The music of Tom Lehrer – Penny Seats “Tomfoolery” cabaret opens this Thursday, October 2

Be Prepared

Be Prepared

The Penny Seats return to the stage this October with the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer. The production also includes an opening short—a 5-minute mini-musical called Volcanoes!!—composed by Ann Arbor’s Zach London, who cites Lehrer as an early inspiration.

Production photos by Victoria Gilbert – view more here.

 

Hunting Song

Hunting Song

Silent E

Silent E

Generation X knows Lehrer best as having written the songs for Electric Company (“Silent E”), but he also wrote a number of satirical songs in the 50s and 60s for shows like That Was The Week That Was, The Frost Report, and The Steve Allen Show as well as his own concerts.

The Elements

The Elements

Irish Ballad

Irish Ballad

Lehrer observed, “I know it’s very bad form to quote one’s own reviews, but there is something the New York Times said about me [in 1958], that I have always treasured: ‘Mr. Lehrer’s muse [is] not fettered by such inhibiting factors as taste.’“

Volcanoes

Volcanoes

Volcanoes

Volcanoes

Tomfoolery will run on Thursdays, October 2, 9, 16 and 23, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies are partnering to offer a cabaret-style show, with dinner seatings available starting at 6:30 pm, and performances each night at 8:00pm. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at pennyseats.org or by phone at (734) 926-5346.

Smut

Smut

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline. Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor).

 

 

Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Folk Song Army

Folk Song Army

 

 

 

 

Lauren says of the piece, “This show is a guilty pleasure for us. It’s pure, brash, silliness, presented with gusto in a bar setting. So many of us remember Tom Lehrer’s acerbic, satirical songs from our childhood (Electric Company, “Poisoning Pigeons in the Park,” “Pollution”). In particular, we recall that feeling of not knowing whether our parents would approve, but presuming the worst. We snuck around, giggling and singing these songs to each other eagerly, reveling in their mischievousness; it’s wonderful to celebrate them loudly now, in all their glory. And Zach’s short piece, Volcanoes!!, is a fitting opener. It pays homage to Lehrer in its tone and staging, and will, I think, get patrons in the right frame of mind for the evening.”

Wanna Go Back to Dixie

Wanna Go Back to Dixie

Folk Song Army

Folk Song Army

 

 

 

 

 

 

 

 

 

 

Sexton adds, “The show, originally conceived by Cameron Mackintosh (Phantom of the Opera, Les Miserables), celebrates the music of Tom Lehrer, a comic misanthrope who makes Lewis Black and Jon Stewart seem like Mr. Rogers and Spongebob Squarepants.”

Vatican Rag

Vatican Rag

Wiener Schnitzel Waltz

Wiener Schnitzel Waltz

 

 

 

 

 

 

 

 

The company is also thrilled to partner with Conor O’Neill’s, a cornerstone of Ann Arbor’s downtown scene. “Conor’s has been a delight to work with,” says Lauren. “We’re thrilled at the support they’ve given us at every stage, and can’t thank them enough. It’s gratifying to be able to offer theatre patrons the incredible food, personalized service, and value that make Conor’s such a satisfying place. We can’t wait.”

Our Director

Our Director

The show continues a successful 2014 season for The Penny Seats, who presented an acclaimed production of Elektra this July in West Park. The group is now in its fourth year of operation and continues to be overseen by a volunteer staff from the Ann Arbor area. (Later, The Penny Seats will re-team with 826 Michigan for their annual Five Bowls of Oatmeal performance, featuring short plays written by local schoolchildren in the Ann Arbor and Ypsilanti area.)

For more information, visit the group’s website pennyseats.org or call 734-926-5346.

Production photos by Victoria Gilbert

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Tomfoolery

Tomfoolery

 

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Ann Arbor Observer: “Tomfoolery … Nothing but fun” by Davi Napoleon

Davi Napoleon wrote this wonderful article for the Ann Arbor Observer on our production of Tomfoolery (opening next Thursday at Conor O’Neill’s here in Ann Arbor) – such a nice story, and we look suitably like lunatics in the accompanying photo (which is TOTALLY accurate)! Enjoy, and get your tickets at pennyseats.org/box-office/

Davi Napoleon Article on Tomfoolery from Ann Arbor Observer________________________

Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Silly props … and sillier zombies

Props!

Props!

So if this image* doesn’t intrigue you about Tom Lehrer’s Tomfoolery enough that you rush to pennyseats.org/box-office to get your tickets, I don’t know what might. Yup, these are some of our props. Nope, I ain’t going to explain how any of them are going to be used.

Zombie-fied Brent, Matt, Roy

Zombie-fied Brent, Matt, Roy

And, the rumors are true – there be zombies** in this show … for no good reason, other than it’s funny. Yup, just that kind of gig!

(We’re hoping zombies are a draw and not a deterrent.)

Tomfoolery

Tomfoolery

Come see us Penny Seats do our thang on October 2, 9, 16, or 23 at Ann Arbor’s Conor O’Neill’s and discover all the wonders for your little ol’ self! ($20 for dinner AND show; $10 just for the show)

 

*Photo by fellow cast member and crazy talent Brent Stansfield of his show “stuff”

**Photo by marvelous director Lauren London who falls into fits of giggles, for some inexplicable reason, every time she sees this particular moment

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

I’m a lawyer? Nah, it’s just “Tomfoolery”!

Somehow I got a promotion to “attorney”! Which is ironic since we have THREE actual attorneys amongst us – and I AIN’T one of them! Tomfoolery opens Oct. 2 at Conor O’Neill’s in Ann Arbor. $20 gets you dinner and the show; $10 … just the show. Tickets going fast at pennyseats.org – from Detroit Legal News …

Legal News Coverage of Tomfoolery

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Zombie-fied Brent, Matt, & Roy

Zombie-fied Brent, Matt, & Roy

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

Props!

Props!

 

 

 

 

 

 

 

 

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“It’s pure, brash silliness, presented with gusto in a bar setting.” The Penny Seats production of Tomfoolery opens October 2

Tomfoolery

Tomfoolery

Yup, I’m in this! Come see it!

(Rehearsal photos here.)

Penny Seats press release …

The Penny Seats return to the stage this October with the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer. The production also includes an opening short—a 5-minute mini-musical called Volcanoes!!—composed by Ann Arbor’s Zach London, who cites Lehrer as an early inspiration.

Brent, Roy, Laura, & Matt

Brent, Roy, Laura, & Matt

 

The show will run on Thursdays, October 2, 9, 16 and 23, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies are partnering to offer a dinner theatre-style show, with dinner seatings available starting at 6:30 pm, and performances each night at 8:00pm.

Pollution!

Pollution!

Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at pennyseats.org or by phone at (734) 926-5346.

Lauren ... Charisse?

Lauren … Charisse?

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline (ME!).

 

Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor).

Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Penny Seats LogoLauren says of the piece, “This show is a guilty pleasure for us. It’s pure, brash silliness, presented with gusto in a bar setting. So many of us remember Tom Lehrer’s songs from our childhood. In particular, we recall that feeling of not knowing whether our parents would approve, but presuming the worst. We snuck around, giggling and singing these songs to each other eagerly, reveling in their mischievousness; it’s wonderful to celebrate them loudly now, in all their glory. And Zach’s short piece, Volcanoes!!, is a fitting opener. It pays homage to Lehrer in its tone and staging, and will, I think, get patrons in the right frame of mind for the evening.”

Be Prepared!

Be Prepared!

The company is also thrilled to partner with Conor O’Neill’s, a cornerstone of Ann Arbor’s downtown scene. “Conor’s has been a delight to work with,” says Lauren. “We’re thrilled at the support they’ve given us at every stage, and can’t thank them enough. It’s gratifying to be able to offer theatre patrons the incredible food, personalized service, and value that make Conor’s such a satisfying place. We can’t wait.”

Bright College Days

Bright College Days

 

 

The show continues a successful 2014 season for The Penny Seats, who presented an acclaimed production of Elektra this July in West Park. The group is now in its fourth year of operation and continues to be overseen by a volunteer staff from the Ann Arbor area. (Later this fall, The Penny Seats will re-team with 826 Michigan for their annual Five Bowls of Oatmeal performance, featuring short plays written by local schoolchildren in the Ann Arbor and Ypsilanti area.)

For more information, visit the group’s website, pennyseats.org, or call 734-926-5346.

________________

London and Biber, LLC

London and Biber, LLC

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Save the date for cheeky ribaldry! Tom Foolery (Ann Arbor, October 2, 9, 16, and 23)

[Image Source: Wikipedia]

[Image Source: Wikipedia]

Save the date for cheeky ribaldry! After a self-imposed 18-month theatre hiatus, I am going to be in the musical revue Tom Foolery at Conor O’Neills Ann Arbor with The Penny Seats the first four Thursdays in October (October 2, 9, 16, and 23)!

More info at pennyseats.org.

The show, originally conceived by Cameron Mackintosh (Phantom of the Opera, Les Miserables), celebrates the music of Tom Lehrer, a comic misanthrope who makes Lewis Black and Jon Stewart seem like Mr. Rogers and Spongebob Squarepants.

 

 

Gen X knows him best as having written the songs for Electric Company (“Silent E”) but he also wrote a number of satirical songs in the 50s and 60s for shows like That Was The Week That Was, The Frost Report, and The Steve Allen Show as well as his own concert performances.

Lehrer observed, “I know it’s very bad form to quote one’s own reviews, but there is something the New York Times said about me [in 1958], that I have always treasured: ‘Mr. Lehrer’s muse [is] not fettered by such inhibiting factors as taste.

Along with yours truly, the show features talented pals Laura Sagolla, Brent Stansfield, and Matt Cameron and is directed by Lauren London with music direction from Rebecca Biber and choreography by Victoria Gilbert. You can check out all of Lehrer’s music at his YouTube channel here.

 

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

…but movies transport me

Spider-Roy

Spider-Roy

Nina Kaur (thanks to fellow Farmington Player Amy Lauter for connecting us!) asked me to contribute a guest blog entry to her fun and interesting blog Thirty Something Years in Ninaland. Here’s what she wrote about me – “Every Monday I will have a guest blogger. Today I am featuring a wonderful Movie Reviewer named Roy Sexton. He is witty, charming and great critic! Enjoy reading about his journey!” Wow! Thanks, Nina! Click here for the original post on her blog.

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By yours truly …

Movies have always been an important part of my life.

I like to read books (more accurately comic books these days, as I seem to now have the attention span of a tsetse fly), and I adore music. Television is fine, and I’ve spent many hours traipsing the boards of theatres across the Midwest. But movies transport me.

I love the fact that a film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story – beginning, middle, and end – introducing you to new friends and enemies and locales in an efficiently designed delivery mechanism. With a good film, you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion.

Nina Kaur

Nina Kaur

Your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.

I stop reading email, answering calls, or monitoring social media…and just blessedly check out…for a bit.

My parents cultivated appreciation for the arts by filling our home with movies and music and books and love. I’ve groused in the past about wanting, as a child, to play with my Star Wars action figures in the solitude of my toy-lined room and being forced instead to sit in our den with my parents and watch some creaky B&W classic movie on Fort Wayne’s Channel 55. And I am so grateful now for that.

My appreciation for classic cinema resulted from these years basking in the glow of our old RCA color TV. And when we could finally afford a VCR and could now watch any movie of our choosing, I was already hooked on the story-telling of vintage movies with their requisite arch wit, dramatic stakes, whimsical joys, and belief that anything was possible.

However, not everything was high art in our house. The advent of HBO in the early 80s and its repetitive showings of whatever junk Hollywood had most recently cranked out shaped my tastes for better or worse as well. I’m a sucker for the movie train wreck – the more star-studded, over-budget, under-written, and garish the better. Some of my most beloved films are among the most notoriously awful of all time: Xanadu, Sgt. Pepper’s Lonely Hearts Club Band, The Wiz, Popeye, Flash Gordon. The Black Hole, Raggedy Ann and Andy’s Musical Adventure, Willy Wonka and the Chocolate Factory, Return to Oz, Battle Beyond the Stars, Krull, The Neverending Story, and so on.

If it was a flop and it was shown ad nauseum one mid-afternoon following another on HBO in the 1980s, then I fell in love with it. Like self-imposed water torture on my nascent aesthetic.

As time went by and I stomped through my high school and college know-it-all years (some might argue I’m still stuck in them), I learned from both my parents and some wonderful teachers the tools of critique and criticism. What is the intent of the piece? What is the context for its creation? How effective is its structure, composition, impact? Where did it go awry or where did it cross over into something classic?

It’s all highly subjective and a bit arrogant, I suppose, but I can’t help it. I’m entertained by the act of analysis.

In more recent years, Facebook gave me an outlet to connect with my inner-Ebert. I started posting status statements summarizing in glib, condensed fashion my take on whatever flick we had just enjoyed … or endured. My kind-hearted and patient partner John has suffered through a lot of movies over the years, many he enjoyed … and even more he did not.

Jim and Lyn's Wedding

At wonderful Jim and Lyn’s beautiful wedding

We still bicker about his departure from Moulin Rouge after twenty minutes with nary an explanation. I found him after the movie in the lobby reading a newspaper – I don’t know what is more telling: that he was too kind to want to ruin the movie for me by alerting me how much he hated it, or the fact that I stayed to the end without checking on his safety and security!

My friends and colleagues enjoyed these little “squibs” I posted on social media. I suppose I was aspiring to capture the grace and insight of Leonard Maltin’s “micro reviews” that I consumed voraciously as a child every January when we bought his latest edition. (The paper on those early volumes was always of some strange newspaper-esque stock prone to smudging and was pulpily aromatic. I will never forget that musty, fabulous smell.)

John always asks plaintively, “Didn’t they know this movie was bad when they were making it?!”

Perhaps I keep trying to solve that riddle, with the false confidence that my $10 movie ticket entitles me to a shot at armchair quarterbacking. Perhaps the failed actor in me is still trying to reclaim some artistic glory. Or perhaps I’m just a wise-ass with too many opinions and without the good sense to keep them respectfully to myself.

My pals told me, “Set up a blog. Capture these Facebook reviews for future reference. They’re great; they’re fun! Blah blah blah.” I have to admit that eventually my ego got the better of me, and, one late night, I explored the wonders that WordPress holds (albeit not that many) and set up ReelRoyReviews as a diary of sorts, detailing my adventures in the cinema.

Here’s the funny thing. Nobody read them. Nobody. At least for quite a while.

Well, that’s not entirely true. My mom was an avid reader and supporter and was always the first to offer an encouraging comment: “My son writes the best reviews and everyone should love them.” So there!

But you know what? Something interesting happened along the way. I stopped caring and just started writing for myself. And I started having fun. And people started reading.

Life is way too short (and exasperating) to get too intense about entertainment, so I try to take a light and conversational approach with my reviews. And I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster.

Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.

Please check out my latest reviews hereDawn of the Planet of the Apes, Transformers: Age of Extinction, Edge of Tomorrow, 22 Jump Street, The Fault in our Stars, and Tammy and more …

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

 

 

 

You’ve got a friend in me: Captain Kangaroo, blogging buddies, and movies

Captain Kangaroo

Captain Kangaroo

Facebook is fun! As some of my colleagues might tell you, I fought social media tooth and nail about five years ago, but now I can’t imagine a world without it. It breaks down barriers, opens minds, and disseminates interesting information like no other channel.

My pal Nick Sweet, a crime novelist born in England and now living in Spain, tagged me in a blog chain and asked me to answer the following questions. You can read his original post here.

But me being me … I can’t just do what I’m told. So I’m going to intersperse my answers with pages from another one of the “reviews” I wrote in my toddler years – this time about an episode of my beloved Captain Kangaroo. In fact, I adored the show so much I have my own autographed photo of Bob Keeshan as the Captain. (And you can check out Baby Roy’s take on The Bullfighter and the Lady here – thanks to my mom for saving these whimsical pages from my youth.)

Captain 1

Part of my task as assigned by Nick is also to “pay it forward” and acknowledge some bloggers that I love – please check out their work …

  • My mom Susie Duncan Sexton’s fabulous free-thinking blog about animals, culture, empathy, and understanding here.
  • Beth Kennedy’s charming musings about yesterday and today at I Didn’t Have My Glasses On.
  • Lovely Kat Kelly Heinzelman’s thoughts on family, friends, and baseball at RedSoxLady35.
  • Gabriel Diego Valdez’ careful analysis of film, culture, and social politics at Basil Mariner Chase.
  • And my fellow thespian JP Hitesman’s energetic romp through local theatre offerings at Theatrical Buddha Man.

All five blogs are engaging and challenging and informative and rich – written by kind and thoughtful souls, hoping for a better, kinder world.

Captain 2

And here are my answers to Nick’s questions …

What am I working on?

What am I not working on? Between my daily life as a legal marketer, communicator, and strategic planner and my “free time” writing this blog, getting the word out about the Reel Roy Reviews book, proudly promoting my mom’s marvelous output as an author and a columnist and an animal rights activist, trying to be a good friend and family member, sharing a loving home and minding two nutty mutts, keeping up with my weekly comic book addiction, acting in and supporting local theatrical efforts, going to concerts and movies and plays, buying an ungodly amount of cds and dvds, and on and on, I’m not sure which end is up most days!

How does my work differ from others in its genre?

Stealing this from the press release about the book … “I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster….Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.”

Captain 3

Why do I write what I do?

Also stealing from the release (lord, I’m lazy today) … “Film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story-beginning, middle, and end-introducing you to new friends, enemies, and locales in an efficiently designed delivery mechanism. With a good film, I feel you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion. … In the best movie-going experience, your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.”

How does your writing process work?

John laughs that he thinks I write my reviews as we’re still in the parking lot of the theatre. There is some truth to that. I’ve always been annoyingly analytical while watching a movie or a play or a concert – what choices were made, why, what do they say about the artist or about our culture? So all of that stuff is swirling in my head, and I quite literally have to purge it when I get home, or I lose track of the ideas and find myself on the cranky side. So, the minute we walk in the house, I grab the laptop, head upstairs, plunk myself on the bed, and exorcise these crazy thoughts.

Captain 4

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Animals, the environment, nature or wildlife: Dearborn’s Big Read Wrap-Up Event

Roy and Susie and John and Terry

Roy and Susie and John and Terry

What a wonderful day! Thanks to Henry Ford Centennial Library’s Henry Fischer for organizing the Big Read Wrap-Up author event. I was (and am) so proud that my mom Susie Duncan Sexton was among so many great writers, that she has an essay included in their book Animal Tales, and that my canine “siblings” Jack and Zelda are featured on the front cover.

Animal Tales book cover

Animal Tales book cover

 

Me reading my mom's essay

Me reading my mom’s essay

Here’s the book description: “Call of the Wild Dearborn: Animal Tales is a community anthology featuring short stories, poems, and essays about animals, the environment, nature or wildlife.” It will be available to purchase online at the library’s site soon. [All photos in this blog entry by Don Sexton.]

Authors

Authors

My mom emailed, “What I would add is the ‘moment in time’ that Selfridge [Jeremy Piven tv series] identified in his final installment for this season last night seated around a Thanksgiving table with his entire family … because you, Roy, so poised on that stage reading about Jack and Zelda with that magnificent slide of the book cover was incredibly moving for me! Like nothing ever before! Loved every moment of this event. Super concept! Pleased to have been included … I am delighted to have a story in the book and that my Jack & Zelda are a part of the cover! I once taught the works of Jack London, so I enjoyed the Call of the Wild theme of the presentations at the Saturday afternoon event.”

Rosalie's in Jonesville

Rosalie’s in Jonesville

My parents had a marvelous lunch at adorable Rosalie’s in Jonesville, Michigan, on the way to the event, and John and I had such a nice dinner with them and with Terry Branoff at La Pita in Dearborn following – with a quick stop at beloved Dearborn Music. And then Terry and I were off to see Lady Gaga. Here’s my mom’s website: www.susieduncansexton.com – enjoy!

Susie at Rosalie's

Susie at Rosalie’s

Henry Fischer

Henry Fischer

More about my mom and her work…

Roy and Susie and John and Don

Roy and Susie and John and Don

Read about movies and nostalgia, animal issues and sociopolitical concerns all discussed in her book Secrets of an Old Typewriter and its follow-up Misunderstood Gargoyles and Overrated Angels – print and ebook versions of both are available on Amazon (click the title). You can find her fun and free-wheeling blog here.

Her books are also carried by these fine retailers: Ann Arbor’s Bookbound and Common Language; Columbia City’s North Side Grille and Whitley County Historical Museum; and Fort Wayne’s The Bookmark. And you can download from iTunes.

Meet other like-minded souls at her facebook fan page. Or join a great group of animal advocates Squawk Back: Helping animals when others can’t … Or Won’t

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La Pita

La Pita

Giggle and Laugh

Giggle and Laugh

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“Anybody that’s different, we’re ready to be prejudiced against them” – Jonathan Balazs’ documentary Mars Project

[Image Source: marsprojectmovie.blogspot.ca]

[Image Source: Mars Project]

One of the things I love most about social media is that, if you allow yourself, you can expand your horizons beyond the provincial – those traditional boundaries of geography, life experience, education, family – to defy and redefine the term “friend.” This is a revolution in the making, and none of us can really see the forest for the trees at this point as to how differently our communities, virtual or otherwise, ultimately will look in the future.

That being said, I was honored when Canadian filmmaker Jonathan Balazs reached out to me via Facebook as a follower of this blog to see if I would review his documentary Mars Project (click here for more info). I was thrilled that he wanted to share his work with me – evidence of the global footprint we all can create with just a few keystrokes.

(As an aside, this morning, I heard Sheryl Sandberg – COO of Facebook and author of Lean In speak at Detroit’s Adcraft Club breakfast. I appreciated her candor about the toxic effects of sexism, racism, ageism, and all the other nasty “-ism”s in society today. Interesting factoid: 63% of facebook’s 1.28 BILLION users return every day.)

Balazs’ documentary, a brisk 60 minutes, offers the haunting tale of a hip-hop artist Khari “Conspiracy” Stewart who may or may not be suffering from mental illness and how his frustrations with the health care system lead him to explore more spiritual/humanistic options to cure his “affliction”.

We learn Khari’s story in his own words through voice-over as well as through first person interviews with his twin brother Addi, who telegraphs a palpable mix of frustration, rivalry, annoyance, and love. We also hear from representatives of the mental health profession who express their frustration with their own colleagues’ tendency toward quick medicinal fixes and reductive categorization. One doctor observes, “Anybody that’s different, we’re ready to be prejudiced against them.”

Arguably the most interesting question the documentary grapples with is the “chicken or the egg” phenomenon of whether insanity breeds great art or the intensity of the artistic process prompts social maladjustment. Art as therapy?

The film pointedly critiques a society that often labels “mentally ill” those folks who view the world differently. In watching Addi and hearing him articulate his understandable frustrations with Khari, the viewer may intuit a rush to judgment that occurs out of annoyance and jealousy as much as it does concern for his brother’s well-being.

The filmmakers don’t offer us any easy answers to these questions, and, at times, I wondered if Khari had created this persona of a hip-hop artist plagued by demonic voices (that may or may not come from space!) as a quirky means of differentiating and marketing himself. Yet, as the film runs its course, illuminating the reality of Khari’s difference, it becomes apparent that his musical gifts come with a price.

Balazs uses a variety of techniques to illustrate Khari’s unique place in a world that rejects him. At one point. a radio interview is played wherein the DJs remark how Khari’s music is 10 years ahead of its time, while his own brother, a member of the crew, admits he can barely bring himself to listen to it.

The film is shot in a grainy hand-held fashion that suits the subject matter, with some interesting layered effects as footage is projected on brick walls and other stationary objects in and around Edmonton, the twins’ hometown.

I have had a tenuous relationship with hip hop in recent years, though I was a big fan in high school and college. Those artists who speak to me have always been a bit left of center, be it De La Soul or Black Sheep or Jungle Brothers or Digable Planets or even more mainstream folks like Kanye West and Erykah Badu.

I also find myself questioning the efficacy of modern approaches to mental health, which seem more about bringing everyone “in-line” to “normalcy” … when I’m not sure any of us really know what that is or what that looks like.

I’m not meaning to start a debate here about mental health doctrine or about the artistic merits of Kanye West, but I will concede that this documentary gave me a lot of food for thought … and makes me want to find some of Khari’s musical output. And, in this sense, Balazs did his job as a documentarian beautifully. Balazs is a filmmaking force to watch.

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.