Just when you thought it was safe to go back in the bookstore … bam, the sequel!

RRR2 CoverJust when you thought it was safe to go back in the bookstore … bam, the sequel! Reel Roy Reviews, Volume 2 coming January 2015 – here’s the announcement from the publisher:

“Keep ‘em coming!” is something Roy Sexton’s fans have said frequently over the past dozen months since the release of his first book of film reviews, Reel Roy Reviews: Keepin’ It Real.

Roy started out penning saucy missives about the latest Hollywood blockbusters, but lately he has been writing more about theatrical productions, concerts, and other live musical performances, as well as conducting the occasional interview.

In his latest book Roy reviews Sting’s new musical The Last Ship, offers musings on shows by Lady Gaga, Cher, Randy Newman, and Katy Perry; and has written one of the snarkiest pieces you will ever read about a Transformers film!

RRR2 Headshotkid_stuff_0002Fellow author Tom Joyce writes, “The guy’s obviously a hardcore film geek, who’s seen a ton of movies and has a good sense of what makes a quality film. But there’s an element of populism to his approach that I see lacking in a lot of film reviewers. He understands that sometimes you’re just not in the mood for a transcendent redefinition of the cinematic art form. Sometimes you just want a fun night at the movies. In other words, he doesn’t review like a serious student of cinema, so much as a regular person who just happens to really like movies. And, since that description fits me and — I’d venture to say — the vast majority of movie viewers that makes his reviews enormously engaging.”

Lucy Jif for Banner

About the book: http://www.open-bks.com/library/moderns/reel-roy-reviews-2/about-book.html

About the author: http://www.open-bks.com/library/moderns/reel-roy-reviews-2/about-author.html

Pre-order: http://www.open-bks.com/library/moderns/reel-roy-reviews-2/buy-book.html

 

 

 

And enjoy this video of my mother Susie Duncan Sexton and me on The Kevin Storm Show, discussing animal rights, theatre, culture, and more … and if you’ve ever wondered what radio people do while their on-air guests are talking, now you know! Definitely some unintentionally ironic comedy here …

The Penny Seats! 2015! Nothing BUT trouble!

Penny SeatsThis video is really adorable – and I can say that without any vanity (yet perhaps a little bit of pride) because, though I am a happy member of this intrepid troupe, I did not  have anything to do with the video’s artistic creation! (You will see some pics of me below though – ah, vanity!) Happy December!

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Hi friends, this is our one big chance to raise funds for our 2015 Summer Season.  And this year, it’s twice as exciting as it’s ever been.  Why?  Watch here

Help us achieve our dream! 
Two shows, six whole weeks,
at West Park this Summer.

 

ElektraAfter five years of steady growth and our 2014 season ending with a tremendous sold-out run, we ask for your help as we achieve a long-awaited dream:  in Summer 2015, our fifth year at Ann Arbor’s West Park, The Penny Seats will present two full-scale, professional shows at the park, for nine performances each, over six weeks.

Tomfoolery

 

This will double our summer residency, and at last build us into the summer repertory company we set out to be. In five years we have enjoyed enthusiastic and growing support from the community.  We’re proud and excited, and we have many to thank.  Since day one, our funding model has been simple:

raise every season’s funds in advance, and don’t spend what you can’t raise.

What Corbin Knew

 

 

Goodnight DesdemonaWe rely on donations and grants for 100% of our season budget.  We don’t count on ticket sales, so we can keep prices very low.  We want to be the best theatrical value in town, delivering top-quality theatre at bargain prices.  That’s where you come in.

She Loves Me

Little MeOur goal is ambitious:  to achieve our dream this year, we need to pay two sets of royalties, two times the rent for West Park and rehearsal space, and, most importantly, we need the proper funds to pay the dedicated Michigan artists at the center of it all.  Can you help?

 

 

Helping out is easy, and it comes with some great perks, including 2 free tickets to all our shows for a $100 donation!  So please, this year, help us achieve what we set out to do.  Let’s give Ann Arbor a fabulous, top-quality summer theatre festival in the park. Donate today.  Thanks.

 

 

 

 

 

 

The Penny Seats are:

Staff:
Lauren London, President
Sean Murphy, Technical Director
J.P. Hitesman, Marketing Director

Board of Directors:
Bridget Bly, Treasurer
Matthew Cameron, Chair
Kelly Cameron
Victoria Gilbert
Zachary N. London, Secretary
Laura Sagolla, Vice Chair

All photos by Dawn Kaczmar 

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Penny Seats
Copyright © 2014 The Penny Seats Theatre Company, All rights reserved.Our mailing address is:

The Penny Seats Theatre Company

2720 White Oak Dr.

Ann Arbor, MI 48103

Add us to your address book

So, long Tom … it’s a wrap for Tom Lehrer’s Tomfoolery in Ann Arbor

Brent, Lauren, Susie, and Roy

Brent, Lauren, Susie, and Roy

Great closing night of Tomfoolery! What a show! Thanks, JP Hitesman, Mary Lynn Stevens, Michelle Clark, Julie Krohta, Susie Sexton, Don Sexton for being there!

My cast-mate Brent Stansfield wrote, “We finished our run of Tomfoolery tonight. It has been a real treat working with Roy Sexton, Laura Sagolla, Matt Cameron, and Rebecca Biber and to be directed by Lauren M. London. I didn’t think I’d enjoy doing theater again but these guys make all the work so much fun. Thanks guys!” Couldn’t agree more!

The authors

The authors

Roy, Laura, and Brent

Roy, Laura, and Brent

We had sold out shows, amazing audiences, and we sold lots of books! My mom and I donated sales of our books on-site during the run to The Penny Seats – thanks to all who supported!

And our esteemed director Lauren added, “It was a joy, made of willing, enthusiastic, creative participants, all of whom were out to have fun, work hard, and be funny.  It brought happiness and riotous laughter everywhere it went, and I’m very sorry to see it go. … Davi Napoleon was right when she said it could run for months at the pub.  It could.  We had willing, eager audiences clamoring to see it and a very pleasant partner in Conor O’Neill’s.”

Enjoy these video snippets from the show – courtesy of wonderful super-fan Rebecca Winder – click here to view in sequence or view separately below. (Photos taken by my parents last night are sprinkled throughout this blog entry, but you can also view them here.)

My proud pa

My proud pa

My proud ma

My proud ma

What a team!

What a team!

Breakfast of champions ... the party's over

Breakfast of champions … the party’s over

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Tomfoolery

Tomfoolery

You’re never too old to learn – Seth Rudetsky’s master class at Farmington Players, November 2

Seth RudetskyYou’re never too old to learn, I suppose. At least that was the lesson I gained today during Seth Rudetsky‘s wonderful master class taught at Farmington Players in Farmington Hills, Michigan. Thanks to the group and specifically to Amy Lauter for organizing the event, which saw local performers go through the exercise of auditioning before Mr. Rudetsky as well as an appreciative audience of approximately 130 people.

Sitting there, starting at noon, all of us guinea pigs lined up in the front row, nervously awaiting Seth’s appearance, not sure what to expect. Would he be more Simon Cowell, all glistening fangs and catty remarks, or Mr. Rogers, full of affirmation and delightful support?

Blessedly, he was more the latter, but not without insightful critique which inspired immediate improvement from all of us performers.

Seth opened the session with a brief overview, along the lines of this YouTube video – practical (and funny!) advice about how to prepare music, how to get ready for an audition, and how to put yourself in the proper head-space to succeed …

Following that intro, Seth began drawing our names from a hat … well, a decorative bowl … and one by one, we marched up on the stage, allowing Seth to a rifle through our prized binders of sheet music and to select a cut or two for us to perform. The age of the performers ranged from 11 to “we’d-rather-not-say,” with an array of songs from Broadway canon, pop, and beyond – Sondheim, Rodgers & Hammerstein,  and … er … General Hospital. You had to be there.

(I sat there nervously for hours wondering if my name was even in the bowl at all, but, finally, next to last, my name was called. I futilely tried to step directly on the stage from the front row – who needs stairs? At which time, I did this awkward army crawl/roll center stage. Yup, I know how to make an entrance. Sigh.)

Seth took his time with all of us, stopping at key points in our songs and offering us direction on how to improve our delivery: “be in the moment,” “what are you thinking about there,” “why hold that note and what are you conveying emotionally if you do so,” “plant yourself,” “take a position of strength,” “there are no songs that shouldn’t be used in auditions, but you have to find the song that features you and your talent best.” Pretty great life advice, let alone fabulous guidance for an exceptional audition.

I sang Pajama Game‘s “Hey There,” after fumbling disastrously with my own notebook, like a nervous junior high school kid. I blushed when Seth said he really likes my old-school songs (all raided from my mom’s exceptional sheet music collection). And I was a dutiful student, taking his advice on a song that I had sung so often it had become akin to “Jingle Bells” or “Happy Birthday” in my head … musical wallpaper.  I was struck by how different the final performance was that resulted – thanks, Seth!!

Thanks to “Legally Blonde the Musical” pal Amy Poirier for grabbing that quick clip from this afternoon, and enjoy the following video, taken by my cousin Alexandra Poor, of my performance of the song in Spotlight Players’ 2009 production of “The Pajama Game” …

Seth said I may be a little too old to sing “Real Live Girl” or “Corner of the Sky” any more … phooey, and I would have been very curious for his reaction to my take on Tom Lehrer’s “Masochism Tango” from Tomfoolery. Maybe next time!

Thank you, Seth! I may never make it to Broadway, but I feel like Rudetsky brought a little bit of Broadway to the future of my local performing.

But me being weird ol’ me, the highlight of the afternoon for me was this … Seth encouraged all of us to sing as if we were serenading a beloved rescue pet – sing every song thinking of an animal we love, bringing out all the authentic, vibrant colors of that pure emotion. He also let us know that Roberta Flack dedicated “The First Time Ever I Saw Your Face” to her cat!  I like that song so much better now! Seth is an active Facebooker and sprinkles his promotional efforts with many, many posts to help our animal friends. Be sure to check out and follow his Facebook page, and if he comes to a town near you, go to his live show, sign up for his class, and thank him for all his generous and gracious work.

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

A collective of crazies: Hard Taco’s Chisels ‘n Dust

Penny SeatscompanyBecause time plays funny tricks, I find myself in the peculiarly delightful place of singing the chorus (as an army of miners nonetheless) on a song written by the elementary school-aged son Malcolm of my good friends Zach and Lauren. Malcolm, mind you, had not quite arrived in this world when I first met Lauren, who was pregnant with him when she first co-music-directed (along with Rebecca Biber) me in Spotlight Players‘ production of Company. WHEW! “Bobby, Bobby, Bobbeeeee.”

Anyway, enjoy the song “Chisels ‘n Dust” and Zach’s much funnier blog post (than mine) which follows.Company Fans Company Fans 2

Hey, be sure to sign-up for his blog. It comes out the first of every month, is chock-full-of-fun, and is FREE!

You can find all of Zach’s Hard Taco output (sounds rather odd to write that sentence) at hardtaco.org … but, for sheer vanity, here are shortcuts (in chronological order …I think!) to all the songs I’ve been privileged to perform with his collective of crazies – click title to listen/download (free!):

This has been so much fun … I look forward to many more musical adventures with them!Vainglorious Training
And if you find yourself in Metro Detroit tomorrow afternoon and you’ve got nothing to do, stop by Sirius/XM’s Seth Rudetsky’s master class at Farmington Players (noon to 3 pm).He will be torturing … er … teaching a dozen of us guinea pigs how to be better auditioners (auditionees?) to the delight and amusement (and horror) of the audience. Tickets still available at farmingtonplayers.org
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From Zach – view original post here

November Hard Taco Digest:  Another Ick in the Wall

 

Jupiter ApproachDear Friends,

“There’s a pit where bad guys have to dig up crystals all day instead of going to jail.”

That is my son Malcolm’s vision for the new Hard Taco song, “Chisels ‘n Dust,” which he co-authored. I enjoyed this collaboration, and hope it is the first of many. I look forward to breaking up over aesthetic differences and grudgingly reuniting after a decade of unsuccessful solo endeavors.

I always feel a bit embarrassed about posting a link to my songs on Facebook, but I do it anyway, just in case one or two people are curious. Other than that, I’m a pretty reserved Facebook poster.

We all know people that exist at the other end of the spectrum. One of my friends furnishes her timeline with new material five or more times a day. Most of the posts are just three letter interjections, such as Yay or Ick, but within minutes, each of these garners hundreds of Likes and Comments.

So what is her secret? Am I an unpopular person or am I just providing unpopular content? To find out, I took 24 hours and posted the same kind of stuff as everybody else. The results will shock you.

1  2345678With warmest regards,
Zach

 

Tomfoolery

Tomfoolery

________________________

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Tomfoolery Sells Out Every Show. Encore Date Added!

Roy Sexton (Reel Roy Reviews):

Another great night of Tomfoolery – sold out – and hardly any tix left for November 9! Thanks to Diane Hill, Naz Edwards, Rich Geary, Kelly Little, Jim Lynch, Melynee Weber, Nina and Bob Schwartz, Jason Ringholz for coming this week and to anyone I missed! I’m spent! Read more below…

Originally posted on The Penny Seats:

Guys. Can you believe it?  Our little show, Tomfoolery, sold out Every Single Performance at Conor O’Neill’s this month. Every single one!  How thrilling!  We filled the restaurant.  We sang our hearts out.  We even got to talk about it on the radio.  The phone rang off the hook all month, and we’ve been overwhelmed with support and warm fuzzy goodness.

Which brings us to this:  Due to high demand, we added one additional performance: Sunday, November 9th. Same time, same place, same everything.  Just on a Sunday.  Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Click here to buy tickets, or just call us at (734) 926-5346.

Brent, Roy, and Matt sing a Southern Song.

Brent, Roy, and Matt sing a little Southern Song.

We were thrilled at the reception this got, from patrons and critics alike. See this awesome review for Encore…

View original 182 more words

“In fact, they should ‘be prepared’ to spend every week at Conor O’Nell’s. I’m expecting a long, long run …” Additional performance date added for Penny Seats’ Tomfoolery (Sunday, November 9)

Irish Ballad (Photo by Victoria Gilbert)

Irish Ballad (Photo by Victoria Gilbert)

Through the month of October, The Penny Seats enjoyed a sold-out run of the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer, at Ann Arbor’s Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies have partnered to offer this cabaret-style show, with dinner seatings available starting around 6:00 pm, and performances at 8:00pm. Due to high demand, an additional performance date has been added: November 9. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Silent E  (Photo by Victoria Gilbert)

Silent E (Photo by Victoria Gilbert)

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline. Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor). Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Poisoning Pigeons in the Park  (Photo by Victoria Gilbert)

Poisoning Pigeons in the Park (Photo by Victoria Gilbert)

In his review for Encore Michigan, Martin F. Kohn writes, “A spirited four-person cast and piano accompanist have a ball with such Lehrer favorites as ‘Be Prepared’ (‘Don’t solicit for your sister, that’s not nice/ Unless you get a good percentage of the price’), ‘The Masochism Tango’ (‘You can raise welts/ Like nobody else’), ‘The Vatican Rag’ (‘Ave Maria/ Gee it’s good to see ya’) and ‘The Irish Ballad’ (‘She weighted her brother down with stones/ Rickety-tickety-tin…/And sent him off to Davy Jones’). … Matt Cameron, Laura Sagolla, Roy Sexton and Brent Stansfield are lusty singers whose appreciation for the material is fully evident. … Director Lauren London has added inspired props and bits of business to many of the numbers.”

Masochism Tango  (Photo by Victoria Gilbert)

Masochism Tango (Photo by Victoria Gilbert)

Fellow critic Davi Napoleon observes, “I suppose it’s kind of mean to tell you how much fun Tomfoolery is – they keep adding chairs to accommodate the crowds, but I doubt the room at Connor O’Neill’s will even have SRO for the next show. But really, it’s that much fun. … Maybe The Penny Seats can be talked into extending the run. … In fact, they should ‘be prepared’ to spend every week at Conor O’Nell’s. I’m expecting a long, long run …”

I Hold Your Hand in Mine  (Photo by Victoria Gilbert)

I Hold Your Hand in Mine (Photo by Victoria Gilbert)

With the announcement of the additional performance, music director Rebecca Biber notes, “I am excited for this encore show, as I never grow tired of the material. Lehrer is a master satirist, not only of cultural tropes and historical moments, but of music itself.   He will pair a romantic parlor waltz with ghoulish lyrics, or use a peppy march to skewer jingoism and lockstep thinking. He always picks his musical forms for maximum humor and maximum discomfiture, and that funny/squirmy quality keeps us performers as engaged as our audience.”

She's My Girl  (Photo by Victoria Gilbert)

She’s My Girl (Photo by Victoria Gilbert)

Cast member Brent Stansfield, a faculty member at the University of Michigan, echoes this sentiment, “The show combines all my favorite things in life: satire, science, jest, education, politics, math, irony, and of course music. Better yet, it does it in a smart, sassy, gleeful, and naughty way. The Penny Seats cast and crew is also smart, sassy, gleeful, and naughty and they bring an ocean of joy and verve to these songs. Best of all, ‘Tomfoolery’ is tailor-made for an Ann Arbor audience who, as I have now learned, can be relied upon to bring their own smarts, sass, glee, and naughtiness! Each show has been raucous and I have had so much fun performing in it.”

Folk Song Army  (Photo by Victoria Gilbert)

Folk Song Army (Photo by Victoria Gilbert)

Gonna Go Back to Dixie  (Photo by Victoria Gilbert)

Gonna Go Back to Dixie (Photo by Victoria Gilbert)

Director Lauren London, who was recently interviewed about the production alongside Conor O’Neill’s Caroline Kaganov for The Lucy Ann Lance Show, adds, “This show has been a pure delight, from the first rehearsal through every single performance. It plays to our strengths as a company and fits perfectly with the jovial tone at Conor O’Neill’s. It’s a comfortable, fabulously funny night, and we’re ecstatic that so many people want to experience it. This is one of those lightning-in-a-bottle moments for us. We couldn’t be happier with Conor’s as a partner, and I hope we have the chance to do this again, soon!”

We Will All Go Together  (Photo by Victoria Gilbert)

We Will All Go Together (Photo by Victoria Gilbert)

Stansfield concludes, “Tom Lehrer’s work is beloved for good reason. He’s a sharp intellectual with a gallows humor (much like some of my other heroes: Edward Gorey, Ambrose Bierce, George Romero, et alia) and his songs are at once titillatingly dark and eerily catchy. His wit is incisive but never derisive. It’s so easy to fall in love with these songs that performing them for people who have never heard them before is an honor as much as it is a pleasure. I’ve been so excited to work with The Penny Seats again. Every rehearsal has been full of playfulness and silliness, and our director, Lauren London, has managed to funnel all of that love and sweat directly into the show. It’s 90 minutes of frenetic romp, but after each performance I’ve felt like doing the whole thing again. Well, maybe after a cold pint of beer. We are performing it in one of Ann Arbor’s best pubs, after all.”

For more information, visit the group’s website, www.pennyseats.org, or call 734-926-5346.

Tomfoolery

Tomfoolery

________________________

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

WAHOO! We’ve added an encore date of Tomfoolery! November 9

Matt Cameron and Yours Truly

Matt “Smut” Cameron and Roy “Prurient” Sexton (Photo by Victoria Gilbert)

Wow – this Tomfoolery is such a fun show to do! We’ve added an encore date to our sold-out run of Tom Lehrer’s Tomfoolery: November 9, dinner around 6 pm, show 8 pm – get your tickets pronto here.

Thanks to Mark Lezotte, Patti Little, John DeMerell, Rebecca Hardin and family, Rebecca Dale Winder, Nan Reed Twiss, Ian Reed Twiss, Jim and Linda O’Hara Cameron, Ed and Anne Young, Esther Dale, Leslie Pardo, Steve Pardo, and, heaven knows, anyone I missed who came to see the show last night! Such an appreciative and delightful audience, and we (Laura Sagolla, Lauren M. London, Matt Cameron, Brent Stansfield, Rebecca Biber, Skippy Hankes) seem to be hitting our stride. This show is just unadulterated yet saucy fun! TWO more shows now – 10/23 is sold out, but tickets are still available for 11/9. Don’t miss it!

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Brent "Shredder" Stansfield (Photo by Victoria Gilbert)

Brent “Shredder” Stansfield (Photo by Victoria Gilbert)

Through the month of October, The Penny Seats have enjoyed a sold-out run of the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer, at Ann Arbor’s Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies have partnered to offer this cabaret-style show, with dinner seatings available starting around 6:00 pm, and performances at 8:00pm. Due to high demand, an additional performance date has been added: November 9. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline. Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor). Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Laura Sagolla and Lauren London (Photo by Victoria Gilbert)

Laura “Tectonic Plates” Sagolla and Lauren “Plate Tectonics” London (Photo by Victoria Gilbert)

In his review for Encore Michigan, Martin F. Kohn writes, “A spirited four-person cast and piano accompanist have a ball with such Lehrer favorites as ‘Be Prepared’ (‘Don’t solicit for your sister, that’s not nice/ Unless you get a good percentage of the price’), ‘The Masochism Tango’ (‘You can raise welts/ Like nobody else’), ‘The Vatican Rag’ (‘Ave Maria/ Gee it’s good to see ya’) and ‘The Irish Ballad’ (‘She weighted her brother down with stones/ Rickety-tickety-tin…/And sent him off to Davy Jones’). … Matt Cameron, Laura Sagolla, Roy Sexton and Brent Stansfield are lusty singers whose appreciation for the material is fully evident. … Director Lauren London has added inspired props and bits of business to many of the numbers.”

Fellow critic Davi Napoleon observes, “I suppose it’s kind of mean to tell you how much fun Tomfoolery is – they keep adding chairs to accommodate the crowds, but I doubt the room at Connor O’Neill’s will even have SRO for the next show. But really, it’s that much fun. … Maybe The Penny Seats can be talked into extending the run. … In fact, they should ‘be prepared’ to spend every week at Conor O’Nell’s. I’m expecting a long, long run …”

________________________

Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common

“The right accessory can change your life.” Two Muses production of new musical “At the Bistro Garden”

At the Bistro Garden Cast  (Photo by Melissa Tremblay of Platinum Imagery)

At the Bistro Garden Cast (Photo by Melissa Tremblay of Platinum Imagery)

The 1980s are hot again. I guess nostalgia must have a 25-to-30-year sell-by date when it really kicks in. Fifteen years ago, the 1970s were the rage, and we may be on the cusp of the 90s making their grungy resurgence, but right now the 80s are where it’s at.

Perhaps it’s because, like that bygone day-glo era, we still live under a perpetual shroud of Armageddon, be it chemical or nuclear or viral. Perhaps it’s because we again exist in a politically divisive age where neither political party nor our president seem terribly interested in what any of us day-to-day schmucks think or feel. Perhaps it’s because our celebrities from then and today seem interchangeable, wearing outfits that look like they were designed by circus carnies.

Regardless, the 1980s are au courant, which is perfect timing for Two Muses Theatre’s Midwestern debut of the big-haired/shoulder-padded musical At the Bistro Garden. (In the spirit of open disclosure, I know personally many of the folks involved with this production and even helped with some of their marketing, including this interview with the show’s creative team.)

Nonetheless and perhaps in part because of this, I enjoyed the show a great deal. In similar fashion to two other beloved broadly comic artifacts from my youth – Designing Women and Steel Magnolias – the show recounts the trials and tribulations of three women caught between a rock and a hard place, proto-feminists whose formative years may have been haunted by Donna Reed and Gidget but whose present days are shaped by Gloria Steinem and Madonna.

The three ladies who lunch – Abigail, Cheyenne, and B.J. – have more money and time on their hands than they should and meet every Friday at Beverly Hills’ famed Bistro Garden restaurant to kvetch and kvell about family and friends. The plot wouldn’t have been out-of-place in a very special episode of the aforementioned Designing Women but offers enough meaningful complications to give this talented trio some great scenery to chew. As expected for a show set in this era, there’s much talk of divorce and alimony, illegitimate children … and shopping. An early number – the zippy “A Sale at Neiman’s” – celebrates the joys of retail excess, offering the bon mot “the right accessory can change your life.”

At times, the cartoonish whimsy of life in the 80s takes on an almost allegorical quality, highlighting the disconnect between narcissistic artifice and the very real pain (and reward) friendship and family can bring. The lilting tunes and snappy patter neatly propel the show and its themes.

The cast functions very well as an ensemble, each shining particularly in the more poignant moments. Sometimes the rat-a-tat dialogue gets a little lost in translation, where the wit should come from speed not emphasis, but when this cast clicks, they really click.

At the Bistro Garden

At the Bistro Garden

Carrie Jay Sayer as “Lady of the Canyon” Cheyenne and AlissaBeth Morton as her daughter Destiny (yeah, those names are a time warped hoot) steal every scene with a believable familial dynamic that engenders laughter and tears. They really do a solid job finding the humor in the pathos.

Amy Lauter as Abigail, a sweet-natured if misguided women-done-wrong, and Diane Hill as B.J., a not-as-sweet-natured but equally misguided woman-done-wrong, both have many touching moments as they explore the betrayal of a dream deferred. Both actresses excel in their plaintive solo numbers, plumbing new depths of heartache.

John DeMerell as master of ceremonies and the restaurant’s maître d’ sparkles – the catalyst that gives the production forward momentum and a refreshing lightness. He has a ball playing several additional bit parts throughout the show, aided and abetted by clever costuming and no end of silly accents. Miles Bond and Rusty Daugherty are fun as a sort of campy Greek chorus, offering arch commentary as waiters, moving men, clerks who float through the proceedings.

Indeed, the costuming by Barbie Amann Weisserman is perfection, loving and warmly funny but never satirical, which is a tricky balance to pull off. Lesser costumers end up making fun of a garish era such as this one, forgetting that people actually intend to look attractive (usually) and it’s only later in time when we realize how odd some of our fashion choices actually might have been. Everyone in the show does in fact look gorgeous, even if the styles and patterns and prints make us giggle with knowing recognition.

A narrative highlight – musically and acting-wise – is the number “Just Another Baby.” A scorched-earth, toxic meltdown that B.J. (Hill) delivers at a baby shower, ridiculing our nation’s unyielding mania for infants and our collective fixation on insipid names, miniaturized fashion, and corrosive parental competition. Hill nails it, and, as the show’s creative team (Deborah Pearl on book, David Kole on music/lyrics) continues to refine this work, they might consider sprinkling a bit of that second act’s number’s funny-as-h*ll venom throughout the softer/gentler first act.

(One minor quibble is the use of a pre-recorded accompaniment in this production. There is a live keyboard for some of the numbers, and those particular songs/performances had a warmer, more organic quality. No doubt this hybrid approach was driven by resource availability, but, at times it is a bit distracting.)

Jules Aaron’s direction is efficient and witty and makes effective use of the tight space with multi-functional set pieces and clever blocking. He has done a fabulous job forging a tight ensemble with rich stage life and believable connections, clearly key to making this show sing (pun intended).

As a new work, this show is worth catching to see how it continues to develop. The first act could use a trim here or there as it serves chiefly to set up the soap opera-esque fireworks of the second act (think Douglas Sirk meets The Carol Burnett Show – and that’s a good thing). After the intermission, the show speeds along as all of the puzzle pieces established in the first act come together. The show has one more weekend so be sure to stop by The Bistro Garden, to reminisce about a bygone era that is still surprisingly and perhaps sadly relevant today. Tickets can be purchased at www.twomusestheatre.org.

Two Muses Theatre performs in the Barnes & Noble Booksellers Theatre Space, 6800 Orchard Lake Rd, West Bloomfield, MI  48322, South of Maple (15 Mile). Enter the bookstore, and the theatre is on the left.

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Watch me get kicked out of Seth Rudetsky’s master class Nov. 2 (Plus, Tomfoolery update!)

Tomfoolery Cast (Photo by Victoria Gilbert)

Tomfoolery Cast (Photo by Victoria Gilbert)

Second performance of Tomfoolery was a hit! What a fun night – with a record attendance for us li’l Penny Seats!

Thanks to everyone who attended (and anyone I missed):

Roxane Raffin Chan and Kevin Chan, Magda Gulvezan and Dan Johnson, Sam Gordon, Linda Hemphill, Angie Choe and Sean, Jeff Weisserman, Barbie Amann Weisserman,  Bob Hotchkiss, Beth Kennedy, Nick Oliverio, Meredith Brandt, Alex and Cristina Rogers, Davi Napoleon, Jason Gilbert, Trista Selene Kreutzer-Whalen, Roxanne Kring and Joe Diederich, Kyle Lawson, Sean Murphy, Rachel Green Murphy, the Biber family, and Ryan Lawson.

Get your tickets, kids, for 10/16 or 10/23 – they are almost all gone … and that’s no “tomfoolery” –  http://pennyseats.org/box-office/

Seth RudetskyAND, thanks to the Farmington Players and Amy Becker Lauter for including me among Seth Rudetsky’s “students” for their upcoming master class with him on November 2 from noon to 3 pm.

Should be fun! I’m honored to be a part of this. He might kick me out of class – you don’t want to miss that!!  Here’s the event description (tickets available here) …

The Farmington Players Barn (Photo by Don Sexton)

The Farmington Players Barn (Photo by Don Sexton)

You may know Seth Rudetsky from his Sirius/XM Satellite Radio show “Seth’s Big Fat Broadway” or his viral “deconstruction” videos on YouTube where he breaks down the elements of classic musical theater songs and singers. Now our local performers and patrons have the opportunity to participate in a Master Class Workshop.

A varied and talented group of local performers have been selected to Sing for Seth – and for you! They will each get personal attention and will receive advice on how to improve their audition and overall performance skills.

Registration is still open to be an audience member for only $25! You will learn from the advice Seth provides to the singers – and get to experience some of the area’s finest performers.

  • Taylor Alfano
  • Tony Battle
  • Rachel Biber
  • Gary Castaneda
  • Joshua Coates
  • Katie Dodd
  • Elizabeth Heffron
  • Joel Hunter
  • Grace Knoche
  • Maryanna Lauter
  • Amy Malaney
  • Marc Meyers
  • Roy Sexton (ME!)
  • Nina White
  • Jason Wilhoite

The event begins with an informative lecture from Seth, continues with each of the Master Class Students’ performances and ends with a Q&A – so come prepared with a question.

This is a once in a life time opportunity so register today!

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Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.