New job for Roy Boy

Thanks to The Legal News, dbusiness, and The Legal Marketing Association for this nice coverage …

Legal Marketing Association – LMA International member Roy Sexton has joined Kerr Russell – a 55-attorney full-service law firm – as its first-ever marketing director. Roy is a former member of the Midwest Chapter Board of Directors and Strategies Editorial Committee, and was a panelist at the 2015 LMA Annual Conference. He returns to the world of legal marketing after a one-year hiatus in the health care industry. 


Sexton has held leadership positions in marketing, communications, and strategic planning at Trott & Trott, Saint Joseph Mercy Health System, Oakwood Healthcare System (now Beaumont Health), and Deloitte. He is a graduate of Wabash College with an MA from The Ohio State University and an MBA from The University of Michigan. He sits on the boards of Ronald McDonald House Charities of Ann Arbor and EncoreMichigan.com and recently completed his tenure on the Michigan Mortgage Lenders Association State Board of Governors as well as his service on the board of Ann Arbor’s The Penny Seats Theatre Company.

John and I did a thing today. #needanap #cerealcitytriathlon #participationtrophy

Slow and steady finishes the race … next to last. #cerealcitytriathlon #turtle

“If you want the rainbow, you gotta put up with the rain.” Baby Driver

[Image Source: Wikipedia]

Increasingly, we seem like a society of hermits, coexisting in our own separate little digital bubbles – a self-enforced solitude sparked either by anxiety or exhaustion or a combination thereof. We interact with each other via screens and emojis and Snapchat filters and snarky GIFs … but we never truly connect.

Maybe I’m just a cranky old man, but I’m fascinated and annoyed by how many people I see grocery shopping, commuting, eating lunch, and so on without ever removing their ubiquitous iPhone earbuds, as if the most mundane activities must all be accompanied by one’s own personal soundtrack or as if to signify to any and all passers-by, “I am not someone who wants to speak to you, to interact with you, or to acknowledge your existence.”

And it is with this conceit that Baby Driver, the latest opus from gonzo director Edgar Wright (Scott Pilgrim vs. the World, Shaun of the Dead, Hot Fuzz, World’s End), turns the genres of both the movie musical and the car chase thriller on their respective ears. Literally.

In the titular role of “Baby,” Ansel Elgort (The Fault In Our Stars, Divergent, Carrie) takes full advantage of his pouty good looks – which veer from insolence to wonderment and back again – and of his overgrown puppy dog 6’4″ frame to portray a Millennial whose tortured childhood has led him to a life of a crime as the supremely gifted getaway driver for a smooth-talking, Teflon-coated Atlanta crime boss (a delightfully Yuppified Kevin Spacey).

You see, Baby suffers from tinnitus, acquired as a wee lad in a horrific car accident when his squabbling parents squabbled just a bit too much and neglected to see they were about to ram into the back of a semi. And music – as supplied by a suitcase full of old iPods – is the only thing that soothes his ringing ears (and aching heart).

Furthermore, his love of vintage pop, rock, and jazz helps him escape the personal horror that is chauffeuring Spacey’s gang of sociopaths, which includes a magnificently bonkers Jon Hamm (Million Dollar ArmMad Men) and a less magnificently/more annoyingly bonkers Jamie Foxx (Django Unchained, Annie), from heist to heist. Baby, as portrayed in a star-making turn by Elgort, is nearly mute (by choice) and rarely removes his headphones (nor his sunglasses) which irritates just about every Gen Xer/Baby Boomer in his immediate orbit.

What aggravates them even further is that, shielded as he is in his own little tune-filled universe, he is savvier, is a more skilled driver, and is more in command of the details in his environment than all of Spacey’s goons put together. It’s a sly commentary on the evolution/devolution we see generationally in America today.

[Image Source: Wikipedia]

Similar to Bjork’s Selma in Lars von Trier’s brilliant Dancer in the Dark, Baby’s world is a seamless auditory marvel as day-to-day sounds and movements morph into musical cues he hears through his headphones and vice versa. The car chases (aplenty) are all choreographed to the tunes in Baby’s head, often to the chagrin – and bodily harm – of his passengers. (Baby even turns on windshield wipers in time to the music, when there isn’t a drop of precipitation in the sky.)

The novelty of Baby Driver is in Wright’s direction and staging, if not so much in the plot itself. Perhaps predictably, Baby is a gangsta with a heart of gold, saving what cash he can from his jobs to care for his deaf foster father (portrayed with great affection by CJ Jones) who is confined to a wheelchair. As cloying as that plot detail sounds, it actually is quite affecting and grounds the movie nicely. Baby meets cute with a sunny waitress named Debora, portrayed by a luminous Lily James (Cinderella), and, in turn, Baby plots his (of course) doomed escape from a life of crime.

Things don’t go easily for Baby (nor should they), and the film’s final act gets a bit too bloody for its own good. As a Dolly Parton-quoting postal worker foreshadows to Baby when, unbeknownst to her, he is casing her workplace for an upcoming robbery, “The way I see it, if you want the rainbow, you gotta put up with the rain.”

Nonetheless, Baby Driver is a high-octane summer blast, with choreography that would make Gene Kelly swoon (albeit involving a rogues’ gallery of classic cars and rat-a-tat machine guns) and with a soundtrack to die for. Any film that manages to incorporate Blur’s quirky “Intermission” into an ominous set-piece, that can use Dave Brubek’s “Unsquare Dance” to make a routine coffee run seem Fosse-esque,  and that can find a way of making Young MC seem hip again is ok in my book.

It’s only a shame that Wright didn’t just go ahead and have his thugs burst into outright song – I mean he has hammy-a$$ singers Spacey, Foxx, and Elgort, not to mention Paul Williams (!) in his cast. At times, Baby Driver seems like more of a musical than La La Land did. Maybe a movie mash-up of Guys and Dolls and The Fast and the Furious is next on Wright’s cinematic agenda. If so, I’ll be there.

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[Image Source: Wikipedia]

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Whitley County Historical Bulletin covers Blue Bell Lofts opening

Thanks to Dani Tippman from the Whitley County Historical Society for this coverage of the Blue Bell Lofts Grand Opening! Dani was unable to attend the ribbon-cutting, but watched and enjoyed my mom Susie Duncan Sexton’s speech on video. Dani wanted to include this story in the Whitley County Historial Bulletin. That is really a special treat, as my mom wrote a piece in 1987 on the history of the facility that also appeared in The Bulletin and was used extensively in Commonwealth’s research for this transformative project – you can read that piece here.

My mom did want to note that in the excitement of the day there were a couple of items she misstated and would like to correct: “The corrections would be 50 layers of denim which I had mis-stated….and that the plant was called Blue Bell in 1943 after several name changes. When in another building behind the bowling alley, it was called Globe-Superior…becoming Blue Bell-Globe when Globe-Superior was bought out. From 1936, it was called Blue Bell-Globe until just the Blue Bell name in ’43. At one point down south after Big Ben and Blue Bell merged the company was called Blue Bell Overall Company from 1930 until 1936, when it became Blue Bell-Globe and, finally – as I wrote – in 1943, BLUE BELL, INC. Thus, Blue Bell affiliation provided the final lasting name change to simply Blue Bell one year after my dad Roy Duncan arrived. First big acquisition after the name change was CASEY JONES!” Enjoy!

 

BONUS: From 1987, The Post and Mail’s coverage of Susie’s original Blue Bell article in The Bulletin

So closes #Drood. A helluva week!

And so closes #Drood. What a week! So grateful to this show and its exceptional cast and crew and our dynamite director Ron Baumanis … you helped me reclaim my theatre mojo. Thank you!

 

 

Thanks to those friends and family who showed their support and attended a performance through the run: John Mola, Don and Susie Sexton, Benjamin and Jane Kang, Aaron Latham, Rob Zannini, Nikki Bagdady Horn, Jackie Jenkins, Kim Elizabeth Johnson, Penny Yohn, Sharon Karaboyas, Diana Zentz Hegedus, Michele Woolems Gale, Julia Spanja Hoffert, Sue Booth, Brian Cox, Kelly Little, Edmond Reynolds, Ann Little, Jeff Steinhauer, Michele Walters Szczypka, Mary Philips Letters, Rich and Susan Geary and co., Bonnie Torti, Melynee Weber-Lynch and Jim Lynch, Bridget and Don and friends, Kristy Smith and Chris, Laurie Rorrer Armstrong, Eric and Rebecca Dale Winder, Heather LaDuke and Sienna and Ariel, Dan Morrison, Steve DeBruyne, Matthew G Tomich, Anne Bauman, Christine Dotson Blossom, Sue Nelson, Josh and Sarah Maday and darling Olivia, Evelyn and Kevin DiCola, Mitch Holdwick and Anya Dale, Rachel Green and co., Bridget and Nondus Carr, Jaclyn Klein, Samantha Fletcher-Garbutt, Donna Kallio Wolbers and Jason Wolbers, Jason Karas and Claire Elizabeth, Samantha Gordon, Linda Pawlowski Hemphill, Lisa Harrell, Jon Woods and Brian Goins, Eric Walkuski and Jasmine, Beth Kennedy, Kevin Kaminski, Jeff Weisserman, Breeda Kelly Miller, Michelle MacDonald McAllister, Tom McAllister, Rebecca Biber, Matthew Pecek, Amy Sundback, Henry Kiley, David Francis Kiley, Sheri Chisholm, Scott Chisholm, Don Blumenthal, Brent Stansfield and Evelyn, Michelle Clark and Alex, Laura Sagolla.

 

Enjoy these photos by my loving parents and other friends from the past week, including a special message we received from Rupert Holmes, the musical’s creator!

 

Clive Paget/John Jasper out.

 

The Mystery of Edwin Drood is Satisfying, Enjoyable, First Rate (Review – Ann Arbor Civic Theatre)

I think I can live with this! My goodness!!! We are all beyond thrilled!

A2View

“DroooooooooD!”

Do you find reading this name to yourself is a little amusing? Bet your lips puckered without your realizing it. Try saying it aloud; bet you can’t without having a little fun with it. At A2CT’s hilarious production of  “The Mystery of Edwin Drood” at the Lydia Mendelssohn Theatre this weekend, you can think it, say it, sing it, even stand up and shout it at the top of your lungs and you will be in good company. It is encouraged and it is satisfying, much like the performance that surrounds it. It’s no wonder this interactive Rupert Holmes musical won several Tony Awards. It’s that fun.

As the real story goes, The Mystery of Edwin Drood is the final novel written by Charles Dickens, who died before completing it, leaving the explanation of the title character’s mysterious disappearance unresolved. However, in the musical, we, the audience, get to…

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#Drood opens tonight! June 1 – don’t miss it, #AnnArbor  

Ann Arbor Civic’s #Drood opens tonight June 1 at The Lydia Mendelssohn! Enjoy these photos by the fabulous Aaron C Wade from last night’s dress rehearsal! And listen to our delightful director Ron Baumanis and terrific “Chairman” Jarred Hoffert on W4Country here and The Lucy Ann Lance Show here

Ann Arbor Civic Theatre presents the hilarious audience-solves-the-murder musical, Rupert Holmes’ The Mystery of Edwin Drood, June 1, 7:30p, June 2 and 3, 8:00p, June 4, 2:00p at the Lydia Mendelssohn Theatre. Tickets can be purchased at http://www.a2ct.org/shows/the-mystery-of-edwin-drood.

And please join our Drood Facebook event page for ongoing updates: https://www.facebook.com/events/243536762791387/

The musical concerns a troupe of players at an English Music Hall putting on a musical production of Charles Dickens’ last novel which, alas, he died before completing. It is up to the audience to vote and decide who the murderer, detective, and the evenings lovers will be. Every performance features a different ending based on the audience vote, and is an evening of smartly written, very funny entertainment for all ages. Drood won 5 Tony Winning and 9 Drama Desk awards in 1986, and recently had a revival on Broadway which garnered raves. The musical was originally produced by the Joseph Papp New York Shakespeare Festival in New York’s Central Park. Parents should be aware that there is a light smattering of late 1800’s colorful British language.

All performers in the 19-member cast play dual roles — those of performers at the Music Hall, and the characters they become “on stage” for the staging of the novel. Jared Hoffert is the evening’s Chairperson. Drood (a male impersonator) is played by Vanessa Banister. Evil Jasper is played by Roy Sexton. Love interest Rosa Bud is played by Kimberly Elliott. Brother/sister Neville and Helena are played by Brandon Cave and Becca Nowak. Brodie Brockie plays the Reverend Crisparkle, Michael Cicirelli is Bazzard, and Alisa Mutchler Bauer plays the mysterious Princess Puffer while Durdles is played by Jimmy Dee Arnold. The cast is rounded out by Peter Dannug, Sarah Sweeter, Heather Wing, Julia Fertel, Ashleigh Glass, Chris Joseph, Kari Nilsen and Kelly Wade. There is a mysterious guest appearance by Ch. Brady Cesaro.

Directed by award-winning Ron Baumanis (Bonnie & Clyde, The Wedding Singer, next to normal), musical directed by Daniel Bachelis (who also conducts the full orchestra), and choreographed by Debra Calabrese (Croswell Opera House’s Memphis, In The Heights). Designed by Ron Baumanis, Lighting Design by Thom Johnson, Sound Design by Bob Skon, Costume Design by Molly Borneman, properties designed by Aaron Wade. Produced by Wendy Sielaff.

A life richly lived and appropriately, effusively celebrated –  Ball State University honors my mom Susie Duncan Sexton

I couldn’t be prouder of my mom Susie Duncan Sexton. This article is from The Ball State University Honors College alumni magazine. The author Olivia Power captured my mom’s spirit and soul. This is a beauty, and Olivia wove all of the threads of my mom’s life – her writing, her books, her advocacy, her progressive views, her irreverence, her wit – so lovingly and so thoughtfully. I am just tickled to pieces with this. A life richly lived and appropriately, effusively celebrated. This is marvelous!

(And enjoy these bonus clips of the Ann Arbor Civic cast in full costume for Drood‘s opening number “There You Are” and “Don’t Quit While You’re Ahead” – show runs June 1-4 at The University of Michigan’s Lydia Mendelssohn Theatre, http://www.a2ct.org/tickets.)

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

#Drood: “The Audience Will Decide ‘Whodunit’ at ‘The Mystery of Edwin Drood'”

The suspects

From Ann Arbor District Library’s Pulp article “The Audience Will Decide ‘Whodunit’ at The Mystery of Edwin Drood by Hugh Gallagher …

“In the second half of the show, the audience votes on who is the detective, who murdered Edwin Drood, and who the lovers are at the end and each ending is slightly different,” Mystery of Edwin Drood director Ron Baumanis said. “To keep it entertaining and move it along each of the suspects, and there are eight of them, have to know even different endings to the show. We are rehearsing each suspect with several different people and then switching to another suspect. They’re really good; we have a top-notch cast. I’m very fortunate.”

And we feel the same about you, wonderful  Ron! 

Move-in day at The Lydia Mendelssohn

Thanks to Ann Arbor District Library‘s Pulp and Hugh Gallagher for this lovely coverage!

“I hope it drives people to read Dickens’ novella because it’s fantastic stuff. I was very interested in what he thought about these characters,” said Baumanis. “Two, I want them to leave saying it was really professional and they usually do. I want them to say that was a slick show and I want to come back to another show. Three, I hope they enjoy it, not your typical show after work but they are part of it.”

READ MORE: “The Audience Will Decide ‘Whodunit’ at The Mystery of Edwin Drood” at http://pulp.aadl.org/node/360350

 

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Sneak peek of the scenic design

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

 

Portrait of Rosa … and her many “admirers”

Exhausted, incredibly supportive production team


Setting the stage …

#Drood sitzprobe … or the day the orchestra joins us (VIDEO)

“Both Sides of the Coin” with yours truly and the inimitable Jared Hoffert.

Enjoy these video clips from today’s Mystery of Edwin Drood “sitzprobe” (or fancy German word for first rehearsal with the full orchestra). Click and any/all of the clips below, or view the full playlist here. Special thanks to music director Daniel Bachelis for making all of us sound so darn good! He’s a marvel! And this cast? … Just simply the best!

“Moonfall” with Kimberly Elliott

 

“Moonfall Quartet” with Sarah Sweeter, Kimberly Elliott, Becca Nowak, and Heather Wing

 

“Wages of Sin” with Alisa Mutchler-Bauer

 

“A British Subject” with Vanessa Banister, Kimberly Elliott, Brodie Brockie, Brandon Cave, and Becca Nowak

 

“Perfect Strangers” with Kimberly Elliott and Vanessa Banister

 

“Never the Luck” with Michael Cicirelli

 

“Settling  Up the Score” with Alisa Mutchler-Bauer and Vanessa Banister

 

“The Writing on the Wall” with  Vanessa Banister

 

Ann Arbor Civic Theatre presents the hilarious audience-solves-the-murder musical, Rupert Holmes’ The Mystery of Edwin Drood, June 1, 7:30p, June 2 and 3, 8:00p, June 4, 2:00p at the Lydia Mendelssohn Theatre. Tickets can be purchased at http://www.a2ct.org/shows/the-mystery-of-edwin-drood.

And please join our Drood Facebook event page here for ongoing updates/reminders.

The musical concerns a troupe of players at an English Music Hall putting on a musical production of Charles Dickens’ last novel which, alas, he died before completing. It is up to the audience to vote and decide who the murderer, detective, and the evenings lovers will be. Every performance features a different ending based on the audience vote, and is an evening of smartly written, very funny entertainment for all ages. Drood won 5 Tony Winning and 9 Drama Desk awards in 1986, and recently had a revival on Broadway which garnered raves. The musical was originally produced by the Joseph Papp New York Shakespeare Festival in New York’s Central Park. Parents should be aware that there is a light smattering of late 1800’s colorful British language.

[Enjoy this inaugural edition of The London Gazette, published by Aaron C. Wade.]

All performers in the 19-member cast play dual roles — those of performers at the Music Hall, and the characters they become “on stage” for the staging of the novel. Jared Hoffert is the evening’s Chairperson. Drood (a male impersonator) is played by Vanessa Banister. Evil Jasper is played by Roy Sexton. Love interest Rosa Bud is played by Kimberly Elliott. Brother/sister Neville and Helena are played by Brandon Cave and Becca Nowak. Brodie Brockie plays the Reverend Crisparkle, Michael Cicirelli is Bazzard, and Alisa Mutchler Bauer plays the mysterious Princess Puffer while Durdles is played by Jimmy Dee Arnold. The cast is rounded out by Peter Dannug, Sarah Sweeter, Heather Wing, Julia Fertel, Ashleigh Glass, Chris Joseph, Kari Nilsen and Kelly Wade. There is a mysterious guest appearance by Ch. Brady Cesaro.

Directed by award-winning Ron Baumanis (Bonnie & Clyde, The Wedding Singer, next to normal), musical directed by Daniel Bachelis (who also conducts the full orchestra), and choreographed by Debra Calabrese (Croswell Opera House’s Memphis, In The Heights). Designed by Ron Baumanis, Lighting Design by Thom Johnson, Sound Design by Bob Skon, Costume Design by Molly Borneman, properties designed by Aaron Wade. Produced by Wendy Sielaff.

 

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

#Drood! Behind-the-scenes fun at rehearsal! Ann Arbor Civic’s The Mystery of Edwin Drood (June 1-4)

I see a very special holiday card in Rosa and Jasper’s future. I mean … right?! Meet this darling, wholesome couple in person June 1-4 for Ann Arbor Civic’s production of The Mystery of Edwin Drood at Lydia Mendelssohn Theatre on the University of Michigan campus – tickets at www.A2ct.org/tickets – all photos by Aaron C. Wade.

Want a sneak peek of two of our musical numbers in rehearsal? Click here and here for “There You Are” and here for “Don’t Quit While You’re Ahead.” Video courtesy our amazing director Ron Baumanis, magical moves by Debra Calabrese, musical goodness by Daniel Bachelis.

I think we’re ready for costumes … or maybe I just need a personal dresser …

And the cast in repose … or just completely exhausted …


From The Ann Arbor Observer …



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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.