“Be careful in the world of men, Diana, for they do not deserve you.” Wonder Woman (2017)

[Image Source: Wikipedia]

I loved Wonder Woman as a little kid – the escapist kitsch of the Lynda Carter TV version with the spinning costume changes and the disco theme song and that Pepsodent-grinning Lyle Waggoner.

As I entered adolescence, the DC Comics version went through her own renaissance, led in great part by one of my favorite writers/artists George Perez (and later advanced in equal measure by Phil Jimenez and Greg Rucka). Diana, Amazonian princess, rediscovered her mythic Greek roots, fully embracing all of the soapy sudsy sturm-und-drang that being the daughter of Zeus and Hyppolyta can bring with a whole heaping helping of jealous demi-god cousins, stepmothers, and half-siblings biting at her heels. Those stories were great fun (for the reader … not so much for Diana herself.)

I’m happy to report that the new (and first?!) cinematic treatment of Wonder Woman honors all that has come before, even incorporating a bit of original creator William Moulton Marston’s skeezy blend of feminist kink (see: Chris Pine’s Steve Trevor exiting an Amazonian glowing warm springs hot tub while Diana’s gaze sizes him up – literally – but she is ultimately more interested in his wristwatch than anything else.)

Whether or not Wonder Woman finally breaks the Zack Snyder-invoked curse of stinkeroo movie-making that has blighted DC Comics’ cinematic output to date or is merely the brilliant exception that proves the rule remains to be seen. Nonetheless, director Patty Jenkins (Monster) working from a script by Allan Heinberg (who rocked the comics world over ten years ago with the similarly humanistic Young Avengers) gives us a return to form for classically majestic comic book movie making (Richard Donner’s Superman, Warren Beatty’s Dick Tracy) with a nod toward Marvel’s postmodern humane whimsy (Captain America, Ant-Man) but with a surety of voice and purpose that is wholly its own.

Is it feminist? Of course it is! Unapologetically and utterly inclusively so.

“Feminism is the radical notion that women are people.” Diana, as portrayed with warmth and fire and wit and steel by Gal Gadot, is a stranger in a strange land to whom all creatures (man, woman, child, animal) deserve respect and love … and if you are incapable of showing that love, she’ll unequivocally kick your ass.

Making the interesting choice to set the action during WWI (Wonder Woman has traditionally been more associated with WWII), Jenkins and Heinberg make absolute hay with a setting where war was arguably at its peak of muddy, bloody brutality and where the nascent suffrage movement continued to make waves (pro and con) for women in society.

In Wonder Woman, Gadot fulfills the promise of her all-too-brief screen time in the comparatively glum and humorless (and horrifically titled) Batman v. Superman: Dawn of  Justice, delivering a star turn for the ages. It is not a showy performance (ironic, I know, since she is wearing a glittering metallic bathing suit, wielding a mammoth sword, deflecting lightning bolts with her bracelets, and, you know, flying) but is layered with beautiful notes of heartache, ironic detachment, utter bemusement, and complete bewilderment over a world designed chiefly to destroy.

She is joined by a stellar supporting cast – the aforementioned Pine who turns his character actor good looks into matinee idol charm as mansplaining sidekick Steve Trevor, glowering Danny Huston as a German warmonger, David Thewlis as a British idealogue whose rhetoric seems to urge a quick and speedy armistice, Elena Anaya as a bruised soul whose distaste for humanity leads her to develop poisonous gasses of mass destruction, and Lucy Davis stealing every scene as bantering “secretary” Etta Candy whose delight at being in the presence of a woman (Diana), who could give two whits about societal decorum, is utterly infectious.

The film is at its most thrilling when Diana leads a ragtag band of adorably mismatched soldiers across the Western Front, herself marching directly through the battle lines, armed only with her wits, her magic bracelets, and her righteous indignation over the horrors she has just witnessed befalling everyday families (and horses). I may have cried a little (a lot) during that sequence.

Wonder Woman‘s only misstep is in its length. At nearly 2.5 hours, the film’s running time strains audience patience. Though beautiful and transporting, the movie’s opening third, set in Diana’s home Themiscyra or “Paradise Island” amidst a utopia of warrior women, is, well, kind of a bore. While it is essential to show Amazonian society, which is designed through reason and equality, contrasted with man’s ugly world, locked as it is in the plague of war, we could have used about 20 fewer minutes of pristine beaches, jewel-hued skies, horseback-riding, and Queen Hyppolyta (Connie Nielsen) and her dutiful General Antiope (Robin Wright) stumbling to mimic Gadot’s irrepressibly undefinable accent. (At times, I wondered if the Amazon nation settled off Greece by way of Transylvania.)

Hyppolyta warns Diana early in the film, in a line that foreshadows thematically all that is to come, “Be careful in the world of men, Diana, for they do not deserve you.” Indeed, we do not deserve Wonder Woman, but we do need her and her message of inclusion and peace, tolerance and integrity  … now, more than ever.

P.S. And, rest in peace, to that other superhero icon of my youth, Adam West, whose Batman introduced me to a universe of colorful characters that I still love to this day.

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Thank you to Rose McInerney of WomanScape​ for her kind words and for referencing the above Wonder Woman​ review in her fabulous site’s latest and greatest. Rose writes, “So, while Wonder Woman is undoubtedly good storytelling with a sizable marketing budget, its success is also explained by key factors in our changing world. The first of these is the growing number of men like movie reviewer Roy Sexton who are joining with women to help promote the Diana-like warriors in our world. Roy lends his unabashed support and writing talents advocating for feminism and equal rights.” Read here.

 

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Whitley County Historical Bulletin covers Blue Bell Lofts opening

Thanks to Dani Tippman from the Whitley County Historical Society for this coverage of the Blue Bell Lofts Grand Opening! Dani was unable to attend the ribbon-cutting, but watched and enjoyed my mom Susie Duncan Sexton’s speech on video. Dani wanted to include this story in the Whitley County Historial Bulletin. That is really a special treat, as my mom wrote a piece in 1987 on the history of the facility that also appeared in The Bulletin and was used extensively in Commonwealth’s research for this transformative project – you can read that piece here.

My mom did want to note that in the excitement of the day there were a couple of items she misstated and would like to correct: “The corrections would be 50 layers of denim which I had mis-stated….and that the plant was called Blue Bell in 1943 after several name changes. When in another building behind the bowling alley, it was called Globe-Superior…becoming Blue Bell-Globe when Globe-Superior was bought out. From 1936, it was called Blue Bell-Globe until just the Blue Bell name in ’43. At one point down south after Big Ben and Blue Bell merged the company was called Blue Bell Overall Company from 1930 until 1936, when it became Blue Bell-Globe and, finally – as I wrote – in 1943, BLUE BELL, INC. Thus, Blue Bell affiliation provided the final lasting name change to simply Blue Bell one year after my dad Roy Duncan arrived. First big acquisition after the name change was CASEY JONES!” Enjoy!

 

BONUS: From 1987, The Post and Mail’s coverage of Susie’s original Blue Bell article in The Bulletin

So closes #Drood. A helluva week!

And so closes #Drood. What a week! So grateful to this show and its exceptional cast and crew and our dynamite director Ron Baumanis … you helped me reclaim my theatre mojo. Thank you!

 

 

Thanks to those friends and family who showed their support and attended a performance through the run: John Mola, Don and Susie Sexton, Benjamin and Jane Kang, Aaron Latham, Rob Zannini, Nikki Bagdady Horn, Jackie Jenkins, Kim Elizabeth Johnson, Penny Yohn, Sharon Karaboyas, Diana Zentz Hegedus, Michele Woolems Gale, Julia Spanja Hoffert, Sue Booth, Brian Cox, Kelly Little, Edmond Reynolds, Ann Little, Jeff Steinhauer, Michele Walters Szczypka, Mary Philips Letters, Rich and Susan Geary and co., Bonnie Torti, Melynee Weber-Lynch and Jim Lynch, Bridget and Don and friends, Kristy Smith and Chris, Laurie Rorrer Armstrong, Eric and Rebecca Dale Winder, Heather LaDuke and Sienna and Ariel, Dan Morrison, Steve DeBruyne, Matthew G Tomich, Anne Bauman, Christine Dotson Blossom, Sue Nelson, Josh and Sarah Maday and darling Olivia, Evelyn and Kevin DiCola, Mitch Holdwick and Anya Dale, Rachel Green and co., Bridget and Nondus Carr, Jaclyn Klein, Samantha Fletcher-Garbutt, Donna Kallio Wolbers and Jason Wolbers, Jason Karas and Claire Elizabeth, Samantha Gordon, Linda Pawlowski Hemphill, Lisa Harrell, Jon Woods and Brian Goins, Eric Walkuski and Jasmine, Beth Kennedy, Kevin Kaminski, Jeff Weisserman, Breeda Kelly Miller, Michelle MacDonald McAllister, Tom McAllister, Rebecca Biber, Matthew Pecek, Amy Sundback, Henry Kiley, David Francis Kiley, Sheri Chisholm, Scott Chisholm, Don Blumenthal, Brent Stansfield and Evelyn, Michelle Clark and Alex, Laura Sagolla.

 

Enjoy these photos by my loving parents and other friends from the past week, including a special message we received from Rupert Holmes, the musical’s creator!

 

Clive Paget/John Jasper out.

 

The Mystery of Edwin Drood is Satisfying, Enjoyable, First Rate (Review – Ann Arbor Civic Theatre)

I think I can live with this! My goodness!!! We are all beyond thrilled!

A2View

“DroooooooooD!”

Do you find reading this name to yourself is a little amusing? Bet your lips puckered without your realizing it. Try saying it aloud; bet you can’t without having a little fun with it. At A2CT’s hilarious production of  “The Mystery of Edwin Drood” at the Lydia Mendelssohn Theatre this weekend, you can think it, say it, sing it, even stand up and shout it at the top of your lungs and you will be in good company. It is encouraged and it is satisfying, much like the performance that surrounds it. It’s no wonder this interactive Rupert Holmes musical won several Tony Awards. It’s that fun.

As the real story goes, The Mystery of Edwin Drood is the final novel written by Charles Dickens, who died before completing it, leaving the explanation of the title character’s mysterious disappearance unresolved. However, in the musical, we, the audience, get to…

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#Drood opens tonight! June 1 – don’t miss it, #AnnArbor  

Ann Arbor Civic’s #Drood opens tonight June 1 at The Lydia Mendelssohn! Enjoy these photos by the fabulous Aaron C Wade from last night’s dress rehearsal! And listen to our delightful director Ron Baumanis and terrific “Chairman” Jarred Hoffert on W4Country here and The Lucy Ann Lance Show here

Ann Arbor Civic Theatre presents the hilarious audience-solves-the-murder musical, Rupert Holmes’ The Mystery of Edwin Drood, June 1, 7:30p, June 2 and 3, 8:00p, June 4, 2:00p at the Lydia Mendelssohn Theatre. Tickets can be purchased at http://www.a2ct.org/shows/the-mystery-of-edwin-drood.

And please join our Drood Facebook event page for ongoing updates: https://www.facebook.com/events/243536762791387/

The musical concerns a troupe of players at an English Music Hall putting on a musical production of Charles Dickens’ last novel which, alas, he died before completing. It is up to the audience to vote and decide who the murderer, detective, and the evenings lovers will be. Every performance features a different ending based on the audience vote, and is an evening of smartly written, very funny entertainment for all ages. Drood won 5 Tony Winning and 9 Drama Desk awards in 1986, and recently had a revival on Broadway which garnered raves. The musical was originally produced by the Joseph Papp New York Shakespeare Festival in New York’s Central Park. Parents should be aware that there is a light smattering of late 1800’s colorful British language.

All performers in the 19-member cast play dual roles — those of performers at the Music Hall, and the characters they become “on stage” for the staging of the novel. Jared Hoffert is the evening’s Chairperson. Drood (a male impersonator) is played by Vanessa Banister. Evil Jasper is played by Roy Sexton. Love interest Rosa Bud is played by Kimberly Elliott. Brother/sister Neville and Helena are played by Brandon Cave and Becca Nowak. Brodie Brockie plays the Reverend Crisparkle, Michael Cicirelli is Bazzard, and Alisa Mutchler Bauer plays the mysterious Princess Puffer while Durdles is played by Jimmy Dee Arnold. The cast is rounded out by Peter Dannug, Sarah Sweeter, Heather Wing, Julia Fertel, Ashleigh Glass, Chris Joseph, Kari Nilsen and Kelly Wade. There is a mysterious guest appearance by Ch. Brady Cesaro.

Directed by award-winning Ron Baumanis (Bonnie & Clyde, The Wedding Singer, next to normal), musical directed by Daniel Bachelis (who also conducts the full orchestra), and choreographed by Debra Calabrese (Croswell Opera House’s Memphis, In The Heights). Designed by Ron Baumanis, Lighting Design by Thom Johnson, Sound Design by Bob Skon, Costume Design by Molly Borneman, properties designed by Aaron Wade. Produced by Wendy Sielaff.

A life richly lived and appropriately, effusively celebrated –  Ball State University honors my mom Susie Duncan Sexton

I couldn’t be prouder of my mom Susie Duncan Sexton. This article is from The Ball State University Honors College alumni magazine. The author Olivia Power captured my mom’s spirit and soul. This is a beauty, and Olivia wove all of the threads of my mom’s life – her writing, her books, her advocacy, her progressive views, her irreverence, her wit – so lovingly and so thoughtfully. I am just tickled to pieces with this. A life richly lived and appropriately, effusively celebrated. This is marvelous!

(And enjoy these bonus clips of the Ann Arbor Civic cast in full costume for Drood‘s opening number “There You Are” and “Don’t Quit While You’re Ahead” – show runs June 1-4 at The University of Michigan’s Lydia Mendelssohn Theatre, http://www.a2ct.org/tickets.)

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

#Drood: “The Audience Will Decide ‘Whodunit’ at ‘The Mystery of Edwin Drood'”

The suspects

From Ann Arbor District Library’s Pulp article “The Audience Will Decide ‘Whodunit’ at The Mystery of Edwin Drood by Hugh Gallagher …

“In the second half of the show, the audience votes on who is the detective, who murdered Edwin Drood, and who the lovers are at the end and each ending is slightly different,” Mystery of Edwin Drood director Ron Baumanis said. “To keep it entertaining and move it along each of the suspects, and there are eight of them, have to know even different endings to the show. We are rehearsing each suspect with several different people and then switching to another suspect. They’re really good; we have a top-notch cast. I’m very fortunate.”

And we feel the same about you, wonderful  Ron! 

Move-in day at The Lydia Mendelssohn

Thanks to Ann Arbor District Library‘s Pulp and Hugh Gallagher for this lovely coverage!

“I hope it drives people to read Dickens’ novella because it’s fantastic stuff. I was very interested in what he thought about these characters,” said Baumanis. “Two, I want them to leave saying it was really professional and they usually do. I want them to say that was a slick show and I want to come back to another show. Three, I hope they enjoy it, not your typical show after work but they are part of it.”

READ MORE: “The Audience Will Decide ‘Whodunit’ at The Mystery of Edwin Drood” at http://pulp.aadl.org/node/360350

 

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Sneak peek of the scenic design

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

 

Portrait of Rosa … and her many “admirers”

Exhausted, incredibly supportive production team


Setting the stage …

“Thank God you’re pretty.” Baywatch (2017 film)

The first third of the film adaptation of TV’s Baywatch seems designed chiefly to show off how impressive Dwayne “The Rock” Johnson’s calves are. Admittedly, they do look like two bowling balls suspended in mid-air between his ankles and his knees. THIS remarkable feat of anatomy, however, does not a great movie make.

Directed by Seth Gordon (um … Identity Thief), the film aspires to the same pop culture meta lunacy of 21 Jump Street, Charlie’s Angels, or The Brady Bunch Movie. Unfortunately, the proceedings are saddled with a pedestrian script that is more paint-by-numbers Beverly Hills Cop III than off-the-charts self-referential foolishness. And that’s a shame, as Gordon has assembled a cast that could sell hyperbole to President Trump.

Johnson and Zac Efron are an ADORABLE comedic couple, and they deserve MUCH better material (see: Russell Crowe and Ryan Gosling in The Nice Guys). Their repartee (not to mention gleaming teeth and pneumatic abs) powers through the pedestrian material (drug cartel, half-baked political shenanigans, police corruption) to keep the audience entertained well beyond all reason. These two (playing overly ambitious California lifeguards who think their jobs involve after hours police work – cute idea) deserved such a better script, for their personal training regimen alone, not to mention the wit and wisdom both bring to just about any project.

The supporting cast is a hoot too: Priyanka Chopra, preening and prancing as the underdeveloped “big bad;” Kelly Rohrbach more self-aware than required as the Pamela Anderson-comic relief; Alexandra Daddario (whose eyes could pierce concrete blocks) as Efron’s infinitely wiser love interest; Ilfenesh Hadera as The Rock’s endlessly patient lieutenant; and Jon Bass as the exuberant schlub who has somehow been asked to join their hard-bodied lifeguarding team.

Damn, but I wish they had all had a thoughtfully designed script. Hell, any script. I was entertained for 90 minutes, but I’ve completely forgotten already what plot if any existed. I remember Zac Efron’s highlighted hair and his Malibu Ken physique. I will never forget Dwayne Johnson’s megawatt smile shining beneath the tumultuous waves as he rescued one woebegone Cali beach swimmer after another. But the plot? That has already escaped my brain, even as I type.

Will you have a good time watching this cinematic Baywatch? Of course, you will. It’s the same mindless idiocy of the 1990s syndicated TV hit (David Hasselhoff even puts in yet ANOTHER unnecessary summer ’17 film appearance) with a heaping, helping of post-millennial wink-and-nod camp. I just wish the filmmakers had taken … oh, I don’t know … ten extra minutes? … to devise plot and dialogue that gave Johnson and Efron something to do with all the charisma (and biceps) that they have in spades. Would anybody like to stage Sam Shepard’s True West with two charmingly steroidal hunks? If so, I think I have your duo.

As one cast member (I can’t recall who now for the life of me) notes to Efron’s dim bulb former-Olympian character (a la Ryan Lochte), “Thank God you’re pretty.” Indeed.

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

#Drood sitzprobe … or the day the orchestra joins us (VIDEO)

“Both Sides of the Coin” with yours truly and the inimitable Jared Hoffert.

Enjoy these video clips from today’s Mystery of Edwin Drood “sitzprobe” (or fancy German word for first rehearsal with the full orchestra). Click and any/all of the clips below, or view the full playlist here. Special thanks to music director Daniel Bachelis for making all of us sound so darn good! He’s a marvel! And this cast? … Just simply the best!

“Moonfall” with Kimberly Elliott

 

“Moonfall Quartet” with Sarah Sweeter, Kimberly Elliott, Becca Nowak, and Heather Wing

 

“Wages of Sin” with Alisa Mutchler-Bauer

 

“A British Subject” with Vanessa Banister, Kimberly Elliott, Brodie Brockie, Brandon Cave, and Becca Nowak

 

“Perfect Strangers” with Kimberly Elliott and Vanessa Banister

 

“Never the Luck” with Michael Cicirelli

 

“Settling  Up the Score” with Alisa Mutchler-Bauer and Vanessa Banister

 

“The Writing on the Wall” with  Vanessa Banister

 

Ann Arbor Civic Theatre presents the hilarious audience-solves-the-murder musical, Rupert Holmes’ The Mystery of Edwin Drood, June 1, 7:30p, June 2 and 3, 8:00p, June 4, 2:00p at the Lydia Mendelssohn Theatre. Tickets can be purchased at http://www.a2ct.org/shows/the-mystery-of-edwin-drood.

And please join our Drood Facebook event page here for ongoing updates/reminders.

The musical concerns a troupe of players at an English Music Hall putting on a musical production of Charles Dickens’ last novel which, alas, he died before completing. It is up to the audience to vote and decide who the murderer, detective, and the evenings lovers will be. Every performance features a different ending based on the audience vote, and is an evening of smartly written, very funny entertainment for all ages. Drood won 5 Tony Winning and 9 Drama Desk awards in 1986, and recently had a revival on Broadway which garnered raves. The musical was originally produced by the Joseph Papp New York Shakespeare Festival in New York’s Central Park. Parents should be aware that there is a light smattering of late 1800’s colorful British language.

[Enjoy this inaugural edition of The London Gazette, published by Aaron C. Wade.]

All performers in the 19-member cast play dual roles — those of performers at the Music Hall, and the characters they become “on stage” for the staging of the novel. Jared Hoffert is the evening’s Chairperson. Drood (a male impersonator) is played by Vanessa Banister. Evil Jasper is played by Roy Sexton. Love interest Rosa Bud is played by Kimberly Elliott. Brother/sister Neville and Helena are played by Brandon Cave and Becca Nowak. Brodie Brockie plays the Reverend Crisparkle, Michael Cicirelli is Bazzard, and Alisa Mutchler Bauer plays the mysterious Princess Puffer while Durdles is played by Jimmy Dee Arnold. The cast is rounded out by Peter Dannug, Sarah Sweeter, Heather Wing, Julia Fertel, Ashleigh Glass, Chris Joseph, Kari Nilsen and Kelly Wade. There is a mysterious guest appearance by Ch. Brady Cesaro.

Directed by award-winning Ron Baumanis (Bonnie & Clyde, The Wedding Singer, next to normal), musical directed by Daniel Bachelis (who also conducts the full orchestra), and choreographed by Debra Calabrese (Croswell Opera House’s Memphis, In The Heights). Designed by Ron Baumanis, Lighting Design by Thom Johnson, Sound Design by Bob Skon, Costume Design by Molly Borneman, properties designed by Aaron Wade. Produced by Wendy Sielaff.

 

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

#Drood! Behind-the-scenes fun at rehearsal! Ann Arbor Civic’s The Mystery of Edwin Drood (June 1-4)

I see a very special holiday card in Rosa and Jasper’s future. I mean … right?! Meet this darling, wholesome couple in person June 1-4 for Ann Arbor Civic’s production of The Mystery of Edwin Drood at Lydia Mendelssohn Theatre on the University of Michigan campus – tickets at www.A2ct.org/tickets – all photos by Aaron C. Wade.

Want a sneak peek of two of our musical numbers in rehearsal? Click here and here for “There You Are” and here for “Don’t Quit While You’re Ahead.” Video courtesy our amazing director Ron Baumanis, magical moves by Debra Calabrese, musical goodness by Daniel Bachelis.

I think we’re ready for costumes … or maybe I just need a personal dresser …

And the cast in repose … or just completely exhausted …


From The Ann Arbor Observer …



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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.