The music of Tom Lehrer – Penny Seats “Tomfoolery” cabaret opens this Thursday, October 2

Be Prepared

Be Prepared

The Penny Seats return to the stage this October with the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer. The production also includes an opening short—a 5-minute mini-musical called Volcanoes!!—composed by Ann Arbor’s Zach London, who cites Lehrer as an early inspiration.

Production photos by Victoria Gilbert – view more here.

 

Hunting Song

Hunting Song

Silent E

Silent E

Generation X knows Lehrer best as having written the songs for Electric Company (“Silent E”), but he also wrote a number of satirical songs in the 50s and 60s for shows like That Was The Week That Was, The Frost Report, and The Steve Allen Show as well as his own concerts.

The Elements

The Elements

Irish Ballad

Irish Ballad

Lehrer observed, “I know it’s very bad form to quote one’s own reviews, but there is something the New York Times said about me [in 1958], that I have always treasured: ‘Mr. Lehrer’s muse [is] not fettered by such inhibiting factors as taste.’“

Volcanoes

Volcanoes

Volcanoes

Volcanoes

Tomfoolery will run on Thursdays, October 2, 9, 16 and 23, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies are partnering to offer a cabaret-style show, with dinner seatings available starting at 6:30 pm, and performances each night at 8:00pm. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at pennyseats.org or by phone at (734) 926-5346.

Smut

Smut

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline. Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor).

 

 

Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Folk Song Army

Folk Song Army

 

 

 

 

Lauren says of the piece, “This show is a guilty pleasure for us. It’s pure, brash, silliness, presented with gusto in a bar setting. So many of us remember Tom Lehrer’s acerbic, satirical songs from our childhood (Electric Company, “Poisoning Pigeons in the Park,” “Pollution”). In particular, we recall that feeling of not knowing whether our parents would approve, but presuming the worst. We snuck around, giggling and singing these songs to each other eagerly, reveling in their mischievousness; it’s wonderful to celebrate them loudly now, in all their glory. And Zach’s short piece, Volcanoes!!, is a fitting opener. It pays homage to Lehrer in its tone and staging, and will, I think, get patrons in the right frame of mind for the evening.”

Wanna Go Back to Dixie

Wanna Go Back to Dixie

Folk Song Army

Folk Song Army

 

 

 

 

 

 

 

 

 

 

Sexton adds, “The show, originally conceived by Cameron Mackintosh (Phantom of the Opera, Les Miserables), celebrates the music of Tom Lehrer, a comic misanthrope who makes Lewis Black and Jon Stewart seem like Mr. Rogers and Spongebob Squarepants.”

Vatican Rag

Vatican Rag

Wiener Schnitzel Waltz

Wiener Schnitzel Waltz

 

 

 

 

 

 

 

 

The company is also thrilled to partner with Conor O’Neill’s, a cornerstone of Ann Arbor’s downtown scene. “Conor’s has been a delight to work with,” says Lauren. “We’re thrilled at the support they’ve given us at every stage, and can’t thank them enough. It’s gratifying to be able to offer theatre patrons the incredible food, personalized service, and value that make Conor’s such a satisfying place. We can’t wait.”

Our Director

Our Director

The show continues a successful 2014 season for The Penny Seats, who presented an acclaimed production of Elektra this July in West Park. The group is now in its fourth year of operation and continues to be overseen by a volunteer staff from the Ann Arbor area. (Later, The Penny Seats will re-team with 826 Michigan for their annual Five Bowls of Oatmeal performance, featuring short plays written by local schoolchildren in the Ann Arbor and Ypsilanti area.)

For more information, visit the group’s website pennyseats.org or call 734-926-5346.

Production photos by Victoria Gilbert

________________________

Tomfoolery

Tomfoolery

 

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Ann Arbor Observer: “Tomfoolery … Nothing but fun” by Davi Napoleon

Davi Napoleon wrote this wonderful article for the Ann Arbor Observer on our production of Tomfoolery (opening next Thursday at Conor O’Neill’s here in Ann Arbor) – such a nice story, and we look suitably like lunatics in the accompanying photo (which is TOTALLY accurate)! Enjoy, and get your tickets at pennyseats.org/box-office/

Davi Napoleon Article on Tomfoolery from Ann Arbor Observer________________________

Tomfoolery

Tomfoolery

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Silly props … and sillier zombies

Props!

Props!

So if this image* doesn’t intrigue you about Tom Lehrer’s Tomfoolery enough that you rush to pennyseats.org/box-office to get your tickets, I don’t know what might. Yup, these are some of our props. Nope, I ain’t going to explain how any of them are going to be used.

Zombie-fied Brent, Matt, Roy

Zombie-fied Brent, Matt, Roy

And, the rumors are true – there be zombies** in this show … for no good reason, other than it’s funny. Yup, just that kind of gig!

(We’re hoping zombies are a draw and not a deterrent.)

Tomfoolery

Tomfoolery

Come see us Penny Seats do our thang on October 2, 9, 16, or 23 at Ann Arbor’s Conor O’Neill’s and discover all the wonders for your little ol’ self! ($20 for dinner AND show; $10 just for the show)

 

*Photo by fellow cast member and crazy talent Brent Stansfield of his show “stuff”

**Photo by marvelous director Lauren London who falls into fits of giggles, for some inexplicable reason, every time she sees this particular moment

________________________

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

I’m a lawyer? Nah, it’s just “Tomfoolery”!

Somehow I got a promotion to “attorney”! Which is ironic since we have THREE actual attorneys amongst us – and I AIN’T one of them! Tomfoolery opens Oct. 2 at Conor O’Neill’s in Ann Arbor. $20 gets you dinner and the show; $10 … just the show. Tickets going fast at pennyseats.org – from Detroit Legal News …

Legal News Coverage of Tomfoolery

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Zombie-fied Brent, Matt, & Roy

Zombie-fied Brent, Matt, & Roy

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

Props!

Props!

 

 

 

 

 

 

 

 

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“It’s pure, brash silliness, presented with gusto in a bar setting.” The Penny Seats production of Tomfoolery opens October 2

Tomfoolery

Tomfoolery

Yup, I’m in this! Come see it!

(Rehearsal photos here.)

Penny Seats press release …

The Penny Seats return to the stage this October with the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer. The production also includes an opening short—a 5-minute mini-musical called Volcanoes!!—composed by Ann Arbor’s Zach London, who cites Lehrer as an early inspiration.

Brent, Roy, Laura, & Matt

Brent, Roy, Laura, & Matt

 

The show will run on Thursdays, October 2, 9, 16 and 23, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies are partnering to offer a dinner theatre-style show, with dinner seatings available starting at 6:30 pm, and performances each night at 8:00pm.

Pollution!

Pollution!

Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at pennyseats.org or by phone at (734) 926-5346.

Lauren ... Charisse?

Lauren … Charisse?

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline (ME!).

 

Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor).

Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Penny Seats LogoLauren says of the piece, “This show is a guilty pleasure for us. It’s pure, brash silliness, presented with gusto in a bar setting. So many of us remember Tom Lehrer’s songs from our childhood. In particular, we recall that feeling of not knowing whether our parents would approve, but presuming the worst. We snuck around, giggling and singing these songs to each other eagerly, reveling in their mischievousness; it’s wonderful to celebrate them loudly now, in all their glory. And Zach’s short piece, Volcanoes!!, is a fitting opener. It pays homage to Lehrer in its tone and staging, and will, I think, get patrons in the right frame of mind for the evening.”

Be Prepared!

Be Prepared!

The company is also thrilled to partner with Conor O’Neill’s, a cornerstone of Ann Arbor’s downtown scene. “Conor’s has been a delight to work with,” says Lauren. “We’re thrilled at the support they’ve given us at every stage, and can’t thank them enough. It’s gratifying to be able to offer theatre patrons the incredible food, personalized service, and value that make Conor’s such a satisfying place. We can’t wait.”

Bright College Days

Bright College Days

 

 

The show continues a successful 2014 season for The Penny Seats, who presented an acclaimed production of Elektra this July in West Park. The group is now in its fourth year of operation and continues to be overseen by a volunteer staff from the Ann Arbor area. (Later this fall, The Penny Seats will re-team with 826 Michigan for their annual Five Bowls of Oatmeal performance, featuring short plays written by local schoolchildren in the Ann Arbor and Ypsilanti area.)

For more information, visit the group’s website, pennyseats.org, or call 734-926-5346.

________________

London and Biber, LLC

London and Biber, LLC

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“Huge shoulder pads and big earrings and the heyday of the wealthy in Beverly Hills…” Midwest Premiere of At the Bistro Garden

www.twomusestheatre.org

Cheyenne (played by Carrie Jay Sayer) sees her daughter’s new look when Destiny (AlissaBeth Morton) emerges from the dressing room at Neiman Marcus.

Enjoy this interview I did for my pals at Two Muses Theatre – they are about to present the Midwest premiere of the musical “At the Bistro Garden,” and the following article features the show’s creators Deborah Pearl and David Kole as well as director Jules Aaron.

“You aren’t inventing the wheel, but you are putting in the spokes. And you hope that wheel will carry the show!” observes Los Angeles-based theatrical director Jules Aaron, currently in Metro Detroit to helm Two Muses Theatre’s Midwest premiere of the new musical, At the Bistro Garden.  It’s an apt metaphor for the Motor City and an even more appropriate one for such a collaborative effort as launching a new theatrical work. Written by fellow Angelinos, the book by Deborah Pearl and music/lyrics by David Kole, the show, which runs from September 26 through October 19 promises to surprise and delight Michigan audiences.

At the Bistro Garden is a sharply funny and touching look at the lives of three friends from Beverly Hills who lunch weekly at the famous Bistro Garden restaurant, circa 1987. Their friendship keeps them from shattering and helps them get through infidelities, betrayals, a daughter going astray, love lost, and love found. Winner of the 2005 ASCAP Best New Musical award, the show was previously work-shopped in L.A.

“The idea came originally from David Kole. He started out with five songs and a clear sense of who these women were. He asked me to sing – I also sing professionally- on the demos. He had no book, so I created the story, and wrote scenes that give the women distinctive voices, while also helping identify where additional songs would be needed. I love that it’s about the strength and vulnerability of women – and what’s behind the facade that we see – because these women are every woman underneath.   We started on this a while ago, and the 80s are cool again, so it’s perfect timing. Huge shoulder pads and big earrings and the heyday of the wealthy in Beverly Hills give us a good context for the comedy,” explains Pearl, a longtime television writer/producer, whose credits include Designing Women. “Over the years, working in television, I learned so much about comic timing – what works and what doesn’t. And since I’m a singer as well, I hear the human voice as melody. That’s how I write. I hear the characters speak in my head and it’s like I’m taking dictation. Sometimes I can’t type fast enough. When it comes to you, you listen.”

Kole adds, “People ask how I write from a woman’s perspective. It’s from observing. I got this idea while having lunch at the Bistro Garden. I went there the first time with Cloris Leachman – I do her orchestrations, including her stint on Dancing with the Stars. I realized what a great restaurant it was and I’d see all these ‘Old Hollywood’ folks and I’d get a sense of the lore. Flynn, Sinatra all used to go there. I wrote five songs to define the characters I’d invented. I wanted to make a small show. And no one was writing for women, particularly women in their 40s. I was going to write the book myself, and I knew Deborah as a studio singer. She sang on the demos, and I ran into a wall writing the actual stories. I had five characters with developed backgrounds – middle names, children, wardrobes – but I didn’t have a real story. Deborah came up with the story arc.”

Pearl then met Aaron, who was in New York directing a play starring a mutual friend. As all great showbiz stories go, they struck up a conversation, she told him about this new work, and he was intrigued.

“I’ve gotten to the point in my career where I specialize in new shows. I’ve done 70 plus new shows. I’m currently working on three new shows. Deborah asked me to look at their musical and I liked it very much. When the Two Muses opportunity came up, it seemed like a great fit,” elaborates Aaron. Aaron’s mother, who, at 95, still lives in Oak Park in the house where he grew up and is an active writer and director herself, was “the marriage broker. She had seen several shows at Two Muses that she liked a lot. She said it would be so nice if I could do a show out here and we could spend some time together. Barbie [Amann Weisserman, one of Two Muses’ co-founders] and I spoke about a year ago, and I said let’s find something that we both like. Six months later we landed on Bistro Garden, and we started specifically to look at schedules. And here we are. It was one of those things. It’s such a treat to spend this time with my mom and to work with a theatre that is a real up and comer. They produce well. They are very sharp.”

Aaron, a Wayne State graduate who also holds a Ph.D. from New York University, isn’t the only member of the creative team with ties to Metro Detroit (or, for that matter, with an influential mother). Kole was born and raised in Grosse Pointe where he attended high school, leaving at 18 to tour with Fred Waring’s Pennsylvanians, eventually landing in Beverly Hills where he has worked as a film composer in addition to his theatrical work. “Nathan Judson was my band teacher here. Big influence – taught me music, theatre, opera. My mother introduced me to musical theatre. My mom is from New York and we’d go in the summer and see all the original productions. Anything Rodgers and Hammerstein – King and I, South Pacific – and then Sondheim – both had profound influences. I’ve been accused of being Sondheim-esque. I was immersed in A Little Night Music when I was working on Bistro Garden. Jonathan Tunick’s pointillistic orchestrations speak to me.”

For Pearl, though, working on this show has been her introduction to the wolverine state. “This is my very first trip to Michigan. It’s so beautiful. Reminds me of where I grew up in Pennsylvania. I so miss the green from my years of living in L.A. I actually had an intro to Detroit by my friend Allee Willis – composer of Earth, Wind, and Fire’s ‘September’ among other of their hits. She has a music video and movie in process called – I Love Detroit. And I see why. It’s such a creative place. I’m moved by the commitment to the arts here. Everyone in our production is so into it. And talented. And really happy to be working.   And they like my material!” Pearl laughs heartily. “I always love people who love my material. And I played one of the roles in the workshop, so it’s fun to see someone else playing that role. It takes a huge amount of work to mount a show. People don’t appreciate that. Musicals are a ton of work and an equal amount of fun. That’s what I hope people who come to the show will leave with.   An evening of fun.   At the Bistro Garden is a joyous experience.”

www.twomusestheatre.org

At the Bistro Garden, BJ (played by Diane Hill) gossips with best friends Abigail (Amy Lauter) and Cheyenne (Carrie Jay Sayer) while the Maitre D (John DeMerell) listens in.

Pearl is an active volunteer back home, somehow finding time between all her artistic endeavors to sing a monthly jazz service at her synagogue, perform at high holidays at Cedars Sinai Medical Center, and co-found and direct a collective of professional and non-professional singers called “The National In Choir” who’ve been entertaining at hospitals and senior centers every December in L.A. for over thirty years.   Her Jewish identity is important to her as an artist. She spent years studying Torah with Jewish writers and producers (in a group funded by “Avi Chai”). “Art is transformative. The most joyful use of my voice and my writing is in a spiritual context. There’s nothing better than lifting people up with your work,” she notes.   “And everyone here is happy to share in the creative lifting.”

Aaron echoes Pearl’s enthusiasm for their newfound Michigan friends, “This cast is a really great group of people. They have talent and a wonderful attitude and sense of dedication. So sweet to be around. I have high hopes that we are going to have a very strong show. When you work in New York or L.A., the amount of talent is overwhelming and you are working with casting directors. When we finished casting in Detroit, I was very pleased.”

But how does Kole, with whom the central concept of Bistro Garden first began, feel about the process so far? “I look forward to handing my little child over to other people. I love seeing their takes on these characters or how they sing a melody I wrote. I love people attaching their own bits to my germination of an idea. It always makes it better than what I had in mind. I’ve literally worked with thousands of musicians and hearing what they do with my work, how they phrase a line is always a pleasure,” he relates.

“I had never done theatre in Detroit. My expectations have been so exceeded from my time here in Detroit. Diane [Hill, Two Muses’ other co-founder] and Barbie are phenomenal. And I love their families. Observing Jules work with the actors and the wonderful choreographer [Allyson Smith] and musical director [Daniel Bachelis] is phenomenal. Jules is not on a power trip but is very encouraging, supportive. He understands my characters. These characters … they are like my children. Deborah is their adoptive mother, and Jules really understands them. They are real now.”

Kole concludes, “What’s really great is I’m looking around this rehearsal space and I see all these people – actors, production team, audience – and it started with this little idea I had and now everyone is here taking part in this. It’s such an honor. Their lives are being changed by this little idea. It’s so gratifying.”

Two Muses Theatre, recent recipient of an operational grant from Michigan Council for Arts and Cultural Affairs (MCACA) and the NEA, performs in the intimate 150-seat theatre inside Barnes & Noble Booksellers, located at 6800 Orchard Lake Road in West Bloomfield (south of Maple).   Performances are Sept 26-Oct 19 on Friday and Saturday evenings at 8:00pm and Sunday afternoons at 2:00pm. Advance tickets are available for $23 for adults and $18 for students and senior citizens and are available at the door for an additional $2. Group discounts are also available. Doors open 30 minutes prior to each performance. There is ample free parking and handicap accessibility. For tickets and information, please call 248-850-9919 or visit twomusestheatre.org.

Founded in November 2011 by Diane Hill and Barbie Amann Weisserman, Two Muses Theatre is a nonprofit, professional theatre dedicated to increasing opportunities for women in theatre. All funds raised from performances and educational workshops go directly into maintaining the theatre and contributing to charitable organizations centered on women and families.

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Postscript! The show I’m in  – Tomfoolery, starting October 2 at Conor O’Neill’s in Ann Arbor – now has a super-cute poster … and here it is (to the left). More info at pennyseats.org.

Celebrating the words and music of Tom Lehrer, with an opening short by Zach London, The Penny Seats will perform Thursdays, October 2, 9, 16, and 23. Dinner starts at 6:30pm; show at 8pm. Dinner and show are just $20 per ticket; show only $10 per ticket!

________________

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Save the date for cheeky ribaldry! Tom Foolery (Ann Arbor, October 2, 9, 16, and 23)

[Image Source: Wikipedia]

[Image Source: Wikipedia]

Save the date for cheeky ribaldry! After a self-imposed 18-month theatre hiatus, I am going to be in the musical revue Tom Foolery at Conor O’Neills Ann Arbor with The Penny Seats the first four Thursdays in October (October 2, 9, 16, and 23)!

More info at pennyseats.org.

The show, originally conceived by Cameron Mackintosh (Phantom of the Opera, Les Miserables), celebrates the music of Tom Lehrer, a comic misanthrope who makes Lewis Black and Jon Stewart seem like Mr. Rogers and Spongebob Squarepants.

 

 

Gen X knows him best as having written the songs for Electric Company (“Silent E”) but he also wrote a number of satirical songs in the 50s and 60s for shows like That Was The Week That Was, The Frost Report, and The Steve Allen Show as well as his own concert performances.

Lehrer observed, “I know it’s very bad form to quote one’s own reviews, but there is something the New York Times said about me [in 1958], that I have always treasured: ‘Mr. Lehrer’s muse [is] not fettered by such inhibiting factors as taste.

Along with yours truly, the show features talented pals Laura Sagolla, Brent Stansfield, and Matt Cameron and is directed by Lauren London with music direction from Rebecca Biber and choreography by Victoria Gilbert. You can check out all of Lehrer’s music at his YouTube channel here.

 

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Tongues in Trees*: Ignorance is not bliss – a new appreciati​on for Ann Arbor’s Summer Festival

Ignorance is Not Bliss

Ignorance is Not Bliss

When Pat and Marjorie Lesko approached me after my recent book-reading at fabulous local treasure Bookbound and asked if I would like to be a regular contributor in their pages, I was thrilled.

[Alas, this is likely the last contribution I shall make. Another story for another day.]

However, their movie review slot was already taken. (Phooey! but if you want to read my views on popcorn epics, please check out my blog at www.reelroyreviews.com…oh, right, you’re already here!) So they said to me, “How about culture? You’re a theatre guy. You must love to write about culture. I mean, this is Ann Arbor!”

“You got it!” I sheepishly replied, fearful to reveal my true colors as a pop maven who prefers “The Harlem Shake” over Shakespeare, The Mighty Thor over Jane Austen, and Kathy Griffin over the ballet.

[You can read my first contribution to The Ann Arbor Independent about Ann Arbor's Performance Network Theatre by clicking here.]

Pat, ever the good journalist, could see right through my ruse. “You haven’t gone to anything here, have you? No festivals, no art installations, no opera?” The jig was up. I suspected that my seven-year-successful-dodge of anything of artistic substance was about to come to a crashing halt.

Her next comment surprised me even more: “Good! Then you’re a blank slate. Write about that!” And like rat-a-tat Rosalind Russell from screwball classic His Girl Friday, she gave me a quick “Off you go!” and clicked off the receiver.

So … here I go. May as well start at the top … Top of the Park, that is.

Entering its 31st season, Ann Arbor’s famed Summer Festival was founded in 1984, and Top of the Park, the free outdoor cornucopia of movies and concerts and activities is arguably the fest’s most famous component. Of course, the festival is so much more, running from June 13 to July 6 with many ticketed offerings sprinkled about Ann Arbor, in addition to the outdoor events. (You’ve already read about Lily Tomlin’s opening weekend concert in The Ann Arbor Independent – I wonder if Pat would let me do those interviews in the future? Hmmm. I better be a good kid!)

If you want to find yourself overwhelmed, just check out the festival’s comprehensive website at www.a2sf.org – talk about sensory overload.

Ann Arbor Summer FestivalIf I have any (feeble) defense to offer for our household’s neglect of this Ann Arbor mainstay, it may be that, for a Tree Town neophyte, all of this activity can shut down a person’s central cortex. If you don’t know where to start or even how to navigate the various locations and parking challenges therein, you might be tempted to just to head to the Rave or Quality and watch the latest Channing Tatum/Michael Bay/Pixar offerings with their predictable start times, easy access, and pre-digested storylines.

However, the evil geniuses at the festival must have anticipated this quibble, and they have introduced a mobile app (free!) that can be your pocket guide to all things Fest related. Having done a quick spin through the app, they nailed it. It’s easily searchable, responsive, social, interactive and with just the right amount of content to help you have a good time. Kudos!

So, now that I have no excuses, I turn to the people who may shake their heads in shame at my ignorance but love me anyway – my long-time Washtenaw County-based pals – for some much-needed guidance and advice. (I won’t divulge who, but I did have one comrade-in-arms who emailed, “I have never been there [Summer Fest] either. Don’t tell anyone!”)

Rebecca Hardin, associate professor at U of M’s School of Natural Resources and Environment (not to mention someone who has suffered playing my spouse in The Penny Seats’ production of What Corbin Knew and helps host the fabulous radio show It’s Hot in Here on WCBN, Friday from 12-1 pm), offers,  “Highlights of past summer festivals, for me, include the acrobats from Australia towering over assembled crowds on enormous stilts, swaying among the roofs of Rackham, the Michigan League, and the Alumni Center, in brightly colored clothes. I also loved the eruption of local talent ‘from the ground up’ during a Bollywood flash mob dance moment…just look for ‘Bollywood flash mob connects communities’ on YouTube. Nothing compares to the chance to see local bands like Hullabaloo, eat local brands like Sylvio’s Organic Pizza, and just be, together with so many other Ann Arborites, grateful for the beautiful evenings.”

Clearly, Rebecca’s comments get to the heart of what makes Ann Arbor – and any of its various activities like Summer Fest – so special: spontaneity, creativity, involvement. And what a wealth of opportunities there are.

Beth Kennedy, Ann Arbor teacher and blogger (check out her witty ididnthavemyglasseson.com for a nostalgic yet fresh look at life in Michigan), concurs, “I love the music, people of all ages getting up to dance together, uninhibited,  feeling the rhythm. I love that they moved it from ‘top of the park’ on top of the parking structure down to street level and never went back up to the cement wasteland. That change alone puts people in a very festive and friendly mood. The beer garden is nice … I have never seen anyone unruly while there … a good thing. Most events are free, except for a few headliners. As a teacher, I adore that they have had the children’s bands perform here, giving them a friendly open space to play, with a receptive audience. I do wish there were more food stand choices, but those seem to be growing each year. Free movies at dark are great with classics and cult films. I will add that family ones are challenging because most kids are asleep by that time but that is just a consequence of Daylight Savings Time, alas!”

The challenges of kids, movies, and late sunsets seem to be a common refrain.

Ian Reed Twiss, an Ann Arbor resident and the pastor at Saline’s Holy Faith Church, remarks, “When the weather’s good, Summer Fest is a lot of fun to hang out and just listen to music. They have had some great high-wire and circus-type acts out on the green as well.  When we were childless, we used to go for the outdoor movies too, but haven’t done THAT in a while. We haven’t participated in any of the ticketed items at, say, The Power Center, but the offerings look great.” (As an aside, Ian mentioned another event to pass along. Summer is a month of fun but it can also be a great time to re-establish community. “et al,” a group aiming to create an inclusive and affirming environment for LGBT individuals and families in the Saline community through education and legislative advocacy and support, hosted a Gay Pride event on June 20, at Mill Pond Park in Saline.  It was a meet-and-greet, and local political leaders attended. It was co-sponsored by the Saline High Gay Alliance “Spectrum” and Diversity Circle. Thanks, Ian!)

Top of the Park definitely is the gateway for most attendees to Summer Fest’s offerings overall. One downside is that there seems to be some disconnect between the ticketed fare and what people commonly think of when they hear the words “Ann Arbor Summer Festival.”

Rebecca Biber, local music instructor, pianist, and conductor, remarked, “Is that where they have Top of the Park?  I have enjoyed an outdoor movie on occasion, because there is beer for the adults and the audience tends to have good camaraderie, yell out lines, and so on.  And some of the local bands are good.  Actually, this month on my birthday, the Fest is featuring two bands I have been meaning to see for years: The Crane Wives and the Ragbirds.  If you are up for some on-site research, I would love to drag you along.”

[Note: I did attend and it was fabulous!]

Well, look at that? My Summer Fest dance card is starting to fill up.

Linda Nyrkkanen, founder (and baker) at Flour Lab, Inc. (if you see her at the farmer’s market in Kerrytown, you must buy her cookies, eat immediately, and then buy some more), echoes Rebecca’s perspective, “I must confess that I am not a regular attender either, although I have been to a few of the free movies at Top of the Park.  The first one was the Wizard of Oz back when I was in college, and it was pretty magical seeing my favorite childhood movie under the stars with my friends. And fast forward to current times – we saw E.T. The Extra-Terrestrial a few years ago with our friends Sean and Rachel.  So fun! I don’t know if this helps you or not, but just wanted to share my limited experience.  I know the musical performances are great too, but it’s the outdoor movies that hold the most memories for me.  I think you and John should definitely try to catch one this year.”

Now that I have my marching orders, keep an eye out – you may just see us wandering about, iPhones in hand, scrolling through the many offerings, looking bedraggled, possibly dehydrated, but with big smiles on our faces as we’ve finally immersed ourselves in one of Ann Arbor’s signature events: “The Ann Arbor Summer Festival’s mission is to present a world-class celebration of arts and entertainment that enriches the cultural, economic, and social vitality of the region.” Well, all right – sounds good to me! See you next fall, Channing Tatum!

[P.S. Wonder what the heck "Tongues in Trees" indicates? One of the first monologues I ever delivered on-tage 20 years ago in Wabash College's production of "As You Like It" directed by Michael Abbott - click here ... not me reading it, but you get the drift.]

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“The most turgid and sordid ‘That Girl’ ever!” Author Susie Duncan Sexton offers guest critique of Darling (1965)

[Image Source: Wikipedia]

[Image Source: Wikipedia]

I got an email today from my mom Susie Duncan Sexton that I found so very funny and spot on; I figured it was time for another guest reviewer on this blog! (Check out a guest review of ‘The Grand Budapest Hotel’ by Rebecca Biber here.) My mom is an author and columnist, animal rights advocate and culture pundit – you can read her wonderful and free-wheeling blog here and check out her website (including info on her two books Secrets of an Old Typewriter and Misunderstood Gargoyles and Overrated Angels) here.

From Wikipedia: “Darling is a 1965 British drama film written by Frederic Raphael, directed by John Schlesinger, and starring Julie Christie with Dirk Bogarde and Laurence Harvey. Darling was nominated for five Academy Awards, including Best Picture and Best Director. Christie won the Academy Award for Best Actress for her performance as Diana Scott. The film also won the Academy Awards for Best Original Screenplay and Best Costume Design.”

Here’s Susie’s no-hold-barred-wittily-concise assessment of ‘Darling’ …

Susie Duncan Sexton

Susie Duncan Sexton

so atrocious…as if marlo thomas’ That Girl went apesh*t and became accidentally more comedic than one could ever imagine…move over holly golightly…welcome ‘holly go-darkly.’ awkwardly thunky…one of the worst movies I have ever seen.

for starters…christie is 5 ft. two in. and we are supposed to believe she is a model?  she got the academy award?  shirley maclaine was offered the piece of crap first.  christie looked exactly like carole king to me.  she has an abortion…a cuckolded husband, two lovers and marries a prince?  in the longest piece of drivel I have ever sat through.

just atrocious…that guy who hates giant and doris day [David Thomson] also hates this time-warped mod squad sleaze…if it weren’t so pathetically hilarious, it would be the most turgid and sordid That Girl ever!

Misunderstood Gargoyles and Overrated Angels Thanks to Debbie Lannen for this fabulous review (just posted here!) of my mom’s book Misunderstood Gargoyles and Overrated Angels: “Susie Duncan Sexton has a way of opening your eyes into a world long gone. Her unique style invites you to imagine as she guides you through her experiences. A delightful book. I enjoy her references to musicals, theatre, and music of all types. It is a book that can be read in one sitting or enjoyed throughout a series of sittings, as I have. Sit back with your favorite beverage and enjoy!” Check out Debbie’s just-published We Won You in a Raffle: An Adoption Story here.

Secrets of an Old Typewriter

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

You’ve got a friend in me: Captain Kangaroo, blogging buddies, and movies

Captain Kangaroo

Captain Kangaroo

Facebook is fun! As some of my colleagues might tell you, I fought social media tooth and nail about five years ago, but now I can’t imagine a world without it. It breaks down barriers, opens minds, and disseminates interesting information like no other channel.

My pal Nick Sweet, a crime novelist born in England and now living in Spain, tagged me in a blog chain and asked me to answer the following questions. You can read his original post here.

But me being me … I can’t just do what I’m told. So I’m going to intersperse my answers with pages from another one of the “reviews” I wrote in my toddler years – this time about an episode of my beloved Captain Kangaroo. In fact, I adored the show so much I have my own autographed photo of Bob Keeshan as the Captain. (And you can check out Baby Roy’s take on The Bullfighter and the Lady here – thanks to my mom for saving these whimsical pages from my youth.)

Captain 1

Part of my task as assigned by Nick is also to “pay it forward” and acknowledge some bloggers that I love – please check out their work …

  • My mom Susie Duncan Sexton’s fabulous free-thinking blog about animals, culture, empathy, and understanding here.
  • Beth Kennedy’s charming musings about yesterday and today at I Didn’t Have My Glasses On.
  • Lovely Kat Kelly Heinzelman’s thoughts on family, friends, and baseball at RedSoxLady35.
  • Gabriel Diego Valdez’ careful analysis of film, culture, and social politics at Basil Mariner Chase.
  • And my fellow thespian JP Hitesman’s energetic romp through local theatre offerings at Theatrical Buddha Man.

All five blogs are engaging and challenging and informative and rich – written by kind and thoughtful souls, hoping for a better, kinder world.

Captain 2

And here are my answers to Nick’s questions …

What am I working on?

What am I not working on? Between my daily life as a legal marketer, communicator, and strategic planner and my “free time” writing this blog, getting the word out about the Reel Roy Reviews book, proudly promoting my mom’s marvelous output as an author and a columnist and an animal rights activist, trying to be a good friend and family member, sharing a loving home and minding two nutty mutts, keeping up with my weekly comic book addiction, acting in and supporting local theatrical efforts, going to concerts and movies and plays, buying an ungodly amount of cds and dvds, and on and on, I’m not sure which end is up most days!

How does my work differ from others in its genre?

Stealing this from the press release about the book … “I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster….Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.”

Captain 3

Why do I write what I do?

Also stealing from the release (lord, I’m lazy today) … “Film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story-beginning, middle, and end-introducing you to new friends, enemies, and locales in an efficiently designed delivery mechanism. With a good film, I feel you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion. … In the best movie-going experience, your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.”

How does your writing process work?

John laughs that he thinks I write my reviews as we’re still in the parking lot of the theatre. There is some truth to that. I’ve always been annoyingly analytical while watching a movie or a play or a concert – what choices were made, why, what do they say about the artist or about our culture? So all of that stuff is swirling in my head, and I quite literally have to purge it when I get home, or I lose track of the ideas and find myself on the cranky side. So, the minute we walk in the house, I grab the laptop, head upstairs, plunk myself on the bed, and exorcise these crazy thoughts.

Captain 4

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.