Well, this is about the nicest review anyone (who isn’t my mother) has ever written about anything I’ve done on stage. “Roy Sexton is outstanding as Buddy. He has some of the most complex songs exploring the most complex emotions. His takes on ‘The Right Girl’ and ‘Buddy’s Blues’ are vocally strong and emotionally engaging as he conjures up a dialogue with his girlfriend while still yearning for the love of his wife.” Read more: https://pulp.aadl.org/node/399787. Theatre Nova’s Follies in Concert runs ONE more weekend, starting Thursday: http://www.theatrenova.org
“Follies” continues Thursday-Saturday, Nov. 14-16, at 8 pm and Nov. 17 at 2 pm. Theatre Nova, 410 W. Huron St., Ann Arbor. For tickets, call 734-635-8450 or go to theatreNOVA.org.
Follies’ premise – aged alumni of the Weisman (think Ziegfeld) Follies reunite at their derelict theatre to relive their youth and ponder their life choices just before the place is leveled for a parking lot – is challenging to stage for any theater because of the intermingling of time, but Theatre Nova carries it off. …
Dramatic highlights of this show are “Losing My Mind,” a solo performed by Sue Booth, as Sally, and “Live, Laugh, Love” by Thomas Murphy, as Ben, and the ensemble.
Comic highlights are the rollicking “Buddy’s Blues” by Roy Sexton as the sad sack traveling salesman Buddy Plummer, and “I’m Still Here,” performed by Olive Hayden-Moore as Follies veteran Carlotta.
Diane Hill, who directs the play and co-stars as Phyllis Rogers Stone, also performs two of Follies’ funniest songs, “Could I Leave You” and “Lucy and Jessie” with spot-on comic timing.
Follies’ famous mirror number, “Who’s That Woman,” is given nice treatment by Carrie Jay Sayer, as showgirl Stella.
The most effective time-splicing number in the show is probably “Waiting for the Girls Upstairs.”
Eddie Rothermel, Kryssy Becker, Connor Thomas Rhoades, and Annie Kordas do a fine job of portraying Ben and Phyllis, Buddy and Sally in their younger years.
Theatre NOVA presents “Follies in Concert” book by James Goldman, music & lyrics by Stephen Sondheim Nov. 7 – 17, 2019
ANN ARBOR, MI (Oct. 8, 2019) – Theatre NOVA, Ann Arbor’s professional theatre with an exclusive focus on new plays and playwrights, presents a limited engagement of “Follies in Concert” book by James Goldman, music & lyrics by Stephen Sondheim.
Sondheim’s Broadway smash-hit musical concerns a reunion in a crumbling Broadway theatre of the past performers of the “Weismann’s Follies” that played in that theatre between the World Wars. Presented in concert, Follies is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time, with countless songs that have become standards, including “Broadway Baby,” “I’m Still Here,” “Too Many Mornings”, “Could I Leave You?” and “Losing My Mind.”
Directed by Diane Hill, with Music Direction by Brian E. Buckner, “Follies in Concert” features Sue Booth, Thomas Murphy, Diane Hill, Roy Sexton, Annie Kordas, Kryssy Becker, Eddie Rothermel, Connor Rhoades, Harold Jurkiewicz, Olive Hayden-Moore, Carrie Jay Sayer, Emily Rogers-Driskill, Gayle Martin, and Edith Lewis.The production and design team includes Monica Spencer (scenic design), Jeff Alder (lighting design), and Briana O’Neal (stage manager).
“Follies in Concert” will run for two weeks only, Nov. 7 through Nov. 17, 2019, at Theatre NOVA (410 W. Huron, Ann Arbor), a downtown performance space. Performances are Thursday through Saturday at 8:00 p.m. and Sunday matinees are at 2:00 p.m. Theatre NOVA features free parking for patrons, as well as quick access to the city’s restaurants, bars, bakeries, and coffee shops.
Tickets are $30 for this limited engagement fundraiser for Theatre NOVA. For tickets, visit TheatreNOVA.org, call 734-635-8450 or buy them in person at the box office one hour before showtime.
Theatre NOVA is Ann Arbor’s resident professional theatre company. Its mission is to raise awareness of the value and excitement of new plays and playwrights and provide resources for playwrights to develop their craft by importing, exporting, and developing new work.
Stephen Sondheim wrote the music and lyrics for “Saturday Night” (1954), “A Funny Thing Happened on the Way to the Forum” (1962), “Anyone Can Whistle” (1964), “Company” (1970), “Follies” (1971), “A Little Night Music” (1973), “The Frogs” (1974), “Pacific Overtures” (1976), “Sweeney Todd” (1979), “Merrily We Roll Along” (1981), “Sunday in the Park with George” (1984), “Into the Woods” (1987), “Assassins” (1991), “Passion” (1994), and “Road Show” (2008). Sondheim also wrote lyrics for “West Side Story”(1957), “Gypsy”(1959), and “Do I Hear a Waltz?”(1965) and additional lyrics for “Candide” (1973). Anthologies of his work include “Side by Side by Sondheim” (1976), “Marry Me a Little” (1981), “You’re Gonna Love Tomorrow” (1983), “Putting it Together”(1993/99), and “Sondheim on Sondheim” (2010). He composed the scores of the films “Stavisky” (1974) and “Reds” (1981) and songs for “Dick Tracy” (1990) and the television production “Evening Primrose” (1966). His collected lyrics with attendant essays have been published in two volumes: “Finishing the Hat” (2010) and “Look, I Made A Hat” (2011). In 2010 the Broadway theater formerly known as Henry Miller’s Theatre was renamed in his honor.
James Goldman was born in Chicago and graduated from the University of Chicago; he did postgraduate work at Columbia University. He has written numerous plays, including “Blood, Sweat and Stanley Poole” (1961; co-written with his brother, William Goldman), “They Might Be Giants” (1961) and “The Lion in Winter” (1966). In addition to “Follies” (1971), he has been the bookwriter of “A Family Affair” (1962; co-author with William Goldman, music by John Kander), the television musical “Evening Primrose” (1967, music and lyrics by Stephen Sondheim) and “Follies” (1987, London – a re-conception of the original piece). His screenplays include “The Lion in Winter” (1968 – Academy Award; British Screenwriters Award), “They Might Be Giants” (1970), “Nicholas and Alexandra” (1971), “Robin and Marian” (1976) and “White Nights” (1985, co-writer). Goldman’s work for television has included an adaptation of “Oliver Twist” (1982), “Anna Karenina” (1985), “Anastasia: The Mystery of Anna Anderson” (1986). He is also the author of a novel, “Waldorf.”
Diane Hill (director) is a Producing Artistic Director at Theatre NOVA and was founder and Artistic/Executive Director of Two Muses Theatre, a nonprofit, professional theatre in West Bloomfield. Diane was a professor at University of Detroit Mercy and Oakland Community College, where she originated and designed the Theatre degree program. She has a Ph.D. in Theatre from Wayne State University and a Bachelor of Music and Master of Arts in Theatre from the University of Michigan. She has performed at many professional theatres in southeast Michigan, including the Fisher Theatre, Meadow Brook Theatre, Masonic Temple, Michigan Opera Theatre, Detroit’s Gem Theatre, Purple Rose Theatre, Tipping Point Theatre, Encore Musical Theatre, Croswell Opera House, Open Book Theatre, The Ringwald, and Cherry County Playhouse. She was awarded a Wilde Award for her portrayal of Professor Vivian Bearing in “Wit,” a Rogue Critic’s Award for her work as Mama in “’night, Mother,” both with Breathe Art Theatre Project, and an Ann Arbor News Award for her work as Agnes in “I Do! I Do!” at Kerrytown Concert House. At Theatre NOVA, she directed “Clutter” and “Kill Move Paradise.” Theatre NOVA audiences saw her play Olympe de Gouges in “The Revolutionists” (Wilde Award Best Production), Zelda in “The How and the Why” (Wilde Award Best Actress), and Penelope Easter in “The Totalitarians.”
Brian E. Buckner (Music Director) is an active actor, pianist, composer, arranger, vocal coach, choreographer and music director based in the Ann Arbor, MI area. A versatile talent, he works comfortably in all genres and is director of music of several local ensembles including Wild Swan Theater and the Episcopal Church of the Incarnation, in addition to having performed in Canada, China, and Mexico. Favorite recent productions include “Murder Ballad” (The Penny Seats Theatre Company), “The Devil’s Music” (Theatre NOVA), “Peter and the Starcatcher” (University of Michigan) and “Rock of Ages” (The Dio). Brian composed the original music used in Theatre NOVA’s production of “Kill Move Paradise.”
FACT SHEET WHO: Cast: Sally Durant Plummer: Sue Booth Benjamin Stone: Thomas Murphy Buddy Plummer: Roy Sexton Phyllis Rogers Stone: Diane Hill Young Sally: Annie Kordas Young Ben: Eddie Rothermel Roscoe, Young Buddy: Connor Rhoades Young Phyllis: Kryssy Becker Dimitri Weismann, Theodore Whitman: Harold Jurkiewicz Hattie Walker, Carlotta Campion: Olive Hayden-Moore Emily Whitman, Heidi Schiller: Edith Lewis Stella Deems: Carrie Jay Sayer Young Heidi: Emily Rogers-Driskill Solange La Fitte: Gayle Martin
Sondheim’s Broadway smash-hit musical concerns a reunion in a crumbling Broadway theatre of the past performers of the “Weismann’s Follies” that played in that theatre between the World Wars. Presented in concert, Folliesis a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time, with countless songs that have become standards, including “Broadway Baby,” “I’m Still Here,” “Too Many Mornings”, “Could I Leave You?” and “Losing My Mind.”
Directed by Diane Hill, with music direction by Brian E. Buckner, “Follies in Concert” features Sue Booth, Thomas Murphy, Diane Hill, Roy Sexton, Annie Kordas, Kryssy Becker, Eddie Rothermel, Connor Thomas Rhoades, Harold Jurkiewicz, Olive Hayden-Moore, Carrie Jay Sayer, Emily Rogers-Driskill, G-jee Martin, and Edie Lewis. The production and design team includes Monica Spencer (scenic design), Jeff Alder (lighting design), and Briana O’Neal (stage manager).
Thursday, Friday and Saturday @ 8 p.m. Sun. @ 2:00 p.m. Click here for tickets! Sunday, Nov. 10 is SOLD OUT Special $10 off Preview Thursday, Nov. 7 at 8:00pm
Opening night ticket includes an afterglow reception with the cast and crew!
…this year, I perceived a seismic shift in Atlanta.
If there is one thing you can count on following the Legal Marketing Association’s annual conference, it is a sparkling flood of think pieces, inspired by a collective gathering of the best and brightest our industry has to offer.
Sometimes, I fear my own conference reminiscences bear the uncanny resemblance to “what I learned on my summer vacation” essays written in grade school days. So be it, as these annual sojourns are among the most energizing three days legal marketers spend each year. A “listen to me, please” summer camp for sharp, creative souls who may spend the other 362 days a year talking lawyers out of sponsoring church basement banquets and holiday baked good distributions.
But this year, I perceived a seismic shift in Atlanta.
I felt like we’d been heard. Solidly. This year, post-conference, I no longer had the urge to complain about being dubbed a “non-attorney.” Nor did I want to tap dance urgently to justify the need for social media in legal.
Perhaps, it’s been this way all along, but this year it seemed like we finally arrived. This year, our capstone session / general counsel panel – rife as always with old saws of “give me value, not trinkets” and “don’t take me to a football game, make my job easier” – added something new: “I don’t just want to talk to your attorneys. I want to talk to YOU. You, legal marketers, with your data, and your insight. YOU … you get my business. Now, can I go home to my kids, please?”
Others have captured the details of the panel, far better than I (here and here). I walked away with sense memory. And a feeling of professional pride, one which, yes, LMA has always engendered, but which arrived this time with no apology nor rationalization.
Yes, true culture change remains mired in what sometimes feels like “death by a thousand cuts” miasma. That’s corporate life. Yet, we left LMA this year with as recognizable a mandate as I’ve heard. As one GC intoned, gesturing to the assembled marketing pros, “I predict this room will double in size in five years.”
That said, here is my obligatory “book report” on what I learned – and what inspired me – at #LMA19:
– We are in an industry in need of radical transformation.
The large consulting firms and other alternative legal service providers will avail themselves of any client frustrations over pricing, transparency, access, and responsiveness to shift clients away from traditional legal services to integrated consultancies. We must pitch as a team with predictable pricing models and measurable outcomes.
–GCs are not interested in being entertained.
They want value add, user-friendly analysis and advice. They get plenty of client alerts. They want insight and anticipation and, chiefly, an understanding of their business priorities. The data is available and apparent. The law firm that will win their business doesn’t invest in tickets or gifts or parties but in actionable intelligence that helps them achieve their business objectives. Do not speak in “if/then” statements.
– The conversation is increasingly occurring online.
Create a digital footprint that is accessible and speaks in the language of the purchaser, not the purchased. Attorney profiles should show expertise and humanity. Furthermore, those purchasing legal services are looking for diversity and representation. They want to see themselves in their legal providers.
–Law school grads are increasingly going in-house for work-life balance.
Money is not their sole draw. With that in mind, these individuals will be making more of the hiring decisions. On average, it costs a company $174/hour for in-house legal counsel. They are also continuing to develop AI solutions. GC is tasked as much with controlling costs as ensuring positive outcomes for their organizations. Transparency of pricing and differentiation of value for increased outsourced cost is essential in order to land business.
So, there you are. My annual tithing to the gods of legal marketing in gratitude for three days that fill my intellectual and emotional coffers for the rest of the year. We legal marketers work hard, play hard, care hard. This year’s GC panel felt like a long-overdue external recognition of that.
It’s nice to have someone else write your “book report” for once.
P.S. I’ve got the best mom. Susie Sexton. Don’t be jealous. Hoppy #Easter!
Just in time for the holidays, the “What’s in a Name?” collection from the Dearborn Public Library is now available on Amazon.com!
“Hoosier author Susie Sexton’s essay ‘WAIT! PRIOR TO TOSSING ME INTO A WEATHERED HATBOX…READ ME FIRST’ has been published in the latest Henry Ford Centennial Library ‘Big Read’ anthology What’s In A Name? The book is available for purchase on Amazon. Sexton’s work was published in the organization’s prior two ‘Big Read’ collections Call of the Wild Dearborn: Animal Tales (also providing the photographic cover art) and Dreaming Dreams No Mortal Ever Dared to Dream Before.”
Kerr Russell Director of Marketing Roy Sexton [that’s me!] will be a guest on this week’s “Small Talk with Mark S. Lee” broadcast, scheduled to air Sunday, 9/2/18, 8-9am, EDT, on WXYT 1270, and streamed via radio.com (search 1270/Detroit). You can also download the Radio.com app and here’s a link: https://app.radio.com/wvK9HktXjP.
“On this Labor Day weekend and as you’re sitting back, enjoying the day and preparing for the upcoming week, just sit back, relax and enjoy the conversation with the following guests: Pamela Dover, Senior Director, Comcast Business & Shahida Mausi, Right Productions & Chene Park; Bryanne Leeming, Founder & CEO, Unruly Studios; Roy Sexton, Kerr Russell; Kim Boudreau Smith, Inc., Entrepreneur & Author.”
[Sexton is photographed with WWJ NewsRadio’s Lloyd Jackson – upper left – and Mark S. Lee – upper right. Photos by Kim Bourdreau Smith – lower left, another guest on this week’s program.]
Mark S. Lee is President & CEO, The LEE Group, an independent integrated marketing consulting firm focused on providing marketing, branding and communication solutions to clients.
He is the former Vice President of Brand Development and Marketing Communications at Florida Blue, Florida’s Blue Cross Blue Shield plan, where he was responsible for leading the company’s brand initiatives, marketing communications and the development and implementation of promotional programs focused on supporting strategic priorities.
Prior, Mr. Lee held senior-marketing leadership roles with nationally known companies across the country including, PepsiCo, The Auto Club Group (AAA), et. al.
His column turned blog, “Small Talk with Mark S. Lee”, appeared in the Michigan Chronicle for three years and now appears via blog for Crain’s Detroit Business. It provides tips to businesses who are interested in growing their business and to individuals who aspire to become entrepreneurs.
Roy Sexton is responsible for leading Kerr Russell’s marketing, business development, communications, and strategic planning efforts.
He has nearly 20 years of experience in marketing, communications, business development, and strategic planning, having worked at Deloitte Consulting, Oakwood Healthcare (now Beaumont), Trott Law (formerly Trott & Trott), and St. Joseph Mercy Health System. He has been heavily involved regionally and nationally in the Legal Marketing Association as a board member, content expert, and presenter. He is treasurer-elect currently for the Legal Marketing Association’s Midwest Regional Board of Directors. He was named a Michigan Lawyers Weekly “Unsung Legal Hero” in 2018.
He earned his Bachelor’s degree from Wabash College, and holds two masters degrees: an MA in theatre from The Ohio State University and an MBA from the University of Michigan. He is a graduate of Leadership Detroit and Leadership A2Y, was a governor-appointed member of the Michigan Council of Labor and Economic Growth, and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012.
He served as an at-large member of LMA’s Midwest Regional Board, served on the advisory committee for Strategies Magazine, and was a member of the Social Media SIG steering group. He has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. He currently sits on the boards of Ronald McDonald House Charities of Ann Arbor, Royal Starr Film Festival, Mosaic Youth Theatre of Detroit, and encoremichigan.com. He is a published author with two books Reel Roy Reviews, Volumes 1 & 2.
“Michigan Lawyers Weekly is proud to announce the 26 members of our second class of ‘Unsung Legal Heroes.’ This program honors law firm employees who have consistently gone above and beyond the call of duty, often behind the scenes. This award is reserved for the state’s most talented and dedicated legal support professionals. Judging by the response we received since we launched this program last year, lawyers are embracing this opportunity to show appreciation for key staffers. This class represents several aspects of legal support, including a law librarian, paralegals, legal secretaries, firm administrators, information technology, and legal marketing. The honorees will be profiled in a special supplement in the July 30 issue of MiLW.”
Well, that supplement was released today. I am honored to have been included, and my Q&A follows …
They invited me back. That was probably a bad idea. I’m emceeing EncoreMichigan.com’s 17th annual Wilde Awards ceremony – August 27 at the The Berman Center for the Performing Arts.
Tickets for the 2018 Wilde Awards, the 17th annual award show recognizing the best performances and productions of the previous season, to be held August 27 at The Berman Center for Performing Arts in West Bloomfield, Michigan, are now on sale at The Berman’s website.
Featured artists who will perform include cast members from The Ringwald Theatre’s production of Rocky Horror Show, Wilde nominee Sonja Marquis (American Trailer Park Musical), Wilde nominee Janet Haley (Michigan Shakespeare Festival, Flint Youth Theatre), Wilde nominee Lauren LaStrada (Lady Day) and more. Emcee for the evening will be yours truly.
“We had an amazing year of great theatre in Michigan during the 2017-18 season, and I am looking forward to celebrating the season with our community,” said David Kiley, editor-in-chief of EncoreMichigan.com. “It’s always a special night, and we have made some changes this year to the entertainment and to catering to make it an even better experience all the way around.”
The Wilde Awards Show is the single biggest fund-raiser of the year for EncoreMichgan, which is a non-profit, and the only media source fully covering the professional theater community and industry in Michigan.
Encore’s critics reviewed more than 230 show openings last year. And the site also provides an online casting directory of actors, known as E-Casting, plus audition info and industry news.
This year’s Wilde Awards event is receiving support from Actors Equity Association, the Kerr Russell law firm, the Kalamazoo Arts Council, Falcon Paymasters, PrideSource Media and The Berman Center for Performing Arts.
We had a ball performing as part of Theatre Nova’s Michigan Playwrights Festival Night 2: Hollywood Lies. Thank you, Jackie Sue Salter for the fun words and zippy characters, Brian Cox for the loving friendship and expert direction, and Carla Milarch for your nuanced facilitation and gracious leadership. Hope I get to work with this talented cast again: Colleen Gentry, Ellen Finch, Robert Schorr, and my giggle buddy Laurie Atwood. Thank you to sweet friends Kim Elizabeth Johnson, Sue Nelson, Rebecca Winder, Eric Winder, Mary Newton, and Toby Tieger for your gracious support (and photos) and for taking time from your busy lives to attend. Such a perfect night of theatre community 🎭 ❤️
And, yes, Kim Kelly and Julaine DeMink LeDuc, I recycled my Ronald McDonald House Charities of Ann Arbor “Red Shoe Affair” footwear.
“Hollywood Lies” by Jackie Sue Salter
Thursday, July 26, 2018, 8:00 pm
A story of friendship amidst the Hollywood blacklist, Hollywood Lies presents 1948 Hollywood where a just-past-her-prime actress attempts to revive her stalled career.