“and i was so happy to be a part of it all” – April 26 author event at Ann Arbor’s Bookbound

Wonderful friends [Photo by Megan Blackshear]

Wonderful friends [Photo by Megan Blackshear]

With references to forgotten Broadway musicals and even more forgotten films (Buckaroo Banzai or Time Bandits, anyone?), analysis of my ongoing “war” with the Cher-army, many funny asides, boffo binge-book-buying by all in attendance, and a whole lot of zany fun, yesterday’s book signing/singing event was a hit!

With Peter Blackshear [Photo by Don Sexton]

Magic to do [Photo by Don Sexton]

Magic to do [Photo by Don Sexton]

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Songs were sung: “Corner of the Sky” from Pippin, “Pure Imagination” from Willy Wonka and the Chocolate Factory, “Send in the Clowns” from A Little Night Music, “My Funny Valentine” from Pal Joey, and “This is the Life” from Golden Boy.

 

Film musings were read: both entries from the book on the beautiful black and white comic weepie Penny Serenade – one by my mom, author and columnist Susie Duncan Sexton and one by yours truly.

And we got to catch up with some wonderful, kind, supportive friends (photos here)…

[Photo by Megan Blackshear]

[Photo by Megan Blackshear]

With accompanist Rebecca Biber [Photo by Don Sexton]

With accompanist Rebecca Biber [Photo by Don Sexton]

John Mola, Susie and Don Sexton, Sean Murphy, Jim Lynch, Melynee Weber, Lauren M. London and the London kids, Angie Choe and Sean and kids, Matthew Theunick, Zaida Hernandez, Karen Southworth, Beth Kennedy, Jenna Jacota Anderson, Sarah Rauen, Marjorie and Patricia Lesko.

Thanks to Rebecca Biber for the wonderful accompaniment and witticisms. And thanks again to Bookbound and Peter Blackshear and Megan Andrews Blackshear (and Chester!) for hosting such a fun event.

[Thanks to BroadwayWorld for this coverage - click here to view.]

Signing actress Sarah Rauen's book [Photo by Megan Blackshear]

With actress Sarah Rauen [Photo by Megan Blackshear]

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Here is Bookbound’s write-up:

“Bookbound (1729 Plymouth Road, Ann Arbor) hosted local community theater actor, blogger, and author Roy Sexton for an afternoon of laughs and music. He read from his new book of cheeky movie reviews, Reel Roy Reviews, and entertained with movie themes and show tunes with Rebecca Biber accompanying.”

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Finally, what an honor and a privilege for us to be included in dear and talented and beautiful Beth Kennedy’s fantastic blog I Didn’t Have My Glasses On.

Here’s a quote: “there were so many sextons, so little time……and i was so happy to be a part of it all, and in awe of the heartfelt and mutual support shared by all.” We love you, Beth! Read the rest by clicking here.

ReelRoyReviews is officially launched, y’all! Time for me to collapse…

 

Celebratory dinner at vegetarian restaurant Seva

Celebratory dinner at vegetarian restaurant Seva

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound, Common Language, and Memory Lane also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

“Oh, what a night!” Reel Roy Reviews book launch event at Ann Arbor’s Common Language

Paula Rivera Kerr and Darin Kerr and John Mola

Paula Rivera Kerr and Darin Kerr and John Mola

Wow! What a night! I may be recovering from last night’s book launch at Common Language for weeks (which is going to be tough ’cause there is another fun event scheduled for April 26 at 3 pm at Bookbound in Ann Arbor – I may need to get in some power naps before then).

Event PosterEnjoy these photos from last night, courtesy of expert presenter and photographer John Mola. (You can view more pics here and here.)

Keith Orr

Keith Orr

 

 

 

 

 

 

 

 

 

 

 

Thanks to Keith Orr and Martin Contreras, owners of Common Language, for their generosity as our hosts for the evening. They are wonderful souls! Go now (right now!) to their store and buy lots of stuff. And meet their beautiful, happy, sweet canine rescue mascot Duke.

AudienceThanks to my guinea pigs … er … amazing readers who took part in presenting some of my wilder reviews. Yes, there were accents, cartoon voices, Mad Libs-esque games, saucy asides aplenty, laughter, editorializing, aural mimicry of John Barry’s hypnotically bizarro Black Hole score, and spot-on Xanadu roller boogie choreography.

Lyn Weber

Lyn Weber

 

 

 

After a lovely intro by Keith who had some very encouraging things to say about me being a reviewer who blends the personal and professional in a humorous and (more or less) kind-hearted way (I’m paraphrasing shamelessly!), the rogues gallery rundown of readers (who pretty much unraveled any good will achieved by Keith’s remarks) included the following folks …

Rachel Murphy

Rachel Murphy

 

 

 

Rachel Murphy with “Did you read the book first? Life of Pi“; Lyn Weber with “Never trust a movie with a colon in the title … The Mortal Instruments: City of Bones“; John Mola with “Whatever the hell that is supposed to mean … HBO’s Behind the Candelabra“; Rebecca Biber with “Twerking, tongue all a-twangle: Miley Cyrus’ Bangerz“; Nick Oliverio with “A psychedelic fever dream … for kids! Disney’s The Black Hole“; and Barbara Bruno with “Gene Kelly, sir, you owe us an apology: Xanadu.”

Nick Oliverio

Nick Oliverio

 

I love my talented friends, who made me feel so very special reading these crazy musings of mine. My mom once told me that Quentin Tarantino will show up at friends’ homes and make them listen to his scripts (in development), read aloud by the maestro himself. I totally get that now, as last night I realized (while listening intently, of course!) that I have a tendency to overuse the terms “heebie jeebies,” “balsa wood,” and “skeezy.” I’ll leave it to you to figure out where and how!

 

Thanks again to Keith and Martin for a fun night – they are now carrying copies of Reel Roy Reviews in the store as well as my mom’s Secrets of an Old Typewriter essay collections. (Read her latest Homeward Angle column here.)

And my deepest appreciation for the friends who participated and who attended.

Rebecca Biber

Rebecca Biber

Speaking of friends, while I’m in this giddily self-promotional haze, thanks to new friend Gina Furia Rubel for the following comments about the book. (Gina’s Twitter bio describes her as “CEO of FuriaRubel, a Legal Marketing, Web & Public Relations Agency; media source, speaker, blogger, & attorney who loves travel and photography” … all true! But she is also a warm, very witty, and delightful soul who loves animals and movies. My kind of person!)

 

Barbara Bruno

Barbara Bruno

 

 

 

Gina writes, “If you love movies, wit, snarky commentary and humor as much as me, you will love reading Roy Sexton‘s book, Reel Roy Reviews. Perhaps, Roy, you will solve the riddle of how the $10+ movie ticket and $8 popcorn entitles many of us to ‘armchair quarterbacking’ or answer why the movie Xanadu was ever filmed….”

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books

 

Reel Roy Reviews is now a book! Please check out this coverage from BroadwayWorld of upcoming book launch events. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound, Common Language, and Memory Lane also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

Whatever the hell that is supposed to mean…HBO’s Behind the Candelabra

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

I debated whether or not even to review HBO’s latest event biopic Steven Soderbergh’s Behind the Candelabra. I haven’t felt this ambivalent about a film since 2010’s goth-ballet-thriller-mess Black Swan…and, to this day, I still don’t know how I feel about that one.

I will admit that I was transfixed by this peek into the gilded cage in which Liberace lived, loved, and controlled all those around him. Michael Douglas is a marvel. I forgot I was watching him, though I don’t know that I ever truly believed I was watching Liberace.

At times, I was transfixed the way one might be driving past a car accident on the highway.

As a kid, Liberace gave me the heebie jeebies. Not because of his mincing, sequined, over-baked stage persona (who cares!) but because he seemed so inauthentic and full of campy self-loathing. Well, the film nails that vibe, and offers a portrait (much like HBO’s recent Phil Spector) of a celebrity who created a carnival about himself to escape the reality of his own personal demons.

Most of the supporting players are great – Rob Lowe as a plastic-faced Faustian cosmetic surgeon, Scott Bakula as a sad-sack Liberace-groupie of some sort, Dan Aykroyd as Liberace’s oily manager/love life hit man, and even Matt Damon as Farrah-haired paramour Scott Thorson.

As the film careens to its sloppy final act, Damon struggles to find his footing in those jilted years that prompted Thorson to write the book upon which this movie is based; however, Damon does create a compelling, sad, and appropriately skeezy portrait of Thorson’s early years with “Lee” (Liberace’s nickname).

The weak link in the cast is Debbie Reynolds as Liberace’s mother. Like most of Reynolds’ recent performances, she seems to be phoning it in from 60s-era Rowan and Martin’s Laugh-In with her cartoon-y Slav-esque accent and Mrs. Doubtfire/Jimmy Durante fake proboscis.

What bothered me about the film? That part is tricky. I may be over-thinking, but why make this film? If we needed a film about Liberace (and I’m still not sure we did), why base it on a dubious tell-all (now out-of-print) written by a drug-addled, oft-jailed ex-lover? Are the filmmakers giving us the inside view of a talented man (Liberace) who, due to the circumstances of his era/audience/success, was chronically incapable of living an authentic, open, loving life? Or are they inadvertently inciting a bit of a “gay panic” playing winky/wink/nudge/nudge “dress-up” in the sweaty, paranoid era when Studio 54, Mr. Roper, Reaganomics, and the AIDS crisis collided?

Not sure. Is this film worth seeing? I think so. But, as I am prone to do, I worry about its interpretation out-of-context.

And, yes, I had a similar worry about the interpretation of the satirically violent Hunger Games with its atonally giddy Harry Potter-esque marketing campaign. So maybe I am just a worrier. As Liberace espouses late in the film, “Too much of a good thing…is wonderful.”

Whatever the hell that is supposed to mean…