Point/counterpoint – Ann Arbor’s Rebecca Biber offers guest critique of The Grand Budapest Hotel

Roy Sexton and Rebecca Biber

Roy Sexton and Rebecca Biber – Photo by Dawn Marie Kaczmar

So, I did not like Wes Anderson’s The Grand Budapest Hotel. I mean I didn’t like it a lot. However, never let it be said that we here at Reel Roy Reviews aren’t equal opportunity reviewers.

My dear friend, the talented pianist, musical director, and instructor Rebecca Biber shared the following (beautifully composed) counterpoint today on Facebook, and I asked if I could pay it forward here. She graciously obliged. Her take actually makes me want to revisit this film … almost. 🙂

Bookbound April 26 Event

Bookbound April 26 Event

And, if you’d like a chance to meet the supremely talented Ms. Biber in person, Megan and Peter Blackshear of Bookbound, in Ann Arbor (1729 Plymouth Road), have generously agreed to host a Reel Roy Reviews book-signing/Q&A on Saturday, April 26 at 3 pm.

Rebecca will accompany me as I sing a few of my favorite movie themes and show tunes. She actually selected the numbers from our nearly decade-long musical partnership, so, if you like ditties from Willy Wonka and the Chocolate Factory, you are in luck!

(And be sure to check out this thoughtful response by my gifted mom – author Susie Duncan Sexton – to my review of Disneynature’s Bears.)

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Here’s Rebecca’s delightful take on The Grand Budapest Hotel – enjoy!

[Image Source: ComingSoon.net]

[Image Source: ComingSoon.net]

In a made-up land resembling Germany or Austria (with Alps) on the eve of WWII, a charming, perfect hotelier played by Ralph Fiennes struggles to maintain his composure, help his friends, and avoid bad guys. His tale is narrated by his protege, Zero the Lobby Boy, now grown up into F. Murray Abraham. But this is merely the nugget at the heart of the story-within-a-story-within-a-story. Abraham is speaking with a writer played by Jude Law, whom we have earlier seen in his aged incarnation, telling the viewer that if you are a writer, there is no need to make up stories: they will come to you. Earlier than that, we have seen a young woman placing a tribute of hotel keys at the base of a statue honoring her favorite writer, and holding a book that contains, we think, the story Jude Law has retold from F. Murray.


This movie is a typical Wes Anderson confection in some ways, with fanciful lettering, folk-tale inspired landscapes, and gorgeous color schemes throughout, not to mention the usual rapid-fire dialogue and the panoply of famous faces. While it can be entertaining to play Name That Actor, it is distracting as well – just as we are settling into the story for its own sake, what’s-his-name pops up and we’re back at the level of being mere viewers. Characters are pretty much as they first appear, with clear goodies and baddies. Edward Norton gets to play a Nazi (again, previously having played the neo-version in American History X) and Adrien Brody gets to…weirdly…also play a Nazi. Tilda Swinton is unrecognizable, Bob Balaban pops up like a fairy tale imp, and Harvey Keitel has jailhouse tattoos resembling middle school doodles. Young actress Saoirse Ronan is perfect as the young Zero’s girlfriend and pastry chef. But the standout, and one to watch, is Tony Revolori, who plays the Lobby Boy not merely as a supporting character with some great lines (which he does have) but as a complicated, unexpectedly fearless and wise young man. He has an unblinking gaze straight at the camera that compels both laughter and serious attention.


Unlike Moonrise Kingdom, which had all of the Wes Anderson cute and very little of the sad, Budapest has some moments of real darkness. And they always come unexpectedly. This movie is probably not safe for devoted animal lovers or the very squeamish. There are several bloody fights and, for those with Holocaust survivors in the family, the train scenes were a bit too close to real history despite Anderson’s attempts to fictionalize the material.
With all that goes on in the film, I haven’t even mentioned the stolen art, murder mystery and contested will (with legal executor played by an uncomfortable looking Jeff Goldblum). There is much to enjoy, and I came away glad I had watched this quirky adventure/love story with true friendship at its core. It is a visual feast with some nice musical touches (nothing overblown) and, if the story doesn’t make perfect sense outside of its own world, well, it does such an excellent job of conjuring that world that I was delighted to spend a couple of hours among its inhabitants.

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Reel Roy Reviews is now a book! Please check out this coverage from BroadwayWorld of upcoming book launch events. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound, Common Language, and Memory Lane also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

Wildlife movies always make me nervous … Disneynature’s Bears

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

Disney has long been synonymous with compelling, awe-inspiring, moving “how’d-they-film-that?” nature documentaries. Starting with the True-Life Adventure series (e.g. Seal Island, The Living Desert) in the late 40s/early 50s, Uncle Walt established a high standard for capturing real-life footage of flora and fauna in natural habitats, layering on kid-friendly narratives with heaping helpings of personification and silly puns – all toward offering the world animal-based metaphors for contemporary society, for the daily challenges of survival, and for the absolute need for kindness and empathy and tolerance.

In recent years, the Disneynature imprint (the only Disney studio based in France) was launched to carry on this cinematic tradition. Their latest effort Bears does not disappoint.

In an efficient 90-minute running time, directors Alastair Fothergill and Keith Scholey present the tale of Alaskan grizzly bear Sky as she leads her two adorable cubs Amber and Scout from their mountaintop hibernation through a danger-laden summer of scrounging up sustenance and warding off wolves and hunger and other grouchy bears (oh my!).

The Winnie-the-Pooh-esque John C. Reilly is an inspired choice of narrator with his cuddly baritone and affable goofiness. He amiably sells the cornier jokes, but his best moments are as he soothingly/insistently describes the against-all-odds love a parent can (and does) show their young in the face of great adversity.

Yes, you may scratch your head a few times wondering how much of a stretch the film’s narrative may be. I caught myself creating an alternative voice-over for the bears – something like, “Really? Why are these chuckle-heads circling us with these cameras? We are magnificent creatures; not clowns for your entertainment. Wow. Humans are silly creatures.” And lord knows that salmon carnage (understandably) has to be part of any movie about bears in the wild, but all that raw fish-eating defies Magic Kingdom-style whimsy.

Regardless, I am so glad that Disney and other companies make these films. Insidious forces seem to be at work these days, pushing an anti-animal agenda in the guise of all-American family values – it started with Sarah Palin, continues through Duck Dynasty, and will end heaven knows where. A small angry bunch seem to equate the planet’s unyielding diversification as a threat to their middle-class joie de vivre and have turned to camouflage, crossbows, and misinterpreted Bible verses as their saving graces. (I know there are people who will want to pick a fight with me on these points, but it’s my blog so, if you’re one of them, move along. Seriously. Shoo.)

I can only hope that an army of kids whose parents (and grandparents) were influenced positively by Uncle Walt’s anthropomorphizing of woodland creatures makes a beeline for movies like Bears. There is a wild, wonderful world out there that deserves our respect and gratitude … let’s start showing it.

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Reel Roy Reviews is now a book! Please check out this coverage from BroadwayWorld of upcoming book launch events. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound, Common Language, and Memory Lane also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.