Countdown: Bangerz

From my wonderful publisher Open Books

Just 10 days left until the official launch of ReelRoyReviews, a book of film, music, and theatre reviews, by Roy Sexton!

Some nice early reviews from Roy’s readers…

  • Zach London: “I thoroughly enjoy your reviews. They are short, well-written, and insightful. For movies I have already seen, your reviews articulate things that my subconscious brain recognized but my conscious brain did not. Congratulations on this accomplishment!”
  • Michael Lesich: “I’ve been a fan of Roy’s movie reviews for some time. Armed with a sharp tongue, a quick wit, and an absolute love of movies and theater, Roy brings a passionate and independent voice to movie reviews. Whether you love-em-or-hate-em, Roy’s reviews are never dull. I’m just an average guy, but when I see a new movie, I often check out Roy’s review to get a sense of whether they are worth spending my hard-earned money and scarce time to see them. Grab the popcorn, a giant soda, and a pair of 3D glasses, and get ready to enjoy this book!”
  • Mary Shaull: “Roy Sexton is a brilliant, talented observer of film and life. He can say in a few words exactly what the rest of us wish we could say. He does it for us in this delightful book. Write on, Roy!”

Here’s a snippet of Roy’s review of Miley Cyrus’ Bangerz: “Lord, I’m tired of all the Miley-hatin’. She’s a cute gremlin of a girl trying to distance herself from a smothering Disney-funded-life, for which she should probably feel very grateful. But who can blame her for trying to express her own personality outside the pervasive marketing bubble of the Mouse House?”

Learn more about REEL ROY REVIEWS, VOL 1: KEEPIN’ IT REAL by Roy Sexton at http://www.open-bks.com/library/moderns/reel-roy-reviews/about-book.html. Book can also be ordered at Amazon here.

Twerking, tongue all a-twangle: Miley Cyrus’ Bangerz

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Lord, I’m tired of all the Miley-hatin’. She’s a cute gremlin of a girl trying to distance herself from a smothering Disney-funded-life, for which she should probably feel very grateful. But who can blame her for trying to express her own personality outside the pervasive marketing bubble of the Mouse House?

The last time I felt this over-protective of a pampered, overpaid pop princess was was when Britney shaved her noggin and started hitting people over the head with umbrellas (ellas, ellas, ellas, ay!). Wow, I LOVED that period of Britney’s career!

And the first time I felt this way was when Madonna released the underrated Erotica album and overrated Sex book (and completely bat-sh*t movie Body of Evidence) to much over-heated media alarm during my sophomore year of college. Yeah, Britney and Madonna survived quite well (thank you very much) without my nerdish big brotherly over-worry…and I suspect Miley will too.

I don’t typically review music albums here (though I buy a lot of them). However, I have zero interest in the current slate of Oscar-bait Fall films. I do not want to watch Gravity‘s Sandra Bullock moon around, quite literally, as an astronaut divorced from her George Clooney-piloted shuttle (really?!?! who cast that one?!!?).  Nor do I want to suffer through Captain Phillip‘s Tom Hanks besieged by nautical pirates straight from central casting. (Now, if Johnny Depp’s fey, bejeweled Jack Sparrow made an appearance in either film, I might check them out, but no…)

SO, with that said, you, dear reader, are getting a micro-review of Miley Cyrus’ unfortunately titled CD (or whatever the download generation calls them) Bangerz. And, you know what? It’s freaking fantastic.

Why did Miley feel the need to twerk, tongue all a-twangle, in nude-colored underwear on MTV last month? ‘Cause no states, neither red nor blue, would set her free of her godawfully tangled Hannah Montana wig and the Disney-fied alter ego that it represented.

But you know what (again)? Ain’t nobody talkin’ ’bout Hannah now… so good on ya’, Miley!

How about the album? Hey, it’s a pop album, so it’s going to be a catch-all-of-crazy … and a darn infectious one. There are beautifully melodic offerings like album opener “Adore You” and monster hit “Wrecking Ball” (naked Miley video notwithstanding).

However, the real winners are when Miley lets her freak flag FLY – nothing like a liberal progressive redneck who doesn’t give one rat’s a$$ what any of us think, putting together an album on sale at both Target and Wal-Mart … with varying bonus tracks for retail!

What the heck does that preceding sentence mean? Check out “4X4,” Miley’s ode to monster trucks, with a special appearance by singer/rapper Nelly, that sounds like the track Jessica Simpson should have contributed to The Dukes of Hazzard soundtrack. Or “FU” (title self-explanatory) that sounds like a bizarro mash-up of The Scissor Sisters and The Sherman Brothers and that pretty much tells ex-fiance Liam Hemsworth that (without question) Cyrus is over him … and, for that matter, over all swaggering dudes by the sound of it.

Of course “We Can’t Stop” (which alongside fellow Hollywood-progeny Robin Thicke’s “Parallel Lines” was an inescapable 2013 summer anthem) is zanily fantastic. But the album standout is (unfortunately) a bonus track “On My Own.” This is Miley’s big pop anthem, a hybrid of the best stripper-pole-Britney-Spears and persecuted-dance-pop-Michael-Jackson. I can’t get enough of that song.

There are many other great tracks: the Pharrell Williams-produced “#getitright” (I hate that hashtag gimmick and I hate boudoir come-on songs, but darn if this one isn’t catchy) or uber-pissed-off stomper “Do My Thang” or delightfully subversive “Someone Else” (which has Madonna-esque fun interpolating 1 Corinthians 13:4 … you know, that whole “Love is patient, love is kind” claptrap).

It’s a fun album and possibly a great one. Who cares what Miley had to do to get our attention! It worked. It made me buy the CD, and I’ve been listening to it all week.

And one more thing… As much as I love Annie Lennox, Sinead O’Connnor, Kelly Clarkson, and all the other pop divas who have thrown acid in Miley’s face, all of their critiques come off as sour grapes. This next generation-post-feminist-icon-in-the-making is “doing her own thang” and telling all of us to go take a flying leap … as we line up eagerly in the check-out line to buy her special edition CD … with bonus tracks!