“Well, the theatre is certainly not what it was.” Cats (2019 National Touring Production) at Detroit’s Fisher Theatre + my quick take on Encore Musical Theatre’s production of Fun Home

Grizabella [From the production’s Facebook page]

Cats is one odd damn show. Spoon River Anthology in leg warmers, leotards, and Capezios. T.S. Eliot was an odd man (see Tom & Viv … no really, go see it). He wrote some odd poems about cats with silly made up words that would embarrass Lewis Carroll. Andrew Lloyd Webber may very well be an odder man. He writes musicals about chandeliers and roller skating trains and upside down swimming pools. The early 1980s (when Cats was written) was a seriously odd time, one arched foot still firmly placed in Studio 54 bell-bottomed Bob Fosse’d debauchery and the other pointed at a big-haired, Jane Fonda jazzercised, Reaganomic’d pneumatic future. And like anything at the nexus of the supremely weird, Cats was – and is – a big ol’ fat box office blockbuster. Now and forever indeed.

Bombalurina [From the production’s Facebook page]

I saw it once with my mother, about ten years ago, at Warsaw’s Wagon Wheel Playhouse, where my mom herself had performed in her teens. My mom’s friend Myrna Bailey (at least I think it was Myrna?) had given us tickets, and we went, not exactly enthused but grateful for the free entertainment, looking forward as much to dinner afterward as we were to an evening of prancing, preening anthropomorphized felines in body-stockings. We were pleasantly surprised. At the time, I theorized that the show works better in a smaller setting. The Wagon Wheel performs everything in the round (hence the name), and the set design was a literal jungle gym, with the titular cats swinging over your head and crawling at your feet. The small space and the resulting limited grandeur made the hyperbolic concept of an army of cats meeting once each year to choose one among them to ascend to the “Heavyside Layer” seem not so utterly ridiculous.

A decade later, another free ticket, another Cats – this time at Detroit’s Fisher Theatre with my dear friend Colleen whose husband Blaine is thrilled when I go see musicals with her that he doesn’t want to see. And I love Colleen, and I love musicals, and I love free stuff.

This production is a touring production of the recent Broadway revival (which starred a former Pussycat Doll, I think?) that is pretty much a carbon copy of Trevor Nunn’s original 1981 blockbuster. It’s fine. It’s weird. And it’s fine.

Production values are top notch – lighting is evocative and compelling, sound is Moog-synth lush, and the sets and props are cheekily “Incredible Shrinking Man”-sized to imply cat-proptioned human performers. Like any given Sunday of a touring production (we saw the 9/8 show … and it’s taken me this long to figure out what the hell to write), our performance was rife with understudies stepping up for their big moments in spandex and cat-face.

Notable performances last Sunday were turned in by understudy Zachary S. Berger as kitty major domo Munkustrap (at times it felt like he was auditioning for the part of Thomas Jefferson in 1776 … or Hamilton … and that’s a compliment; someone get him into one of those shows and out of a cat tail ASAP); Keri Rene Fuller as a suitably bedraggled and heartbreakingly left-out-in-the-cold Grizabella; Tion Gaston a moonbeam-on-gymnastic-steroids as Mistoffelees; Tony D’Alelio and understudy Erin Chupinsky as cute-as-button feline felons Mungojerrie and Rumpelteazer; and Lexie Plath channeling her best vampy Christina Hendricks as Bombalurina. Bringing down the house, though, was Timothy Gulan as Gus (short for “Asparagus”) the Theatre Cat and Kaitlyn Davidson as his associate Jellylorum. Their second act number is literate, witty, deft, and sublime. Gulan even gets in a winking critique of the kind of theatre Cats itself represents when he croons, “Well, the theatre is certainly not what it was.”

[From the production’s Facebook page]

But, good lord! These damn character names! Trying to type that previous paragraph took me twenty minutes. And if I had heard the term “Jellicle Cat” one more time, I was likely to stand up in the theatre and scream, Network‘s Peter Finch-style, “I’m mad as hell and I can’t take any more!”

I enjoyed myself more at Cats than I should dare to admit in writing; in fact, the experience inspired me to put some hurt on the gift booth as I departed (including cat-eared baseball hats for me and for my parents), which led me to wondering why this thing has had the nine lives it has had. The show is sweet-natured, a warm and comforting spectacle, beautifully staged and orchestrated, befuddling but ultimately not particularly intellectually challenging, and, on the balance, a showcase of every kind of theatrical talent a performer could possibly possess.

[From the production’s Facebook page]

I think the secret weapon is the show’s second act. The first act is kind of a rambling mess, something about a “Jellicle” (d’oh!) ball and a potential death and far too many cat puns and metaphysical gobbledygook and … leotards. The second act distills the experience into a succession of fun, poignant, catchy-as-eff numbers with cleverly drawn characters: the aforementioned “Gus the Theatre Cat,” “Skimbleshanks, the Railway Cat,” “Macavity the Mystery Cat,” “Magical Mister Mistoffelees” (with some truly nifty lighting effects), and the ubiquitous “Memory” (which was the emotional gut punch Sunday that it needs to be – kudos to Keri Rene Fuller). So, yes, I’ve been humming all of these melodies in my head for about a week now and occasionally prancing through my living room like a very old and overweight tabby. That’s the power of Cats. Damn you, you odd little man, Andrew Lloyd Webber!

[From the production’s Facebook page]

From Broadway in Detroit: One of the biggest hits in theatrical history, Cats will come to Detroit from September 3-15, 2019 as part of a multi-season North American tour. Tickets for CATS start at $35 (includes facility and parking fees) and will go on sale Sunday, June 9. Tickets can be purchased online at www.broadwayindetroit.com or www.ticketmaster.com, and by phone at 800-982-2787. A limited number of premium seats will be available through Ticketmaster and at the Fisher Theatre box office. For group sales (12 or more) please call 313-871-1132 or email groups@broadwayindetroit.com. Tickets for the open captioned and audio described performance may be purchased in person at the Fisher Theatre box office or by phone at 313-872-1000, ext. 0. Composed by Andrew Lloyd Webber and based on T.S. Eliot’s Old Possum’s Book of Practical Cats, the record-breaking musical has captivated audiences in over 30 countries and 15 languages, is now on tour across North America featuring new sound design, direction and choreography for a new generation.

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[From the production’s Facebook page]

And now for the antithesis. Technically, one should not review a final dress rehearsal … but The Encore Musical Theatre Company’s current production of Fun Home, an industry preview of which I was invited to attend earlier this week, is transporting, heartbreaking, funny as hell, poignant, and beautifully crafted. So I’m breaking a cardinal rule of criticism! C’est la vie! The show opened at the theatre’s space in Dexter, Michigan, this past Thursday and runs through October 13.

From Encore’s description: “Fun Home is a musical adapted by Lisa Kron and Jeanine Tesori from Alison Bechdel’s 2006 graphic memoir of the same name. The story concerns Bechdel’s discovery of her own sexuality, her relationship with her gay father, and her attempts to unlock the mysteries surrounding his life. It is the first Broadway musical with a lesbian protagonist. It is told in a series of non-linear vignettes connected by narration provided by the adult Alison character.”

[From the production’s Facebook page]

Dan Cooney, Encore’s founder, returns from New York to play Bechdel’s complex, complicated, controlling, earnest, loving, maddening father Bruce. He brings such a haunted/hunting presence to this difficult role, always believable, relatable, and therefore that much more tragic, but never overbearing or villainous. It is a nuanced and deft portrayal of a broken human being, caught up in circumstance, selfishness, and unrealized potential, fully actualized on stage with sympathy yet appropriate critique. It is nigh impossible to play the unlikable on stage, but to do so in a way that garners empathy from the audience is a feat of magic. Kudos, Dan.

[From the production’s Facebook page]

Every bit his match is local firecracker Sarah Stevens. I’ve never seen a bad performance from her, every one unique, expertly crafted, and vibrant. Her adult version of Bechdel is in keeping with her track record, yet deceptively unassuming – a “Ghost of Christmas Present” who observes and comments on the proceedings, never once actually taking part (until one very powerful moment) but utterly shaping the audience’s perspective as the events unfold. It is a warm and gorgeous performance that will speak to any child of those families that espouse good intentions yet remain riddled with tragedies large and small – children who survive each day with equal parts laughter, art, artifice, and heartache.

Laura Etnier-Austin is particularly effective in the second act as long-suffering wife/mother Helen who finally has her moment of plain-spoken truth with her daughter (a luminous and very funny Grace Allyn as the college-aged Alison), and it is revelatory. The ensemble –  including Monica Spencer, Tyler J. Messinger, and wonderfully natural child actors Joely Engelbert, Emmanuel Morgan, and Gavin Cooney – is magnificent as well – moving effortlessly from manic whimsy to quiet angst and back again.

[From the production’s Facebook page]

As always, the Encore makes effective use of their tight space, with a detailed set design that evokes the Bechdel’s historic home, cleverly adding a separate “parlor” in the wings (complete with period-perfect wallpaper) which features Tyler Driskill’s rock solid orchestra. It’s a wonderful touch that clues the audience upon arrival regarding the conscious theatricality of the show’s staging. Plus, it’s just darn nice to see Driskill and “the band” for once as they perform genius feats with a tricky score.

Run, don’t walk, to get your tickets: https://www.theencoretheatre.org

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Real Men Wear Pink … I’m honored to have been selected to be part of this year’s “Detroit Class.”

Thank you to everyone who has contributed so far … you’ve helped me be the #1 fundraiser three weeks in a row (see rankings below!). But my competition is gaining on me. LOL. It’s all for a good cause. If you feel so inclined, your donation will do wonders: http://main.acsevents.org/goto/roysexton

I was invited by the Canton Chamber to join their monthly newsmagazine last week for a taping that should air soon – grateful to Executive Director Thomas Paden and wonderful Denise Staffeld, Megan Schaper, and Kevin Ryan for being part of #TeamRoy on this campaign! Denise captured some video with her iPhone of me singing “Pure Imagination” for the shoot – you can get a flavor here: https://youtu.be/DQ1vwiQuWe8

And don’t forget “Follies” is opening at Theatre Nova on 11/7 with yours truly as “Buddy” – it’s going to be great fun: https://www.artful.ly/theatre-nova/store/events/18594

From American Cancer Society to the Real Men candidates: As a group you have already raised $13,653! Way to go! Detroit is currently #1 in Michigan and #37 in the Nation – to follow along with the top campaigns and the top Real Men click here. The American Cancer Society currently has 28 grants in Michigan totaling more than $14 million. There are ACS funded researchers at Henry Ford Health System, Michigan State University, University of Michigan, Van Andel Research Institute, Wayne State University and Western Michigan University. The success of the American Cancer Society grant program is exemplified by the fact that 47 American Cancer Society-funded researchers have received a Nobel Prize!

Detroit Top 10 Leaderboard

  1. Roy Sexton – $2,888
  2. PJ Jacokes – $1,673
  3. Dr. Carlos Ramirez -$1,438
  4. Jonathan Burt – $1,301
  5. Brad Lukas – $1,286
  6. Brendan Russow – $1,208
  7. Mike Lawson – $1,190
  8. Dave Spencer – $575
  9. Jim Stocking – $450
  10. John Hicks – $300

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Magnificent Sue Booth (“Sally” to my “Buddy” in the upcoming “Follies”) in the upper left and lower right corners. And me with with talented and lovely Laurie Atwood middle right.

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“You’re always sorry. And there’s always a speech. But we no longer care.” Dark Phoenix (and another thought or two on Hugh Jackman’s The Man. The Music. The Show. in Detroit)

[Image Source: Wikipedia]

Perhaps Dark Phoenix was a creative casualty of corporate wrangling via the finalized Disney/Fox combination that brought the previously Fox-licensed X-Men characters fully back into the Mouse House’s Marvel Cinematic Universe. Perhaps the X-Men movies should have called it a day (no pun intended) with the far superior Days of Future Past. (Don’t get me started on the candy coated cluster that was its follow-up Apocalypse.) Perhaps longtime writer/new-time director Simon Kinberg should have just stuck with the writing (though that isn’t very good either in Dark Phoenix and not up to par with his previous work). Or perhaps we all are just (finally) suffering from movie superhero fatigue.

All I know is that Dark Phoenix is a soapy bore, not unwatchable by any means, but not a hellvua lot of of fun either.

I began this week taking in erstwhile Wolverine Hugh Jackman’s sunny, zippy one-man The Man. The Music. The Show. at Detroit’s Little Caesars Arena, and I ended the week with this X-Men: Last Stand retread that made me long for Hugh to show up and sing a few more Peter Allen-penned show-tunes while swiveling his bedazzled 50-year-old-hips. Hugh was a wise man to finally walk away from this sputtering franchise and spend the summer doing what he does (and loves) best. Thank you, X-Men, for giving Hugh his start in this country … and, 20 years later, for setting him free.

Dark Phoenix attempts to right the wrongs of Last Stand, an over-baked muddle from 13 years ago that first told the tale of mutant Jean Grey’s descent into madness via a cosmic-based parasitic “Phoenix force.” I know to non-geeks it sounds absurd, but the original “Phoenix/Dark Phoenix” story-line by Chris Claremont and John Byrne from the late 70s is a beloved one, revolutionary in its day for its exploration of gender issues, agency/autonomy, and how absolute power can corrupt absolutely.

[Image Source: Wikipedia]

Don’t get me wrong. Dark Phoenix tries. Really, really hard. And that’s part of its problem. Too self-serious by half, yet slapdash in its execution, the film takes a solid cast – Michael Fassbender, James McAvoy, Nicholas Hoult, Jennifer Lawrence, Jessica Chastain, Evan Peters, Alexandra Shipp, and Sophie Turner (as the titular antihero) – portraying classic Marvel characters, all lovingly re-established in a fresh, postmodern way with X-Men: First Class, and squanders the whole shebang with heaps of illogical character motivation and turgid dialogue. As Fassbender’s Magneto cautions his bromantic rival James McAvoy’s Charles Xavier: “You’re always sorry. And there’s always a speech. But we no longer care.” True dat.

It’s a shame. It truly is. The series could have gone out on a high-note, pulling all the topsy turvy threads of time travel, lost souls, and marginalized identity into one super nova of an ending … if they’d just have followed the blueprint of the original damn comics. Seriously, look at how many Oscar winners/nominees are in the cast; yet, at times, I thought I was watching Guiding Light: The Mutant Years.

[Image Source: Wikipedia]

C’est la vie. The plot, as it is, details how young Jean Grey was orphaned (or was she?) by telepathic powers run amok. Charles Xavier rescues her (or does he?) and raises her as his own, always wary of the limitless powers at her disposal. One epic space shuttle tragedy later, a now-adult Jean Grey finds herself imbued with the nuclear power of a thousand solar systems, but she really just wants to mope around, glare a bit, and throw her enemies into the sides of buildings. Chastain as some alien despot with the albino aesthetic of Edgar Winter seeks Jean’s newfound power for herself. And, blah, blah, blah … more moping, more glaring, more throwing.

Jennifer Lawrence’s Mystique notes to Xavier, “By the way … we women are always saving the men around here. You might want to change the name of this group to X-WOMEN.” Now, THAT’s a movie I think I would have preferred to see. And, as poorly written as that line is, it says something about Lawrence’s uncanny abilities that it lands like the best zinger you’ve ever heard from a Noel Coward comedy. Otherwise, Lawrence is clearly just collecting a paycheck here, waiting for her contract obligations to final run out.

Photos taken by my parents Monday night in Detroit

Back to Hugh. If Dark Phoenix truly is the death knell of the X-Men movie universe, perhaps the rest of the cast should follow suit and launch their own respective concert tours. As noted here earlier, his show is an absolute delight … and also a bit surreal, given that it is the culmination of Jackman’s wildly varied career, plus a melange of influences and experiences close to his heart. It is, in essence, a two-hour midlife crisis, Vegas-style, but a kicky, charming, loving, unmissable one. [Photo album here.]

What I also learned this week is that there are two kinds of people: those who know that Hugh Jackman sings … and those that don’t. As to the former, all I had to do was mention I saw him in concert, and they rattled forth rapturous perspectives on which songster Hugh they loved the most: Les Miserables, Greatest Showman, Oklahoma, The Boy from Oz … all of which were featured in Monday night’s show. As to the latter, I was met with a quizzical gaze and a “what did he do for two hours?!”

Ah, what didn’t he do? Tap dancing to AC/DC’s “Thunderstruck”? Check. Channeling his best Gene Kelly for a Singin’ in the Rain homage? Check. Working through what felt like some Freudian confessionals about family, romance, and fatherhood? Check. Offering a salute to the atrocities experienced by the aboriginal peoples of his Australian homeland, complete with didgeridoo? Check.

There were some missteps Monday night. A blown mic … or three. Some faulty projection screens. Heartfelt but at times overly fawning tributes to Detroit (we ate it up … but at times it got a bit thick). A strangely sequenced second act that seemed to jettison the chronological overview of the first act for a random grab-bag of themes and ideas. I also admit that I wouldn’t have minded a bit more attention paid to his Tony-winning role in The Boy From Oz. The medley of Allen’s more obvious (for American ears) pop tunes was understandable as was the Rip Taylor-style vamping in the audience; yet, I longed for more of Peter Allen, the brilliant singer/songwriter and a bit less of the theme park character flash on display. That said, these are all minor quibbles in an otherwise extraordinary evening.

My hunch is that our singing, dancing, jazz-hand flinging former-“Wolverine” will be riding this arena-gig until the wheels fall off. The Hugh Jackman on display Monday night was simply too exquisitely blissed out not to, and, as a result, I’m sure he will be playing every arena, concert venue, and state fairgrounds into which he can get his twinkly visage booked. Given what I just experienced this afternoon watching Dark Phoenix, that’s one damn smart career move!

[Image Source: Wikipedia]

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

#HughJackman in #Detroit at Little Caesars Arena: The Man. The Music. The Show.

Hugh Jackman is nothing but pure joy. That is all.‬ A more extensive review is likely forthcoming when (and if) I ever recover from being utterly awestruck… in the meantime, enjoy these clips and photos.

In sum, know this about The Man. The Music. The Show.: Hugh is living his best inner 8-year-old’s Golden Age-musical-loving life onstage in arenas this summer. And we are all the better for it. His thesis seems to be “reconciliation through culture,” and a more kindhearted and inclusive affair (a loving throwback to sunny variety shows of our youth) you’d be hard pressed to find. Lord knows we all need some vintage TLC these days.

Part autobiography, part greatest hits, part retrospective, part therapy session, this show is all heart. Don’t miss it.

Full photo album here. Tonight’s set list here.

#hughjackman #littlecaesars #detroit

Old Type Writer: Conversations in motion (Plus video of Sterling Heights Regional Chamber keynote)

Enjoy this contribution to my mom’s Old Type Writer column (ten years going strong!), originally published on Jennifer Romano’s Talk of the Town Whitley County.

 

“Oh, I went to the emergency room last night. They took me from the veterinarian’s in an ambulance. The EMS boy looked like Aquaman.” – Susie Duncan Sexton 

Wait. What?! So began a phone call with my mother about a month ago. To clarify a few things: no, she does not receive her health care AT the veterinarian BUT got light-headed while she was there and, then … nearly passed out. And, no, Jason Momoa is not moonlighting for Whitley County EMS, but my mom is threatening to call 911 again, just so she can hang with the young man who apparently bears a striking resemblance to Game of Thrones’ Khal Drogo.

My mom has gone through a battery of tests over the past month, and the good news is that her exuberance for life and her candor and her irreverence have apparently served her well physically in that an army of doctors have found no issues of concern. As my mother notes, “I don’t want to go into that medical world if I don’t have to.” Who can blame her? I do wish she wouldn’t have such a propensity to read and believe all of the side effects listed on any and all medications, but, hell, that wariness has likely served her quite well in this pharmacologically reckless culture.

What my mother has learned from this experience is that when others don’t listen or behave like outright jackholes, it can cause her to experience justified exasperation to the point of plummeting-elevator-wooziness. I think too many of us are still trying to learnthat lesson.

“At 46, I’m coming to the realization that I want life to be less about ‘stuff.’ I’ve had so much fun collecting and gathering and accumulating, but now it all just feels like a weight around my neck.” – Roy Sexton 

Two weekends ago, I went to visit my parents. After her chance encounter with a hunky Momoa-look-alike, life flashed before my mother’s eyes, and she wanted to call a family meeting to discuss our “plan.” Note: we are NOT a “family meeting” kind of family, and we might have “plans” but for some reason we don’t actually share them. We are more of a “something unanticipated just happened so let’s light our hair on fire” kind of family. My mother has always been the one who says the things that need to be said but aren’t always heard. This time, it felt like my father and I stopped being idiots long enough to listen. I was cautiously optimistic that we might talk about what the future could hold. And, then …

“I’m getting up at 10 am tomorrow to take the LaCrosse in to trade for an Impala.” – Don Sexton

Unclear if that was invitation for me to assist in the car-buying process or not, but I volunteered to tagalong on a task that has pretty much eluded me my entire adult life. I inherited a hand-me-down Buick Century from my grandmother when I was in college. My parents were kind enough to buy me a Honda Civic when I was in graduate school. Then, I was wise enough to marry an automotive engineer, and I never set foot in an auto dealership again.

My father used to call on auto dealers across northern Indiana in the late 80s when he was a lending officer for Merchants National Bank. He knows a thing or two about this world; the finer points of operating an iPad may befuddle him but he knows his Carfax from his Kelley Blue Book. Nonetheless, the game of buying a car remains one rife with swaggering toxic masculinity.

“I’m sorry. With whom am I negotiating on this? You or your dad or John,” whined the auto salesman as I handed him my cell phone and asked him to work everything out with an auto engineer stationed at his home computer in Ann Arbor, Michigan. 

My father and I both gestured toward the phone and then promptly closed our traps. The best way to cut through toxic masculinity? Introduce a well-informed curve ball who doesn’t cotton to preening peacocks. We walked out of there with a gently used Ford Fusion at a third of the expected price, paid in cash, leaving behind a small army of Dockers-wearing salesmen scratching their heads.

“Good. I’m glad John got involved. He reminds me of me. When he gets to talk about what he loves, he’s unstoppable.” – Susie Sexton, upon our return. 

You see, all along, my mom had suggested their ancient Buick LaCrosse needed a retirement. My mom is the one saying, “Can we slow down and just take care of the things we love before time is completely gone?” My mom is the one urging people to live their best lives and to enjoy the moments they are in. My mom is the one asking for authentic conversation that isn’t transmitted via digital device in tweets, texts, and cynical memes.

KNOCK! KNOCK! “We’re at the door here for breakfast and swimming and to tell you our plan.” – my parents at my hotel room door the last morning of my weekend visit. (I may have asked for them to call before heading over … that didn’t happen.) 

At some point in the past couple of years, my parents and I transitioned to that mid-stage milestone of the child (gleefully) staying at a hotel when he/she comes to visit said parents. It’s not meant to be rude or controlling, but as one ages, as one becomes set in their ways, as one’s midsection grows more pear-shaped … the idea of retreating to a hotel room, collapsing in a heap, and breathing solitary air at the end of a day’s family visit carries a touch of appeal.

And my parents get to come use the pool like two 12-year-olds who’ve just run away from home.

Here’s the thing: those two 12-year-olds who these days spend as much time plotting each other’s demise as they do reflecting wistfully on their 50 (!) years of wedded “bliss,” came bounding into my room, speaking a mile a minute, finishing each other’s sentences, sharing their “plan” with me. I was half awake and a little cranky, but their zeal was a tonic.

And that plan? It’s a pretty good one. It’s not for me to tell, but I feel good about the future. Possibly for the first time ever. You see, I have a vision of the fun we will have, reminiscent of those special days I lived at home and had nary a care in the world, other than what cartoons were airing on Saturday morning or passing an algebra test. And that vision is shared. That makes all the difference.

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It was quite an honor to offer the keynote address alongside ProfessionalMovers.com’s spectacular Andrew Androff at last week’s Sterling Heights Regional Chamber of Commerce/Goldman Sachs 10,000 Small Businesses Sales & Marketing Conference. Video of my presentation “How to Win the Room (When You’d Rather Stay Home)” courtesy the lovely Brenda Meller of Meller Marketing: https://youtu.be/xnvDZFDYGI8

I adore Brenda whose kindness and generosity know no bounds. She authentically cares and celebrates. That is a rare quality. And thanks to the equally loving and supportive Heather Morse-Geller who got this ball rolling with a lovely post last year and to my sweet friend Blaine D. Fowler for reading it aloud at this very conference (same day it was posted, in fact, when HE gave the keynote).

Thank you, Melanie Hughes Davis and Sterling Heights Regional Chamber of Commerce for this fantastic opportunity.  #BeARoySexton 😊❤️

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

‘Lights. Camera. Cure.’ Theatrical Event Raises Over $20,000 For American Cancer Society Relay For Life

Originally published by Encore Michigan and BroadwayWorld

Photo Credit: Lia DeBiasi [More photos here.]

Lights. Camera. Cure. – a special theatrical event held on Wednesday, February 6, that featured classic film hits as sung by local performers at The Village Theater at Cherry Hill – was a sell-out success with a capacity crowd of 400 patrons. The show raised over $20,000 for the American Cancer Society Relay for Life Canton-Plymouth.

Producer/director Denise Staffeld of Lake Michigan Credit Union observed, “Last year, we had a vision to do a Cancer Society fundraiser that celebrated the healing power of Broadway. We sold out the house, and raised over $15,000. I had hoped this year would exceed last, both financially and artistically, but I never anticipated this. I am so very grateful.”

[View the show finale “Come Alive” here.]

Music direction was by Kevin Robert Ryan, Director of Music and Liturgy at St. Thomas a’Becket Catholic Church. Jeff Mongrain, Sonny Teodoro, and Joel Walter rounded out the orchestra. Songs included numbers from movies like The Greatest Showman, The Lion King, Willy Wonka and the Chocolate Factory, Mary Poppins, Dirty Dancing, Oklahoma!, First Wives Club, The Bodyguard, Aladdin, Quest for Camelot, Moana, Pearl Harbor, The Secret Garden, Fiddler on the Roof, The Jungle Book, and many more. 

Roy Sexton, director of marketing for the Clark Hill law firm, emceed the evening as well as performed. A published author of two books of film reviews Reel Roy Reviews, Sexton noted in his opening remarks that “film is a great unifier, helping audiences to escape the troubles of daily life and to aspire to something greater.”

The cast was comprised of semi-professional and professional talent from throughout Southeast Michigan’s theatre community: Shirley Auty, Denise Staffeld, Aimee Chapman, Christina Bair, Cathy Golden, Cathy McDonald, Caitlin Chodos, Noel Bittinger, Julzie Gravel, Bethany Basanese, Keri Mueller, Janine Creedon, Tracey Bowen, Diane Dimauro, Roy Sexton, Jeff Steinhauer, AJ Kosmalski, Bruce Hardcastle, Tim Chanko, Kurt Bowen, Tracy Neil, Carl Nielsen, Anna Nielsen, and David Dilsizian.

[Enjoy the cast’s take on “carpool karaoke” here.]

Kelvin Elvidge served as sound designer/engineer. Lia DeBiasi was the production’s stage manager, and Daniel Pocock assistant stage managed. There were special appearances by Tom Cassidy and Canton Township Supervisor Pat Williams opening remarks by Kim Scartelli, and event support by Megan Schaper (American Cancer Society) and Tammy Brown and Marion Rozum (Chicks 4 Charity.

Before the performance, there was a red carpet reception, with silent auction and desserts. A Facebook Live pre-show was hosted by Canton Chamber of Commerce President Thomas Paden and Stephanie Tierney. [View video here.]

American Cancer Society Community Development Manager Megan Schaper noted “This event truly embodies the motto attacking cancer from every angle. I was in awe of the show and I can’t wait to see and support what this show inspires these communities to do next.” Schaper supports Canton, Plymouth, Westland, Wayne, Ypsilanti, Livonia and Redford.

NOTE: I had an amazing time working on LightsCameraCure – honored to have been part of this exceptional evening where over $20K was raised for American Cancer Society. Thank you, Denise Staffeld and Kevin Ryan, for the opportunity. It was an incredible experience. This cast was divine!

Thank you to my sweet friends who came out and supported: Nikki Bagdady Horn, Lauren Crocker, Colleen McConnell Fowler, William Fitzgerald (longest journey – from CHICAGO!), Ashley Kryscynski, MSW, Michelle McAllister, Melissa Francis, Lori (Rundall) Compagner, Gabby Rundall, Pattie Curtis, Jim Paglino, Leo Babcock, Mary Newton, Nico LaFoudj, Christopher Tremblay, Ed.D., Sheri Hardcastle, and anyone I missed. ❤️

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital).

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

 

 

#CarpoolKaraoke: “Lights, Camera, Cure!” edition

Enjoy our version of #CarpoolKaraoke for #LightsCameraCure. In part one, my carpool buddies Bethany Basanese​, Aimee Chapman​, and I take on #JustinTimberlake, #MoonRiver, #CelineDion, and #Detroit’s own #Eminem. Thanks to Lia De Biasi​, our director, for figuring how the tech on this and to our cabaret queen Denise Isenberg Staffeld​ for the idea! 🎶

Video: https://youtu.be/qGpplBGhJiQ

“Lights. Camera. Cure!” is NEXT WEEK, benefiting The American Cancer Society – Relay For Life of Canton and Plymouth. Tickets are going quickly! Order yours today! Purchase here.

“Lights. Camera. Cure.” is a special theatrical event to be held Wednesday, February 6, 2019 at 7:00 p.m. (doors open at 6 pm) – a musical fundraiser featuring classic film hits as sung by local performers at The Village Theater at Cherry Hill. Learn more here.

#CarpoolKaraoke part deux with the divine Cathy Skutch McDonald and Jeff Steinhauer … some #BarbraStreisand / #LadyGaga #StarIsBorn magic, #AmericanGigolo ( #CallMe ), #SpyWhoLovedMe, and #SaturdayNightFever

Video: https://www.youtube.com/watch?v=RYP2YlB_ybg&t=60s

Here we are. The END of our #CarpoolKaraoke TRILOGY. Me and the adorable and talented Caitlin Chodos. Some #Xanadu. Some #WillyWonka / #VerucaSalt. And a whole LOT of #BohemianRhapsody.

Video: https://youtu.be/lQRRvwstYPA

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“Lights. Camera. Cure.” theatrical event to raise money for American Cancer Society Relay for Life, February 6 + delightfully serendipitous miscellany

Originally published by BroadwayWorld here.

“Lights. Camera. Cure.” is a special theatrical event to be held Wednesday, February 6, 2019 at 7:00 p.m. (doors open at 6 pm) – a musical fundraiser featuring classic film hits as sung by local performers at The Village Theater at Cherry Hill. View a preview video here

Producer/director Denise Staffeld of Lake Michigan Credit Union observes, “Last year, we had a vision to do a Cancer Society fundraiser that celebrated the healing power of Broadway. I had no idea – though I had faith – that it would be such a runaway success. We sold out the house, and raised over $15,000. We also had an amazing time along the way, so how could we NOT do this again?”

Music direction is by Kevin Robert Ryan, Director of Music and Liturgy at St. Thomas a’Becket Catholic Church. Ryan adds, “I love working with this cast. They are so clever and so talented. Film music speaks to all of us, doesn’t it? Reminds you of a happy time or a special memory. We’ve got Disney hits, classic musical numbers, The Wizard of Oz, on through The Greatest Showman. This is going to be an absolute ball.” Jeff Mongrain, Sonny Teodoro, and Joel Walter round out the orchestra.

Roy Sexton, director of marketing for the Clark Hill law firm, will emcee the evening as well as perform. “I wouldn’t miss this for the world. Denise is a long-time friend and such a pillar of our community. I don’t know how she does all that she does, but I’m honored to be a part of this. And somehow she’s convinced me to sing a Whitney Houston solo from The Bodyguard. This could get really interesting,” notes Sexton.

The cast is comprised of semi-professional and professional talent from throughout Southeast Michigan’s theatre community: Shirley Auty, Denise Staffeld, Aimee Chapman, Christina Bair, Cathy Golden, Cathy McDonald, Caitlin Chodos, Noel Bittinger, Julzie Gravel, Bethany Basanese, Keri Mueller, Janine Creedon, Tracey Bowen, Diane Dimauro, Roy Sexton, Jeff Steinhauer, AJ Kosmalski, Bruce Hardcastle, Tim Chanko, Kurt Bowen, Tracy Neil, Carl Nielsen, David Dilsizian, and Paul Bromnick.

Kelvin Elvidge will serve as sound designer/engineer. Lia DeBiasi is the production’s stage manager, and Daniel Pocock will assistant stage manage. There will be special appearances by Tom Cassidy and Canton Township Supervisor Pat Williams, opening remarks by Kim Scartelli, and event support by Megan Schaper (American Cancer Society) and Tammy Brown and Marion Rozum (Chicks 4 Charity).

Before the performance, there will be a red carpet reception, with silent auction and desserts. Just like the Oscars, there will be a pre-show, hosted by Canton Chamber of Commerce President Thomas Paden and Stephanie Tierney.

Paden laughs, “We get to channel Ryan Seacrest and Joan Rivers. We are going to broadcast via Facebook live, interviewing attendees as they arrive and sharing real time updates on our fundraising. I’m thrilled to be part of this and to see us all take this event to the next level.”

American Cancer Society Community Development Manager Megan Schaper notes, “The Cabaret is a great representation of the flexibility we have in partnerships. We want to attach cancer how our communities want to attack it. So ideas like musicals and other fun things allow us the chance to connect with different groups in the community and spread out our efforts year round.” Schaper supports Canton, Plymouth, Westland, Wayne, Ypsilanti, Livonia and Redford.

All proceeds for this event benefit the American Cancer Society Relay for Life Canton-Plymouth Event.  Tickets are available for $25.00 by visiting www.cantonvillagetheater.org. The event includes the performance, dessert reception, coffee bar, a silent auction and a cash bar.  This event is being offered in partnership with the Women’s Life Society, Chapter 827, Chicks for Charity and The American Cancer Society.

“We have so many surprises in store.” Tammy Brown of Chicks for Charity said. “We’ve already sold nearly a third of our tickets as the people who saw last year’s show don’t want to miss the next installment. Everyone loves movies, and everyone loves helping their neighbors, friends, and family. We are fighting this insidious disease with hope and music, your dollars and love. Please join us.”

Today, I’m sporting a new birthday gift (the shirt) from my folks AND proudly displaying (in my office) the sweet card they made me.

[View the Canton Chamber of Commerce’s recent “Business Spotlight” video feature on “Life is a Cabaret” here.]

Tickets: Online or visit or call the theater 10am-2pm Monday-Friday. 734-394-5300 ext 3. PLEASE LEAVE A MESSAGE. CALLS WILL BE RETURNED WITHIN 24 HOURS OR WEEKEND CALLS BY END OF DAY MONDAY. All ages must have a ticket. No refunds or exchanges.

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Have I mentioned how proud I am to be on the Mosaic Youth Theatre of Detroit board?

From The Detroit News: “Jeffrey Seller [Hamilton producer] recently saw the youth perform at New York’s The Public Theater. ‘He had the reaction that a lot of people have when they see the performances,’ Stefanie Worth said. ‘He was really, really impressed by the young artists. He has an affinity for what Mosaic does.’ … The $1 million grant will be used for two of Mosaic’s most popular programs: its four-week summer camp and the Mosaic Experience Empowerment Program, an eight-week after school program in nine Detroit schools. Both programs teach kids theater and vocal training and culminate with a student showcase, said Worth, who recently took over as Mosaic’s executive director.”

More: https://www.detroitnews.com/story/news/local/detroit-city/2019/01/02/detroit-theatre-gets-1-m-hamilton-producer/2468760002/

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Lol. Well, thank you, Heather Morse-Geller! I think we make a fine team where THAT is concerned:

“Life is too damn short, and, honestly, Roy Sexton can only bring so much FUN to the world. So, yes, #BeARoySexton. Don’t take yourself or your life or your job too seriously. Give back to those around you, and have some FUN while doing it all!”

More: https://www.legalwatercoolerblog.com/2019/01/03/new-year-new-no-way/

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

My mom Susie Duncan Sexton published in Metro Detroit’s “What’s in a Name?” anthology

So proud of my mom Susie Duncan Sexton (www.susieduncansexton.com)!

Just in time for the holidays, the “What’s in a Name?” collection from the Dearborn Public Library is now available on Amazon.com!

“Hoosier author Susie Sexton’s essay ‘WAIT! PRIOR TO TOSSING ME INTO A WEATHERED HATBOX…READ ME FIRST’ has been published in the latest Henry Ford Centennial Library ‘Big Read’ anthology What’s In A Name? The book is available for purchase on Amazon. Sexton’s work was published in the organization’s prior two ‘Big Read’ collections Call of the Wild Dearborn: Animal Tales (also providing the photographic cover art) and Dreaming Dreams No Mortal Ever Dared to Dream Before.”

Purchase here.

Read BroadwayWorld’s coverage of Susie, her work, and this publication here: https://www.broadwayworld.com/detroit/article/Author-Susie-Duncan-Sexton-Published-In-Dearborn-Public-Librarys-Whats-In-A-Name-Anthology-20180427

Re-Post: Kerr Russell Director of Marketing Roy Sexton to discuss the firm, legal marketing, nonprofits on “Small Talk with Mark S. Lee” (WXYT 1270, CBS Sports Radio, Radio.com)

Shared from my employer Kerr Russell’s website.

Kerr Russell Director of Marketing Roy Sexton [that’s me!] will be a guest on this week’s “Small Talk with Mark S. Lee” broadcast, scheduled to air Sunday, 9/2/18, 8-9am, EDT, on WXYT 1270, and streamed via radio.com (search 1270/Detroit). You can also download the Radio.com app and here’s a link: https://app.radio.com/wvK9HktXjP.

If you missed the “Small Talk with Mark S. Lee” broadcast, you can listen at the link: Aretha, game theory, legal marketing, and the power of women! https://leegroupinnovation.com/small-talk-with-mark-s-lee-september-2nd-2018/

“On this Labor Day weekend and as you’re sitting back, enjoying the day and preparing for the upcoming week, just sit back, relax and enjoy the conversation with the following guests: Pamela Dover, Senior Director, Comcast Business & Shahida Mausi, Right Productions & Chene Park; Bryanne Leeming, Founder & CEO, Unruly Studios; Roy Sexton, Kerr Russell; Kim Boudreau Smith, Inc., Entrepreneur & Author.”

Listen here: https://leegroupinnovation.com/small-talk-with-mark-s-lee-september-2nd-2018/

[Sexton is photographed with WWJ NewsRadio’s Lloyd Jackson – upper left – and Mark S. Lee – upper right. Photos by Kim Bourdreau Smith – lower left, another guest on this week’s program.]

Mark S. Lee is President & CEO, The LEE Group, an independent integrated marketing consulting firm focused on providing marketing, branding and communication solutions to clients.

He is the former Vice President of Brand Development and Marketing Communications at Florida Blue, Florida’s Blue Cross Blue Shield plan, where he was responsible for leading the company’s brand initiatives, marketing communications and the development and implementation of promotional programs focused on supporting strategic priorities.

Prior, Mr. Lee held senior-marketing leadership roles with nationally known companies across the country including, PepsiCo, The Auto Club Group (AAA), et. al.

His column turned blog, “Small Talk with Mark S. Lee”, appeared in the Michigan Chronicle for three years and now appears via blog for Crain’s Detroit Business.  It provides tips to businesses who are interested in growing their business and to individuals who aspire to become entrepreneurs.

Roy Sexton is responsible for leading Kerr Russell’s marketing, business development, communications, and strategic planning efforts.

He has nearly 20 years of experience in marketing, communications, business development, and strategic planning, having worked at Deloitte Consulting, Oakwood Healthcare (now Beaumont), Trott Law (formerly Trott & Trott), and St. Joseph Mercy Health System. He has been heavily involved regionally and nationally in the Legal Marketing Association as a board member, content expert, and presenter. He is treasurer-elect currently for the Legal Marketing Association’s Midwest Regional Board of Directors. He was named a Michigan Lawyers WeeklyUnsung Legal Hero” in 2018.

Michigan Lawyers Weekly’s profile of Director of Marketing Roy Sexton – “Unsung Legal Heroes” (page 12)

He earned his Bachelor’s degree from Wabash College, and holds two masters degrees: an MA in theatre from The Ohio State University and an MBA from the University of Michigan. He is a graduate of Leadership Detroit and Leadership A2Y, was a governor-appointed member of the Michigan Council of Labor and Economic Growth, and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012.

He served as an at-large member of LMA’s Midwest Regional Board, served on the advisory committee for Strategies Magazine, and was a member of the Social Media SIG steering group. He has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. He currently sits on the boards of Ronald McDonald House Charities of Ann Arbor, Royal Starr Film Festival, Mosaic Youth Theatre of Detroit, and encoremichigan.com. He is a published author with two books Reel Roy Reviews, Volumes 1 & 2.

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“No one is alone.” My Michigan Lawyers Weekly “Unsung Legal Heroes” Q&A

“Michigan Lawyers Weekly is proud to announce the 26 members of our second class of ‘Unsung Legal Heroes.’ This program honors law firm employees who have consistently gone above and beyond the call of duty, often behind the scenes. This award is reserved for the state’s most talented and dedicated legal support professionals. Judging by the response we received since we launched this program last year, lawyers are embracing this opportunity to show appreciation for key staffers. This class represents several aspects of legal support, including a law librarian, paralegals, legal secretaries, firm administrators, information technology, and legal marketing. The honorees will be profiled in a special supplement in the July 30 issue of MiLW.”

Well, that supplement was released today. I am honored to have been included, and my Q&A follows …

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.