pm) – get your tickets at www.pennyseats.org before they’re all gone!

Photos (above) by Ivan Procopovich

Richard Alder ____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Penny Seats Theatre Company and University of Michigan’s Environmental Biotechnology Group unite for water conservation

Brendan Kelly

Brendan Kelly

A local collaboration between Ann Arbor’s Penny Seats Theatre Company and the University of Michigan’s Environmental Biotechnology Group will feature the musical Urinetown: The Musical! and water conservation research in a creative way during the next three weekends starting July 30.

This art and engineering collaboration will be featured on the radio show It’s Hot In Here 88.3 WCBN FM (www.hotinhere.us/) on Friday July 31 at noon, with the recording to be posted shortly thereafter on the Penny Seats’ website and Facebook page. An Environmental Engineering research team from the University of Michigan is studying how human urine and products derived from it need to be processed to safely fertilize food crops.

Roy Sexton

Roy Sexton

The University of Michigan is one of five institutions involved in this first large-scale pilot project of its kind in the United States. They will be providing mobile restrooms during the Penny Seats’ performances of Urinetown in hopes that patrons will help with this unusual project.

“This is a fun and unique partnership to be sure. We are thrilled with the opportunity, and this aligns with the Penny Seats mission … it’s educational, it benefits society, and it brings value to our loyal patrons who are so kind to brave the great outdoors every summer for our shows,” comments Lauren London, Urinetown’s director and the Penny Seats’ president.

Urinetown: The Musical! The Tony-award-winning hit from 2001, will be performed by The Penny Seats Theatre Company July 30, 31, Aug 1, 6, 7, 8, 13, 14, and 15 (all shows at 7 pm).

Ensemble

Ensemble

Set in an admittedly absurd dystopian future where one must pay to pee, the show lampoons corporate bureaucracy, pie-in-the-sky optimism, revolution without a plan, and the musical theatre genre itself. With a full pit orchestra (led by Richard Alder) on the band shell stage, the action takes place around the audience in the park. Featured performers include Brendan August Kelly (Ypsilanti), Roy Sexton (Saline), David Francis Kiley (Ann Arbor), John DeMerell (Walled Lake), Sarah Ann Leahy (Ann Arbor), Paige Martin (Ann Arbor), Cathy McDonald (Plymouth), Christina McKim (Albion), Jenna Kellie Pittman (Waterford/West Bloomfield), Linda Rabin Hammell (Detroit), Jeff Stringer (Jackson), Maika Van Oosterhout (Ann Arbor), and Daniel Bachelis (Howell). Production photos taken by Scarlett London.

Maika Van Oosterhout and David Kiley

Maika Van Oosterhout and David Kiley

London says the piece is a natural for the group: “Since its turn on Broadway, Urinetown has been a favorite of performers, for its snappy score and hilarious, wink-to-the-audience feeling. It’s a perfect show to place in our park, where the cast can interact up close with the audience, and take them into the show’s silly world. Our cast is filled with performers who excel at just this type of theatre, and we’re thrilled to bring it to the park.”

Advance tickets are available at the group’s website, www.pennyseats.org. Although the curtain goes up at 7:00pm each evening, pre-show picnicking is encouraged, and the group will sell water and concessions at the park as well. All performances will be at the West Park band shell.

Roy Sexton and Paige Martin

Roy Sexton and Paige Martin

Patrons are encouraged to bring a picnic dinner to enjoy at the park before or during the show.  Lawn chairs, hats, bug spray, and other outdoor gear are also encouraged. Alcohol may also be brought and enjoyed responsibly.  Water and concessions will be available for purchase. More information about tickets, parking, and available packages, is available on the company’s website, www.pennyseats.org.

Photos by Scarlett London

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Urinetown: The Musical! opens THIS Thursday – yours truly as a mean cop! (Photos!!)

Roy Sexton as Lockstock

Roy Sexton as Lockstock

Urinetown: The Musical! The Tony-award-winning hit from 2001, will be performed by The Penny Seats Theatre Company July 30, 31, Aug 1, 6, 7, 8, 13, 14, and 15 (all shows at 7 pm). Set in an admittedly absurd dystopian future where one must pay to pee, the show lampoons corporate bureaucracy, pie-in-the-sky optimism, revolution without a plan, and the musical theatre genre itself. With a full pit orchestra (led by Richard Alder) on the band shell stage, the action takes place around the audience in the park. Featured performers include Brendan August Kelly (Ypsilanti), Roy Sexton (Saline), David Francis Kiley (Ann Arbor), John DeMerell (Walled Lake), Sarah Ann Leahy (Ann Arbor), Paige Martin (Ann Arbor), Cathy McDonald (Plymouth), Christina McKim (Albion), Jenna Kellie Pittman (Waterford/West Bloomfield), Linda Rabin Hammell (Detroit), Jeff Stringer (Jackson), Maika Van Oosterhout (Ann Arbor), and Daniel Bachelis (Howell). Production photos taken by Scarlett London.

Some additional coverage today at Encore (here) and MLive (here – five things to do in Ann Arbor this weekend).

Maika Van Oosterhout as Hope Cladwell, Linda Rabin Hammell as Pennywise, and Brendan August Kelly as Bobby Strong

Maika Van Oosterhout as Hope Cladwell, Linda Rabin Hammell as Pennywise, and Brendan August Kelly as Bobby Strong

Director Lauren London (who also serves as The Penny Seats’ President) says the piece is a natural for the group: “Since its turn on Broadway, Urinetown has been a favorite of performers, for its snappy score and hilarious, wink-to-the-audience feeling. It’s a perfect show to place in our park, where the cast can interact up close with the audience, and take them into the show’s silly world. Our cast is filled with performers who excel at just this type of theatre, and we’re thrilled to bring it to the park.”

Advance tickets are available at the group’s website, www.pennyseats.org. Although the curtain goes up at 7:00pm each evening, pre-show picnicking is encouraged, and the group will sell water and concessions at the park as well. All performances will be at the West Park band shell.  Patrons are encouraged to bring a picnic dinner to enjoy at the park before or during the show.  Lawn chairs, hats, bug spray, and other outdoor gear are also encouraged. Alcohol may also be brought and enjoyed responsibly.  Water and concessions will be available for purchase. More information about tickets, parking, and available packages, is available on the company’s website, www.pennyseats.org.

This is Urinetown number from Urinetown

Urinetown ensemble

Urinetown ensemble

Roy Sexton as Lockstock and Paige Martin as Little Sally

Roy Sexton as Lockstock and Paige Martin as Little Sally

Roy Sexton as Lockstock and Brendan August Kelly as Bobby Strong with Ensemble

Roy Sexton as Lockstock and Brendan August Kelly as Bobby Strong with Ensemble

Mr Cladwell number from Penny Seats production of Urinetown

“Mr. Cladwell” number from Penny Seats production of Urinetown

John DeMerell as Fipp

John DeMerell as Fipp

Jeff Stringer as Joseph Strong and Linda Rabin Hammell as Pennywise and Brendan August Kelly as Bobby Strong

Jeff Stringer as Joseph Strong, Linda Rabin Hammell as Pennywise, and Brendan August Kelly as Bobby Strong

Linda Rabin Hammell as Pennywise with ensemble

Linda Rabin Hammell as Pennywise with ensemble

Linda Rabin Hammell as Pennywise

Linda Rabin Hammell as Pennywise

Maika Van Oosterhout as Hope Cladwell and Paige Martin as Little Sally and Brendan August Kelly as Bobby Strong

Maika Van Oosterhout as Hope Cladwell, Paige Martin as Little Sally, and Brendan August Kelly as Bobby Strong

Hello Hope

“Hello, Hope!”

Ensemble

Ensemble

Daniel Bachelis as McQueen and Jenna Kellie Pittman as Josephine Strong and David Francis Kiley as Caldwell B Cladwell

Daniel Bachelis as McQueen, Jenna Kellie Pittman as Josephine Strong, and David Francis Kiley as Caldwell B Cladwell

Christina McKim as Soupy Sue

Christina McKim as Soupy Sue

Cathy Skutch McDonald as Mrs Millennium

Cathy Skutch McDonald as Mrs. Millennium

Cladwell gang

Cladwell gang

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Life in an aquarium: Tipping Point Theatre’s “Invasive Species” (world premiere)

Invasive SpeciesI’m certain it breaks some unspoken critics’ oath to review a show featuring one of your dearest friends, so don’t consider this a review of Tipping Point Theatre’s world premiere Invasive Species, starring Aral Gribble (whom I don’t know) and Melynee Saunders Warren (whom I most assuredly know and with whom I may or may not have shared a stage … or two).

But this play is so good that I have to write something.

Joseph Zettelmaier’s intimately inventive script, making its debut here in Michigan, details the misadventures of a lonely widower schlub Earl Hobbs (Gribble) whose life is transformed when he discovers an exotic creature in his favorite fishing hole and takes said specimen (soon dubbed “Toothy”) home as a confidante and pet. Warren portrays a well-intentioned DNR officer Eden Selkirk, plagued by her own personal tragedies, who ends up (spoiler alert!) aiding and abetting Hobbs in his efforts to keep Toothy alive and thriving.

A theatrical pas de deux like Invasive Species is no easy task, and, under the sure-handed direction of Joseph Albright, Gribble and Warren keep the laughs (and the poignancy) flowing in the show’s crisp 90-minute running time. “Life in an aquarium” is a recurring theme in the production as both Hobbs and Selkirk find themselves drawn together by the confines of small-town, small-state, small-life. The smart set design by Jennifer Maiseloff and lighting design by Alex Gay ably assist the cast in this endeavor, providing them a beautifully insular series of indoor/outdoor levels with which to play. The efficient use of space is as breathtaking as it is lean, mean, and, well, perfect.

The script, perhaps at times a bit too rapturous about rural Michigan’s charms (particularly in its closing monologues), is incisive and deeply affecting. Zettelmaier has a keen insight into heartache and loneliness, but never for one moment devolves into cloying condescension. Hobbs and Selkirk are broken souls seeking kinship from nature and from each other, and their painfully heartwarming collision is as moving as it is horrifying.

The animal lover in me appreciated the central  metaphor in Hobbs’ adoption of the contraband Toothy: sometimes the unlikeliest friends can unlock our shattered psyches. And the delicate acting work of Gribble and Warren is a charming wonder, their deeply human connection transformative and empathic, showing how the rigidity of rules and regulations can melt away to compassion and understanding. This show is a gem, and runs through August 23 – don’t miss it: http://www.tippingpointtheatre.com/

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Final weekend for Penny Seats’ Complete Works of William Shakespeare (Abridged)

Artun Kircali and Leanne Young and Matt Cameron in Shakespeare

Artun Kircali and Leanne Young and Matt Cameron

Penny Seats Theatre Company ends its successful run of The Complete Works of William Shakespeare [Abridged] this weekend July 23, 24, and 25 at 7:00pm. This hilarious parody features three actors attempting valiantly to perform every Shakespearean work in a mere 90 minutes.

It was first performed by its authors, Adam Long, Daniel Singer, and Jess Winfield, at the Edinburgh Festival Fringe in 1987, and it has gained meteoric fame in the years since, becoming one of the world’s most popular shows. The actors move frantically from piece to piece, donning and doffing costumes and wigs, hurling well-timed insults at one another, and frequently interacting with the audience.

Artun Kircali and Matt Cameron

Artun Kircali and Matt Cameron

The show stars Matt Cameron, Artun Kircali, and Leanne Young, and is directed by Anne Levy.  Advance tickets are available for $10 at www.pennyseats.org, or at (734) 926-5346. They will also be available at the door.

Immediately the following weekend, Penny Seats will open Urinetown: The Musical! The Tony-award-winning hit from 2001, will be performed July 30, 31, Aug 1, 6, 7, 8, 13, 14, and 15 (all shows at 7 pm).

Matt Cameron and friend?

Matt Cameron and friend?

Set in an admittedly absurd dystopian future where one must pay to pee, the show lampoons corporate bureaucracy, pie-in-the-sky optimism, revolution without a plan, and the musical theatre genre itself. With a full pit orchestra (led by Richard Alder) on the band shell stage, the action takes place around the audience in the park.

Featured performers include Brendan Kelly (Ypsilanti), Roy Sexton – ME! (Saline), David Kiley (Ann Arbor), John DeMerell (Walled Lake), Sarah Ann Leahy (Ann Arbor), Paige Martin (Ann Arbor), Cathy McDonald (Plymouth), Christina McKim (Albion), Jenna Kellie Pittman (Waterford/West Bloomfield), Linda Rabin Hammell (Detroit), Jeff Stringer (Jackson), Maika Van Oosterhout (Ann Arbor), and Daniel Bachelis (Howell).

Urinetown ensemble in rehearsal

Urinetown ensemble in rehearsal

Director Lauren London (who also serves as The Penny Seats’ President) says the piece is a natural for the group: “Since its turn on Broadway, Urinetown has been a favorite of performers, for its snappy score and hilarious, wink-to-the-audience feeling. It’s a perfect show to place in our park, where the cast can interact up close with the audience, and take them into the show’s silly world. Our cast is filled with performers who excel at just this type of theatre, and we’re thrilled to bring it to the park.”

Sarah Ann Leahy as Barrel and Roy Sexton (ME!) as Lockstock

Sarah Ann Leahy as Barrel and Roy Sexton (ME!) as Lockstock

Advance tickets are available at the group’s website, www.pennyseats.org. For the first time this year, the group is also selling package tickets, where patrons can purchase tickets to both shows and save a dollar per ticket. Although the curtain goes up at 7:00pm each evening, pre-show picnicking is encouraged, and the group will sell water and concessions at the park as well.

All performances will be at the West Park band shell.  Patrons are encouraged to bring a picnic dinner to enjoy at the park before or during the show.  Lawn chairs, hats, bug spray, and other outdoor gear are also encouraged. Alcohol may also be brought and enjoyed responsibly.  Water and concessions will be available for purchase. More information about tickets, parking, and available packages, is available on the company’s website, www.pennyseats.org.

____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital) In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

La Cage Aux Mormons: Derek and Julianne Hough and The Move Live Tour at the Fox Theater, Detroit

11221501_10206285578157274_7488430663654299396_oSo, for those of you hoping for a review this week of, say, Marvel’s Ant-Man or even Amy Schumer’s Trainwreck? You are getting neither.

Nope, you are getting an (albeit brief) overview of Mormon siblings/Dancing with the Stars alumni Derek and Julianne Hough’s Move Live dance extravaganza at the Fox Theatre in Detroit. 905771_10206285578077272_4772899360683282822_o

Yup, you read that correctly. 11109697_10206285578117273_4376833428147160117_o

John’s birthday present this year consisted of tickets to tonight’s show, given that last year ago he saw Derek on an episode of MTV’s Ridiculousness and got a kick from the Y-chomosomed Hough’s joie de vivre. And I, being the nice, thoughtful soul that I am, bought us tickets.

10985489_10206286234733688_4257423839131278927_oSo, how was it? Not bad. In a Donnie-and-Marie-meets-Magic-Mike-why-are-we-still-so-weirdly-repressed-it’s-2015 sort of way. It’s basically a two-hour episode of DWTS with blessedly little commentary and a few too many inspirational pep talks, all glitz and glamor, fox-trots and lip syncing – a K-Tel cornucopia of pop music and flash-dancing.

11217826_10206285578197275_1372892054322846085_o(And let me add that the whole time I was watching the show, I was also engaged in a social media debate with my hometown newspaper, an organization that seems to think pig wrestling – yeah, I know – is a signpost-worth-defending in America’s ongoing culture wars. Either that or they are just darn afraid of the local 4-H mafia. Or both. Click here … before they delete it.)

11707816_10206286323015895_3521239936071060505_o

Move Live

Back to the show? It is so Branson, Missouri-meets-Baz Lurhmann that I kinda dug it. Move Live is high-energy, filled with up-to-the-minute pop hits, and the Hough siblings can move – no pun intended. Hence, the show is aptly named.

Downside? Julianne (d*mn painful in one of the lead roles in the recent film adaptation of Rock of Ages) insists on singing. A lot. And her voice (charitably put) is like hearing two latex balloons rubbed together. Someone needs to intervene.

However, as a dancer, Julianne is divine … albeit she does remind me of desperate-for-validation cheerleaders with whom I went to high school, so I found her a wee bit exuberantly repulsive at times.

(Some of those aforementioned cheerleaders are firmly in the camp of those who think “pig wrestling” is really awesome now, so that didn’t much help Julianne’s cause. My worlds are colliding in a really unfortunate way this evening.)

11713854_10206286222093372_7765995984257500901_oDerek on the other hand is pretty darn charming. I hadn’t warmed to his gifts from that one episode of Ridiculousness, but, watching him in Move Live, I thought, “Yeah, there’s a star. He has the face of a rat and the body of Michelangelo’s David, but that’s a star.”

Derek sang as often as his sister, and, while his voice isn’t going to put Andrea Bocelli out of work, it’s stronger than Julianne’s.

He also has an engaging presence that had the DTWS-sycophants in the audience eating from the palm of his hand.

Move Live

The numbers ran the gamut from Bruno Mars’ au courant “Uptown Funk” to Christina Aguilera’s pastiche “Candy Man” to Elvis Presley’s moldy chestnut “Jailhouse Rock.” All were delivered with a polish and a joy that one only sees in a Broadway-caliber musical revue. 10873632_10206286215893217_1080407561164823413_o

My snide sh*tty snark aside, the Hough siblings are really d*mned adorable, and I enjoyed myself greatly. I felt like I’d time-traveled to 1979, watching a super-special, family-friendly episode of Solid Gold, starring Donny and Marie, The Carpenters, and Captain and Tennille. 11705498_10206286714585684_924200078516691853_o

And you know what? That’s just fine. If that’s the niche these fabulously talented siblings are destined to fill, then I dare say that this sad and troubling era could use a touch of their Me Decade-inspired sparkle.

#LaCageAuxMormons ____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital) In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Penny Seats’ Complete Works of William Shakespeare [Abridged] – PLUS, sneak peek of Urinetown

Leanne Young, Artun Kircali, Matt Cameron

Leanne Young, Artun Kircali, Matt Cameron

Our – The Penny Seats​, that is – first show of the summer Complete Works of William Shakespeare​ (Abridged) opened last night to an enthusiastic audience! Enjoy these photos (click here) by director Anne Levy (and others) from opening night. Shows run tonight and tomorrow and the next two weekends.

Leanne Young, Artun Kircali, Matt Cameron

Leanne Young, Artun Kircali, Matt Cameron

Artun Kircali, Leanne Young, Matt Cameron

Artun Kircali, Leanne Young, Matt Cameron

The Penny Seats Theatre Company opens its fifth summer season with a three-week run of The Complete Works of William Shakespeare [Abridged].

This hilarious parody features three actors attempting valiantly to perform every Shakespearean work in a mere 90 minutes. It was first performed by its authors, Adam Long, Daniel Singer, and Jess Winfield, at the Edinburgh Festival Fringe in 1987, and it has gained meteoric fame in the years since, becoming one of the world’s most popular shows. The actors move frantically from piece to piece, donning and doffing costumes and wigs, hurling well-timed insults at one another, and frequently interacting with the audience. The show stars Matt Cameron, Artun Kircali, and Leanne Young, and is directed by Anne Levy. Advance tickets are available for $10 at www.pennyseats.org, or at (734) 926-5346. They will also be available at the door.

[Great BroadwayWorld coverage here.] 

The show (most suitable for patrons aged 13 and up due to language) will run July 9, 10, 11, 16, 17, 23, 24, and 25 at 7:00pm, and on July 19th at 2:00pm. (There is no show July 18th.)

Matt Cameron, Leanne Young, Artun Kircali

Matt Cameron, Leanne Young, Artun Kircali

All performances will be at the West Park band shell. Patrons are encouraged to bring a picnic dinner to enjoy at the park before or during the show. Lawn chairs, hats, bug spray, and other outdoor gear are also encouraged. Alcohol may also be brought and enjoyed responsibly. Water and concessions will be available for purchase.

The Penny Seats’ next show, Urinetown: the Musical!, [also known as THE ONE I’M IN!] opens at the park on July 30th and will run for three weeks (Thursday, Friday, Saturday), until August 15th.

Roy Sexton as Lockstock and Sarah Leahy as Barrel

Roy Sexton as Lockstock and Sarah Leahy as Barrel

You can catch a sneak peek of Urinetown (and yours truly with a goatee for the first time in 20 years!) by clicking here. Thanks to talented Gabby Rundall for these marvelous photos!

More information about tickets, parking, and available packages, is available on the company’s website, www.pennyseats.org.

Ensemble - Paige Martin, Brendan Kelly, Jeff Stringer, John DeMerell, Cathy McDonald, Jenna Pittman, Christina McKim - Photo by Gabby Rundall

Ensemble – Paige Martin, Brendan Kelly, Jeff Stringer, John DeMerell, Cathy McDonald, Jenna Pittman, Christina McKim

Ensemble - Daniel Bachelis, Jeff Stringer, Paige Martin, John DeMerell, Cathy McDonald, Christina McKim, Jenna Pittman

Ensemble – Daniel Bachelis, Jeff Stringer, Paige Martin, John DeMerell, Cathy McDonald, Christina McKim, Jenna Pittman

Roy Sexton as Lockstock and Paige Martin as Little Sally - Photo by Gabby Rundall

Roy Sexton as Lockstock and Paige Martin as Little Sally

Brendan Kelly as Bobby and Maika Van Oosterhout as Hope

Brendan Kelly as Bobby and Maika Van Oosterhout as Hope

Brendan Kelly as Bobby with Ensemble - Photo by Gabby Rundall

Brendan Kelly as Bobby with Ensemble

Brendan Kelly as Bobby and Maika Van Oosterhout as Hope

Brendan Kelly as Bobby and Maika Van Oosterhout as Hope

____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital) In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Volume 2 is number 2 … right now on Amazon

Thanks, everyone! What an exciting Oscar Nomination Thursday for Reel Roy Reviews! Get your copy of the latest volume here.

 

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Thanks to Columbia City Post & Mail for coverage of Volume 2!

Thanks to the Columbia City Post and Mail for this coverage of the release of Reel Roy Reviews, Vol. 2: Keep ‘Em Coming – available now to order at Amazon: http://www.amazon.com/Reel-Roy-Reviews-Keep-Coming/dp/0692360433/ref=asap_bc?ie=UTF8

Post and Mail coverage of RRR2

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