“What if this man is your Hasselhoff?” Guardians of the Galaxy, Vol. 2

[Image Source: Wikipedia]

Marvel movies always suffer a bit from sequelitis. The first entry in any given super-franchise of theirs always has a fizzy independent spirit and a distinct point of view that resonates, even amidst the blockbuster marketing hype and merchandising mania. Invariably, the second entry arrives a bit bloated, a bit self-satisfied, over-playing the light froth that worked the first time around, under-playing the humanity that connected, and over-stuffing the proceedings with far too many “special guest stars” and comic geek catnip “Easter Eggs.”

Guardians of the Galaxy, Vol. 2, directed again by James Gunn, tries to have its cake and eat it too, embracing these follow-up pitfalls in one cheeky meta nod after another (even the title itself) while never really skewering them enough to keep the flick from feeling focus-grouped within an inch of its life.

All your favorites return: Chris Pratt has Han Solo-esque fly boy Peter Quill/Star-Lord, Zoe Saldana as sardonic a**-kicker Gamora, Dave Bautista as cuddly nihilist Drax, Bradley Cooper voicing Ed-Asner-in-raccoon form Rocket, and Vin Diesel voicing the now adorable (and very marketable) tree creature Baby Groot. We even get flinty Michael Rooker back as Quill’s loved/hated proxy daddy Yondu and perpetually sullen Karen Gillan as Gamora’s thundercloud sister Nebula.

Oh, but if that’s not enough – Kurt Russell, being his most blow-dried Kurt Russell smarm/charm self, shows up as Quill’s “birth” father “Ego, the Living Planet.” (Yup, your read that correctly.) And Sly Stallone keeps popping up as some kind of somnambulant Jiminy Cricket to failed space pirate Yondu.

There are a race of video game playing golden hued Oscar Statue clones – the Sovereign – led by a Cate Blanchett-aping Elizabeth Debicki as their queen Ayesha. Chris Sullivan from This is Us appears as a crabby mutineer with the regrettable name  Taserface. Sean Gunn from Gilmore Girls nips at the edges as Yondu’s turncoat major domo Kraglin. And Pom Klementieff is the most welcome new addition as Ego’s aide-de-camp Mantis, an naive empath whose heart is as big as her anxiety and ignorance.

[Image Source: Wikipedia]

The film, like any space opera, is choppy and episodic, hopping from one interchangeable  MC Escher-over-designed planet to another, one ear-rattling nausea-inducing firefight to the next, as our band of scruffy misfits bicker and squabble on their way to discovering the “important life lesson” that we anticipated from beat one.

Guardians, Vol. 2 opens with a CGI-de-aged Russell wooing Star-Lord’s mother in 1980, all feather-coiffed and hot rod convertible Mustang’ed swagger. The strains of the admittedly addictive “Brandy, You’re a Fine Girl,” seeping through every corner of the theatre’s immersive Dolby Surround Sound.  The first film left us with the question: who is Star-Lord’s father?

Alas, the sequel already answered said question in the ubiquitous television ads that have been airing since January’s Super Bowl. And as for the actual narrative impulse of Guardans, Vol. 2? It aims to compel us amidst the flat-one-liners and scatalogical digs that family doesn’t make us but rather we make the family we want. However, hitting us over the head with a homily just gives the audience a headache, not enlightenment.

At one point, Gamora (Saldana) reminds Quill (Pratt) of a story he had shared with her previously: that, as a boy, he told the other children at school that his real father was David Hasselhoff, the “great” actor of TV who drove a talking car and possessed the “voice of an angel.” She then queries, “What if this man [Kurt Russell – ‘Ego’] is your Hasselhoff?” It is a genuinely sweet/sad/funny moment, the kind the original film had naturally in spades – lovable in its absurd earnestness. Unfortunately, with Vol. 2 the set-up is far too labored, making the poignant punchline an afterthought – even including Hasselhoff himself in a couple of unnecessary cameos after this exchange AND adding a weird Hasselhoff disco-ditty to the film’s available-at-Target-now soundtrack. Talk about gilding the lily.

I believe Gunn had the best of intentions, taking mythological/Freudian father/son God complex fixations and running them through a madcap Friz Freleng blender, in the hopes of crafting a hero’s quest that was as irreverent as it was moving. It just didn’t work for me. And that makes me sad.

Early in the film, Drax (Bautista) cautions Quill on the ways of love that there are “those who dance and those who do not.” I enjoyed the film just fine, but it felt far too much like work and I felt far too exhausted when  I exited the theatre 2.5 hours (and five?!? bonus mid-credits scenes) later. There are movies that dance – Guardians of the Galaxy, Vol. 1 – and there are those that don’t – Guardians of the Galaxy, Vol. 2. Next time, let’s hope the gang is a bit lighter on their feet.

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[Image Source: Wikipedia]

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Papa Weeze presents Stand Up Fashion event May 21 and 22 – Where standing up for a cause meets runway fashion

2016 Stand-Up Fashion Show Flyer_Page_1Sharing on behalf of my pal Barbie Weisserman – sounds like a fun event! Don’t miss it!

DETROIT – Presented by Papa Weeze, Stand Up Fashion is an annual event that brings together artists of all different mediums into TWO illustrious nights of events, May 21 and 22, at 31440 Northwestern Highway in Farmington Hills. The event features an artists gallery and fine hors d’oeuvres (open and close in the lobby), an opening stand-up comedy performance, and a fashion extravaganza featuring local designers of all ages and experiences.  These are two days of fun and fashion you do not want to miss. 

 Now in its second year, Stand Up Fashion’s main event is a high-fashion show featuring local designers on Saturday night.  From stunning ball gowns to avant garde designs made from unconventional materials, the designers are sure to make jaws drop.  The first evening starts at 6pm for a wine reception and 7pm for the show.

Papa Weeze executive director Barbie Weisserman noted, “I can’t tell you how thrilled we are to see this event enter its second year. Papa Weeze’s mission to inspire and promote local artists has really resonated, and 2016’s Stand Up Fashion is even bigger, bolder, and more provocative than before. You will see it all: steam punk, cosplay. up cycle, vintage clothing and wedding gowns, costumes, wearable art, and more. Our emcee is the divine Ms. Lauren Jacobs. You are in for a treat!”

papa weeze collageSunday’s event is a breakdown of fashion trends, appreciating the art of clothing from all different walks of life – especially those often overlooked.  From cosplay to steampunk to drag, Sunday will inspire you to look at the unusual and unexpected in a different light.  Sunday’s proceedings begin at 1pm for refreshments and 2pm for the show. There will also be a silent auction, raffle, and opportunities for audience members to vote for their favorite designs.

Weisserman adds, “Earlier this year, our first short film, Getting Ed Laid, starring Ed Asner and Jean Smart and directed by Deborah Pearl, took the ‘Lou Costello Award for Comedy Short’ at the 2016 Garden State Film Festival. And now this event has grown from one to two days. I’m over the moon with the trajectory Papa Weeze has taken, and I invite everyone to come play with us!”

Stand-Up Fashion 2016 will take place Saturday, May 21st and Sunday, May 22nd at: 31440 Northwestern Highway Farmington Hills, 48334. Advance tickets ($20 for Saturday; $15 for Sunday; $30 for both days) are currently on sale at the Papa Weeze website: http://papaweezeinc.org/standupfashion/. (Tickets purchased at the door will cost an additional $5 each day.)

Design and artist gallery applications are still being accepted, also at this web address. If you are interested in modeling or have a vintage wedding gown to donate, please email Weisserman at papaweeze.inc@gmail.com.

 
About Papa Weeze:
 
There is no shortage of quality theatre companies in Southeast Michigan, but unlike other metro areas the success of “arts collectives” – marrying the spontaneity of theatre, cabaret, and improv with the abstract joys of movement and dance as well as the crafts of design, fashion and visual arts – has been more hit-or-miss.
 
PAPA Weeze” aims to “to provide collaborative opportunities for professional artists to create and display all forms of art, in an attempt to entertain, educate and expand.” The organization, led by long-time local theatre professional Barbie Weisserman, is named for her late father-in-law Harold Weisserman, an individual whose generosity and heart led him to support many creative and entrepreneurial efforts in the community.
 

The group’s flagship project for 2015 was crowd-funding/producing a short independent film Getting Ed Laid, written by Deborah Pearl (Designing Women) and starring Ed Asner (The Mary Tyler Moore Show, Lou Grant) and Jean Smart (Designing Women, Fargo). Recently, the film received the “Lou Costello Award for Comedy Short” at the 2016 Garden State Film Festival.

2016 Stand-Up Fashion Show Flyer_Page_2

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89c5ae6d-f751-4b98-a71d-05a7775042f8Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.  My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.