This. Is. Fun. #Drood

The cast of Drood

 

Love. This. Cast. (Photos by Aaron C. Wade. Swiping from Ron Baumanis. Get your tix NOW at www.a2ct.org – June 1-4)

 

Alisa Mutcher Bauer as Princess Puffer and Kimberly Elliott as Rosa Bud


We are having a ball. You will too. Don’t miss it.

 

Yours truly as Jasper and Kimberly Elliott as Rosa Bud

 

Jasper is nuts and Rosa seems innocent enough. Did one of them murder Edwin Drood? Solve the mystery yourself at The Mystery of Edwin Drood – Ann Arbor Civic Theatre – http://www.A2CT.org/tickets

#EveryAudienceVoteCounts

 

Vanessa Bannister as Edwin Drood

 

Jared Hoffert as The Chairman

 

Layout by JM Atwood – all photos here and above by Aaron C. Wade

More info on JM Atwood at his design studio’s Facebook page

_________________

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Guest review: Pippin (revival tour) at Fort Wayne’s Historic Embassy Theatre 

My parents saw the Broadway revival touring production of Stephen Schwartz’s Pippin last night at Fort Wayne, Indiana’s Historic Embassy Theatre. Here’s my mom Susie Duncan Sexton’s quick take on the show – and enjoy their photos from the evening as well! (And, yes, there are random snapshots of cats in there because … cats!)

“oh, god! PIPPIN was glorious! were extensive acrobatics part of original? and I hate gymnastics…but this was done in a completely acceptable, credible, amazing manner–trapezes and stuff like that…wondering if there was tampering…which probably served it well…surprising ending…I could not believe how much I dug it! the music for starters! thanks for everything. love you! not what I expected or recalled from the tv version?”


Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Theatre Roy is back! SAVE THE DATE: The Mystery of Edwin Drood at Ann Arbor Civic – June 1-4

mystery-of-edwin-drood-djpijiqq_e15SAVE THE DATE – performances June 1-4! I have just learned I’ve been cast as Jasper in Ann Arbor Civic Theatre’s upcoming production of the musical The Mystery of Edwin Drood, directed by the marvelous Ron Baumanis with music direction by the talented Daniel Bachelis and choreography by the dynamite Debra Calabrese.

Jasper (and these are THEIR words, not mine 🙂 ) is “the Royale’s male lead, a devilishly attractive cad, and he knows it. In Drood, he is the antagonist. Choirmaster of Cloisterham Cathedral, and uncle of Edwin Drood. In love with Rosa Bud [played by the divine Kimberly Elliott with whom I tangoed in The Pajama Game ages ago]. Madness lurks beneath his smooth exterior.”
 
Show dates, times, and ticket information here: http://www.a2ct.org/shows/the-mystery-of-edwin-drood

The show is a Tony Award-winning musical by Rupert Holmes (yes, “The Pina Colada Song”) that starred Betty Buckley and Cleo Laine in its original run, and Chita Rivera in its recent revival. “Based on Dickens’ unfinished novel, this wild romp of a musical tells the story of a Jekyll-and-Hyde like choir director, his ingénue, and her fiancé. The interactive play-within-a-play leads from a Victorian music hall to a London opium den to a Christmas Eve dinner party, and asks the audience to help solve the title mystery.” Because Dickens never finished his tale, the musical (not unlike Clue) allows the audience to vote at each performance on who the killer may be, and each show has a potentially different ending! So excited!


edwin


CAST LIST

Jared Hoffert – CHAIRMAN/MAYOR THOMAS SAPSEA

Roy Sexton – JOHN JASPER/CLIVE PAGET
Vanessa Bannister – EDWIN DROOD/ALICE NUTTING
Kimberly Elliott – ROSA BUD/DEIDRE PEREGRINE
Alisa Mutchler Bauer – PRINCESS PUFFER/ANGELA PRYSOCK
Becca Nowak – HELENA LANDLESS/JANET CONOVER
Brandon Cave – NEVILLE LANDLESS/VICTOR GRINSTEAD
Brodie H. Brockie – REVEREND CRISPARKLE/CEDRIC MONCREIFFE
Michael Cicirelli – BAZZARD/PHILLIP BAX
Jimmy Dee Arnold – DURDLES/NICK CRICKER, SR.
Peter Dannug – DEPUTY/NICK CRICKER, JR.
Sarah Sweeter – WENDY/COMPANY MEMBER
Heather Wing – BEATRICE/COMPANY MEMBER

MUSIC HALL COMPANY MEMBERS

droodHayla Alawi
Jade Diaz
Julia Fertel
Ashleigh Glass
Chris Joseph
Frances Master
Gary L. Minix
Kari Nilsen
Kelly Wade

PRODUCTION STAFF
DIRECTOR: Ron Baumanis
MUSIC DIRECTOR: Daniel Bachelis
CHOREOGRAPHER: Debra Calabrese
PRODUCER: Wendy Sielaff

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“They don’t put people like us on television – except to be laughed at.” #HairsprayLive

“They don’t put people like us on television – except to be laughed at.” – Edna Turnblad

This line from the musical Hairspray has always haunted me. I’m not a huge fan of the show, though I’ve always admired Harvey Fierstein and Marc Shaiman’s moxie turning John Waters’ bruise black 1988 satirical film about the horrors and sadness of socio economic marginalization, body shaming, and racial segregation into a bright, frothy Broadway musical. Damn if Shaiman’s tunes aren’t catchy!

But back to that line. Matriarch Edna – played on stage by Fierstein, and the original film by Divine and in the first musical film version by John Travolta – declares this brutal truth to her husband as their relentlessly optimistic daughter chooses to head forth and audition for an American Bandstand-style local teen dance show. 

The Turnblads are anything but the typical Eisenhower Era, squeaky clean, nuclear family. With their rough hewn edges, “life is a banquet but don’t take too much” joie de vivre, economic challenges and “less than Greek” figures, this loving and relatable model of the typical American family does not fit the stylized mold of the typical American family that typical American families like to see on television. And this crucial line is the heartbreaking thesis of the show … and one might argue for daily life in these United States for 99% of us.

The timing of this particular NBC live holiday musical couldn’t be stranger or more appropriate. Fifteen years ago when the musical first hit with its early 1960s setting and focus on the ugly racist/sexist bile concealed under Dippity-do and crinolines, it seemed like a quaint reminder of another era, one which many of us knew we hadn’t actually escaped, but about which we blithely, mindlessly lived in denial anyway. Now that we are making America great again, which may be code for going back to this oppressive, regimented, candy colored era, Hairspray Live felt like a haunting, sickening, Orwellian cautionary tale.

Producers Craig Zadan and Neil Meron, working with Fox’s Grease Live director Kenny Leon, seem to have finally landed, more or less, on a successful formula for these social media teasing live events. Other than the unnecessary commercial breaks, with hyperventilating Darren Criss and an army of golf carts hustling panicked actors visibly from set to set, the show was pretty seamless. (Well, there was also the cluttered, confusing, and chaotic camera work… But you can’t have everything.)

Wisely, they stacked the deck with an army of pros in the adult roles, from Fierstein himself revisiting his Tony award-winning part in a winning mix of pea gravel, bombast, and the milk of human kindness to insanely annoying but sharply talented and utterly typecast Kristin Chenowith as race-baiting Cruella de Vil knock off Velma Von Tussle. SCTV vets Martin Short and Andrea Martin added some sweet-natured depth and color as Wilbur Turnblad and Mrs. Pingleton respectively but were often lost in the manic shuffle.

Jennifer Hudson has a miraculous voice – which is her chief super power – but I find her generally overrated as an actor. Regardless, her arrival as Motormouth Maybelle at the midpoint gave the production its finest musical moments and its most heart wrenching reminders of how far we have yet to go – quite literally, in fact, with the number “I Know Where I’ve Been.”

Dancing With The Stars’ Derek Hough was the night’s most pleasant surprise, seizing the national spotlight the show provided to plant his flag firmly in Mt. Musical Theatre. His unquestionable technique paired with his slightly skeezy “toot sweets” charm was perfect for the role of Corny Collins, and he made the most of every moment, including what was either a wildly inappropriate or brilliantly meta embedded commercial for Oreo cookies.

The “nicest kids in town” – including newcomer Maddie Baillio as Tracy, Ariana Grande as Penny, Dove Cameron as Amber, and Garrett Clayton as Link fared less successfully. It’s not that their performances were bad, but they were bland in the face of their scenery chewing elders. It felt like the cast could’ve used another week of rehearsals. However, that has been pretty much the case for every one of these live productions. So be it. Ephraim Sykes as Seaweed was the exception that proved the rule, however. He was a bolt of lightning across the screen, and I wished he’d had more to do.

In short, this particular musical always just seems to exist chiefly as a delivery mechanism for buoyant, electrifying, raucous “anthem for the oddballs” finale “You Can’t Stop the Beat,” and Hairspray Live stuck the landing. I question how “family friendly” a musical that opens with a flasher on the streets and includes double and triple entendres in every other line might be. I chuckled when Sean Hayes and Kristin Chenoweth implored us to “gather the family” in the show’s opening moments. 

That said, the show’s message couldn’t be more timely or appropriate. For all American families. Great and small.

“You can’t stop today/As it comes speeding ’round the track/Yesterday is history/And it’s never comin’ back!”

WCBN’s “It’s Hot in Here” features “Xanadu”! WE NEEDED THE WORLD TO KNOW: WE ARE IN XANADU

Thanks, Rebecca Hardin, for having the Xanadu cast on your WCBN radio show “It’s Hot in Here.” Such fun and such an honor! “We were delighted once again to welcome members of Ann Arbor’s Penny Seats Theatre Company to talk theater in the parks and perform a few tunes from their ongoing show. Xanadu is an outrageous show that defies simple explanation: suffice it to say the Muses go to Venice Beach to inspire a sidewalk chalk artist to open a roller disco. You really have to see it to believe, but hearing them sing a few numbers and talk about their process on today’s show is sure to pique your interest.”

Listen here: http://www.hotinhere.us/podcast/we-are-in-xanadu/

Enjoy!

PHOTOS: Xanadu onstage at Ann Arbor’s West Park … Penny Seats!

 

Kasey Donnelly, Allison Simmons, Sebastian Gerstner, Paige Martin, Logan Balcom, Kristin McSweeney, Jenna Pittman as Muses with Kira

Penny Seats Theatre Company’s production of 2007 Broadway musical smash, Xanadu (based on the 1980 cult classic movie of the same name), with a book by Douglas Carter Beane and music and lyrics by Jeff Lynne and John Farrar, runs July 14 through July 30 (Thursdays, Fridays, Saturdays) at Ann Arbor’s West Park Band Shell.

The Tony-nominated musical comedy tells the tale of a Greek Muse’s descent from Mt. Olympus to Venice Beach, California, to inspire a struggling artist to achieve the greatest artistic creation of all time – the world’s first roller disco. With direction by R. MacKenzie Lewis and choreography by Sebastian Gerstner, based on concepts by Phil Simmons, the show will feature performers Paige Martin (Ann Arbor), Matthew Pecek (Adrian), Roy Sexton (Saline), Kasey Donnelly (Ypsilanti), Allison Simmons (Holland), Sebastian Gerstner (Ann Arbor), Logan Balcom (Hillsdale), Jenna Pittman (Waterford), and Kristin McSweeney (Ypsilanti). Encore Musical Theatre Company’s Thalia Schramm and Matthew Brennan provided assistant direction. Musical Direction is provided by Richard Alder, costuming by Virginia Reiche, and set design and technical direction by Steve Hankes. Lauren London is producing.

Advance tickets are available for $10 at the group’s website, www.pennyseats.org. Although the curtain goes up at 7:00pm each evening, pre-show picnicking is encouraged for audience members, and the group will sell water and concessions at the park as well. Photos by Kyle Lawson and Lauren London, and video of the music of Xanadu in rehearsal here.

 

 

Matthew Pecek and Paige Martin as Sonny and Kira with Muses

3 Roy Sexton as Danny and Paige Martin as Kira

Roy Sexton as Danny and Paige Martin as Kira

4 Kasey Donnelly and Allison Simmons and Melpomene and Calliope

Kasey Donnelly and Allison Simmons as Melpomene and Calliope

5 Sebastian Gerstner Jenna Pittman Kristin McSweeney Logan Balcom Paige Martin as Muses and Kira

Sebastian Gerstner, Jenna Pittman, Kristin McSweeney, Logan Balcom, Paige Martin as Muses and Kira

6 Roy Sexton as Danny Maguire

Roy Sexton as Danny Maguire

7 Matthew Pecek as Sonny

Matthew Pecek as Sonny

8 Matthew Pecek as Sonny and Paige Martin as Kira

Matthew Pecek as Sonny and Paige Martin as Kira

9 Matthew Pecek as Sonny Performs Dont Walk Away with Muses

Matthew Pecek as Sonny Performs “Don’t Walk Away” with Muses

ABOUT THE PENNY SEATS: Founded in 2010, we’re performers and players, minimalists and penny-pinchers. We think theatre should be fun and stirring, not stuffy or repetitive. We believe going to a show should not break the bank. And we find Michigan summer evenings beautiful. Thus, we produce dramas and comedies, musicals and original adaptations, classics and works by up-and-coming playwrights. And you can see any of our shows for the same price as a movie ticket.

FOR MORE INFORMATION about The Penny Seats call 734-926-5346 or Visit: http://www.pennyseats.org.

Ann Arbor’s Penny Seats production of Xanadu (opening July 14) in rehearsal [VIDEO]

IMG_5255

On July 14 at Ann Arbor’s West Park Band Shell, the Penny Seats Theatre Company launches their production of 2007 Broadway musical smash, Xanadu (based on the 1980 cult classic movie of the same name), with a book by Douglas Carter Beane and music and lyrics by Jeff Lynne and John Farrar. Enjoy these photos and video clips from our first rehearsal with orchestra.

Tony nominated musical comedy Xanadu tells the tale of a Greek Muse’s descent from Mt. Olympus to Venice Beach, California, to inspire a struggling artist to achieve the greatest artistic creation of all time – the world’s first roller disco. And yes, there will be roller skating in the park!

 

[Photos by Jenna Pittman, who plays "Euterpe"]

[Photos by Jenna Pittman, who plays “Euterpe”]

With direction by R. MacKenzie Lewis and choreography by Sebastian Gerstner, based on concepts by Phil Simmons, the show will feature performers Paige Martin (Ann Arbor), Matthew Pecek (Adrian), Roy Sexton (Saline), Kasey Donnelly (Ypsilanti), Allison Simmons (Holland), Sebastian Gerstner (Ann Arbor), Logan Balcom (Hillsdale), Jenna Pittman (Waterford), and Kristin McSweeney (Ypsilanti). Encore Musical Theatre Company’s Thalia Schramm and Matthew Brennan are providing assistant direction. Musical Direction is provided by Richard Alder, costuming by Virginia Reiche, and set design and technical direction by Steve Hankes. Don’t miss this crazy, campy, big-hearted show! The show runs Thursday/Friday/Saturday for three weekends (beginning July 14), and tickets are $10, available at www.pennyseats.org.

Clips of Xanadu cast members rehearsing with orchestra on Sunday, July 10 (here) … enjoy!

 

Three versions here …

Two versions here …

IMG_52335 Xanadu Penny Seats

First dress rehearsal photos!

  
Thanks to talented Kerry Rawald for these great photos! You can view the full album on Facebook here.

We open tomorrow night! Only 10 tickets left for our first show! www.pennyseats.org

Ann Arbor’s Penny Seats Theatre Company Kicks Off 2016 season with JACQUES BREL

Penny SeatsThe Penny Seats return to the stage this upcoming winter for Jacques Brel is Alive and Well and Living in Paris, a musical revue of the songs of Jacques Brel, translated into English by Eric Blau and Mort Shuman.

The show kicks off the sixth season for The Penny Seats and will run on Thursdays February 11th, 18th, 25th, and March 3rd, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies are partnering to offer a dinner theatre-style show, with dinner seatings available starting at 6:00 pm, and performances each night at 7:30pm.

Tomfoolery

Tomfoolery

Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

“The show is filled with songs that explore the deepest emotions–heartache, longing, regret, fear– and yet because of Brel’s quirky perspective always manage to steer clear of the maudlin or clichéd,” explains the show’s director, Laura Sagolla. “I’m so excited to bring Brel back to those who’ve missed him and to introduce a new audience to this truly modern singer-songwriter.”

Urinetown

Urinetown

The musical revue stars Brendon Kelly of Ypsilanti, Natalie Rose Sevick of Swartz Creek, Lauren London of Ann Arbor, and Roy Sexton of Saline. Laura Sagolla (of Ann Arbor) directs with the assistance of Matt Cameron (of Plymouth) and technical direction by Stephen Hankes (of Ann Arbor). Musical direction will be provided by Richard Alder (of Westland) as well as choreography by Paige Martin (of Ann Arbor).

Following the success of the group’s 2015 two-show summer series of The Complete Works of William Shakespeare [Abridged] and Urinetown: The Musical in West Park, Ann Arbor last summer, The Penny Seats is proud to announce another two-show summer series for 2016. The season will feature an adaption of Chaucer’s The Canterbury Tales and the 2007 Broadway Musical Comedy Xanadu, based on the 1980 film of the same name.

Complete Works of William Shakespeare

Complete Works of William Shakespeare

“I am incredibly excited about this slate,” said Lauren London, The group’s President.  “It’s a very diverse group of shows, and it explores many things The Penny Seats do well:  music, satire, comedy, open-air theater, and partnerships with other local businesses.  We’re also building relationships with some fantastic regional artists, both on stage and off.  We hope to channel some of the terrific excitement we were able to generate last year–our biggest season ever–and up the ante once more. It’s going to be a tremendous experience.”

Performances of The Canterbury Tales will run Thursday, Friday, and Saturday nights from June 16th – July 2nd, 2016 in West Park, Ann Arbor. Performances of Xanadu are set for July 7th– July 23rd , 2016 and will also run Thursday, Friday, and Saturday nights at the park.

ABOUT THE PENNY SEATS: Founded in 2010, we’re performers and players, minimalists and penny-pinchers. We think theatre should be fun and stirring, not stuffy or repetitive. We believe going to a show should not break the bank. And we find Michigan summer evenings beautiful. Thus, we produce dramas and comedies, musicals and original adaptations, classics and works by up-and-coming playwrights. We also provide cabaret shows, acting classes, and wacky improv evenings. And you can see any of our shows for the same price as a movie ticket.

FOR MORE INFORMATION about The Penny Seats call at 734-926-5346 or Visit: www.pennyseats.org.

______________________________

12208463_10206963059693889_4367987464574781874_nReel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Urinetown reviewed! “Enjoyable two hours out in the park with fine singers, actors and dancers and an amusing, satirical musical comedy”

Ensemble

Ensemble

WOW! What a fantastic opening weekend for Urinetown – capacity crowds, wonderful feedback, marvelous coverage, and an amazing review from Bridgette Redman for Encore Michigan – click here to read.

Here is an excerpt …

“Director Lauren M. London has her work cut out for her with the space. There is a moat between the bandshell where the orchestra plays and the main staging area where most of the action takes place. She has no choice but to let some of her actors be seen before the arrive on stage as they have a bit of a hike to get to the stage, but she manages that well and creates compelling stage pictures so that you’re not looking off to the sides.

Maika Van Oosterhout and Roy Sexton

Maika Van Oosterhout and Roy Sexton

“Roy Sexton plays Officer Lockstock, the narrator for the evening. He kicks off the musical with a speech that prepares the audience for what they can expect—an evening of satire and parody. Little Sally (Paige Martin) joins him in his early exposition and they frequently break the fourth wall to outright talk about the musical. Both are skilled in their roles. Sexton narrates with aplomb, moving in and out easily of narrator and police officer. Martin is loveable and innocent, asking naïve questions that Sexton answers magnanimously. She has great physicality, doing cartwheels and splits and interacting with the teddy bear she carries with her. She believably creates a child much younger than her actual age.

Ensemble

Ensemble

“Linda Rabin Hammell brings character and spice to the role of Penelope Pennywise. She’s peppery as the custodian of Public Facility #9, insisting that everyone pay the proper fee else not get to pee. Her voice is perfect for the role.

“Brendan Kelly makes a handsome lead as Bobby Strong, the revolutionary leader who follows his heart. He’s earnest and heroic, with a strong singing voice that carries him through his many songs. …

Sarah Ann Leahy, David Kiley, and Roy Sexton

Sarah Ann Leahy, David Kiley, and Roy Sexton

“Playing opposite Kelly was Maika Van Oosterhout as Hope Cladwell. Hers was a fun role and she carried it off with style and grace. Her eyes were constantly wide, portraying an innocence and naîveté that fit the part well. She was especially amusing dancing while bound and gagged in a chair.

“There were no weak members in the ensemble either. Each of them had their own characteristics, making them individuals while still fulfilling the part of an ensemble. They were giving to each other and changed quickly between roles when doubled. They did an especially good job as the town’s poor who desperately needed to pee in the first act and in the second were revolutionaries that were brash and frightened.

Maika Van Oosterhout and Brendan Kelly

Maika Van Oosterhout and Brendan Kelly

“The singing, under the musical direction of Richard Alder, was impressive, as was the pit band that performed the music to accompany it. There were complicated harmonies throughout and upbeat songs that often belied what they were singing about. …

“Victoria Gilbert’s choreography was most often amusing and always fit with the character of the show. Bridget Bly deserves a callout for her costumes. She provided good contrast between the UGC employees and the run-down poor of the city. She also made it possible to switch in and out of costumes, sometimes right on stage.”

Read the complete post here

Roy Sexton

Roy Sexton

AND a subset of the cast (including yours truly) appeared Friday on Rebecca Hardin’s charming WCBN radio show Hot in Here. The audio is here, and you can read about the special collaboration that prompted the broadcast here. Be sure to check out Hot in Here‘s page (here) if you want to hear me epically mangle the “Cop Song” from Urinetown. Plus, I say words like “crap,” “damn,” and “tinkle” on the air … probably why it took them a while to post it! 🙂 You will also hear our director and president Lauren London say really smart things about art and theatre and Ann Arbor as well as the mellifluous tones of fellow cast members Brendan Kelly, Maika Van Oosterhout, and Paige Martin, accompanied by our wonderful music director Richard Alder (BTW, a great article about Richard appeared in the latest Detroit Jewish News – see below).

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Last but not least, a special thanks to the friends who made this opening weekend so special with their attendance (and apologies to anyone I missed): John Mola, Rachel Green, Kyle Lawson, Jim Lynch, Nick Oliverio, Brent Stansfield, Zach London, Sharon Steig, Ashley Kryscynski, Heidi Fisher, Matt Cameron, Kelly Cameron, Anne Cattermole Levy, Artun Kircali, Leanne Young, Ivan Procopovich, Robin Skiba Myler, Laura Sagolla, Barbara Davenport, Roxane Raffin Chan and Kevin and friends and family, Magda and Dan Johnson, Rachel Urist, Jen Esch and friends, Angie Choe and Sean, Roberta and Richard­­­ London and family, Jason Gilbert, Ivan Procopovich, Christopher Taylor, Eva Rosenwald, Narda Wishka, Kristy McDonald and Thatcher. Two more weekends (Thursday, Friday, Saturday performances, all 7 pm) – get your tickets at www.pennyseats.org before they’re all gone!

Photos (above) by Ivan Procopovich

Richard Alder ____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.