Return to Sweethaven: Sting’s The Last Ship in previews in Chicago (review)

For all intents and purposes, Sting has musicalized what is arguably his greatest album The Soul Cages – full of warmth and sadness and Celtic rhythms – in his new show The Last Ship in previews at Chicago’s Bank of America theater.

It is a thing of beauty.

Directed expertly by Joe Mantello (Love! Valour! Compassion! and Wicked) with an efficiently insightful book by John Logan (Gladiator, Skyfall) and Brian Yorkey (Next to Normal), The Last Ship paints the hardscrabble tale of an English community (based on Sting’s hometown experiences) whose sole industry – shipbuilding – has seen better days.

Against this backdrop, Gideon, who fled this life and the girl he loved (Meg), returns to find the son he never knew and the life he never wanted. Narrative tension comes from the “will they, won’t they” of Meg and Gideon resuming their romance. I won’t spoil the surprise, but I was pleasantly heartened by the believable outcome of that particular storyline.

The ensemble does marvelous work with Sting’s hypnotic score. The title song will be stuck in my head for weeks. And the key themes of class and faith and honoring one’s past will resonate with every viewer.

In fact, that is what works most wonderfully in this new production. Yes, the show anchors around a rather conventional love triangle, but the anxiety of a town trying to find its footing again as its chief economic foundation erodes is compellingly told.

Using minimalist design that evokes a number of locations (think “Jersey Boys” in the U.K.), Sting and Logan and Mantello populate this seaside village with a cast of characters that would not be out of place in Popeye’s Sweethaven.

Standouts in the cast include Michael Esper (“Gideon”), Rachel Tucker (“Meg”), Sally Ann Triplett (joyously Emily Watson-esque as cheeky “Peggy”), Jimmy Nail (sounding uncannily like Sting himself as “Jackie”), and Fred Applegate (“Father O’Brien”).

I’m not sure if it is kosher for one to critique a show still In previews … so don’t consider this a review. Rather, think of it as a shameless plug to go check out this fabulous, grounded, melodic production either in Chicago or when it magnificently sails to a town near you. It will be on Broadway soon.

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.20140611-225534-82534412.jpg