Kicking the world in its collective teeth: Skyfall

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Skyfall, the 23rd “official” James Bond film, is about as perfect an escapist adventure film as I’ve seen. By the way, the spoofy, 60s Casino Royale and the unauthorized Thunderball remake Never Say Never Again don’t count in the sanctioned tally of Bond films…BUT, if they did, that would make for a nifty 25 films in 50years…ah well.

I did not get a chance to see Quantum of Solace, which, from what I understand, was a wise choice, but I adored Daniel Craig’s first Bond outing Casino Royale. That would be the serious, gritty one with the villain who cried blood while gambling…ewwww. To my mind, the actorly, rugged Craig is the perfect Bond, barely masking what appears to be contempt for and occasional bemusement with a world gone horribly awry as he kicks said world in its collective teeth.

This latest film fires on all cylinders – action, drama, emotion, and even a bit of comedy. The comic moments blessedly never veer into high-camp Roger Moore territory… there are more than a few clever allusions, however, to the goofy charms of early films in the series. Director Sam Mendes brings gravitas to the proceedings, working with screenwriters John Logan, Neal Purvis, and Robert Wade to give us a backstory for 007 that leads to a powerful, engaging, and rather heartbreaking finale. The film owes a bit of its DNA to classic cat-and-mouse thrillers like Charade as well as more recent popcorn fare like Silence of the Lambs (for its villain’s creepy plexiglass cell escape) and The Dark Knight/Dark Knight Rises (with its backdrop of have/have not inequality that supercharges social anarchy against a flawed social system). Ensemble players Judi Dench, Ralph Fiennes, Albert Finney, Naomie Harris, Ben Whishaw, and Helen McCrory are all reliably excellent – what a cast!

But beyond Craig’s nuanced, charmingly surly performance, supported by a dream BBC miniseries-style cast, what is the film’s best “special effect”? That would be none other than Javier Bardem. He internalizes the epic, broadly drawn supervillainy of previous Bond antagonists, turning it into a charmingly twisted, Freudian pretzel of a characterization. Bardem’s Silva is fascinating, transfixing, and utterly relatable/revolting. The chemistry between Craig and Bardem is electric. Don’t miss this one, folks. Smart, sharp fun.

10 thoughts on “Kicking the world in its collective teeth: Skyfall

  1. oh, i do approve of this review! get this out there…it is a deserved valentine to a super cinemativc effort. i am NOT a bond fan…thanks to daniel craig i now am…i might even read ian’s books which JFK stumbled into confessing to prying journalists he was then presently giving a look thus the screen james got born. javier did not miss a trick…nor did i miss him not missing a trick in spite of clueless kids chattering through the entire film. i shot a silva look or M look at them several times.

  2. Pingback: Reel Roy Reviews in Ann Arbor Current Magazine + New Amazon Reviews « Reel Roy Reviews

  3. Pingback: Return to Sweethaven: Sting’s The Last Ship in previews in Chicago (review) « Reel Roy Reviews

  4. Pingback: Review of Paddington |

  5. Pingback: BOOKGLOW | Review of Paddington | BOOKGLOW

  6. Pingback: “You’re a kite dancing in a hurricane.” Spectre « Reel Roy Reviews

  7. Pingback: “You view the world through a keyhole.” Marvel’s Doctor Strange (2016) « Reel Roy Reviews

  8. Pingback: The Oscars … A Final Word on 2017 « Reel Roy Reviews

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s