So, I did not like Wes Anderson’s The Grand Budapest Hotel. I mean I didn’t like it … a lot. However, never let it be said that we here at Reel Roy Reviews aren’t equal opportunity reviewers.
My dear friend, the talented pianist, musical director, and instructor Rebecca Biber shared the following (beautifully composed) counterpoint today on Facebook, and I asked if I could pay it forward here. She graciously obliged. Her take actually makes me want to revisit this film … almost. 🙂
And, if you’d like a chance to meet the supremely talented Ms. Biber in person, Megan and Peter Blackshear of Bookbound, in Ann Arbor (1729 Plymouth Road), have generously agreed to host a Reel Roy Reviews book-signing/Q&A on Saturday, April 26 at 3 pm.
Rebecca will accompany me as I sing a few of my favorite movie themes and show tunes. She actually selected the numbers from our nearly decade-long musical partnership, so, if you like ditties from Willy Wonka and the Chocolate Factory, you are in luck!
(And be sure to check out this thoughtful response by my gifted mom – author Susie Duncan Sexton – to my review of Disneynature’s Bears.)
Here’s Rebecca’s delightful take on The Grand Budapest Hotel – enjoy!In a made-up land resembling Germany or Austria (with Alps) on the eve of WWII, a charming, perfect hotelier played by Ralph Fiennes struggles to maintain his composure, help his friends, and avoid bad guys. His tale is narrated by his protege, Zero the Lobby Boy, now grown up into F. Murray Abraham. But this is merely the nugget at the heart of the story-within-a-story-within-a-story. Abraham is speaking with a writer played by Jude Law, whom we have earlier seen in his aged incarnation, telling the viewer that if you are a writer, there is no need to make up stories: they will come to you. Earlier than that, we have seen a young woman placing a tribute of hotel keys at the base of a statue honoring her favorite writer, and holding a book that contains, we think, the story Jude Law has retold from F. Murray.
This movie is a typical Wes Anderson confection in some ways, with fanciful lettering, folk-tale inspired landscapes, and gorgeous color schemes throughout, not to mention the usual rapid-fire dialogue and the panoply of famous faces. While it can be entertaining to play Name That Actor, it is distracting as well – just as we are settling into the story for its own sake, what’s-his-name pops up and we’re back at the level of being mere viewers. Characters are pretty much as they first appear, with clear goodies and baddies. Edward Norton gets to play a Nazi (again, previously having played the neo-version in American History X) and Adrien Brody gets to…weirdly…also play a Nazi. Tilda Swinton is unrecognizable, Bob Balaban pops up like a fairy tale imp, and Harvey Keitel has jailhouse tattoos resembling middle school doodles. Young actress Saoirse Ronan is perfect as the young Zero’s girlfriend and pastry chef. But the standout, and one to watch, is Tony Revolori, who plays the Lobby Boy not merely as a supporting character with some great lines (which he does have) but as a complicated, unexpectedly fearless and wise young man. He has an unblinking gaze straight at the camera that compels both laughter and serious attention.
Unlike Moonrise Kingdom, which had all of the Wes Anderson cute and very little of the sad, Budapest has some moments of real darkness. And they always come unexpectedly. This movie is probably not safe for devoted animal lovers or the very squeamish. There are several bloody fights and, for those with Holocaust survivors in the family, the train scenes were a bit too close to real history despite Anderson’s attempts to fictionalize the material.
With all that goes on in the film, I haven’t even mentioned the stolen art, murder mystery and contested will (with legal executor played by an uncomfortable looking Jeff Goldblum). There is much to enjoy, and I came away glad I had watched this quirky adventure/love story with true friendship at its core. It is a visual feast with some nice musical touches (nothing overblown) and, if the story doesn’t make perfect sense outside of its own world, well, it does such an excellent job of conjuring that world that I was delighted to spend a couple of hours among its inhabitants.
Reel Roy Reviews is now a book! Please check out this coverage from BroadwayWorld of upcoming book launch events. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound, Common Language, and Memory Lane also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.
bravo rebecca, well done. and I’m with you, i enjoyed this ‘confection’ ) beth
and we love Beth! two great souls – Rebecca and Beth! (and, no, I still don’t like this movie!)
On Sun, Apr 20, 2014 at 9:39 PM, Reel Roy Reviews wrote:
Rebecca possesses that same gift of gentle persuasion that Roy has…but no, I still did not like this film, either. But I love this review. Go figure…Roy and I must be related, and Roy also must be related to Rebecca? Terrific writing!
Yup, I agree with that assessment 100%, Susie! And you both are marvelous souls!
(maybe somebody somewhere can explain why I did become enamored of willam defoe or whatever his name is…willam, right? I have no idea? he seemed like the outsider in the movie and so was I maybe? I felt left out through the entire exercise….wacky. but, the disembodied fingers and the cat situation did not win me over…nor the melbrooksian take on the sex lives of old ladies just to be more specific? and I do apologize…but then I am not a marx brothers fan either which means I am totally weird I know. but I kept waiting for groucho and harpo and zeppo and chico to drop byo!)
I think that nails the crux of my issues. Like I said before, the film made me feel itchy. And I wanted to jump out of my skin like I was having a bad dream. And I like Willem a lot too. Likely for the reasons you state
forgot Tom Wilkinson..i could have just listened to him read aloud the entire mythical book and nothing else transpiring at all…him just sitting there reading? was this a New York Times bestseller or created for film via screenplay? I should google I guess.
I agree completely about Tom. I think I would enjoy that more as well. Looks like it’s based on the writings of someone name Stefan Zweig. I’ve never heard of him. I wonder Wes Anderson made him up: http://en.m.wikipedia.org/wiki/Stefan_Zweig
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