“Sometimes I don’t want to let it go.” Idina Menzel at Detroit’s Fox Theatre – PLUS, my mom Susie Duncan Sexton on Patty’s Page tv show

No Day But Today

“No Day But Today”

For a bit of time now, I’ve had a love/hate relationship with Idina Menzel, she of the soaring vocals that are such a shot of adrenaline in beloved (overrated?) musicals like Rent and Wicked. The first time I saw her perform Wicked‘s signature tune “Defying Gravity” on the Tony Awards (10+ years ago), I got chills and my eyes welled up from the underdog-makes-good vitriol in her delivery. She was the best thing – the much-needed battery acid – in Chris Columbus’ misguided candy-coated film version of Rent. Her sporadic appearances on Glee – as the brilliantly cast mother of All About (Baby) Eve Rachel Berry (Lea Michelle) – were spiky, oddball fun, notably their peculiar duet of Lady Gaga’s “Poker Face.”

However, “Let It Go” (the ubiquitous ditty from Disney’s Frozen) seemed like an underwritten redux of “Defying Gravity” (not her fault of course), and the whole “Adele Dazeem” debacle just got more cloying and unfunny with each passing day (again not her issue … exactly). And the “brand” of Menzel – not unlike that of Wicked co-star Kristin Chenoweth or, for that matter, Audra McDonald or the queen mother of kewpie doll divas Bernadette Peters – suffers from a “gee, aren’t I darling” humblebrag self-absorption and a disingenuous projection of “how did I get here?!” humility that belies the ragingly talented, driven loon lurking underneath.

“Don’t Rain On My Parade”

Blessedly, Menzel’s show last night at Detroit’s Fox Theatre (more or less) stripped away that glossy artifice and laid bare the broken soul with the big voice. It was a revelation.

In her between-song patter, Menzel offered a rambling treatise on her befuddlingly amazing 18-month ride, with epic highs like the runaway success of Frozen and performing on the Oscars and devastating lows like her divorce from Taye Diggs (whom she never mentioned by name). Lest you think she was milking all of this life experience in some kind of self-serving “Oprah” confessional, that was not the vibe at all. Her chatter was too loopy, too heartfelt, too, well, lost to be anything but that of a desperate soul searching for an anchor in a swirling moment of intense success and loss.

“River”

She channeled this personal crisis into a fascinatingly raw (and dare I say schizophrenic) array of song choices. Yes, the favorites were all present: “Defying Gravity,” “The Wizard and I,” “For Good” (for which she dropped the mic and used the Fox Theatre’s legendary acoustics to chilling effect), all from Wicked; “Take Me or Leave Me” (which she used as an opportunity to winningly share the stage with many hyperventilating Idina-groupies in the audience) and “No Day But Today” from Rent; and, of course, show-closing “Let It Go,” again sharing the mic with all the wannabe “Elsa”s in the audience (weirdly/delightfully interpolating the song with Red Hot Chili Peppers’ funky classic “Give It Away”?!?!).

The Wicked tunes especially seemed to get a perfunctory, hastened treatment, as if Menzel is as tired of them as we are. She seemed anxious to get to the caustic musical nuggets at the heart of her show, gleefully dropping many f-bombs along the way, hoisting a middle finger to the Disney empire (and all the blue-dressed dollies) that allowed her to mount such an extensive summer tour in the first place. That’s my kind of diva (and I hate that word).

“Defying Gravity”

She delivered expected Broadway bon-bons like Funny Girl‘s “Don’t Rain on my Parade” and an Ethel Merman tribute medley (Annie Get Your GunGypsy) with powerhouse vocals and a salty element of sad understanding, as if trying to say, “We women have been treated like crap forever, no matter how talented we are. Knock it off!”

The deepest heartache was telegraphed during a one-two punch of the crystalline elegance of Joni Mitchell’s “River” and what could only be described as a “hooker medley” of Cole Porter’s “Love for Sale” and The Police’s “Roxanne.” Both numbers were electrifying, eliciting a hushed awe from the audience. “River” with its repeated chorus of “I wish I had a river I could skate away on” seemed to serve as Menzel’s central thesis. In her introductory remarks to “Love for Sale/Roxanne,” she mentioned a fearsome theatre professor who excoriated her about her performance of the Porter tune, challenging “Do you even know what that song is about?!?!” She wanted us to know – especially juxtaposed with her earlier performance of “There’s No Business Like Show Business” – that, yes, Mr. Man, she does know that the song is about. It was sheer theatrical brilliance.

Fox Theatre

Fox Theatre

She performed a number of original works, none of which alas quite held up to the other material, but the punk rock passion with which she delivered the tunes revealed an alternate reality where Idina might have been another Alanis, instead of a wannabe Barbra. She offered If/Then‘s 11 o’clock number of “Always Starting Over” as a fiery yawp over the Sisyphean nature of daily living. Her take on Radiohead’s 90s classic “Creep” was a dizzyingly effective blend of Broadway bombast and grunge existentialism. I would love to have that performance on a permanent loop in my head.

John and Roy

John and Roy

At one point in the show, Menzel joked that, while she’s appreciative of her recent success, “sometimes I just don’t want to let it go.” Some days she just wants to stay in her bed and let the world run its course while she tries to figure out which end is up. Her candor and her authenticity were much appreciated, and, along with her prodigious use of the f-word, just the eye-opening experience all those baby Elsa princesses in the audience needed to hear. I, for one, can’t wait to see what happens next.

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BONUS! Enjoy part 1 of my mom Susie Duncan Sexton‘s two-part interview with delightful Patty Hunter on her Patty’s Page TV program. Also in the house are journalist and advocate Terry Doran and my dad Don Sexton. It’s a free-wheeling and fun discussion of politics, small-town living, animal rights (and, yes, pig wrestling), writing, and other insights and adventures. Enjoy! Click here to view.

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Urinetown reviewed! “Enjoyable two hours out in the park with fine singers, actors and dancers and an amusing, satirical musical comedy”

Ensemble

Ensemble

WOW! What a fantastic opening weekend for Urinetown – capacity crowds, wonderful feedback, marvelous coverage, and an amazing review from Bridgette Redman for Encore Michigan – click here to read.

Here is an excerpt …

“Director Lauren M. London has her work cut out for her with the space. There is a moat between the bandshell where the orchestra plays and the main staging area where most of the action takes place. She has no choice but to let some of her actors be seen before the arrive on stage as they have a bit of a hike to get to the stage, but she manages that well and creates compelling stage pictures so that you’re not looking off to the sides.

Maika Van Oosterhout and Roy Sexton

Maika Van Oosterhout and Roy Sexton

“Roy Sexton plays Officer Lockstock, the narrator for the evening. He kicks off the musical with a speech that prepares the audience for what they can expect—an evening of satire and parody. Little Sally (Paige Martin) joins him in his early exposition and they frequently break the fourth wall to outright talk about the musical. Both are skilled in their roles. Sexton narrates with aplomb, moving in and out easily of narrator and police officer. Martin is loveable and innocent, asking naïve questions that Sexton answers magnanimously. She has great physicality, doing cartwheels and splits and interacting with the teddy bear she carries with her. She believably creates a child much younger than her actual age.

Ensemble

Ensemble

“Linda Rabin Hammell brings character and spice to the role of Penelope Pennywise. She’s peppery as the custodian of Public Facility #9, insisting that everyone pay the proper fee else not get to pee. Her voice is perfect for the role.

“Brendan Kelly makes a handsome lead as Bobby Strong, the revolutionary leader who follows his heart. He’s earnest and heroic, with a strong singing voice that carries him through his many songs. …

Sarah Ann Leahy, David Kiley, and Roy Sexton

Sarah Ann Leahy, David Kiley, and Roy Sexton

“Playing opposite Kelly was Maika Van Oosterhout as Hope Cladwell. Hers was a fun role and she carried it off with style and grace. Her eyes were constantly wide, portraying an innocence and naîveté that fit the part well. She was especially amusing dancing while bound and gagged in a chair.

“There were no weak members in the ensemble either. Each of them had their own characteristics, making them individuals while still fulfilling the part of an ensemble. They were giving to each other and changed quickly between roles when doubled. They did an especially good job as the town’s poor who desperately needed to pee in the first act and in the second were revolutionaries that were brash and frightened.

Maika Van Oosterhout and Brendan Kelly

Maika Van Oosterhout and Brendan Kelly

“The singing, under the musical direction of Richard Alder, was impressive, as was the pit band that performed the music to accompany it. There were complicated harmonies throughout and upbeat songs that often belied what they were singing about. …

“Victoria Gilbert’s choreography was most often amusing and always fit with the character of the show. Bridget Bly deserves a callout for her costumes. She provided good contrast between the UGC employees and the run-down poor of the city. She also made it possible to switch in and out of costumes, sometimes right on stage.”

Read the complete post here

Roy Sexton

Roy Sexton

AND a subset of the cast (including yours truly) appeared Friday on Rebecca Hardin’s charming WCBN radio show Hot in Here. The audio is here, and you can read about the special collaboration that prompted the broadcast here. Be sure to check out Hot in Here‘s page (here) if you want to hear me epically mangle the “Cop Song” from Urinetown. Plus, I say words like “crap,” “damn,” and “tinkle” on the air … probably why it took them a while to post it! :) You will also hear our director and president Lauren London say really smart things about art and theatre and Ann Arbor as well as the mellifluous tones of fellow cast members Brendan Kelly, Maika Van Oosterhout, and Paige Martin, accompanied by our wonderful music director Richard Alder (BTW, a great article about Richard appeared in the latest Detroit Jewish News – see below).

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Last but not least, a special thanks to the friends who made this opening weekend so special with their attendance (and apologies to anyone I missed): John Mola, Rachel Green, Kyle Lawson, Jim Lynch, Nick Oliverio, Brent Stansfield, Zach London, Sharon Steig, Ashley Kryscynski, Heidi Fisher, Matt Cameron, Kelly Cameron, Anne Cattermole Levy, Artun Kircali, Leanne Young, Ivan Procopovich, Robin Skiba Myler, Laura Sagolla, Barbara Davenport, Roxane Raffin Chan and Kevin and friends and family, Magda and Dan Johnson, Rachel Urist, Jen Esch and friends, Angie Choe and Sean, Roberta and Richard­­­ London and family, Jason Gilbert, Ivan Procopovich, Christopher Taylor, Eva Rosenwald, Narda Wishka, Kristy McDonald and Thatcher. Two more weekends (Thursday, Friday, Saturday performances, all 7 pm) – get your tickets at www.pennyseats.org before they’re all gone!

Photos (above) by Ivan Procopovich

Richard Alder ____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

La Cage Aux Mormons: Derek and Julianne Hough and The Move Live Tour at the Fox Theater, Detroit

11221501_10206285578157274_7488430663654299396_oSo, for those of you hoping for a review this week of, say, Marvel’s Ant-Man or even Amy Schumer’s Trainwreck? You are getting neither.

Nope, you are getting an (albeit brief) overview of Mormon siblings/Dancing with the Stars alumni Derek and Julianne Hough’s Move Live dance extravaganza at the Fox Theatre in Detroit. 905771_10206285578077272_4772899360683282822_o

Yup, you read that correctly. 11109697_10206285578117273_4376833428147160117_o

John’s birthday present this year consisted of tickets to tonight’s show, given that last year ago he saw Derek on an episode of MTV’s Ridiculousness and got a kick from the Y-chomosomed Hough’s joie de vivre. And I, being the nice, thoughtful soul that I am, bought us tickets.

10985489_10206286234733688_4257423839131278927_oSo, how was it? Not bad. In a Donnie-and-Marie-meets-Magic-Mike-why-are-we-still-so-weirdly-repressed-it’s-2015 sort of way. It’s basically a two-hour episode of DWTS with blessedly little commentary and a few too many inspirational pep talks, all glitz and glamor, fox-trots and lip syncing – a K-Tel cornucopia of pop music and flash-dancing.

11217826_10206285578197275_1372892054322846085_o(And let me add that the whole time I was watching the show, I was also engaged in a social media debate with my hometown newspaper, an organization that seems to think pig wrestling – yeah, I know – is a signpost-worth-defending in America’s ongoing culture wars. Either that or they are just darn afraid of the local 4-H mafia. Or both. Click here … before they delete it.)

11707816_10206286323015895_3521239936071060505_o

Move Live

Back to the show? It is so Branson, Missouri-meets-Baz Lurhmann that I kinda dug it. Move Live is high-energy, filled with up-to-the-minute pop hits, and the Hough siblings can move – no pun intended. Hence, the show is aptly named.

Downside? Julianne (d*mn painful in one of the lead roles in the recent film adaptation of Rock of Ages) insists on singing. A lot. And her voice (charitably put) is like hearing two latex balloons rubbed together. Someone needs to intervene.

However, as a dancer, Julianne is divine … albeit she does remind me of desperate-for-validation cheerleaders with whom I went to high school, so I found her a wee bit exuberantly repulsive at times.

(Some of those aforementioned cheerleaders are firmly in the camp of those who think “pig wrestling” is really awesome now, so that didn’t much help Julianne’s cause. My worlds are colliding in a really unfortunate way this evening.)

11713854_10206286222093372_7765995984257500901_oDerek on the other hand is pretty darn charming. I hadn’t warmed to his gifts from that one episode of Ridiculousness, but, watching him in Move Live, I thought, “Yeah, there’s a star. He has the face of a rat and the body of Michelangelo’s David, but that’s a star.”

Derek sang as often as his sister, and, while his voice isn’t going to put Andrea Bocelli out of work, it’s stronger than Julianne’s.

He also has an engaging presence that had the DTWS-sycophants in the audience eating from the palm of his hand.

Move Live

The numbers ran the gamut from Bruno Mars’ au courant “Uptown Funk” to Christina Aguilera’s pastiche “Candy Man” to Elvis Presley’s moldy chestnut “Jailhouse Rock.” All were delivered with a polish and a joy that one only sees in a Broadway-caliber musical revue. 10873632_10206286215893217_1080407561164823413_o

My snide sh*tty snark aside, the Hough siblings are really d*mned adorable, and I enjoyed myself greatly. I felt like I’d time-traveled to 1979, watching a super-special, family-friendly episode of Solid Gold, starring Donny and Marie, The Carpenters, and Captain and Tennille. 11705498_10206286714585684_924200078516691853_o

And you know what? That’s just fine. If that’s the niche these fabulously talented siblings are destined to fill, then I dare say that this sad and troubling era could use a touch of their Me Decade-inspired sparkle.

#LaCageAuxMormons ____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital) In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

San Diego, Part the Second: San Diego Zoo, Jimmy Kimmel, Disneyland, La Jolla seals, Hollywood … and dirty jokes

1 Zoo Kids2 Zoo Kids 2Earlier this week, I gave you a glimpse into my “professional” side (or as professional as I ever get), sharing some material from my presence at the 30th annual Legal Marketing Association national conference in San Diego.

5 PandasBut I also promised I would share some of the tacky tourist-y stuff ‘cause if there’s anything this blog does well, it’s tacky! (Loads of photos documenting these adventures can be found here.)

3 Zoo Kids 3During some rare downtime at the conference, my talented, silly, kind-hearted, slightly nutty pals Lindsay Griffiths, Gail Lamarche, Nancy Myrland, and Laura and Josh Toledo (along with yours truly) spent an afternoon at the internationally renowned San Diego Zoo. (Remember watching the zoo’s countless animal ambassadors as some of Johnny Carson’s most memorable guests on The Tonight Show throughout the 70s and 80s? I sure do.)

Now, as a pretty vocal animal rights proponent, I’m not generally a fan of zoos, circuses, animal-centered theme parks, aquariums, or any place where animals are used (incarcerated?) for entertainment, amusement, revenue, or souvenir sales.

4 Arctic WolfHowever, my buddies made the wise choice to sign up for the Backstage Pass tour, which not only offers the ability to get up close and personal with animals as diverse as a rhinoceros and a cheetah, flamingos and an arctic wolf (the latter of which brought me to happy tears), but also provides a thoughtful review of the zoo’s ecological mission to educate and protect. Much information was provided to attendees about what products to buy (and not buy) that will protect these animals’ native habitats (e.g. sustainable harvesting of palm oil) as well as what we as individuals can do to save these beautiful creatures from extinction. I was also struck by the deep-feeling, kind-hearted animal handlers who had such obvious kinship with these exquisite animals. That cross-species bond is powerful and moving to observe.

6 Zoo KidsAs for the park itself, it is beautifully done, if veering dangerously close to a theme park’s epic scope and merchandising mania. I might have been less inclined to forgive that excess had we not attended the tour, so I highly recommend the add-on if you plan to visit the zoo, particularly if you are bringing kids (of all ages).

But, word to the wise, don’t even attempt to follow the zoo’s colorfully muddled maps. We got lost about 18 times, having to pass through the aviary about 12 of those 18 times and seemingly walking up (steep) hills everywhere. In fact, I can’t recall us ever walking downhill. It’s like being immersed in an MC Escher painting.

At the conclusion of the conference, John and I headed to Hollywood, baby. And Hollywood is gross.

8 JimmyAfter scoring tickets to a taping (yes, taping) of ABC’s Jimmy Kimmel Live (which ain’t so live … spoiler alert), we headed to a pre-show lunch at amazing vegetarian chain VeggieGrill. How are these not all over the country yet? With an astounding array of choices, breezy décor, fabulous staff, and just the right amount of corporate polish, this was easily my favorite food stop of the trip. And others seemed to concur as the line to get in (you order at a counter and they bring you your food when ready) extended outside the building, the patrons being a glorious collection of hipsters, studio employees, computer programmers, blue-haired genre geeks, and regular joes. I loved it.

7 MarioKimmel’s studio is smack dab on Hollywood Boulevard, with patiently waiting audience members queuing across the starry Walk of Fame (I’m pretty sure I stood atop Mario Lanza for about 45 minutes) and facing the Hollywood & Highland mall complex which houses the Oscar Awards venue The Dolby (formerly Kodak) Theatre.

The process of getting into Kimmel’s eponymous show? Not so great. Unless you enjoy standing for a couple hours in the hot California sun while skeezily assertive street performers dressed like Spider-Man, Minnie Mouse, and Don King (!) accost you for photo ops … and for your wallet.

9 Jimmy 2Once inside (Kimmel tapes in a former Masonic Temple), you are struck by how small the studio is. If you ever visited a local TV station newsroom, it’s not much bigger, but darn is Kimmel’s floor SHINY! I think it was mopped half a dozen times while we sat patiently waiting for Kimmel to arrive.

And once Kimmel arrived, things got all kinds of crazy? Right? Wrong.

Sadly, Kimmel in person seems like a cipher on his own program. The sweet, sparkly production assistant who got all of us situated in our seats had more zip and personality (and likely should have his own show). Kimmel wasn’t bad but he didn’t do a heckuva lot to engage his audience (creating even more irony around that “live” descriptor). When the cameras were on or guests would arrive, Kimmel lit up, but the minute cameras went dark, he would hang in a gloomy corner, looking downward at that eerily glistening floor. Perhaps that is just his process to retain his focus, but it stood in stark relief to the impish Kimmel persona that has been burnished over the years by the Mouse House.

10 Jamie FoxxAs for Kimmel’s guests, we were treated to two musical performances by and an interview with Jamie Foxx (on hand to launch his new album, oddly enough titled Hollywood) and an appearance by legendary Betty White. It was the latter guest that got the biggest response from us (and the entire audience for that matter). She was as charming and sly, sweet and gracious as you might expect. And Foxx, of course, was a live wire, exuding charm and energy. (Though at times he seemed like that show choir kid you hated in high school … you know the one, right? Look at me! Look at me!)

11 DickyI also had a special treat in meeting Dicky Barrett, Kimmel’s announcer and the lead singer for a college favorite band of mine The Mighty Mighty Bosstones. He was warm and funny and an absolute pleasure, kindly accepting copies of my books as a gift to him and to the show. (I hope they don’t mind my snark in the preceding paragraphs. That’s just how I roll.)

I should add that I was going through my own personal hell watching the show unfold. I had told everyone (including my parents) to watch the broadcast that evening and to look for us in the audience, only to feel totally mortified by how “blue” the humor skewed that particular episode. I’m no prude, but you know that particular phenomenon you feel as an adult watching something a little risqué in the company of your parents? That hot, clammy, bottom-fell-out-of-the-elevator feeling that creeps over you? Well, the minute Foxx launched into his musical interpretation of sundry Tinder (!) profiles, I thought I might die. (If you didn’t see the show, just let your mind wander … and then go a little filthier than that.)

And the next day we went to Disneyland …

12 Cali DreaminSpecifically, Disney’s California Adventure, which holds the dubious distinction of being a theme park in California dedicated to attractions about California that you could basically drive an hour or two in any direction in California and see in person in California. It wins the prize for one-stop shopping, and, to its credit, no one gropes you, picks your pockets, or tells a naughty joke!

16 Chip n DaleIn all seriousness, it is a beautiful park and, like Epcot, ideal for a meandering stroll. The actual rides seem few and far between, a fact which, as I plummet through middle age, was fine by me. From a vintage boardwalk (replete with Ferris wheel, carny games, and a truly terrifying roller coaster) to a quaint wharf district to chilled out wine country, there’s a “land” for every taste.

14 CozyMy favorite, hand’s down, was the recently added “Cars Land,” a pitch perfect recreation of the settings from Pixar’s critically-reviled but wildly popular Cars movie franchise.

13 McQueenThe utter immersion in a world populated by life-size, anthropomorphic autos is an intoxicating fever dream (and I don’t think it’s because I was hopped up on DayQuil from my unsurprising “oh, I’ve been on a plane and at a conference and now I have a cold” cold). Even if you hated the films (and a lot of adults seem to – I don’t), you will be floored when Doc Hudson or Lightning McQueen roll by and offer you a pleasant salutation. Well played, Imagineeers!

15 CarsSpecial thanks to my longtime pal (and fellow Deloitte Consulting alum) Ratana Therakulsathit, now a happy Angelino and successful actress and voiceover artist, for being our expert Disney tour guide. We’d still be wandering lost around the ticketing area if not for her. Please check out her website, including samples of her exceptional work, here.17 Beauty Beast

We rounded out our trip to California with a stop in La Jolla, a place that is not only vegetarian friendly (I felt like we were back in Ann Arbor, only with better climate, exceptional views, and prettier people) but also seal and sea lion friendly.

18 SealsLocals and tourists alike share La Jolla’s sandy beaches with a playful and relaxed population of seals and sea lions. Live and let live, dude. I could get used to that.

19 SealThere are plenty of signs that caution you not to touch or approach the animals as they will become understandably territorial, but a resident told us that if you swim in the water and let the seals just be, well, seals, they will come up to you and want to play. Now that is my idea of the perfect vacation!

(Photos throughout by Lindsay Griffiths, Gail Lamarche, Nancy Myrland, Laura and Josh Toledo, Ratana Therakulsathit, John Mola, and yours truly.)

20 Home____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital) In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Talk of the Town features Reel Roy Reviews, Vol. 2

Reel Roy Reviews, Volume 2

Reel Roy Reviews, Volume 2

Thanks to Jennifer Romano and Talk of the Town! Read here. Quote from yours truly: “As my blog rolls into another year of entertainment, rife with comic book adaptations, sequels, Oscar bait, arena shows, and theatrical productions big and small, sometimes I wonder if I am choking the life right from this hobby of mine. Can you imagine if every time you saw a film that your OCD tendencies forced you to rush home, throw some quippy hoo-ha on the internet, and wait eagerly for 3.5 comments to appear? Ah, well, it’s still too much fun to stop now—anticipate Volume THREE Roy’s Movie Migraine shortly.”

Roy and Susie waiting for the big show

Roy and Susie waiting for the big show

BONUS: Enjoy this fabulous new blog entry from my mom Susie Duncan Sexton – provocative and fun! Read “Got (almond) milk? Books, movies, politics, culture, and AGRIganda” by clicking here.

Excerpt: “Regarding BUT HAVE YOU READ THE BOOK jazz, my mother ALWAYS asked that question. Guess what? She very seldom had actually read the books herself; I preferred to write my book reports based on the more enjoyable movie versions!”

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Even though I am too old to be doing all these silly things

I am very lucky to have parents who continue to support and celebrate everything I do, even though I am too old to be doing all these silly things. My dad always makes a point to brag about me at his weekly Rotary meetings in Columbia City, Indiana, the small town in which I grew up and where my parents still reside. Below is a snapshot of the front page of the latest Rotary newsletter – you can see a mention of me and the latest book in the lower right corner. Thanks, Susie and Don – love you!

Axle Grease RRR2

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Volume 2 is number 2 … right now on Amazon

Thanks, everyone! What an exciting Oscar Nomination Thursday for Reel Roy Reviews! Get your copy of the latest volume here.

 

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Thanks to Columbia City Post & Mail for coverage of Volume 2!

Thanks to the Columbia City Post and Mail for this coverage of the release of Reel Roy Reviews, Vol. 2: Keep ‘Em Coming – available now to order at Amazon: http://www.amazon.com/Reel-Roy-Reviews-Keep-Coming/dp/0692360433/ref=asap_bc?ie=UTF8

Post and Mail coverage of RRR2

Click to view larger version

 

Volume 2 now available on Amazon – just ask my parents!

Reel Roy Reviews 2

Reel Roy Reviews 2

You can now purchase Reel Roy Reviews, Vol. 2: Keep ‘Em Coming!” on Amazon in whatever form you like (paperback, Kindle … well, that’s about it). Click here – please, click here – buy the d*mn thing. It’s good – I promise! :)

Wait … if you don’t believe me … just ask my parents. They are TOTALLY objective here …

Excellent – honest – fun – intelligent reviews! These reviews of current films and concerts are perfect pieces reflecting the state of entertainment and the amount of creativity, or lack of creativity, that is found in each endeavor. And unlike some reviewers who take themselves too seriously, Roy uses humor and good sense to make this book enjoyable and pure pleasure. Highly recommended. – Don Sexton

Night at the Museum

Night at the Museum

About time a genius emerged from our vast family tree…and here he is…brilliant, fair-minded, entertaining, and provocative. The other genius in our genealogy served as Harry Truman’s secretary…so it has indeed been awhile. Buy this book…volume II and enjoy the reverence for and keen judgment of the film industry…casts, characters, scripts, cinematography, special effects or lack of them, themes, and all delivered with authority and humor from an astute author and fun and witty critic! He is the best! Gene Siskel, move over!Susie Sexton

So, there you go! And if you can’t trust the parents of a shameless self-promoter like me, whom can you trust?

Legal News coverage: Law firm VP to publish second book of film and media critiques

Thanks to The Legal News for this coverage (click here for digital version) …

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“Keep ’em coming!” is something Roy Sexton’s readers have said frequently over the past dozen months since the release of his first book of film reviews, Reel Roy Reviews: Keepin’ it Real.

000_0007Sexton, a resident of Saline/Ann Arbor, started out penning saucy missives about the latest Hollywood blockbusters at his blog www.reelroyreviews.com, but lately he has been writing more about theatrical productions, concerts, and other live musical performances, as well as conducting the occasional interview.

In his latest book Reel Roy Reviews, Vol. 2: Keep ‘Em Coming!, Roy reviews Sting’s new musical The Last Ship, offers musings on shows by Lady Gaga, Cher, Randy Newman, and Katy Perry; and has written one of the snarkiest pieces you will ever read about a Transformers film.

hindbaugh__me__edna__don_and_roy_0005Open Books Technical Editor Kelly Huddleston observes, “Honest, humorous, witty, delightfully snarky… Sexton’s approach to movie, concert, music, and theatre reviews rivals that of legendary Gene Siskel. If you loved the first volume, then you are sure to enjoy Volume 2: Keep ‘Em Coming.”

Fellow author Tom Joyce (The Freak Foundation Operative’s Report) adds, “The guy’s obviously a hardcore film geek, who’s seen a ton of movies and has a good sense of what makes a quality film. But there’s an element of populism to his approach that I see lacking in a lot of film reviewers. He understands that sometimes you’re just not in the mood for a transcendent redefinition of the cinematic art form. Sometimes you just want a fun night at the movies. In other words, he doesn’t review like a serious student of cinema, so much as a regular person who just happens to really like movies. And, since that description fits me and — I’d venture to say — the vast majority of movie viewers that makes his reviews enormously engaging.”

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Reel Roy Reviews, Vol. 1: Keepin’ It Real was released on the Open Books (www.open-bks.com) imprint in February 2014, and this second volume is available for pre-order now (print edition and digital downloads distributing mid-January 2015). Both volumes will also be available on Amazon, iTunes, and Nook. The books can be found in Southeast Michigan at Dearborn’s Green Brain Comics and Ann Arbor’s Bookbound and Common Language book stores.

animals_and_us_0010In the second volume’s introduction, Sexton writes, “As my blog rolls into another year of entertainment, rife with comic book adaptations, sequels, Oscar bait, arena shows, and theatrical productions big and small, sometimes I wonder if I am choking the life right from this hobby of mine. Can you imagine if every time you saw a film that your OCD tendencies forced you to rush home, throw some quippy hoo-ha on the internet, and wait eagerly for 3.5 comments to appear? Ah, well, it’s still too much fun to stop now—anticipate Volume THREE Roy’s Movie Migraine shortly.”

Sexton, son of Don and Susie Sexton, grew up in Columbia City, Indiana. His mother (www.susieduncansexton.com) is also a published author, whose two essay collections Secrets of an Old Typewriter and More Secrets of an Old Typewriter, are published by Open Books.

Roy earned his Bachelor’s degree from Wabash College in 1995 and is a 1997 graduate of The Ohio State University, where he earned his Master’s degree in Theatre. In 2007, Roy graduated with his MBA from the University of Michigan. He is a graduate of Leadership Detroit, is a governor-appointed member of the Michigan Council of Labor and Economic Growth and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012. He is currently participating in the Ann Arbor/Ypsilanti Chamber of Commerce’s yearlong Leadership A2Y program, and he is an active member of the Legal Marketing Association.

animals_and_us_0003Roy has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. Sexton is Senior Vice President of Corporate Affairs for Trott Law, P.C., a Farmington Hills, Michigan-based real estate law firm.

Prior to joining Trott, Roy spent 10 years in various planning and communications roles at Oakwood Healthcare System, serving as the Corporate Director of Strategic Communications and Planning. In this role he led a staff of 20 marketing professionals and developed the strategic direction for the $1 billion health care system.

wedding_of_susie___don_0005Sexton has been an active participant in the local theatre scene for nearly twenty years, having appeared in a number of productions. Sexton most recently performed in The Penny Seats’ sold out run of the Tom Lehrer cabaret Tomfoolery at Conor O’Neill’s in Ann Arbor. Prior to that, Sexton had the lead role in Ann Arbor’s Penny Seats production of the Neil Simon/Cy Coleman/Carolyn Leigh musical Little Me, playing seven different characters. He is a co-founder of the theatre company. He was featured as Professor Callahan in Legally Blonde the Musical at Farmington Players, and he played Georg Nowack in She Loves Me with The Penny Seats. He has also appeared in Goodnight Desdemona (Good Morning Juliet), What Corbin Knew, Oklahoma!, The Pajama Game, Company, Bells are Ringing, Rags, Side by Side by Sondheim, The Taming of the Shrew, Fiddler on the Roof, The Fantasticks, The Merry Wives of Windsor, Ah, Wilderness!, God’s Country, The American Clock, As You Like It, Tartuffe, The Battle of Shallowford, Trout, and The Merchant of Venice. He is also an active cabaret performer.

Sexton comments, “Thanks to all those people out there who support with their time, their money, their attention popular art in all its varied forms. Now go see something fun and tell all your friends about it! That’s the best kind of reviewing in the world.”