“Lights. Camera. Cure.” theatrical event to raise money for American Cancer Society Relay for Life, February 6 + delightfully serendipitous miscellany

Originally published by BroadwayWorld here.

“Lights. Camera. Cure.” is a special theatrical event to be held Wednesday, February 6, 2019 at 7:00 p.m. (doors open at 6 pm) – a musical fundraiser featuring classic film hits as sung by local performers at The Village Theater at Cherry Hill. View a preview video here

Producer/director Denise Staffeld of Lake Michigan Credit Union observes, “Last year, we had a vision to do a Cancer Society fundraiser that celebrated the healing power of Broadway. I had no idea – though I had faith – that it would be such a runaway success. We sold out the house, and raised over $15,000. We also had an amazing time along the way, so how could we NOT do this again?”

Music direction is by Kevin Robert Ryan, Director of Music and Liturgy at St. Thomas a’Becket Catholic Church. Ryan adds, “I love working with this cast. They are so clever and so talented. Film music speaks to all of us, doesn’t it? Reminds you of a happy time or a special memory. We’ve got Disney hits, classic musical numbers, The Wizard of Oz, on through The Greatest Showman. This is going to be an absolute ball.” Jeff Mongrain, Sonny Teodoro, and Joel Walter round out the orchestra.

Roy Sexton, director of marketing for the Clark Hill law firm, will emcee the evening as well as perform. “I wouldn’t miss this for the world. Denise is a long-time friend and such a pillar of our community. I don’t know how she does all that she does, but I’m honored to be a part of this. And somehow she’s convinced me to sing a Whitney Houston solo from The Bodyguard. This could get really interesting,” notes Sexton.

The cast is comprised of semi-professional and professional talent from throughout Southeast Michigan’s theatre community: Shirley Auty, Denise Staffeld, Aimee Chapman, Christina Bair, Cathy Golden, Cathy McDonald, Caitlin Chodos, Noel Bittinger, Julzie Gravel, Bethany Basanese, Keri Mueller, Janine Creedon, Tracey Bowen, Diane Dimauro, Roy Sexton, Jeff Steinhauer, AJ Kosmalski, Bruce Hardcastle, Tim Chanko, Kurt Bowen, Tracy Neil, Carl Nielsen, David Dilsizian, and Paul Bromnick.

Kelvin Elvidge will serve as sound designer/engineer. Lia DeBiasi is the production’s stage manager, and Daniel Pocock will assistant stage manage. There will be special appearances by Tom Cassidy and Canton Township Supervisor Pat Williams, opening remarks by Kim Scartelli, and event support by Megan Schaper (American Cancer Society) and Tammy Brown and Marion Rozum (Chicks 4 Charity).

Before the performance, there will be a red carpet reception, with silent auction and desserts. Just like the Oscars, there will be a pre-show, hosted by Canton Chamber of Commerce President Thomas Paden and Stephanie Tierney.

Paden laughs, “We get to channel Ryan Seacrest and Joan Rivers. We are going to broadcast via Facebook live, interviewing attendees as they arrive and sharing real time updates on our fundraising. I’m thrilled to be part of this and to see us all take this event to the next level.”

American Cancer Society Community Development Manager Megan Schaper notes, “The Cabaret is a great representation of the flexibility we have in partnerships. We want to attach cancer how our communities want to attack it. So ideas like musicals and other fun things allow us the chance to connect with different groups in the community and spread out our efforts year round.” Schaper supports Canton, Plymouth, Westland, Wayne, Ypsilanti, Livonia and Redford.

All proceeds for this event benefit the American Cancer Society Relay for Life Canton-Plymouth Event.  Tickets are available for $25.00 by visiting www.cantonvillagetheater.org. The event includes the performance, dessert reception, coffee bar, a silent auction and a cash bar.  This event is being offered in partnership with the Women’s Life Society, Chapter 827, Chicks for Charity and The American Cancer Society.

“We have so many surprises in store.” Tammy Brown of Chicks for Charity said. “We’ve already sold nearly a third of our tickets as the people who saw last year’s show don’t want to miss the next installment. Everyone loves movies, and everyone loves helping their neighbors, friends, and family. We are fighting this insidious disease with hope and music, your dollars and love. Please join us.”

Today, I’m sporting a new birthday gift (the shirt) from my folks AND proudly displaying (in my office) the sweet card they made me.

[View the Canton Chamber of Commerce’s recent “Business Spotlight” video feature on “Life is a Cabaret” here.]

Tickets: Online or visit or call the theater 10am-2pm Monday-Friday. 734-394-5300 ext 3. PLEASE LEAVE A MESSAGE. CALLS WILL BE RETURNED WITHIN 24 HOURS OR WEEKEND CALLS BY END OF DAY MONDAY. All ages must have a ticket. No refunds or exchanges.

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Have I mentioned how proud I am to be on the Mosaic Youth Theatre of Detroit board?

From The Detroit News: “Jeffrey Seller [Hamilton producer] recently saw the youth perform at New York’s The Public Theater. ‘He had the reaction that a lot of people have when they see the performances,’ Stefanie Worth said. ‘He was really, really impressed by the young artists. He has an affinity for what Mosaic does.’ … The $1 million grant will be used for two of Mosaic’s most popular programs: its four-week summer camp and the Mosaic Experience Empowerment Program, an eight-week after school program in nine Detroit schools. Both programs teach kids theater and vocal training and culminate with a student showcase, said Worth, who recently took over as Mosaic’s executive director.”

More: https://www.detroitnews.com/story/news/local/detroit-city/2019/01/02/detroit-theatre-gets-1-m-hamilton-producer/2468760002/

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Lol. Well, thank you, Heather Morse-Geller! I think we make a fine team where THAT is concerned:

“Life is too damn short, and, honestly, Roy Sexton can only bring so much FUN to the world. So, yes, #BeARoySexton. Don’t take yourself or your life or your job too seriously. Give back to those around you, and have some FUN while doing it all!”

More: https://www.legalwatercoolerblog.com/2019/01/03/new-year-new-no-way/

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

My mom Susie Duncan Sexton published in Metro Detroit’s “What’s in a Name?” anthology

So proud of my mom Susie Duncan Sexton (www.susieduncansexton.com)!

Just in time for the holidays, the “What’s in a Name?” collection from the Dearborn Public Library is now available on Amazon.com!

“Hoosier author Susie Sexton’s essay ‘WAIT! PRIOR TO TOSSING ME INTO A WEATHERED HATBOX…READ ME FIRST’ has been published in the latest Henry Ford Centennial Library ‘Big Read’ anthology What’s In A Name? The book is available for purchase on Amazon. Sexton’s work was published in the organization’s prior two ‘Big Read’ collections Call of the Wild Dearborn: Animal Tales (also providing the photographic cover art) and Dreaming Dreams No Mortal Ever Dared to Dream Before.”

Purchase here.

Read BroadwayWorld’s coverage of Susie, her work, and this publication here: https://www.broadwayworld.com/detroit/article/Author-Susie-Duncan-Sexton-Published-In-Dearborn-Public-Librarys-Whats-In-A-Name-Anthology-20180427

A night at the opera: Tipping Point’s production of A Comedy of Tenors

Originally published at EncoreMichigan here

“Dying is easy, but comedy is hard” goes the old mantra, hyperbolically detailing the degree of difficulty for making an audience laugh. That said, it probably should be modified to read: “Dying is easy, comedy is hard, and farce is impossible.” Whether you love farce or not (I sorta don’t), it requires the crack timing of a Swiss clock, the physicality of a gymnast, and the rapid-fire delivery of a machine gun.

Fortunately, for those in the opening night audience of Tipping Point’s latest A Comedy of Tenors, farce is one of the company’s super powers.

The piece, a sequel to Ken Ludwig’s Lend Me A Tenor, details the chaotic hours before an operatic concert of three (maybe four) tenors in 1930s Paris. As the performance hangs in the balance from the tempestuous machinations of a set of male divas (toxic masculinity in its absurdist reality), producer Saunders (a hellzapoppin’ human stress-ball performance by company mainstay Dave Davies) flips every lever, ethical and otherwise, so that the show can go on.

As you can imagine, many doors are slammed as the cast romps about Monika Essen’s creamy-fine French Moderne set (someone be sure to reinforce all those floor joists for the duration of the run!). Costuming by Suzanne Young is period-perfect, ultra-tailored gorgeousness. And with Midwesterners trying their hands at a world’s atlas worth of dialects (high and low country Italian, Brooklynite, Russian), dialect coach Christopher Corporandy has his work cut out for him … and succeeds with “it’s a small world after all” aplomb. Able lighting and sound design, effortlessly transitioning the action from hotel suite to arena stage and back again, are provided by Neil Koivu and Julia Garlotte respectively.

The cast is on the balance terrific. As opera superstar Tito, the emotional vortex of this comic storm, Richard Marlatt is clearly having a ball, and, pun intended, never misses a note. I won’t spoil the first-act surprise, but he has to work double-time and applies a refreshing amount of nuance to differentiate the contrasting moments he has to play. He is aided and abetted by the ever-fabulous Sarab Kamoo as his long-suffering, take-no-prisoners wife Maria.

Joe Zarrow brings a lovable accessibility to production assistant turned singing sensation Max, and Nick Yocum sparkles as young matinee idol sensation Carlos. Tito and Maria’s Hollywood hopeful daughter Mimi could be a thankless role, bringing more narrative complication than character definition, but Hope Shangle nicely blends the hot-headed charm and earnest pragmatism of her stage parents. Last but certainly not least, Melynee Saunders Warren is a Molotov cocktail tossed into the play’s second act as a Russian chanteuse whose unrequited love for Tito escalates the mania to a fever pitch. She is sheer slinky stage magic.

The script is more sitcom than art, and that’s just fine. The opening night audience was enrapt by the crackerjack performances. Directed with military precision by Angie Kane Ferrante (assistant direction by Mary Conley), this top-of-their-game cast elevates the material and delivers a fine and fun evening of escapist entertainment. And, heaven knows, we all could use that. A frisky holiday offering from the always exceptional Tipping Point.

Tipping Point Theatre presents Ken Ludwig’s A Comedy of Tenors Thursdays through Sundays, November 15 through December 23. Previews November 15 and 16 include talkbacks the producing artistic director James R. Kuhl and director Angie Ferrante. Tickets are $26. Senior citizens 62 and older: $2 off per ticket; groups of 15 or more: $3 off per ticket for all performances, excluding previews and opening night. This may be combined with the senior discount. All tickets are available online at http://www.TippingPointTheatre.com.

Click here for show days, times and details.

Thanks, David Liebrecht of Heartland Home Health & Hospice, for the nice shout out at the 57 minute mark here on Mark S. Lee’s “Small Talk” program. And to Brenda Zawacki Meller of Meller Marketing for alerting me! Always a fun and informative show.

Plus, Blaire Miller, CCM, MBA of Hunter Group, Sheilah Clay and Linda Little MBA, RN, CCM of Neighborhood Service Organization – NSO, Bob Lambert of Detroit Foundation Hotel, and Paula Christian Kliger, PhD of Psychological Assets Pc.

Listen to Small Talk with Mark S. Lee – November 18th, 2018 by Lee Group #np on #SoundCloud

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Re-Post: Kerr Russell Director of Marketing Roy Sexton to discuss the firm, legal marketing, nonprofits on “Small Talk with Mark S. Lee” (WXYT 1270, CBS Sports Radio, Radio.com)

Shared from my employer Kerr Russell’s website.

Kerr Russell Director of Marketing Roy Sexton [that’s me!] will be a guest on this week’s “Small Talk with Mark S. Lee” broadcast, scheduled to air Sunday, 9/2/18, 8-9am, EDT, on WXYT 1270, and streamed via radio.com (search 1270/Detroit). You can also download the Radio.com app and here’s a link: https://app.radio.com/wvK9HktXjP.

If you missed the “Small Talk with Mark S. Lee” broadcast, you can listen at the link: Aretha, game theory, legal marketing, and the power of women! https://leegroupinnovation.com/small-talk-with-mark-s-lee-september-2nd-2018/

“On this Labor Day weekend and as you’re sitting back, enjoying the day and preparing for the upcoming week, just sit back, relax and enjoy the conversation with the following guests: Pamela Dover, Senior Director, Comcast Business & Shahida Mausi, Right Productions & Chene Park; Bryanne Leeming, Founder & CEO, Unruly Studios; Roy Sexton, Kerr Russell; Kim Boudreau Smith, Inc., Entrepreneur & Author.”

Listen here: https://leegroupinnovation.com/small-talk-with-mark-s-lee-september-2nd-2018/

[Sexton is photographed with WWJ NewsRadio’s Lloyd Jackson – upper left – and Mark S. Lee – upper right. Photos by Kim Bourdreau Smith – lower left, another guest on this week’s program.]

Mark S. Lee is President & CEO, The LEE Group, an independent integrated marketing consulting firm focused on providing marketing, branding and communication solutions to clients.

He is the former Vice President of Brand Development and Marketing Communications at Florida Blue, Florida’s Blue Cross Blue Shield plan, where he was responsible for leading the company’s brand initiatives, marketing communications and the development and implementation of promotional programs focused on supporting strategic priorities.

Prior, Mr. Lee held senior-marketing leadership roles with nationally known companies across the country including, PepsiCo, The Auto Club Group (AAA), et. al.

His column turned blog, “Small Talk with Mark S. Lee”, appeared in the Michigan Chronicle for three years and now appears via blog for Crain’s Detroit Business.  It provides tips to businesses who are interested in growing their business and to individuals who aspire to become entrepreneurs.

Roy Sexton is responsible for leading Kerr Russell’s marketing, business development, communications, and strategic planning efforts.

He has nearly 20 years of experience in marketing, communications, business development, and strategic planning, having worked at Deloitte Consulting, Oakwood Healthcare (now Beaumont), Trott Law (formerly Trott & Trott), and St. Joseph Mercy Health System. He has been heavily involved regionally and nationally in the Legal Marketing Association as a board member, content expert, and presenter. He is treasurer-elect currently for the Legal Marketing Association’s Midwest Regional Board of Directors. He was named a Michigan Lawyers WeeklyUnsung Legal Hero” in 2018.

Michigan Lawyers Weekly’s profile of Director of Marketing Roy Sexton – “Unsung Legal Heroes” (page 12)

He earned his Bachelor’s degree from Wabash College, and holds two masters degrees: an MA in theatre from The Ohio State University and an MBA from the University of Michigan. He is a graduate of Leadership Detroit and Leadership A2Y, was a governor-appointed member of the Michigan Council of Labor and Economic Growth, and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012.

He served as an at-large member of LMA’s Midwest Regional Board, served on the advisory committee for Strategies Magazine, and was a member of the Social Media SIG steering group. He has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. He currently sits on the boards of Ronald McDonald House Charities of Ann Arbor, Royal Starr Film Festival, Mosaic Youth Theatre of Detroit, and encoremichigan.com. He is a published author with two books Reel Roy Reviews, Volumes 1 & 2.

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“No one is alone.” My Michigan Lawyers Weekly “Unsung Legal Heroes” Q&A

“Michigan Lawyers Weekly is proud to announce the 26 members of our second class of ‘Unsung Legal Heroes.’ This program honors law firm employees who have consistently gone above and beyond the call of duty, often behind the scenes. This award is reserved for the state’s most talented and dedicated legal support professionals. Judging by the response we received since we launched this program last year, lawyers are embracing this opportunity to show appreciation for key staffers. This class represents several aspects of legal support, including a law librarian, paralegals, legal secretaries, firm administrators, information technology, and legal marketing. The honorees will be profiled in a special supplement in the July 30 issue of MiLW.”

Well, that supplement was released today. I am honored to have been included, and my Q&A follows …

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“He puts the ‘hell’ in ‘hello.” The Barn Theatre’s production of Bonnie and Clyde the Musical

Melissa Cotton Hunter and Jonnie Carpathios [Photo from The Barn’s Facebook page]

In a time when vanity rules the day, socioeconomic disparity drives a culture war of epic proportions, and shallow aspirations of celebrity glitz and glamor are seemingly the sole requirements to seek (and win) public office, Frank Wildhorn’s Bonnie & Clyde the Musical (running July 3-15) is an inspired choice for the 72nd season of Augusta, Michigan’s summer stock venue The Barn Theatre.

Earlier this season, The Barn performed another Wildhorn piece – Civil War – with comparable commentary on the corrosive myth-making and partisanship that tears at the heart of our nation. Who knew Wildhorn could be so deep?

I suspect there’s a reason we don’t see Jekyll & Hyde on the Barn’s slate this season.

That said, like any Wildhorn show, the treatment of history tends toward the romantic (or the superficial … depending on your point of view). Regarding Wildhorn, while the man only writes the music, he sure gets blamed for a lot of the structural flaws in his shows. Strange thing that, and I’m just as guilty as any other critic, so here goes … Sondheim, he ain’t. Bonnie & Clyde overlays the tale of the notorious bank robbers with a kind of misunderstood outlaw prince/princess narrative that is less Natural Born Killers, more Lifetime TV. In less capable hands, that approach can be maddening, especially with so much subtext to mine about the always twisted nature of fame (and infamy) in America.

Jonnie Carpathios [Photo from The Barn’s Facebook page]

Fortunately, this is The Barn, so the production is about as pitch perfect as can be.

Directed with lean efficiency and maximum style by Brendan Ragotzy, the show moves at a brisk pace, representing its bleak Depression-era Dust Bowl Texas setting through a series a rough-hewn-boarded flats and saturated-color lighting cues. Samantha Snow (scenic designer), Mike McShane (lighting designer), and Lauren Alexandria (costume designer) all deserve a bow for their evocative, economical work transporting the audience to another haunted/haunting place in time. Shout out to Michael Wilson Morgan for his clever and agile coupe car design that allows the fugitives’ roadster to become (as it should) an iconic character unto itself and not just expensive theatrical window dressing.

Jonnie Carpathios and Melissa Cotton Hunter [Photo from The Barn’s Facebook page]

Opening night had a few not-unexpected technical bumps – dodgy spotlight here, slow-moving flat there, and a muffled mic or two. With the exceptional vocal talents in this cast, it’s a bit disheartening when the leads sound as though they are singing through a thin layer of gauze or when one has to strain to hear dialogue as amplification is only used during musical numbers. It’s a minor complaint and perhaps exacerbated by the fact that I was sitting in the back of the house atop rumbling AC units and under the lighting loft. Plus, my ears ain’t what they used to be either. C’est la vie.

The cast? Is to die for. No pun intended, given – spoiler alert – the ill-fated fate of our titular larcenous lovebirds. Barn mainstays Melissa Cotton Hunter and Jonnie Carpathios knock it out of the park as Bonnie Parker and Clyde Barrow respectively. Hunter and Carpathios wisely eschew actorly vanity to get to the heart of their characters’ vanity. Any onstage preening and prancing (and there is plenty of it) comes with healthy portions of heartbreak and insecurity as well. It is a testament to these performers that, while the audience may relish the toe-tapping tune-filled adventure, we never lose sight of the tragic consequences that familial rejection and economic marginalization have had on these desperate creatures.

Melissa Cotton Hunter [Photo from The Barn’s Facebook page]

The show opens with the number “Picture Show” in which the duo proclaim their aspirations to become as “celebrated” as Clara Bow and Al Capone (!). If you give these kids an iPhone and a selfie-filled Instagram account and swap out Bow for Kim Kardashian and Capone for, dare I say, Donald Trump, the poignant ditty could be about any number of lost souls today, fighting uphill battles against an economy and a culture they believe to be stacked against them.

Let me add that Hunter’s and Carpathios’ performances are subtle. The show is no polemic, so don’t be deterred by my more politicized observations. Hunter and Carpathios are talented actors mature enough to draw upon their contemporary influences without derailing the escapist joy of watching two beautiful, young exiles upend a system that rejected them from the outset.

Aiding and abetting (quite literally) our anti-heroes are Clyde’s brother Buck (Derek Gulley) and Buck’s wife Blanche (Samantha Rickard). Gulley and Rickard also turn in nuanced performances, wisely avoiding the pitfalls and pratfalls of second banana comic relief. Rickard especially does a fine job conveying Blanche’s tortured soul, yearning for a calm and stable family life but tragically loyal to a husband inexorably pulled to a life of crime. Her performance is a bit Eve Arden, a smidge Carrie Fisher, and a touch Sally Field …  and that combination works quite effectively.

Describing her brother-in-law Clyde, Blanche deadpans, “He puts the ‘hell’ in ‘hello.'” In lesser hands, that line would hit the audience over the head with a “laugh now!” anvil, but Rickard’s rueful, ever-so-slightly envious delivery offers wit and insight and character definition in one tidy morsel. Blanche’s opening number “You’re Goin’ Back to Jail” is a musical highlight, set in a beauty salon, with a sharp-as-tacks “Greek chorus” all-in-curlers, commenting on the unexpected joys and freedoms that result from having incarcerated husbands.

Samantha Rickard and Derek Gulley [Photo from The Barn’s Facebook page]

The conscious theatricality of Bonnie & Clyde reaches its apex in two numbers – “God’s Arms Are Always Open” and “Made In America” – performed with gusto by Hunter’s real-life husband Patrick as a preacher whose commentary on the false promises of organized religion and government crystallize how society has failed Bonnie and Clyde.

Patrick Hunter [Photo from The Barn’s Facebook page]

Miguel Ragel Wilson deserves special recognition for his touching and winsome portrayal of Ted Hinton, caught between his unrequited lifelong adoration of Bonnie and his career as a deputy-cum-sheriff pursuing her as she and Clyde continue to terrorize Texas. Wilson has a remarkable singing voice – clear, well-articulated, powerful, distinctive (check him out in the third “Bar Show” clip below, singing Marty Robbins’ “El Paso”). He pairs that impressive vocalization with a lean physicality and personality that evokes a mix of young Anthony Perkins, Sam Waterston, and Ray Bolger. He is one to watch.

“The Bar Show”

As always, The Barn offers an immersive experience. Grab a drink or snack at the Rehearsal Shed before or during the show, and you will see performers from the ensemble, in costume, slinging drinks and making small talk. It’s absolutely charming and never unprofessional.

Following the performances, the ensemble and apprentices take over the Shed and put on a free-wheeling and saucy cabaret – “The Bar Show” – all while still serving drinks and providing exceptional customer service. What remarkable training this experience must be for any profession they choose to pursue later in life, artistic or otherwise.

This time around in the Shed, you’ll hear some Patsy Cline, some Eurythmics, some Ricky Martin (with “breathtaking” choreography), some Marty Robbins, some Zorba, and maybe a commercial jingle or two. Do yourself a favor, and stick around after Bonnie & Clyde and take in the cabaret. It is not only worthwhile and entertaining, but gives you such an appreciation for how much work goes into a summer spent at The Barn.

Don’t miss Bonnie & Clyde. Yes, it’s a fun show with a great score, but the production at The Barn makes it an essential one, offering provocative perspective on today’s fraught and exhausting, quintessentially American experience. I couldn’t imagine a better way to celebrate Independence Day.

Bonnie & Clyde the Musical hereruns July 3-15 at The Barn Theatre in Augusta, Michigan. Tickets can be purchased .

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Jamey Grisham, Marin Heinritz, Roy Sexton, John Mola – happy audience members following the performance

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital).

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“Life after legal?” … and back again. Interview with Legal Marketing Association’s “Strategies Magazine” #lmamkt

Yes, this “week of Roy” continues (I wonder how many people have muted me at this point …) An interview for the Legal Marketing Association – LMA International’s StrategiesMagazine (May/June 2018) about transitioning in and out of the legal industry … and back again.

Thank you to Amber Bollman for the opportunity to contribute, and I love sharing the discussion with fellow LMA board member and friend Taryn Dreyer Elliott. “‘Life After Legal,’ a panel discussion featuring four former legal marketing professionals who ultimately moved into other industries.”

As my father sweetly emailed, “Very impressive! Glad you inherited Susie’s intellect! You be brilliant. Love you.” Thanks, indeed, to my mom Susie Sexton for her guidance, compassion, intelligence, fire, and wit. I am ever grateful for all that both my parents have taught me.

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

I’ll take these reviews. Thank you, kindly.

In the past few days, I’ve been called “an unsung hero,” “a connector,” “a home run,” and “a special human being.” I can live with that. 😉 Thank you, sweet people, who have been completely bamboozled by me …

Detroit Legal News: Kerr Russell’s director of marketing Roy Sexton was recently named one of Michigan Lawyers Weekly’s “Unsung Heroes” of 2018.

Michigan Lawyers Weekly announced the 26 members of its second class of “Unsung Legal Heroes” earlier this week. The program honors law firm employees who have “consistently gone above and beyond the call of duty, often behind the scenes.”

The honorees will be profiled in a special supplement in the July 30 issue.

Sexton is Kerr Russell’s first marketing director, having held the role since July 2017. Previously, he was the senior vice president of Corporate Affairs for Trott Law in Farmington Hills. He has also held leadership roles at Saint Joseph Mercy Health System and Oakwood (now Beaumont) Healthcare.

In collaboration with the marketing committee, Sexton helped developed the firm’s “Est. in Detroit 1874” marketing campaign. Sexton has nearly 20 years of experience in marketing, communications, business development, and strategic planning.

AND Columbia City Post & Mail:

Legal Marketing Association: Michigan Lawyers Weekly recently announced its 2018 class of “Unsung Legal Heroes” – law firm employees who have consistently gone above and beyond the call of duty, often behind the scenes. Four current LMA Michigan members were named in the Legal Marketing category this year:

In addition to legal marketers, “Unsung Legal Heroes” also recognizes talented and dedicated legal support professionals including law librarians, paralegals, legal secretaries, firm administrators, information technology personnel, and legal educators. Congratulations to all of our LMA Heroes!

Heather Morse for Legal Watercooler: “Lean into your ‘super power.’ There’s always something we know better, our differentiator. Lean into it early on in your career (or at any time, really). For someone like Roy Sexton, it’s his ability to be a connector. For someone like Nancy Myrland, it’s social media. Figure out what that is and allow it to open the next door to the next level of your career.”

And after taking my parents to see Ry Cooder perform at Ann Arbor’s historic Michigan Theatre on Friday, June 22.

Susie Sexton: “oh, oh, oh…and thanks for the concert and the books and the food and the cds and the dvds….nice event you provided.  and I may have finally gotten how really neat Ry Cooder is by reading more about him and the fact that I could once sit through a cowboy movie of the carradine bros. and keach bros. BECAUSE of the swirling americana wild west symphonic score.  just ate some of your cookies, too.  one of these days we shall just visit each other for no apparent reason I bet.  but concerts and roy shows and gifties are mighty fine!”

Don Sexton: “Thanks – and thanks for the Ry Cooder concert – he is one of those people – unknown to a lot of folks – who made an impact on the music world – enjoyed it and we loved seeing you – thanks for being a special human being.   Love you.”

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This should carry me (and my ego) through for a good while. 😂❤️🎶👍

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Attention Must be Paid: Tipping Point Theatre’s “Ripcord”

Originally published by Encore Michigan.

One day you wake up, and you find you relate to characters and situations that just the other day felt safely, pleasantly distant and remote. In our home, we have a nightly ritual of watching an episode of a (now) classic sitcom right before going to sleep: Everybody Loves Raymond, Will & Grace, Friends, and increasingly The Golden Girls. I always had finite patience for the self-absorbed whimsy of Friends, and, now, I can barely stomach the show. Once, I thought Raymond’s Marie and Frank Barone were an affectionately nuanced portrayal of meddlesome parents; now, I completely relate to their affable frustrations over “young people” who don’t appreciate their elders’ hard-won advice and perspective. And The Golden Girls? Well, let’s just say, someone get the lanai and the caftan ready. I’m on my way.

It is through this lens, then, that I approached TippingPoint Theatre’s Michigan premiere of Ripcord!, a comedy by David Lindsay-Abaire (Pultizer Prize-winner for Rabbit Hole). Ripcord!, on its surface, is Whatever Happened to Baby Jane? if written by someone who actually likes women. Similarly, the narrative is an escalating emotional arms race between two grand dames, aging in place and trapped in one location (in this instance, one of those “high end” independent senior living facilities). However, unlike Baby Jane, the women have agency from having “seen it all” (think Elaine Stritch’s seminal performance of Sondheim’s “I’m Still Here”); they wear some kicky resort clothes (think Golden Girls with better tailoring and fewer shoulder pads … fun costume design by Shelby Newport); and no one gets served a pet parakeet on a platter (although there is a LOT of business with food being brought up from the cafeteria … I kept waiting).

The Blanche and Baby Jane of Ripcord! are Abby (played with broken glass sparkle by Ruth Crawford) and Marilyn (a heartbreakingly impish Susan Craves). Abby has lived in the same room for four years, mostly alone, as her brusque bravado drives off anyone unfortunate enough to be assigned her roommate. Along comes Marilyn, a ray of sunshine with an iron will – Little Orphan Annie as designed by Sun Tsu. In the 80s, yes, Abby would have been played by Bea Arthur, and Marilyn by Betty White. In this contemporary milieu, Crawford and Craves couldn’t help reminding me of Jane Lynch and Carrie Fisher, respectively. I’m uncertain whether that was intentional on the part of director James Kuhl and his production team or just happenstance, but that dynamic contrast in type and in look works really well.

Marilyn is determined to melt the permafrost around Abby’s cold heart, and Abby is hell-bent to get this bounding golden retriever puppy-meets-Marquis de Sade jettisoned from her life forever. Or,at least have her relocated to a newly vacated room downstairs. Consequently, they place a bet. If Marilyn can scare Abby (who claims no fear), she gets the better bed in their room with an epic view of the park and all the sunlight she can stand. If Abby succeeds in making the relentlessly chipper Marilyn angry, Marilyn vacates the premises, only to be seen at the occasional bingo night. Hijinks ensue.

As plays go, Ripcord! is, in fact, more sitcom than Broadway. The narrative is too episodic by half, and thinly drawn supporting characters come and go primarily as forgettable story beats and harmless complications. However, Abby and Marilyn–built as they are on familiar, near-mythological archetypes (broken monarch, trickster god) – are the show. Lindsay-Abaire wisely commits the lion’s share of the piece to exploring the debilitating isolation and the liberating joys of aging, as evidenced through the pranks, shenanigans, and outright cruelty these women exact upon one another.

At the end of the day, neither Abby nor Marilyn much gives a rat’s-patootie what anyone thinks of them. That is refreshing. Otherwise, we would have yet another tired male-crafted narrative pitting one woman against another. Ripcord! pulls just shy of that, offering a study of two humans who have suffered devastating setbacks, chiefly at the hands of their own spouses and/or children, and who find themselves thrown together like randomly assigned college roommates in their “golden years.” Together, they discover their authority and their appreciation for each other through the artificial tension such circumstances naturally bring.

All of that said, this is the kind of show that TippingPoint does so well. Acerbic, witty, expertly paced, and polished, Ripcord! rarely misses a beat. At Saturday night’s performance, there were some minor flubs here and there, and an actor or three stepped on each other’s lines–all of which will disappear as the run progresses and this already incredible ensemble tightens the performance. Director James Kuhl has cast the show expertly, with two leads who take the sitcom tropes the script hands them and turn in masterfully crafted, compelling character turns – believable humans who are as delightful, maddening, confounding, and damn funny as any family member you may get trapped with at a Thanksgiving dinner.

Dez Walker is great deadpan fun as Scotty, the nursing attendant and foil for the worst these two rivals can dish out. I don’t want to spoil the surprises, but let’s just say their warfare may or may not include skydiving, haunted houses, surprise relatives, muggings, CraigsList phone pranks, and drug-laced peach cobblers. Walker’s reactions to it all are priceless and pleasantly understated. At times, I felt I was watching a Tom and Jerry cartoon brought to life.

Vanessa Sawson, Jason Bowen, and Patrick Loos round out the cast, playing an assortment of family members and haunted house performers (there is an ironic joke in there somewhere). They all do fine work and have some sharply comic moments. Bowen is comedy gold as said mugger who devises an unfortunate and hysterical use for the “legs” in his pantyhose mask.

The ensemble suffers at times, however, from tonal inconsistency. Whereas Craves, Crawford, and Walker imbue their characters with a believability and a subtlety that contrasts nicely and, at times, poignantly with the proceedings, the other performers occasionally devolve into a broader comic style that felt a bit jarring. It’s a minor quibble and is as likely a function of the play’s construction as the performance itself.

The cast is aided and abetted by clever, kitschy, surprising production design. As noted, the costumes by Newport are divine. The efficient and evocative set by Monika Essen is comprised of a series of modular units that can serve as the independent living facility, haunted house, park, etc. Essen supplements the physical set with some eye-popping projections and some nifty animation, all of which creates a captivatingly immersive experience.

Sonja Marquis has a blast with the sound design, weaving techno, hip hop, and some delightfully daffy dance remixes (Carmina Burana? BRILLIANT!) into the musical cues. I would love to download that soundtrack. I particularly appreciate that Marquis resists the urge to employ “age appropriate” music (whatever the hell that would even mean) and delivers a rocking score that gives as good as it gets and adds a fantastic level of manic urgency to the leading characters’ conflict. I also geeked out that the poster and program cover (by graphic designer Quintessa Gallinat) go for POP! over lace doilies, with a fab Roy Lichtenstein spin on the play’s iconography. Well played, TippingPoint!

If, like me, you feel your age every time you read a headline, turn on the radio, or just get out of bed in the morning and if you wonder sometimes whether all this running about and people-pleasing we do in life really matters, you will love Ripcord! If you think these experiences and feelings are still tucked away behind the nebulous and protective curtain of “your future,” then you must see Ripcord! Now. Let’s kick ageism in its collective ass. This isn’t a play about “old people.” This is a play about all of us and the need for kindness and empathy and acknowledgment in. the. moment. Attention must be paid

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital).

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

‪Honored to be one of #AMAfeed’s featured #authorsAMA. My #askmeanything starts Thursday 3/15 at 9 am! #geeksunite

Well, that’s nifty! Honored to be one of AMAfeed’s featured #authorsAMA. My #askmeanything starts Thursday 3/15 at 9 am! #geeksunite – here.

I love movies, musicals, superheroes, cartoons, action figures, & miscellaneous geekery. I love talking about them even more. Ask me anything!

I’ve been posting my movie musings at www.reelroyreviews.com for five years now … much to the chagrin of true arbiters of taste. And at one point a publisher (Open Books) decided to turn my online shenanigans into a couple of books. I tend to go see whatever film has been most obnoxiously hyped, marketed, and oversold in any given week. Art films? Bah! Won’t find too many of those discussed by yours truly. And every once in awhile, I may review a TV show, theatrical production, record album, concert, or book (yeah, probably not too many of those either). So ask me anything … I act, sing, write, laugh, cry, collect, and obsess in my downtime … and I market lawyers to pay the bills.

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.