My week with Chastain: Mama

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Earlier this week, I saw talented Jessica Chastain in her Oscar-nominated role in critically acclaimed Zero Dark Thirty. Tonight, I saw her in the Guillermo Del Toro (of Pan’s Labyrinth and Hellboy fame) produced supernatural thriller Mama.

I think you can probably guess which is the better film.

That is not to say Mama is a bad movie. Quite the contrary. But it does suffer a bit arriving so freshly on the heels of Zero Dark Thirty‘s wide release last weekend.

Ah well. Chastain acquits herself nicely in this spooky curio so it shouldn’t hurt her award-winning streak. (Unlike Eddie Murphy’s disastrous January release Norbit a few years ago that all but decimated his chances of winning an Oscar that season for Dreamgirls…if ever).

Like The Others, The Sixth SenseLet Me In, or even the aforementioned Pan‘s Labyrinth, Mama is more dark fairy tale – sort of postmodern Brothers Grimm – than horror. Which was just fine by me. There is an ethereal quality to this story of two little girls left to fend for themselves in the wood after their investment banker father offs himself to avoid the consequences of shady dealings during the economic collapse of 2008. Five years later, their hippie boho uncle and his girlfriend (that would be Chastain) are alerted that the girls have been found and will be coming to live with the couple. Hijinks ensue.

So how did two feral little girls survive all that time alone? (By the way, both young actresses are quite remarkable and avoid all the goony, cloying child actor cliches.) Well, let’s just say the title character is a warm-hearted if rather vengeful apparition seeking redemption for an infant she lost decades ago by doing all she can to protect her two young charges from the big, bad world. And that includes terrorizing Chastain with various bumps and jolts and noisy shenanigans.

The whole proceedings are Twilight Zone/Outer Limits by way of the CW’s Supernatural. Nothing particularly remarkable or scary or even thought-provoking occurs, but the film has a purposeful, mature approach, establishing a genuinely creepy and compelling atmosphere.

The movie’s finest special effect though is Chastain. Like those A-list actors who would riff for Rod Serling for 30 minutes weekly in the 1960s, Chastain sells the silly subject matter, elevating what could have been awkward PG-13 goth drama to an interesting (if ultimately forgettable) allegory on familial heartbreak.

3 thoughts on “My week with Chastain: Mama

  1. Pingback: “Ain’t nothing like a little fear to make a paper man crumble.” It (2017) « Reel Roy Reviews

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s