Singing, Dancing, Furniture Moving … Rehearsing Jacques Brel’s “Madeleine” (Video)

Enjoy this brief rehearsal footage (click here) of “Madeleine” from the cast (including yours truly) of Jacques Brel is Alive and Well and Living in Paris, presented by the Penny Seats Theatre Company and opening February 11 at Conor O’Neill’s on Main Street in Ann Arbor.

The Penny Seats return to the stage this winter for Jacques Brel is Alive and Well and Living in Paris, a musical revue of the songs of Jacques Brel, translated into English by Eric Blau and Mort Shuman. The show kicks off the sixth season for The Penny Seats.

The cast rehearse "Marathon" with Paige Martin

Rehearsing “Marathon” with Paige Martin

It will run on Thursdays, February 11, 18, 25, and March 3rd, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. Conor O’Neill’s and The Penny Seats continue a partnership to offer a dinner theatre-style show, with dinner seatings available starting at 6:00 p.m., and performances each night at 7:30 p.m. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Jacques Brel

Jacques Brel

“We are very excited to continue our fantastic partnership with Conor O’Neill’s this year,” says Penny Seats President, Lauren London.  “Conor’s has been a champion of our work, and an enthusiastic partner, every step of the way. Their community spirit and support makes our winter show a joyous, warm, exciting event for everyone.  We hope to continue this tradition long into the future.”

The musical revue stars Brendan Kelly of Ypsilanti, Natalie Rose Sevick of Swartz Creek, Lauren London of Ann Arbor, and Roy Sexton of Saline. Laura Sagolla (of Ann Arbor) directs, Richard Alder (of Westland) serves as music director and as Paige Martin (of Ann Arbor) choreographs. Technical direction is provided by Stephen Hankes (of Ann Arbor).

Jacques Brel

Jacques Brel

“Rehearsals have reminded me how powerful and how fun this show can be,” said Director Laura Sagolla. “The cast is hard at work, and I’m really impressed with their creativity and their ability to put a modern twist on the Brel classics.”

Jacques Brel is Alive and Well and Living in Paris will be the first of three shows comprising The Penny Seats’ 2016 season. The group plans to stage productions of The Canterbury Tales and Xanadu at West Park this summer, from June 16 through July 30.

#AnnArbor Observer on Penny Seats’ #JacquesBrel opening February 11

Ooh la la! Thanks, Ann Arbor Observer, for this Jacques Brel coverage – we open February 11 at Conor O’Neill’s. Get your tickets at http://www.pennyseats.org


See you there! 🙂

Jacques Brel

Jacques Brel

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Penny Seats production of Jacques Brel opens February 11 at Ann Arbor’s Conor O’Neill’s

Rehearsing "Marathon" with Paige Martin

Cast rehearsing “Marathon” with Paige Martin

The Penny Seats return to the stage this winter for Jacques Brel is Alive and Well and Living in Paris, a musical revue of the songs of Jacques Brel, translated into English by Eric Blau and Mort Shuman. The show kicks off the sixth season for The Penny Seats. It will run on Thursdays, February 11th, 18th, 25th, and March 3rd, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. Conor O’Neill’s and The Penny Seats continue a partnership to offer a dinner theatre-style show, with dinner seatings available starting at 6:00 pm, and performances each night at 7:30pm. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Jacques Brel Penny Seats Poster“We are very excited to continue our fantastic partnership with Conor O’Neill’s this year,” says Penny Seats President, Lauren London.  “Conor’s has been a champion of our work, and an enthusiastic partner, every step of the way. Their community spirit and support makes our winter show a joyous, warm, exciting event for everyone.  We hope to continue this tradition long into the future.”

The musical revue stars Brendan Kelly of Ypsilanti, Natalie Rose Sevick of Swartz Creek, Lauren London of Ann Arbor, and Roy Sexton of Saline. Laura Sagolla (of Ann Arbor) directs, Richard Alder (of Westland) serves as music director and Paige Martin (of Ann Arbor) choreographs. Technical direction is provided by Stephen Hankes (of Ann Arbor).

Brendan August Kelly and Lauren London

Brendan August Kelly and Lauren London

“Rehearsals have reminded me how powerful and how fun this show can be,” said Director Laura Sagolla. “The cast is hard at work, and I’m really impressed with their creativity and their ability to put a modern twist on the Brel classics.”

Jacques Brel is Alive and Well and Living in Paris will be the first of three shows comprising The Penny Seats’ 2016 season. The group plans to stage productions of The Canterbury Tales and Xanadu at West Park this summer, from June 16th through July 30th.

(photos by Kerry Rawald; poster by Autumn Vitale)

 

Brendan August Kelly, Lauren London, and Roy Sexton

Brendan August Kelly, Lauren London, and Roy Sexton

ABOUT THE PENNY SEATS: Founded in 2010, we’re performers and players, minimalists and penny-pinchers. We think theatre should be fun and stirring, not stuffy or repetitive. We believe going to a show should not break the bank.

And we find Michigan summer evenings beautiful. Thus, we produce dramas and comedies, musicals and original adaptations, classics and works by up-and-coming playwrights.

We also provide cabaret shows, acting classes, and wacky improv evenings. And you can see any of our shows for the same price as a movie ticket. FOR MORE INFORMATION about The Penny Seats call at 734-926-5346 or Visit: www.pennyseats.org.

Roy as Shepherd

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

SAVE THE DATE! Jacques Brel is Alive and Well and Living in Paris, presented by The Penny Seats in February at Ann Arbor’s Conor O’Neill’s

Jacques BrelYup, I’m in this show, and I have some really glorious numbers to sing. Jacques Brel is a cabaret show for all you Francophiles out there.

Or for people who like songs about Brussels, sailors, marathons, Jupiter, carousels, and baguettes.

ParisOr for those of you who want a fun Thursday night in February, having a great dinner AND a show for one low, low price! Jacques Brel runs February 11, 18, 25, and March 3 (all Thursdays).

You can read the original article from Encore here (or below), and you can order tickets ($10 for the show; $20 for the show + dinner) at www.pennyseats.org

________

Jacques-Brel--002The Penny Seats return to the stage this upcoming winter for Jacques Brel is Alive and Well and Living in Paris, a musical revue of the songs of Jacques Brel, translated into English by Eric Blau and Mort Shuman.

eiffelThe show kicks off the sixth season for The Penny Seats and will run on Thursdays February 11, 18, 25, and March 3rd, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies are partnering to offer a dinner theatre-style show, with dinner seatings available starting at 6:00 pm, and performances each night at 7:30pm. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Jacques Brel On Stage At "La Tete De L'Art", Avenue De L'Opera In Paris, France -“The show is filled with songs that explore the deepest emotions–heartache, longing, regret, fear– and yet because of Brel’s quirky perspective always manage to steer clear of the maudlin or clichéd,” explains the show’s director, Laura Sagolla. “I’m so excited to bring Brel back to those who’ve missed him and to introduce a new audience to this truly modern singer-songwriter.”

notre dameThe musical revue stars Brendon Kelly of Ypsilanti, Natalie Rose Sevick of Swartz Creek, Lauren London of Ann Arbor, and Roy Sexton of Saline. Laura Sagolla (of Ann Arbor) directs with the assistance of Matt Cameron (of Plymouth) and technical direction by Stephen Hankes (of Ann Arbor). Musical direction will be provided by Richard Alder (of Westland) as well as choreography by Paige Martin (of Ann Arbor).

Following the success of the group’s 2015 two-show summer series of The Complete Works of William Shakespeare [Abridged] and Urinetown: The Musical in West Park, Ann Arbor last summer, The Penny Seats is proud to announce another two-show summer series for 2016. The season will feature an adaption of Chaucer’s The Canterbury Tales and the 2007 Broadway Musical Comedy Xanadu, based on the 1980 film of the same name.

CarouselTheSongsofJacquesBrel“I am excited about this slate,” said Lauren London, The group’s President.  “It’s a diverse group of shows, and it explores many things The Penny Seats do well:  music, satire, comedy, open-air theater, and partnerships with other local businesses.  We’re also building relationships with some fantastic regional artists, both on stage and off.  We hope to channel some of the terrific excitement we were able to generate last year–our biggest season ever–and up the ante once more. It’s going to be a tremendous experience.”

Performances of The Canterbury Tales will run Thursday, Friday, and Saturday nights from June 16 – July 2, 2016 in West Park, Ann Arbor. Performances of Xanadu are set for July 7- July 23 , 2016 and will also run Thursday, Friday, and Saturday nights at the park.

NERD

NERD

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

The Penny Seats 2016 Annual Appeal: Next year? Even better! (VIDEO)

Penny Seats

 

Dear Friend,

Thank you for making 2015 our most successful season ever.  2016 will be even better.  But we need your help.

In six years we have enjoyed enthusiastic and growing support from the community. We’’re proud and excited, and we have many to thank. But the key to our success has been our business model:  raise each season’’s funds in advance, and don’’t spend what you can’’t raise. Because we don’’t count on ticket sales to provide the lion’s share of our funds, we can keep ticket prices very low. But it all depends on you. Community support–not ticket sales–drives our survival and our growth.

This year, we’re preparing three  shows,  one  indoors  and  two  at  the  park,  and  we  are  again  preparing  for  a  full  six-week  summer season.   First, on the heels of our sold-out run of Tomfoolery last year, we’ve again partnered with Conor O’Neill’s restaurant to bring you a dinner  theatre performance of Jacques Brel is Alive and Well and Living in Paris.   Playing throughout February and into March, this show will feature Brel’s haunting and hilarious work.  And at just $10 for dinner and another $10 for the show, it’s the best live performance value around. (Grab your tickets now at www.pennyseats.org. Space is limited!)   Next, our 2016 Summer Season at West Park  will  feature  two  knockouts:   a  modern  adaptation  of  Chaucer’s  The  Canterbury  Tales,  directed by  Anne Levy, and the 2008 Broadway smash, Xanadu (based on the cult classic 1980 film of the same name), directed by Philip Simmons. These shows, different as they are, share our penchant for humor, audience interaction, and innovation.  We can’t wait to share them with you.

Helping out is easy, and it comes with some great perks, including free tickets to all our shows. So please, take a look, and help us achieve what we set out to do. Let’’s give Ann Arbor a fabulous, top-quality summer theatre festival in the park.

Thanks.

 

Support is made possible by

 

She’s fun; she’s frisky; and she doesn’t give a f*ck. Madonna’s #RebelHeart Tour in #Detroit

Madge

Madge

Madonna albums are like cast recordings for a film or stage musical. You buy the album before you have a sense of the visual or of the narrative that overlays the music.

Iconic

Iconic

It isn’t until you watch the music performed live or in video form that you really “get” the intent.

Holiday

Holiday

And then the album becomes a kind of souvenir, an aural remembrance of the pageant and all its themes and provocations.

That is not to say Madonna’s music doesn’t stand on its own (generally it does, even the lesser works … <cough> Hard Candy) but it doesn’t really come alive until you see, sense, feel, taste (?) the spectacle swaddling her nursery rhyme-like tunes.

I’ve had the good fortune now to have seen her live on four occasions (and one additional stalking moment when I spied her gliding into a Traverse City movie theatre for the premiere of her documentary I Am Because We Are; I was perched precariously with one knee on a parking meter and one foot on John’s shoulder at the time to get the best view I could … I’m not subtle).

Body Shop

Body Shop

In 2001, she brought her Drowned World Tour (supporting Music and Ray of Light) to Detroit after years of not stopping in the Motor City. I had practically committed to memory the cheeky joys of Blonde Ambition and The Girlie Show (both of which had been broadcast on HBO) so the somber, take-no-prisoners/play-no-hits/look-at-me-wearing-a-kilt-and-playing-an-electric-guitar-badly approach of this production was an unintentional let down.

Holiday

Holiday

I wanted camp and kitsch and got sturm und drang. As the years have passed, I’ve come to reconsider my initially superficial disappointment with that show, realizing that she was predicting musically and visually the angst and anxiety and chaos that have come to define America in the 21st Century. Go figure.

Iconic

Iconic

I caught The Sticky and Sweet Tour when it stopped at Ford Field in 2008. While Hard Candy was a bit of a Milk Dud upon first listen, that show which supported the much-maligned album opened a world of confectionery delights in its rainbow-colored, kaleidoscopic staging.

In many respects, the show was a return to multi-culti appropriation form for the Material Girl as her years living hand-to-mouth in New York and her interests in hip-hop, eastern rhythms, and gypsy folk were distilled into a revelatory, propulsive brew.

Bitch, I'm Madonna

Bitch, I’m Madonna

A dark heart still beat at the center of the show as Madonna continued to channel a justifiable rage against the machine, skewering a society that consumes relentlessly and persecutes shamelessly.

If the dark heart of Sticky and Sweet was hidden behind a coating of tasty caramel, it was on full corrosive display in The MDNA Tour (supporting the EDM-chugging album of the same name). Madonna, freshly divorced from director Guy Ritchie, was letting her angry Id freak flag fly, and it was glorious … and cold.

Whereas the album at times seemed a meandering if compelling mess, the show was a silver bullet to the heart of America, with a series of pneumatic projection screens that raised and lowered to depict gun-ridden crime scenes, oppressive religious structures, and a cracked political landscape. It was a brilliant show though a tad impenetrable and joyless.

Madonna and Nicki Minaj

Madonna and Nicki Minaj

With my talented pal - actor and designer - Barbie Weisserman

With my talented pal – actor and designer – Barbie Weisserman

Which brings us to her latest – The Rebel Heart Tour – which was performed at Detroit’s Joe Louis Arena last night (October 1).

I’m a big fan of the particular record this tour supports (see my review here) which, to me, is a spiritual sequel to the caustic, intoxicating Erotica album but with a level of maturity, exhaustion, and peace that only 20+ years of living could bring. Needless to say, I was curious, excited, and a bit nervous about what interpretations she might bring to this superior collection of ditties.

She did great.

The show is a standard Madonna production, with top-of-the-line choreography, lightning fast costume changes, a healthy dose of sociopolitical sniping, and some flat-out stunning visuals (both digital and set design). What sets this show apart from the three live shows already described is that, well, Madonna seems happy. Not goofy or forced or self-aggrandizing. Just happy.

Lourdes

Lourdes [Photo Courtesy Glenn Nolan]

Her University of Michigan-attending daughter Lourdes was seated just a few rows over from us and Madonna’s father was somewhere in the crowd, so Madonna seemed genuinely, authentically giddy to be back home.

(By the way, watching Madonna’s daughter beam with pride and delight as her famous mom did her thing pretty much made the show. I suggest that somebody set up a live-feed of Lourdes to run on a screen somewhere at every tour stop from here on out.)

Material Girl

Material Girl

The show is structured in the Madonna boilerplate: four sections – a religious pastiche, a desert garage, a Latin party, and the roaring 20s. New songs from Rebel Heart are juxtaposed with left-of-center arrangements of classic hits, in a successful effort both to freshen up the old and validate the new.

Our seats

Our seats [Image Created by Becca Mansfield]

Set changes are simple but effective, achieved mostly through digital projections and some props, and Madonna’s costumes are less glam than we typically see and more utilitarian, a base costume for each of the four sections, adjusted with the addition or deletion of pieces depending on the song being performed.

The stage

The stage

One of my favorites from the new album – the title track “Rebel Heart” – is a high point of the evening. Madonna strums a guitar (she’s gotten quite proficient at it over the past 15 years!), standing alone on the catwalk stage (shaped like a crucifix, a heart at the end and spanning the entire arena floor), with a series of fan-created tribute images behind her.

Who's That Girl

Who’s That Girl?

As we watch hundreds of interpretations of Madonna’s famous mug morph one into another – water color, photo collage, pen and ink, and so on – what would have once seemed yet another exercise in her seemingly limitless supply of hubris is instead touching and loving, a capstone on an exceptional career that continues to brim with unbridled potential.

Her mother's daughter [Photo Courtesy Glenn Nolan]

Her mother’s daughter [Photo Courtesy Glenn Nolan]

As I viewed those images, I thought of college-age Lourdes sitting a few rows away, gobsmacked myself at how time slips away and wondering what must be going through Madonna’s daughter’s head as she watches countless depictions of her mother’s famous stances and poses sail by.

The show is riddled with such visceral, thoughtful, and, yes, entertaining moments. Opener “Iconic” with a guest video appearance from Mike Tison is a bombastic gut punch, Zack Snyder’s 300 if designed by Bob Mackie, with Madonna, the Warrior Queen, descending from the ceiling in a gilded cage.

Music

Music

Thereafter, we quickly enter Madonna’s favorite territory – pop blasphemy lite – with a sequence that ends in a “Last Supper” tableau, that is if the Last Supper had been held in a discotheque in Miami. What a pip!

The show slows down a bit after that, allowing both performers and audience, to stop clutching their pearls and to catch their breath.

Motown

Motown

As Madonna strums away, she turns classic chestnut “True Blue” into a campfire ode and makes the raunchy “Body Shop” sound like a salute to old-fashioned courtship and love.

Classic club track “Deeper and Deeper” makes a glorious return to stage in one of the most epic line-dances I’ve ever seen, and we even got a winking re-branding of “Material Girl” (a perfect song that Madonna has always inexplicably claimed to hate, which is a shame because it’s … perfect).

True Blue

True Blue

Merchandise!

Merchandise!

Madonna, possibly still smarting from not getting cast in Chicago, struts atop a steeply angled platform, dressed as a 20s flapper and crooning all those famous “some boys” lines from the tune, knocking one male dancer after another off her perch as they slide down the raked stage into a tuxedo-garbed heap on the floor.

There is a glorious flamenco-style medley of her classic tunes that spins out of Madonna’s torreodor-from-space visioning of her recent hit “Living for Love,” and she slaps “Like a Virgin” on the behind and turns it into a dub-step R&B banger. It shouldn’t work, but it does. Brilliantly.

And then there was the moment where she sang “La Vie En Rose” … in powerful voice … in French … with a ukulele. Simply because her daughter loves the song and asked her to sing it. Not a dry eye in the house.

Barbie with new friends all the way from Australia - Glenn and Philip

Barbie with new friends all the way from Australia – Glenn and Philip

(I daresay this is a direction she might want to pursue more fully for her next reinvention. Please? If Lady Gaga can monkey around with Tony Bennett, Madonna can go full Edith Piaf.)

The show has its flaws. Any big arena tour doesn’t hold up under intense scrutiny. These are circus acts for the new millennium, full of false emotions, phony posturing, smoke and mirrors.

MeBut what Madonna does so well on this tour is humanize: herself, her personae, her history, her songs, her legacy.

We have lived with a rigid, defensive Madonna for about 15 years now (I blame Guy Ritchie … or England), and we are starting to get our quintessentially American street urchin, our mugging-Horatio-Alger-rag-dolly back, and I couldn’t be happier. She’s fun; she’s frisky; and she doesn’t give a f*ck.

Welcome back, Madge.

____________________________

CakeSpeaking of Rebel Hearts …

This past Sunday, September 27, I married my long-time partner John Mola in a ceremony officiated by Ann Arbor Mayor Christopher Taylor and Pastor Ian Reed Twiss and attended by a small gathering of family and friends. We honored our guests with donations to the Huron Valley Humane Society and also gave, on behalf of the wedding officiants, to Equality Michigan, 826Michigan, and the Jim Toy Center.

John and Roy

John and Roy

Dinner at Weber’s in Ann Arbor, Michigan, immediately followed the ceremony and included a three-tiered wedding cake that gave a nod to John’s and my shared interests in Disney, superheroes, and classic cars.

Family

Family

Our parents Susie and Don Sexton and Luci and Simone Mola (respectively) presented the grooms, and readings (1 John 4: 16-21; excerpt from the Supreme Court ruling Obergefell v. Hodges, and “Maker of Heaven and Earth – All Things Bright and Beautiful” poem by Cecil Frances Alexander) were given by Stephanie Kassman, Rachel Green, and Gabby Rundall (our niece). Lori Rundall, John’s sister, presented the toast, and photographs of the event were taken by Gabby Rundall and Kyle Lawson.

100_2035

Vision in green – Zach & Susie

About the day, my mom wrote on her blog (here) …

“Took a tumble off some steps and directly into prickly shrubbery, rode in a limousine–my virgin ride, kept my hat on, lost my dress and my shoes, urged the Ann Arbor mayor to prevent deer culling, learned I am not alone in detesting Bing Crosby, spoke to a journalist about the Last Tango in Paris and why I sorta love Trump and not Bernie and that I want to vote for Hillary, posed with Zach because we are kindred spirits and love mint green, met my second minister that I see eye to eye with since the beginning of time, and today am sore all over ‘my little body’? And the wedding occurred on schedule in spite of it all and was the happiest moment of my lifetime! Congrats, John and Roy ♥!!!!

John and I dearly love this description – it makes me smile every time I read it!

Ian, John, Roy, & Christopher

Ian, John, Roy, & Christopher

Thanks to our parents and our family for their love and support and their unyielding championing of bravery and authenticity and kindness. Thanks to our friends for giving us this wonderful network of fun and joy. Thanks to Ian and Christopher for their guidance and their important and gracious roles in making it all “official.” Thanks to the Supreme Court for doing the right thing in the face of a wall of political foolishness.

IMG_2894And, I can feel John rolling his eyes now, but thanks to performers and artists like Madonna, who have pushed for compassion and inclusion for decades for us all, for anyone who is different or who is judged unfairly based on gender, age, race, species, sexuality, faith, financial status, and so on. We are a nation that can do so much good by just being kind. Let’s do more of that.

____________________________

Image by Lee Gaddis of Gaddis Gaming

Drawing of yours truly as a superhero by Lee Gaddis of Gaddis Gaming

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Urinetown reviewed! “Enjoyable two hours out in the park with fine singers, actors and dancers and an amusing, satirical musical comedy”

Ensemble

Ensemble

WOW! What a fantastic opening weekend for Urinetown – capacity crowds, wonderful feedback, marvelous coverage, and an amazing review from Bridgette Redman for Encore Michigan – click here to read.

Here is an excerpt …

“Director Lauren M. London has her work cut out for her with the space. There is a moat between the bandshell where the orchestra plays and the main staging area where most of the action takes place. She has no choice but to let some of her actors be seen before the arrive on stage as they have a bit of a hike to get to the stage, but she manages that well and creates compelling stage pictures so that you’re not looking off to the sides.

Maika Van Oosterhout and Roy Sexton

Maika Van Oosterhout and Roy Sexton

“Roy Sexton plays Officer Lockstock, the narrator for the evening. He kicks off the musical with a speech that prepares the audience for what they can expect—an evening of satire and parody. Little Sally (Paige Martin) joins him in his early exposition and they frequently break the fourth wall to outright talk about the musical. Both are skilled in their roles. Sexton narrates with aplomb, moving in and out easily of narrator and police officer. Martin is loveable and innocent, asking naïve questions that Sexton answers magnanimously. She has great physicality, doing cartwheels and splits and interacting with the teddy bear she carries with her. She believably creates a child much younger than her actual age.

Ensemble

Ensemble

“Linda Rabin Hammell brings character and spice to the role of Penelope Pennywise. She’s peppery as the custodian of Public Facility #9, insisting that everyone pay the proper fee else not get to pee. Her voice is perfect for the role.

“Brendan Kelly makes a handsome lead as Bobby Strong, the revolutionary leader who follows his heart. He’s earnest and heroic, with a strong singing voice that carries him through his many songs. …

Sarah Ann Leahy, David Kiley, and Roy Sexton

Sarah Ann Leahy, David Kiley, and Roy Sexton

“Playing opposite Kelly was Maika Van Oosterhout as Hope Cladwell. Hers was a fun role and she carried it off with style and grace. Her eyes were constantly wide, portraying an innocence and naîveté that fit the part well. She was especially amusing dancing while bound and gagged in a chair.

“There were no weak members in the ensemble either. Each of them had their own characteristics, making them individuals while still fulfilling the part of an ensemble. They were giving to each other and changed quickly between roles when doubled. They did an especially good job as the town’s poor who desperately needed to pee in the first act and in the second were revolutionaries that were brash and frightened.

Maika Van Oosterhout and Brendan Kelly

Maika Van Oosterhout and Brendan Kelly

“The singing, under the musical direction of Richard Alder, was impressive, as was the pit band that performed the music to accompany it. There were complicated harmonies throughout and upbeat songs that often belied what they were singing about. …

“Victoria Gilbert’s choreography was most often amusing and always fit with the character of the show. Bridget Bly deserves a callout for her costumes. She provided good contrast between the UGC employees and the run-down poor of the city. She also made it possible to switch in and out of costumes, sometimes right on stage.”

Read the complete post here

Roy Sexton

Roy Sexton

AND a subset of the cast (including yours truly) appeared Friday on Rebecca Hardin’s charming WCBN radio show Hot in Here. The audio is here, and you can read about the special collaboration that prompted the broadcast here. Be sure to check out Hot in Here‘s page (here) if you want to hear me epically mangle the “Cop Song” from Urinetown. Plus, I say words like “crap,” “damn,” and “tinkle” on the air … probably why it took them a while to post it! 🙂 You will also hear our director and president Lauren London say really smart things about art and theatre and Ann Arbor as well as the mellifluous tones of fellow cast members Brendan Kelly, Maika Van Oosterhout, and Paige Martin, accompanied by our wonderful music director Richard Alder (BTW, a great article about Richard appeared in the latest Detroit Jewish News – see below).

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Last but not least, a special thanks to the friends who made this opening weekend so special with their attendance (and apologies to anyone I missed): John Mola, Rachel Green, Kyle Lawson, Jim Lynch, Nick Oliverio, Brent Stansfield, Zach London, Sharon Steig, Ashley Kryscynski, Heidi Fisher, Matt Cameron, Kelly Cameron, Anne Cattermole Levy, Artun Kircali, Leanne Young, Ivan Procopovich, Robin Skiba Myler, Laura Sagolla, Barbara Davenport, Roxane Raffin Chan and Kevin and friends and family, Magda and Dan Johnson, Rachel Urist, Jen Esch and friends, Angie Choe and Sean, Roberta and Richard­­­ London and family, Jason Gilbert, Ivan Procopovich, Christopher Taylor, Eva Rosenwald, Narda Wishka, Kristy McDonald and Thatcher. Two more weekends (Thursday, Friday, Saturday performances, all 7 pm) – get your tickets at www.pennyseats.org before they’re all gone!

Photos (above) by Ivan Procopovich

Richard Alder ____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Talk of the Town features Reel Roy Reviews, Vol. 2

Reel Roy Reviews, Volume 2

Reel Roy Reviews, Volume 2

Thanks to Jennifer Romano and Talk of the Town! Read here. Quote from yours truly: “As my blog rolls into another year of entertainment, rife with comic book adaptations, sequels, Oscar bait, arena shows, and theatrical productions big and small, sometimes I wonder if I am choking the life right from this hobby of mine. Can you imagine if every time you saw a film that your OCD tendencies forced you to rush home, throw some quippy hoo-ha on the internet, and wait eagerly for 3.5 comments to appear? Ah, well, it’s still too much fun to stop now—anticipate Volume THREE Roy’s Movie Migraine shortly.”

Roy and Susie waiting for the big show

Roy and Susie waiting for the big show

BONUS: Enjoy this fabulous new blog entry from my mom Susie Duncan Sexton – provocative and fun! Read “Got (almond) milk? Books, movies, politics, culture, and AGRIganda” by clicking here.

Excerpt: “Regarding BUT HAVE YOU READ THE BOOK jazz, my mother ALWAYS asked that question. Guess what? She very seldom had actually read the books herself; I preferred to write my book reports based on the more enjoyable movie versions!”

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Even though I am too old to be doing all these silly things

I am very lucky to have parents who continue to support and celebrate everything I do, even though I am too old to be doing all these silly things. My dad always makes a point to brag about me at his weekly Rotary meetings in Columbia City, Indiana, the small town in which I grew up and where my parents still reside. Below is a snapshot of the front page of the latest Rotary newsletter – you can see a mention of me and the latest book in the lower right corner. Thanks, Susie and Don – love you!

Axle Grease RRR2

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Volume 2 is number 2 … right now on Amazon

Thanks, everyone! What an exciting Oscar Nomination Thursday for Reel Roy Reviews! Get your copy of the latest volume here.

 

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