Volume 2 is number 2 … right now on Amazon

Thanks, everyone! What an exciting Oscar Nomination Thursday for Reel Roy Reviews! Get your copy of the latest volume here.

 

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Thanks to Columbia City Post & Mail for coverage of Volume 2!

Thanks to the Columbia City Post and Mail for this coverage of the release of Reel Roy Reviews, Vol. 2: Keep ‘Em Coming – available now to order at Amazon: http://www.amazon.com/Reel-Roy-Reviews-Keep-Coming/dp/0692360433/ref=asap_bc?ie=UTF8

Post and Mail coverage of RRR2

Click to view larger version

 

Legal News coverage: Law firm VP to publish second book of film and media critiques

Thanks to The Legal News for this coverage (click here for digital version) …

RRR2 Legal News Coverage 1 7 14

“Keep ’em coming!” is something Roy Sexton’s readers have said frequently over the past dozen months since the release of his first book of film reviews, Reel Roy Reviews: Keepin’ it Real.

000_0007Sexton, a resident of Saline/Ann Arbor, started out penning saucy missives about the latest Hollywood blockbusters at his blog www.reelroyreviews.com, but lately he has been writing more about theatrical productions, concerts, and other live musical performances, as well as conducting the occasional interview.

In his latest book Reel Roy Reviews, Vol. 2: Keep ‘Em Coming!, Roy reviews Sting’s new musical The Last Ship, offers musings on shows by Lady Gaga, Cher, Randy Newman, and Katy Perry; and has written one of the snarkiest pieces you will ever read about a Transformers film.

hindbaugh__me__edna__don_and_roy_0005Open Books Technical Editor Kelly Huddleston observes, “Honest, humorous, witty, delightfully snarky… Sexton’s approach to movie, concert, music, and theatre reviews rivals that of legendary Gene Siskel. If you loved the first volume, then you are sure to enjoy Volume 2: Keep ‘Em Coming.”

Fellow author Tom Joyce (The Freak Foundation Operative’s Report) adds, “The guy’s obviously a hardcore film geek, who’s seen a ton of movies and has a good sense of what makes a quality film. But there’s an element of populism to his approach that I see lacking in a lot of film reviewers. He understands that sometimes you’re just not in the mood for a transcendent redefinition of the cinematic art form. Sometimes you just want a fun night at the movies. In other words, he doesn’t review like a serious student of cinema, so much as a regular person who just happens to really like movies. And, since that description fits me and — I’d venture to say — the vast majority of movie viewers that makes his reviews enormously engaging.”

Legal News RRR 2 Banner

Reel Roy Reviews, Vol. 1: Keepin’ It Real was released on the Open Books (www.open-bks.com) imprint in February 2014, and this second volume is available for pre-order now (print edition and digital downloads distributing mid-January 2015). Both volumes will also be available on Amazon, iTunes, and Nook. The books can be found in Southeast Michigan at Dearborn’s Green Brain Comics and Ann Arbor’s Bookbound and Common Language book stores.

animals_and_us_0010In the second volume’s introduction, Sexton writes, “As my blog rolls into another year of entertainment, rife with comic book adaptations, sequels, Oscar bait, arena shows, and theatrical productions big and small, sometimes I wonder if I am choking the life right from this hobby of mine. Can you imagine if every time you saw a film that your OCD tendencies forced you to rush home, throw some quippy hoo-ha on the internet, and wait eagerly for 3.5 comments to appear? Ah, well, it’s still too much fun to stop now—anticipate Volume THREE Roy’s Movie Migraine shortly.”

Sexton, son of Don and Susie Sexton, grew up in Columbia City, Indiana. His mother (www.susieduncansexton.com) is also a published author, whose two essay collections Secrets of an Old Typewriter and More Secrets of an Old Typewriter, are published by Open Books.

Roy earned his Bachelor’s degree from Wabash College in 1995 and is a 1997 graduate of The Ohio State University, where he earned his Master’s degree in Theatre. In 2007, Roy graduated with his MBA from the University of Michigan. He is a graduate of Leadership Detroit, is a governor-appointed member of the Michigan Council of Labor and Economic Growth and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012. He is currently participating in the Ann Arbor/Ypsilanti Chamber of Commerce’s yearlong Leadership A2Y program, and he is an active member of the Legal Marketing Association.

animals_and_us_0003Roy has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. Sexton is Senior Vice President of Corporate Affairs for Trott Law, P.C., a Farmington Hills, Michigan-based real estate law firm.

Prior to joining Trott, Roy spent 10 years in various planning and communications roles at Oakwood Healthcare System, serving as the Corporate Director of Strategic Communications and Planning. In this role he led a staff of 20 marketing professionals and developed the strategic direction for the $1 billion health care system.

wedding_of_susie___don_0005Sexton has been an active participant in the local theatre scene for nearly twenty years, having appeared in a number of productions. Sexton most recently performed in The Penny Seats’ sold out run of the Tom Lehrer cabaret Tomfoolery at Conor O’Neill’s in Ann Arbor. Prior to that, Sexton had the lead role in Ann Arbor’s Penny Seats production of the Neil Simon/Cy Coleman/Carolyn Leigh musical Little Me, playing seven different characters. He is a co-founder of the theatre company. He was featured as Professor Callahan in Legally Blonde the Musical at Farmington Players, and he played Georg Nowack in She Loves Me with The Penny Seats. He has also appeared in Goodnight Desdemona (Good Morning Juliet), What Corbin Knew, Oklahoma!, The Pajama Game, Company, Bells are Ringing, Rags, Side by Side by Sondheim, The Taming of the Shrew, Fiddler on the Roof, The Fantasticks, The Merry Wives of Windsor, Ah, Wilderness!, God’s Country, The American Clock, As You Like It, Tartuffe, The Battle of Shallowford, Trout, and The Merchant of Venice. He is also an active cabaret performer.

Sexton comments, “Thanks to all those people out there who support with their time, their money, their attention popular art in all its varied forms. Now go see something fun and tell all your friends about it! That’s the best kind of reviewing in the world.”

Just when you thought it was safe to go back in the bookstore … bam, the sequel!

RRR2 CoverJust when you thought it was safe to go back in the bookstore … bam, the sequel! Reel Roy Reviews, Volume 2 coming January 2015 – here’s the announcement from the publisher:

“Keep ‘em coming!” is something Roy Sexton’s fans have said frequently over the past dozen months since the release of his first book of film reviews, Reel Roy Reviews: Keepin’ It Real.

Roy started out penning saucy missives about the latest Hollywood blockbusters, but lately he has been writing more about theatrical productions, concerts, and other live musical performances, as well as conducting the occasional interview.

In his latest book Roy reviews Sting’s new musical The Last Ship, offers musings on shows by Lady Gaga, Cher, Randy Newman, and Katy Perry; and has written one of the snarkiest pieces you will ever read about a Transformers film!

RRR2 Headshotkid_stuff_0002Fellow author Tom Joyce writes, “The guy’s obviously a hardcore film geek, who’s seen a ton of movies and has a good sense of what makes a quality film. But there’s an element of populism to his approach that I see lacking in a lot of film reviewers. He understands that sometimes you’re just not in the mood for a transcendent redefinition of the cinematic art form. Sometimes you just want a fun night at the movies. In other words, he doesn’t review like a serious student of cinema, so much as a regular person who just happens to really like movies. And, since that description fits me and — I’d venture to say — the vast majority of movie viewers that makes his reviews enormously engaging.”

Lucy Jif for Banner

About the book: http://www.open-bks.com/library/moderns/reel-roy-reviews-2/about-book.html

About the author: http://www.open-bks.com/library/moderns/reel-roy-reviews-2/about-author.html

Pre-order: http://www.open-bks.com/library/moderns/reel-roy-reviews-2/buy-book.html

 

 

 

And enjoy this video of my mother Susie Duncan Sexton and me on The Kevin Storm Show, discussing animal rights, theatre, culture, and more … and if you’ve ever wondered what radio people do while their on-air guests are talking, now you know! Definitely some unintentionally ironic comedy here …

Little Me … on the radio and on the stage

Kevin Storm

Kevin Storm

Exciting news! Both my mom author Susie Duncan Sexton and I are going to be guests on The Kevin Storm Show (radio) this Sunday at noon, discussing our books and theatre and love of animals – you can listen and find out more about Kevin and his show at his website or here as well.

Susie and Roy at Conors

Susie and Roy

 

Kevin is dedicated to animal rights and vegan causes and is billed as New Jersey’s youngest radio host! The show will also be available on YouTube here after the broadcast. And check out Kevin’s Facebook fan pages here and here  and or his Twitter here.

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Flashback Friday – enjoy these clips from a truly zany musical I did a couple years ago Little Me with Ann Arbor’s Penny Seats – you can view on YouTube here or below. Enjoy! Next year, Penny Seats will be doing TWO shows Urinetown and The Complete Works of William Shakespeare – you can find out more about the 2015 season at their website. Thanks to my wonderful pal Rebecca for capturing this video.

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

A day late and a dollar short: NBC’s Peter Pan Live!

[Image Source: Wikipedia]

[Image Source: Wikipedia]

I was an apologist for last year’s inaugural live musical broadcast on NBC: The Sound of Music Live! starring pop/country superstar and American Idol winner Carrie Underwood.

In defense of those rather cardboard proceedings, featuring an underwhelmingly wooden (see what  I did there? :) ) performance from the otherwise charming, sweet, golden-voiced Ms. Underwood, I wrote, “Bully to NBC and the production team and the cast for their accomplishment and for giving the Wal-Mart generation a glimpse of another era. … Let’s hope for more live theatre on network TV … and less Wal-Mart.”

After finally slogging through Peter Pan Live! via the wonders of DVR, can I rescind that wish?

Good lord, but there was even MORE Wal-Mart: the creepily self-satisfied, Midwestern, hetero-normative, consumerist-fantasy, vaguely Christian with a capital “C”, generic family that peppered every d*mn commercial break during last year’s broadcast being replaced by a creepily self-satisfied, Midwestern, hetero-normative, consumerist-fantasy, vaguely Christian with a capital “C”, celebrity family, that of Sabrina the Teenage Witch Melissa Joan Hart, doing her darndest to look winsome and bake cookies and project a calm, ethereal, Donna Reed-passivity that would make Gloria Steinem’s head explode.

And good googly wooglies but as much as I hated the ever-increasingly invasive Wal-Mart ads, the show was worse. Others seem to disagree, but I found this production flatter, duller, drearier, and more aggravating than last year’s. Perhaps I gave Underwood and company a pass because it was the first time in decades someone had attempted such a spectacle. Perhaps Rodgers & Hammerstein’s Sound of Music is just a stronger show in its bones than Jule Styne/Adolph Green/Betty Comden’s Peter Pan. Perhaps Sound of Music had a stronger supporting cast, capable performers like Audra McDonald and Laura Benanti who knew how to transcend the molasses and pop off the screen with sparkle and charm. Perhaps all of the above.

 

My mother Susie Duncan Sexton emailed me immediately following the Peter Pan broadcast – the subject line was “panning pan” and the content is slightly edited here for a family audience :)

Petuh, Petuh, Petuh…Christopher Walken as Hook channeled Bette Davis?  Kelli O’Hara as Mrs. Darling could have played Petuh or Wendy.  Wendy girl [Taylor Louderman] was great but looked 47.  Nana dog was the best of all.  Show was about as LIVE as a corpse in a casket.

The costumes? (Kelli alone even got that right)  Petuh Pan girl should have worn tights and elf shoes/hiking boots exposing a hint of waxed legs…And, with their outrageous costumery for Tiger Lily’s men and sometimes the pirates, why not give Petuh a pointy hat?!?

And Allison Williams as Petuh never left girldom.  Was this a fever dream about some very odd female rite of passage? Just exchange thimbles either with other girls or with castrated fun-loving immature boys whom they will mother, rather than ever … you know what?

And I kept thinking of Natalie Wood for some reason?  What would she have thought of Walken on a boat with BTW the most talented folks in the show?  Had been looking forward to the production and kept thinking –through all of the lengthy commercial breaks (breaks causing ADD) filled with materialistic mind sets from big families who could even maybe adopt lost boys–that it would improve?

And how about this suggestion.  When Minnie Driver pushed the show down for a completed drowning death that the windows might have opened and Allison’s dad, newscaster Brian Williams, himself flew in?  His man daughter with the waxed legs all grown up?  And did they write unmemorable new-stale songs for this thing or what?

 

My mom is spot on.

As I watched this thing in dribs and drabs over the past weekend – 30 minutes here, 30 minutes there – I grew more horrified with each installment. Was Walken being punished somehow? Or were we, the audience? He seemed miserable, tone-deaf, and medicated like an aging drag queen who’d put in one too many performances of “I Will Survive” at The Jolly Roger in Provincetown. And the dancing? His much-vaunted dancing? All I saw was a lot of leaning left and right, fay hand gestures, and an occasional pretend tap sequence or too. Is that latter bit called lip-syncing? Toe-syncing?

Williams is arguably a smidgen better actor than Underwood but she definitely doesn’t have the erstwhile Maria’s pipes or, for that matter, simple sweetness. Williams had all the pluck and charm of a ball point pen and, at times, she performed like a well-heeled, smart-alecky co-ed slumming on her winter break from Barnard.

Christian Borle as Mr. Darling/Smee was ok. I find him talented but one-note usually. I may be in the minority, but I thought this production highlighted all of his airless, stiff limitations. O’Hara, on the other hand, was magic. In this production, she reined in her overly plucky twinkle, and gave us a Mrs. Darling who was warm, authentic, poignant, and haunting. I very much like what she did with the role. It was a sobering juxtaposition to everything else.

Ah, everything else. The ingeniously fluid set design employed during Sound of Music was definitely on display, but a bigger budget does not necessarily bring better taste or strategic restraint. Neverland looked like it was outfitted by Hot Topic and Justice store employees hopped up on acid and Diet Coke. The Lost Boys/Pirates/Natives (basically all the group numbers) were a hoot to watch – that’s generally when the show came alive, especially the Pirates … but they all appeared to have been costumed by cast-off pieces from The Village People’s camp classic (?) Can’t Stop the Music (directed by Nancy Walker, btw/wtf).

It was this jarring conflict of tone and energy and intent that was most problematic. As my mom suggests with her “pointy hat” remark, if the show had just gone for all-out crazy the way the set and costume design suggest, it would have been an absolute riot. Peter Pan is a strange children’s (?) book with a lot of bizarre Freudian subtext (and super-text) made even odder when musicalized with a grown woman playing the lead and a cast of grown men all in pursuit of and at odds over finding the perfect mother (seemingly the show’s primary narrative conceit).

The production designers seemed to get that innate oddness, but, apparently, they were attending different team meetings from the director and cast who approached the material with flat affect and somber tone … when they could remember their lines, that is. The only way this thing would have worked (in addition to excising an hour of material/advertisements) would have been to celebrate its peculiarity, not only in production values but in performance. We needed unhinged whimsy but got unhinged boredom.

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

The Penny Seats! 2015! Nothing BUT trouble!

Penny SeatsThis video is really adorable – and I can say that without any vanity (yet perhaps a little bit of pride) because, though I am a happy member of this intrepid troupe, I did not  have anything to do with the video’s artistic creation! (You will see some pics of me below though – ah, vanity!) Happy December!

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Hi friends, this is our one big chance to raise funds for our 2015 Summer Season.  And this year, it’s twice as exciting as it’s ever been.  Why?  Watch here

Help us achieve our dream! 
Two shows, six whole weeks,
at West Park this Summer.

 

ElektraAfter five years of steady growth and our 2014 season ending with a tremendous sold-out run, we ask for your help as we achieve a long-awaited dream:  in Summer 2015, our fifth year at Ann Arbor’s West Park, The Penny Seats will present two full-scale, professional shows at the park, for nine performances each, over six weeks.

Tomfoolery

 

This will double our summer residency, and at last build us into the summer repertory company we set out to be. In five years we have enjoyed enthusiastic and growing support from the community.  We’re proud and excited, and we have many to thank.  Since day one, our funding model has been simple:

raise every season’s funds in advance, and don’t spend what you can’t raise.

What Corbin Knew

 

 

Goodnight DesdemonaWe rely on donations and grants for 100% of our season budget.  We don’t count on ticket sales, so we can keep prices very low.  We want to be the best theatrical value in town, delivering top-quality theatre at bargain prices.  That’s where you come in.

She Loves Me

Little MeOur goal is ambitious:  to achieve our dream this year, we need to pay two sets of royalties, two times the rent for West Park and rehearsal space, and, most importantly, we need the proper funds to pay the dedicated Michigan artists at the center of it all.  Can you help?

 

 

Helping out is easy, and it comes with some great perks, including 2 free tickets to all our shows for a $100 donation!  So please, this year, help us achieve what we set out to do.  Let’s give Ann Arbor a fabulous, top-quality summer theatre festival in the park. Donate today.  Thanks.

 

 

 

 

 

 

The Penny Seats are:

Staff:
Lauren London, President
Sean Murphy, Technical Director
J.P. Hitesman, Marketing Director

Board of Directors:
Bridget Bly, Treasurer
Matthew Cameron, Chair
Kelly Cameron
Victoria Gilbert
Zachary N. London, Secretary
Laura Sagolla, Vice Chair

All photos by Dawn Kaczmar 

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Penny Seats
Copyright © 2014 The Penny Seats Theatre Company, All rights reserved.Our mailing address is:

The Penny Seats Theatre Company

2720 White Oak Dr.

Ann Arbor, MI 48103

Add us to your address book

So, long Tom … it’s a wrap for Tom Lehrer’s Tomfoolery in Ann Arbor

Brent, Lauren, Susie, and Roy

Brent, Lauren, Susie, and Roy

Great closing night of Tomfoolery! What a show! Thanks, JP Hitesman, Mary Lynn Stevens, Michelle Clark, Julie Krohta, Susie Sexton, Don Sexton for being there!

My cast-mate Brent Stansfield wrote, “We finished our run of Tomfoolery tonight. It has been a real treat working with Roy Sexton, Laura Sagolla, Matt Cameron, and Rebecca Biber and to be directed by Lauren M. London. I didn’t think I’d enjoy doing theater again but these guys make all the work so much fun. Thanks guys!” Couldn’t agree more!

The authors

The authors

Roy, Laura, and Brent

Roy, Laura, and Brent

We had sold out shows, amazing audiences, and we sold lots of books! My mom and I donated sales of our books on-site during the run to The Penny Seats – thanks to all who supported!

And our esteemed director Lauren added, “It was a joy, made of willing, enthusiastic, creative participants, all of whom were out to have fun, work hard, and be funny.  It brought happiness and riotous laughter everywhere it went, and I’m very sorry to see it go. … Davi Napoleon was right when she said it could run for months at the pub.  It could.  We had willing, eager audiences clamoring to see it and a very pleasant partner in Conor O’Neill’s.”

Enjoy these video snippets from the show – courtesy of wonderful super-fan Rebecca Winder – click here to view in sequence or view separately below. (Photos taken by my parents last night are sprinkled throughout this blog entry, but you can also view them here.)

My proud pa

My proud pa

My proud ma

My proud ma

What a team!

What a team!

Breakfast of champions ... the party's over

Breakfast of champions … the party’s over

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Tomfoolery

Tomfoolery

You’re never too old to learn – Seth Rudetsky’s master class at Farmington Players, November 2

Seth RudetskyYou’re never too old to learn, I suppose. At least that was the lesson I gained today during Seth Rudetsky‘s wonderful master class taught at Farmington Players in Farmington Hills, Michigan. Thanks to the group and specifically to Amy Lauter for organizing the event, which saw local performers go through the exercise of auditioning before Mr. Rudetsky as well as an appreciative audience of approximately 130 people.

Sitting there, starting at noon, all of us guinea pigs lined up in the front row, nervously awaiting Seth’s appearance, not sure what to expect. Would he be more Simon Cowell, all glistening fangs and catty remarks, or Mr. Rogers, full of affirmation and delightful support?

Blessedly, he was more the latter, but not without insightful critique which inspired immediate improvement from all of us performers.

Seth opened the session with a brief overview, along the lines of this YouTube video – practical (and funny!) advice about how to prepare music, how to get ready for an audition, and how to put yourself in the proper head-space to succeed …

Following that intro, Seth began drawing our names from a hat … well, a decorative bowl … and one by one, we marched up on the stage, allowing Seth to a rifle through our prized binders of sheet music and to select a cut or two for us to perform. The age of the performers ranged from 11 to “we’d-rather-not-say,” with an array of songs from Broadway canon, pop, and beyond – Sondheim, Rodgers & Hammerstein,  and … er … General Hospital. You had to be there.

(I sat there nervously for hours wondering if my name was even in the bowl at all, but, finally, next to last, my name was called. I futilely tried to step directly on the stage from the front row – who needs stairs? At which time, I did this awkward army crawl/roll center stage. Yup, I know how to make an entrance. Sigh.)

Seth took his time with all of us, stopping at key points in our songs and offering us direction on how to improve our delivery: “be in the moment,” “what are you thinking about there,” “why hold that note and what are you conveying emotionally if you do so,” “plant yourself,” “take a position of strength,” “there are no songs that shouldn’t be used in auditions, but you have to find the song that features you and your talent best.” Pretty great life advice, let alone fabulous guidance for an exceptional audition.

I sang Pajama Game‘s “Hey There,” after fumbling disastrously with my own notebook, like a nervous junior high school kid. I blushed when Seth said he really likes my old-school songs (all raided from my mom’s exceptional sheet music collection). And I was a dutiful student, taking his advice on a song that I had sung so often it had become akin to “Jingle Bells” or “Happy Birthday” in my head … musical wallpaper.  I was struck by how different the final performance was that resulted – thanks, Seth!!

Thanks to “Legally Blonde the Musical” pal Amy Poirier for grabbing that quick clip from this afternoon, and enjoy the following video, taken by my cousin Alexandra Poor, of my performance of the song in Spotlight Players’ 2009 production of “The Pajama Game” …

Seth said I may be a little too old to sing “Real Live Girl” or “Corner of the Sky” any more … phooey, and I would have been very curious for his reaction to my take on Tom Lehrer’s “Masochism Tango” from Tomfoolery. Maybe next time!

Thank you, Seth! I may never make it to Broadway, but I feel like Rudetsky brought a little bit of Broadway to the future of my local performing.

But me being weird ol’ me, the highlight of the afternoon for me was this … Seth encouraged all of us to sing as if we were serenading a beloved rescue pet – sing every song thinking of an animal we love, bringing out all the authentic, vibrant colors of that pure emotion. He also let us know that Roberta Flack dedicated “The First Time Ever I Saw Your Face” to her cat!  I like that song so much better now! Seth is an active Facebooker and sprinkles his promotional efforts with many, many posts to help our animal friends. Be sure to check out and follow his Facebook page, and if he comes to a town near you, go to his live show, sign up for his class, and thank him for all his generous and gracious work.

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Tomfoolery Sells Out Every Show. Encore Date Added!

Roy Sexton (Reel Roy Reviews):

Another great night of Tomfoolery – sold out – and hardly any tix left for November 9! Thanks to Diane Hill, Naz Edwards, Rich Geary, Kelly Little, Jim Lynch, Melynee Weber, Nina and Bob Schwartz, Jason Ringholz for coming this week and to anyone I missed! I’m spent! Read more below…

Originally posted on The Penny Seats:

Guys. Can you believe it?  Our little show, Tomfoolery, sold out Every Single Performance at Conor O’Neill’s this month. Every single one!  How thrilling!  We filled the restaurant.  We sang our hearts out.  We even got to talk about it on the radio.  The phone rang off the hook all month, and we’ve been overwhelmed with support and warm fuzzy goodness.

Which brings us to this:  Due to high demand, we added one additional performance: Sunday, November 9th. Same time, same place, same everything.  Just on a Sunday.  Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Click here to buy tickets, or just call us at (734) 926-5346.

Brent, Roy, and Matt sing a Southern Song. Brent, Roy, and Matt sing a little Southern Song.

We were thrilled at the reception this got, from patrons and critics alike. See this awesome review for Encore…

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