I’m a lawyer? Nah, it’s just “Tomfoolery”!

Somehow I got a promotion to “attorney”! Which is ironic since we have THREE actual attorneys amongst us – and I AIN’T one of them! Tomfoolery opens Oct. 2 at Conor O’Neill’s in Ann Arbor. $20 gets you dinner and the show; $10 … just the show. Tickets going fast at pennyseats.org – from Detroit Legal News …

Legal News Coverage of Tomfoolery

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“It’s pure, brash silliness, presented with gusto in a bar setting.” The Penny Seats production of Tomfoolery opens October 2

Tomfoolery

Tomfoolery

Yup, I’m in this! Come see it!

(Rehearsal photos here.)

Penny Seats press release …

The Penny Seats return to the stage this October with the musical revue Tomfoolery, celebrating the words and music of satirist, mathematician, and cult favorite, Tom Lehrer. The production also includes an opening short—a 5-minute mini-musical called Volcanoes!!—composed by Ann Arbor’s Zach London, who cites Lehrer as an early inspiration.

Brent, Roy, Laura, & Matt

Brent, Roy, Laura, & Matt

 

The show will run on Thursdays, October 2, 9, 16 and 23, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies are partnering to offer a dinner theatre-style show, with dinner seatings available starting at 6:30 pm, and performances each night at 8:00pm.

Pollution!

Pollution!

Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at pennyseats.org or by phone at (734) 926-5346.

Lauren ... Charisse?

Lauren … Charisse?

Featured performers are Ann Arborites Matt Cameron, Laura Sagolla and R. Brent Stansfield, and Roy Sexton of Saline (ME!).

 

Lauren London (of Ann Arbor) directs the show, with musical direction and accompaniment by Rebecca Biber (also of Ann Arbor).

Victoria Gilbert (of Ypsilanti) oversees choreography, and Stephen Hankes (of Ann Arbor) designed the set and will stage manage the show.

Penny Seats LogoLauren says of the piece, “This show is a guilty pleasure for us. It’s pure, brash silliness, presented with gusto in a bar setting. So many of us remember Tom Lehrer’s songs from our childhood. In particular, we recall that feeling of not knowing whether our parents would approve, but presuming the worst. We snuck around, giggling and singing these songs to each other eagerly, reveling in their mischievousness; it’s wonderful to celebrate them loudly now, in all their glory. And Zach’s short piece, Volcanoes!!, is a fitting opener. It pays homage to Lehrer in its tone and staging, and will, I think, get patrons in the right frame of mind for the evening.”

Be Prepared!

Be Prepared!

The company is also thrilled to partner with Conor O’Neill’s, a cornerstone of Ann Arbor’s downtown scene. “Conor’s has been a delight to work with,” says Lauren. “We’re thrilled at the support they’ve given us at every stage, and can’t thank them enough. It’s gratifying to be able to offer theatre patrons the incredible food, personalized service, and value that make Conor’s such a satisfying place. We can’t wait.”

Bright College Days

Bright College Days

 

 

The show continues a successful 2014 season for The Penny Seats, who presented an acclaimed production of Elektra this July in West Park. The group is now in its fourth year of operation and continues to be overseen by a volunteer staff from the Ann Arbor area. (Later this fall, The Penny Seats will re-team with 826 Michigan for their annual Five Bowls of Oatmeal performance, featuring short plays written by local schoolchildren in the Ann Arbor and Ypsilanti area.)

For more information, visit the group’s website, pennyseats.org, or call 734-926-5346.

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London and Biber, LLC

London and Biber, LLC

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Flattery will get you everywhere: Gone With The Wind Q&A with Bob Mackie

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

I often opine that no one reads my blog. That’s not exactly true anymore, but like comedians I’ve loved – Kathy Griffin, Carol Burnett, Don Rickles, the late Jonathan Winters, and recently departed Robin Williams and Joan Rivers – being self-deprecating is a way of life … and a good strategy to try to keep the gremlins away. So, if somebody reaches out, tells me they read this blog, and asks me to share something nifty with all 12.5 of you readers out there, I do it!

Warner Brothers checked out my humble efforts here and sent me a transcribed interview with top fashion designer Bob Mackie who is best known for costuming entertainment icons such as Carol Burnett, Cher, and many others, providing his signature approach to costume design.

 

 

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

Y’see, 2014 is the 75th anniversary year for producer David O. Selnick’s masterpiece (and my mom author Susie Duncan Sexton‘s favorite. film. ever.) Gone With the Wind. And all kinds of fancy stuff has been planned in celebration….and here’s the commercial: Warner Brothers upcoming limited and numbered release, Gone with the Wind 75th Anniversary Ultimate Collector’s Edition on Blu-ray™ packaged with new collectible packaging, new memorabilia and new special features ($49.99 SRP) goes on sale September 30th at your favorite retailer.
From Warner Brothers -

Gone With the Wind‘s wardrobe is among the most celebrated in cinematic history and continues to influence designers today. The film impacted fashion designer Bob Mackie who has said “Mr. Plunkett was one of the most esteemed period costume designers of the Golden Age of film.”

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

More than perhaps any other movie, the costumes in Gone with the Wind brought the story to life.  From the crinoline hoops to the underskirt cages, costume designer Walter Plunkett and his team of seamstresses went to painstaking lengths to create the hundreds of elaborate costumes – including the famed ball gowns that epitomize the Southern Belle – for the film.

Many of the gowns required multiple versions reflecting different states of wear and tear to correspond with the different phases of the movie – pre-Civil War, during the war and after the war.  Consider that the war made it difficult, if not impossible, to access the luxurious fabrics and details because the fighting made the trade routes too dangerous, you’ll see this reflected in the costume design.  It’s the details like this that transport you to another world and which inspired so many other fashion designers.

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

Below is a transcript of the Mackie interview …

 

WARNER BROS. TRANSCRIBED INTERVIEW WITH BOB MACKIE

You designed the famous curtain dress for Carol Burnett Show for the infamous parody segment back in 1976. This year, Gone With The Wind celebrates its 75th year.  How did the parody come to be?  Where did your inspiration come from?

On the Carol Burnett Show we often did parodies of classic old movies.  It was inevitable that we would eventually take on Gone with the Wind, probably the most iconic and most seen film of the time.  Everyone in the TV audience knew the moment “Starlett” (Carol) took the drapes down from the window and dragged them up the stairs that she would soon reappear wearing a dress made from the drapes.  For me, in the real film when Scarlett appeared in her curtain dress, it was already hilarious.  So for several days I agonized over what to do with the drapes.  When an audience expects one thing and you surprise them with something else, usually you get a reaction.  Well, when Carol proudly came down the stairs wearing the drapes – with the curtain rod included – the audience went ballistic.  They say it was the loudest and longest laugh ever recorded on television.  As a costume designer I was relieved; I got my laugh.

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

What elements of the famous dress worn by Scarlett O’Hara did you incorporate into the parody dress worn by Carol Burnett?

In the film, Scarlett was often quite ridiculous (thank God for Vivien Leigh).  For Carol to parody her was not a real stretch, and what juicy material to satirize.

What do you most love about Gone With The Wind?

Gone with the Wind is one of those films I can never turn off.  If I come upon it while channel surfing, I will stay up all night ’til it finishes.

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

©2014 Turner Entertainment Co. and Warner Bros. Entertainment Inc.

How did the movie inspire you as a Fashion Designer?  Does it continue to resonate with you today?

The film’s costume designer Walter Plunkett called me after seeing our show and asked me if he could have my sketch of the television version of the curtain dress.  I was honored and thrilled!  Mr. Plunkett was one of the most esteemed period costume designers of the Golden Age of film.  He also designed my favorite musical film Singing in the Rain.

What fashion secrets can real women borrow from Scarlett O’Hara and Gone With The Wind?  Should women give a damn about what others think?

The film Scarlett was ruthless in her fashion choices.  She knew what she wanted and was never afraid to push the boundaries of what the proper lady of the 1860s would or should not wear.  She certainly didn’t care what other people thought.  Today fashion is a little too free, easy and sloppy.  Oh, well.  Time marches on.

 

Thanks, Warner Brothers for helping me with my easiest (and darned quickest) blog entry ever! Fun reading these insights from Mackie – I will be sure to check out the box set … and NOW here’s MY commercial (below) …

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

 

Save the date for cheeky ribaldry! Tom Foolery (Ann Arbor, October 2, 9, 16, and 23)

[Image Source: Wikipedia]

[Image Source: Wikipedia]

Save the date for cheeky ribaldry! After a self-imposed 18-month theatre hiatus, I am going to be in the musical revue Tom Foolery at Conor O’Neills Ann Arbor with The Penny Seats the first four Thursdays in October (October 2, 9, 16, and 23)!

More info at pennyseats.org.

The show, originally conceived by Cameron Mackintosh (Phantom of the Opera, Les Miserables), celebrates the music of Tom Lehrer, a comic misanthrope who makes Lewis Black and Jon Stewart seem like Mr. Rogers and Spongebob Squarepants.

 

 

Gen X knows him best as having written the songs for Electric Company (“Silent E”) but he also wrote a number of satirical songs in the 50s and 60s for shows like That Was The Week That Was, The Frost Report, and The Steve Allen Show as well as his own concert performances.

Lehrer observed, “I know it’s very bad form to quote one’s own reviews, but there is something the New York Times said about me [in 1958], that I have always treasured: ‘Mr. Lehrer’s muse [is] not fettered by such inhibiting factors as taste.

Along with yours truly, the show features talented pals Laura Sagolla, Brent Stansfield, and Matt Cameron and is directed by Lauren London with music direction from Rebecca Biber and choreography by Victoria Gilbert. You can check out all of Lehrer’s music at his YouTube channel here.

 

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

The importance of always keeping an open mind: My mom interviewed on Patty’s Page (TV show)

Enjoy this interview of my mom author Susie Duncan Sexton on lovely Patty Hunter’s Fort Wayne-based talk show Patty’s Page. My mom is a riot, candidly and graciously discussing the experiences of growing up in small-town Columbia City, the high and lows and the delights and frustrations of writing her columns and books, her love of animals and movies and fun, the importance of always keeping an open mind, and many more wide-ranging topics.

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

…but movies transport me

Spider-Roy

Spider-Roy

Nina Kaur (thanks to fellow Farmington Player Amy Lauter for connecting us!) asked me to contribute a guest blog entry to her fun and interesting blog Thirty Something Years in Ninaland. Here’s what she wrote about me – “Every Monday I will have a guest blogger. Today I am featuring a wonderful Movie Reviewer named Roy Sexton. He is witty, charming and great critic! Enjoy reading about his journey!” Wow! Thanks, Nina! Click here for the original post on her blog.

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By yours truly …

Movies have always been an important part of my life.

I like to read books (more accurately comic books these days, as I seem to now have the attention span of a tsetse fly), and I adore music. Television is fine, and I’ve spent many hours traipsing the boards of theatres across the Midwest. But movies transport me.

I love the fact that a film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story – beginning, middle, and end – introducing you to new friends and enemies and locales in an efficiently designed delivery mechanism. With a good film, you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion.

Nina Kaur

Nina Kaur

Your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.

I stop reading email, answering calls, or monitoring social media…and just blessedly check out…for a bit.

My parents cultivated appreciation for the arts by filling our home with movies and music and books and love. I’ve groused in the past about wanting, as a child, to play with my Star Wars action figures in the solitude of my toy-lined room and being forced instead to sit in our den with my parents and watch some creaky B&W classic movie on Fort Wayne’s Channel 55. And I am so grateful now for that.

My appreciation for classic cinema resulted from these years basking in the glow of our old RCA color TV. And when we could finally afford a VCR and could now watch any movie of our choosing, I was already hooked on the story-telling of vintage movies with their requisite arch wit, dramatic stakes, whimsical joys, and belief that anything was possible.

However, not everything was high art in our house. The advent of HBO in the early 80s and its repetitive showings of whatever junk Hollywood had most recently cranked out shaped my tastes for better or worse as well. I’m a sucker for the movie train wreck – the more star-studded, over-budget, under-written, and garish the better. Some of my most beloved films are among the most notoriously awful of all time: Xanadu, Sgt. Pepper’s Lonely Hearts Club Band, The Wiz, Popeye, Flash Gordon. The Black Hole, Raggedy Ann and Andy’s Musical Adventure, Willy Wonka and the Chocolate Factory, Return to Oz, Battle Beyond the Stars, Krull, The Neverending Story, and so on.

If it was a flop and it was shown ad nauseum one mid-afternoon following another on HBO in the 1980s, then I fell in love with it. Like self-imposed water torture on my nascent aesthetic.

As time went by and I stomped through my high school and college know-it-all years (some might argue I’m still stuck in them), I learned from both my parents and some wonderful teachers the tools of critique and criticism. What is the intent of the piece? What is the context for its creation? How effective is its structure, composition, impact? Where did it go awry or where did it cross over into something classic?

It’s all highly subjective and a bit arrogant, I suppose, but I can’t help it. I’m entertained by the act of analysis.

In more recent years, Facebook gave me an outlet to connect with my inner-Ebert. I started posting status statements summarizing in glib, condensed fashion my take on whatever flick we had just enjoyed … or endured. My kind-hearted and patient partner John has suffered through a lot of movies over the years, many he enjoyed … and even more he did not.

Jim and Lyn's Wedding

At wonderful Jim and Lyn’s beautiful wedding

We still bicker about his departure from Moulin Rouge after twenty minutes with nary an explanation. I found him after the movie in the lobby reading a newspaper – I don’t know what is more telling: that he was too kind to want to ruin the movie for me by alerting me how much he hated it, or the fact that I stayed to the end without checking on his safety and security!

My friends and colleagues enjoyed these little “squibs” I posted on social media. I suppose I was aspiring to capture the grace and insight of Leonard Maltin’s “micro reviews” that I consumed voraciously as a child every January when we bought his latest edition. (The paper on those early volumes was always of some strange newspaper-esque stock prone to smudging and was pulpily aromatic. I will never forget that musty, fabulous smell.)

John always asks plaintively, “Didn’t they know this movie was bad when they were making it?!”

Perhaps I keep trying to solve that riddle, with the false confidence that my $10 movie ticket entitles me to a shot at armchair quarterbacking. Perhaps the failed actor in me is still trying to reclaim some artistic glory. Or perhaps I’m just a wise-ass with too many opinions and without the good sense to keep them respectfully to myself.

My pals told me, “Set up a blog. Capture these Facebook reviews for future reference. They’re great; they’re fun! Blah blah blah.” I have to admit that eventually my ego got the better of me, and, one late night, I explored the wonders that WordPress holds (albeit not that many) and set up ReelRoyReviews as a diary of sorts, detailing my adventures in the cinema.

Here’s the funny thing. Nobody read them. Nobody. At least for quite a while.

Well, that’s not entirely true. My mom was an avid reader and supporter and was always the first to offer an encouraging comment: “My son writes the best reviews and everyone should love them.” So there!

But you know what? Something interesting happened along the way. I stopped caring and just started writing for myself. And I started having fun. And people started reading.

Life is way too short (and exasperating) to get too intense about entertainment, so I try to take a light and conversational approach with my reviews. And I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster.

Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.

Please check out my latest reviews hereDawn of the Planet of the Apes, Transformers: Age of Extinction, Edge of Tomorrow, 22 Jump Street, The Fault in our Stars, and Tammy and more …

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

 

 

 

“We love a good ghost story. How about you?” Never Can Say Good-bye film in development PLUS Slipstream Theatre event AND Shih Tzu res-cue!

Never Can Say Goodbye

Never Can Say Goodbye

I’ve said it before, and I’ll say it again (particularly for those provincial social media naysayers … who aren’t listening anyway), the internet brings the world together in fun and surprising and interesting ways, breaking down geographic boundaries and uniting people by affinity (as opposed to arbitrary constructs of place and time). Read The World is Flat. No, really. Go read it.

Writing this blog has introduced me to a documentary filmmaker in Toronto (click here) and allowed me to review a short film by an animal advocate whom I’ve never met but feel as though I have (click here). It has helped me connect with and learn from fellow bloggers (click here) and has given me the opportunity to assess the work of local theatre groups (click here). I even got a shout out from JB Bernstein, the subject of the Disney film Million Dollar Arm, over my review of that fabulous flick: “It means a lot to hear a review like this. This was a very personal story, and to know that I was able to reach even one person with our message it was worth all the work.”

Ok … enough patting myself on the back …

My downright caustic review of the latest Transformers installment caught the attention of Traverse City-based independent filmmaker Theresa Chaze (click here for her website). She is also a published author, experienced video producer, and accomplished communications professional, and she is hard at work launching her new film Never Can Say Good-bye. I was honored when she asked if I would read her script and offer my thoughts.

(And the animal lover in me adores this part of her impressive bio: “As the media specialist for Angel Protectors of Animals and Wildlife, she produced several public service announcements and micro-documentaries. The messages remained informative and promoted positive action to save our nation’s wildlife.” Yes! Another of her potential projects is a TV show about equine therapy for veterans – Horses and Heroes.)

Theresa Chaze

Theresa Chaze

Never Can Say Good-bye reinvents the reincarnation conceit (Christopher Reeve’s/Jane Seymour’s 1980 film Somewhere in Time, Ellen Burstyn’s 1980 film Resurrection) in the guise of gothic paranormal psychodrama (Nicole Kidman’s 2001 film The Others, Julie Harris’ 1963 film The Haunting, Deborah Kerr’s 1961 film The Innocents). The plot concerns two families united by a doomed marriage in the 1950s and explores the dissonant legacy that familial discord has had on subsequent generations. (See the Stephen King/John Mellencamp musical Ghost Brothers of Darkland County for another take on this thematic concept.)

I finished reading the script earlier this week. It is so well done and layered and clever. I love the notion of turning a ghost story on its head through the lens of reincarnation. I thought the characters were all clearly and thoughtfully drawn, and the script is definitely a page turner in the best sense. The disparate threads cohere in a denouement that is both chilling and poignant. The dialogue is believable, and the insular college-town setting (somewhere in northern Michigan, I believe) lends a nice chilly, hierarchical vibe.

Different actors are reported to have been attached at various points, including Lauren Holly, Bill Hayes, and Dyan Cannon. Stanley Livingston is connected to direct. Obviously, “name” performers would bring added attention to the project, but I daresay a cast of unknowns would keep audience attention focused on the narrative and the dense web of challenging relationships therein.

And, as in seemingly all creative efforts these days, there is a crowd-source funding campaign afoot through Indiegogo – you can donate here. From the campaign’s page …

We love a good ghost story. How about you? We are not talking about films that gross out the audience or are so dependent of special effects that the producers forgot to give the characters personalities or have plots that are based on clichés or simply don’t make any sense. Much like Dark Shadows, Never Can Say Good-bye is based on suspense and plot twists that will scare the socks off the audience and make them suspicious of the dust bunnies under their beds.

Best of luck, Theresa – hope this script makes it to the silver screen soon – it’s a keeper!

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Slipstream LogoMy pal Bailey Boudreau (with whom I appeared in Farmington Players’ production of Legally Blonde the Musical last year) has launched the Slipstream Theatre Initiative here in Metro Detroit, and they have a fun event this weekend. Here’s an excerpt from the press release:

Slipstream Theatre Initiative is proud to present a one-weekend staged reading festival of new, local works! The festival is a fundraiser for both Slipstream Theatre Initiative and Two Muses Theatre, and promises to provide non-stop entertainment.

Slipstream

Slipstream

Featuring new short plays by Playwrights Cara Trautman, Bailey Boudreau, Emilio Rodriguez, Kim Carney, Emily Fishman, Barry Germansky, Margaret Edwartowski, Katherine Nelson, Lori Reece and Josie Kirsch, this two day event offers a wide variety of material and subject matter.

Bailey Boudreau

Bailey Boudreau

The actors include Scott Romstadt, Steve Xander Carson, Miles Bond, Cara Trautman, Jennifer Jolliffe, Cindi Brody, Katie Terpstra, Alexander Henderson Trice, Claire Jolliffe, Maxim Vinogradav, Nick Kisse, Joshua Daniel Palmer, Josie Kirsch and Bailey Boudreau.

All proceeds will go to the 2014-2015 seasons of Slipstream Theatre Initiative and Two Muses Theatre, both non-profit organizations.

  • What: Original Works Weekend
  • When: Saturday July 19th, 7:30 pm & Sunday July 20th, 5:00 p.m.
  • Where: Two Muses Theatre inside the West Bloomfield Barnes and Noble
  • How Much: $10, additional donations accepted (tax-deductible)
  • Contact: InsideTheSlipstream@gmail.com , www.SlipstreamTI.com

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And this is just something that I needed to capture – and why not put it in this particular crazy quilt of a blog entry …

Shih TzuSo, I’m going to lunch yesterday with my colleagues Mike and Jan and I see a Shih Tzu or something (no tags, but a collar) running about the busy traffic on Middlebelt. We lure the dog into a yard with a rattle-y container of gum, and the people who live in the house say, “We saw him running around.”

Really? And you didn’t do anything?

They give us some twine which we fashion into a leash. I wander about this neighborhood while Jan and Mike go to the drugstore to get a real leash (which of course they don’t carry – my mom always says, “Always have a leash in your car.” I will now).

As I stumble around using this dog like a divining rod to see if he will lead me to his home (he didn’t – he was kind of a cute dingbat), up rolls from within the neighborhood a Grand Marquis painted an ugly orange red and on tires the size of small boulders. The gentleman driving the car, not saying “thank you,” grumbles, “My dog.” I say, “What’s his name?” Surly reply, “Bear.” (Really, a Shih Tzu named “Bear”?) The dog did indeed reply to the name, at which time the man got out of the car, lifted the dog roughly by the collar, smacked it on its side, and said, “We’re goin’ home.”

So, who wants to kidnap a Shih Tzu with me? Yes, we drove back through the neighborhood to confirm that he and “Bear” do live there. And, after work yesterday, I drove by the house again where the dog lives, and I met the teenage boy who clearly loves him very much. Let’s hope for the best.

If you want to know where I got this love for all creatures great and small, please check out my mom’s latest wonderful blog entry “that is my medicine” here.

And read about friend Beth Kennedy’s adoption of “Nacho the Cat” here!

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Still nursing a grudge over Paint Your Wagon? Jersey Boys (film adaptation)

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Oh, for the love of all things holy, what went wrong with the film adaptation of Jersey Boys? I wish director Clint Eastwood would go back to yelling at chairs. I wasn’t sure he could get any more out of touch, and then I saw his film adaptation of the uber-popular Broadway show.

What is truly disappointing is that the stage musical (see my review of its Las Vegas residency here) is so expertly, effortlessly cinematic in its original incarnation. Intentionally episodic, Jersey Boys (live) glides along like a classic Cadillac from one Goodfellas-ish moment to another on the exquisite chassis of The Four Seasons’ hit songs.

Yes, the book is slight, but theatre director Des McAnuff knows that with enough pizzazz, flashy choreography, smooth-as-silk scene changes, and cheeky wit, the audience will be enraptured. Let the music speak for itself.

Eastwood on the other hand, while a self-admitted music-phile, makes the head scratching decision to bury the fizzy pop tunes under heaps of bad TV movie bio-drama. Seriously, did anyone bother to tell him this is a musical? Aren’t we past the point of self-consciousness over the genre, with ten-plus years of hit tuner films (ChicagoMama Mia!, Hairspray, Dreamgirls, Les Miserables) – not to mention tv series (GleeNashville) – under our collective belt?

Unfortunately, the majority of Jersey Boys‘ musical numbers on film are truncated to a verse and a chorus or used as background (playing on a radio!) while the actors – in bad wigs and later even worse old age makeup – struggle to make the life events of The Four Seasons interesting.

The ensemble cast soldiers through, but only Christopher Walken emerges completely unscathed. At this point in his career, that man could show up on an episode of The Bachelor and make it seem interesting.

Everyone else displays pained expressions as if they know Eastwood has ground this Tony Award-winning show to pulp. I was taken with Vincent Piazza (“Tommy DeVito”) and Erich Bergen (“Bob Gaudio”) who both exude a suitable amount of sparkle and nuance; I just wish they had been in a better movie. Sadly, John Lloyd Young (“Frankie Valli”), who won the Tony for his uncanny vocal pyrotechnics on Broadway, just seems constipated for the film’s entire 2 1/2 hour running time.

The only moment – and I mean the only moment – the movie truly comes alive is during the closing credits (!) sequence. Finally, we get a full-fledged musical number (“Oh, What a Night”), with joy and buoyancy and, yes, some cheesy backlot choreography. It’s like Eastwood grudgingly growled to his cast, “Okay, you can do some of this musical crap now. But it’s only at the end when people are walking out in disgust, popcorn stuck to their shoes. Anyone seen my chair?”

Maybe he’s still nursing a grudge about Paint Your Wagon and this is how he punishes us all? “Hey, you musical comedy kids, get off my lawn!”

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“The most turgid and sordid ‘That Girl’ ever!” Author Susie Duncan Sexton offers guest critique of Darling (1965)

[Image Source: Wikipedia]

[Image Source: Wikipedia]

I got an email today from my mom Susie Duncan Sexton that I found so very funny and spot on; I figured it was time for another guest reviewer on this blog! (Check out a guest review of ‘The Grand Budapest Hotel’ by Rebecca Biber here.) My mom is an author and columnist, animal rights advocate and culture pundit – you can read her wonderful and free-wheeling blog here and check out her website (including info on her two books Secrets of an Old Typewriter and Misunderstood Gargoyles and Overrated Angels) here.

From Wikipedia: “Darling is a 1965 British drama film written by Frederic Raphael, directed by John Schlesinger, and starring Julie Christie with Dirk Bogarde and Laurence Harvey. Darling was nominated for five Academy Awards, including Best Picture and Best Director. Christie won the Academy Award for Best Actress for her performance as Diana Scott. The film also won the Academy Awards for Best Original Screenplay and Best Costume Design.”

Here’s Susie’s no-hold-barred-wittily-concise assessment of ‘Darling’ …

Susie Duncan Sexton

Susie Duncan Sexton

so atrocious…as if marlo thomas’ That Girl went apesh*t and became accidentally more comedic than one could ever imagine…move over holly golightly…welcome ‘holly go-darkly.’ awkwardly thunky…one of the worst movies I have ever seen.

for starters…christie is 5 ft. two in. and we are supposed to believe she is a model?  she got the academy award?  shirley maclaine was offered the piece of crap first.  christie looked exactly like carole king to me.  she has an abortion…a cuckolded husband, two lovers and marries a prince?  in the longest piece of drivel I have ever sat through.

just atrocious…that guy who hates giant and doris day [David Thomson] also hates this time-warped mod squad sleaze…if it weren’t so pathetically hilarious, it would be the most turgid and sordid That Girl ever!

Misunderstood Gargoyles and Overrated Angels Thanks to Debbie Lannen for this fabulous review (just posted here!) of my mom’s book Misunderstood Gargoyles and Overrated Angels: “Susie Duncan Sexton has a way of opening your eyes into a world long gone. Her unique style invites you to imagine as she guides you through her experiences. A delightful book. I enjoy her references to musicals, theatre, and music of all types. It is a book that can be read in one sitting or enjoyed throughout a series of sittings, as I have. Sit back with your favorite beverage and enjoy!” Check out Debbie’s just-published We Won You in a Raffle: An Adoption Story here.

Secrets of an Old Typewriter

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“I thought we had Cate Blanchett for the budget?” 22 Jump Street

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

There is no question I like my movies silly. Silly but smart and self-aware.

Similarly, I like my Channing Tatum silly. Silly but smart and self-aware.

22 Jump Street delivers on both expectations in spades.

When a beautiful person – like Tatum or, say, Jon Hamm or Charlize Theron – can let their freak flag fly, shed vanity, and just be a big goof, I find that endlessly appealing. Tatum, with his James-Dean-on-steroids pout and lunkhead-with-sparkle charm, hit an unexpected comedic home run with the cinematic adaptation of 21 Jump Street in 2012. And that left-field success is (quite literally) repeated with 2014’s sequel.

Tatum’s partner in (fighting) crime Jonah Hill is the perfect match in his sheer opposite-ness. When we first met their characters “Jenko” (Tatum) and “Schmidt” (Hill) in 21 Jump Street, comic gold was spun from their playing against type. Tatum was the loose-limbed Looney Tune, and Hill was his (sort of) straight man. (Imagine Bud Abbott in Lou Costello’s body.)

Wisely, the formula carries over in the now-franchise’s latest installment. Rather than posing as high school students to break up a drug ring, however, cops Jenko and Schmidt go to (wait for it) college to break up a drug ring. The very meta film, directed by Phil Lord and Christopher Miller (on a satirical roll following February’s blockbuster The Lego Movie), gives us one, yes, self-aware joke after another, ridiculing Hollywood’s tendency to bloat and distort what was once witty originality in the crass desire to mint money from one unnecessary sequel after another.

You know you’re in good hands when the redoubtable Rob Riggle reappears from the first film, continuing to crack wise on how the “boys” look like 40-year-olds and shamelessly ridiculing Schmidt’s whiny sycophancy.

Other standouts in the cast include Jillian Bell as sardonic (and just plain hysterically mean) college dorm devil “Mercedes;” Wyatt Russell (son of Goldie Hawn and Kurt Russell) as a golden-haired, puka-shell-necklace-wearing frat/football bro “Zook;” and Ice Cube (as cantankerous “Captain Dickson”) who has somehow managed to turn his rage-against-any-machine 90s persona into wry, whip-smart comic firepower.

The plot is admittedly inconsequential. The film starts nowhere and ends in the same place – pretty much all by design. However, if you want to see two good-hearted, happy-as-clams performers (Tatum and Hill) decimate a college campus while careening about in a go-cart decorated like a football helmet or skewer all the tried-and-true spring break Where the Boys Are cliches or offer zany subtle-as-a-sledgehammer critique of America’s ongoing puritanical dance with homophobia, then this is the movie for you. And for me.

(And be sure to stay through the credits. Some of the free-wheeling-est jokes are made as the filmmakers propose about 30 more Jump Street films that could keep the team of Tatum and Hill in business for decades.)

P.S. Thanks to my mom – author and columnist – Susie Duncan Sexton for allowing me to guest-write her ‘Old Type Writer’ column this month on Jennifer Zartman Romano’s ‘Talk of the Town.’ You can check out our tribute to Tony Award-winning actress Laura Benanti here.

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.