Singing, Dancing, Furniture Moving … Rehearsing Jacques Brel’s “Madeleine” (Video)

Enjoy this brief rehearsal footage (click here) of “Madeleine” from the cast (including yours truly) of Jacques Brel is Alive and Well and Living in Paris, presented by the Penny Seats Theatre Company and opening February 11 at Conor O’Neill’s on Main Street in Ann Arbor.

The Penny Seats return to the stage this winter for Jacques Brel is Alive and Well and Living in Paris, a musical revue of the songs of Jacques Brel, translated into English by Eric Blau and Mort Shuman. The show kicks off the sixth season for The Penny Seats.

The cast rehearse "Marathon" with Paige Martin

Rehearsing “Marathon” with Paige Martin

It will run on Thursdays, February 11, 18, 25, and March 3rd, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. Conor O’Neill’s and The Penny Seats continue a partnership to offer a dinner theatre-style show, with dinner seatings available starting at 6:00 p.m., and performances each night at 7:30 p.m. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Jacques Brel

Jacques Brel

“We are very excited to continue our fantastic partnership with Conor O’Neill’s this year,” says Penny Seats President, Lauren London.  “Conor’s has been a champion of our work, and an enthusiastic partner, every step of the way. Their community spirit and support makes our winter show a joyous, warm, exciting event for everyone.  We hope to continue this tradition long into the future.”

The musical revue stars Brendan Kelly of Ypsilanti, Natalie Rose Sevick of Swartz Creek, Lauren London of Ann Arbor, and Roy Sexton of Saline. Laura Sagolla (of Ann Arbor) directs, Richard Alder (of Westland) serves as music director and as Paige Martin (of Ann Arbor) choreographs. Technical direction is provided by Stephen Hankes (of Ann Arbor).

Jacques Brel

Jacques Brel

“Rehearsals have reminded me how powerful and how fun this show can be,” said Director Laura Sagolla. “The cast is hard at work, and I’m really impressed with their creativity and their ability to put a modern twist on the Brel classics.”

Jacques Brel is Alive and Well and Living in Paris will be the first of three shows comprising The Penny Seats’ 2016 season. The group plans to stage productions of The Canterbury Tales and Xanadu at West Park this summer, from June 16 through July 30.

#AnnArbor Observer on Penny Seats’ #JacquesBrel opening February 11

Ooh la la! Thanks, Ann Arbor Observer, for this Jacques Brel coverage – we open February 11 at Conor O’Neill’s. Get your tickets at http://www.pennyseats.org


See you there! 🙂

Jacques Brel

Jacques Brel

__________________

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Penny Seats production of Jacques Brel opens February 11 at Ann Arbor’s Conor O’Neill’s

Rehearsing "Marathon" with Paige Martin

Cast rehearsing “Marathon” with Paige Martin

The Penny Seats return to the stage this winter for Jacques Brel is Alive and Well and Living in Paris, a musical revue of the songs of Jacques Brel, translated into English by Eric Blau and Mort Shuman. The show kicks off the sixth season for The Penny Seats. It will run on Thursdays, February 11th, 18th, 25th, and March 3rd, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. Conor O’Neill’s and The Penny Seats continue a partnership to offer a dinner theatre-style show, with dinner seatings available starting at 6:00 pm, and performances each night at 7:30pm. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Jacques Brel Penny Seats Poster“We are very excited to continue our fantastic partnership with Conor O’Neill’s this year,” says Penny Seats President, Lauren London.  “Conor’s has been a champion of our work, and an enthusiastic partner, every step of the way. Their community spirit and support makes our winter show a joyous, warm, exciting event for everyone.  We hope to continue this tradition long into the future.”

The musical revue stars Brendan Kelly of Ypsilanti, Natalie Rose Sevick of Swartz Creek, Lauren London of Ann Arbor, and Roy Sexton of Saline. Laura Sagolla (of Ann Arbor) directs, Richard Alder (of Westland) serves as music director and Paige Martin (of Ann Arbor) choreographs. Technical direction is provided by Stephen Hankes (of Ann Arbor).

Brendan August Kelly and Lauren London

Brendan August Kelly and Lauren London

“Rehearsals have reminded me how powerful and how fun this show can be,” said Director Laura Sagolla. “The cast is hard at work, and I’m really impressed with their creativity and their ability to put a modern twist on the Brel classics.”

Jacques Brel is Alive and Well and Living in Paris will be the first of three shows comprising The Penny Seats’ 2016 season. The group plans to stage productions of The Canterbury Tales and Xanadu at West Park this summer, from June 16th through July 30th.

(photos by Kerry Rawald; poster by Autumn Vitale)

 

Brendan August Kelly, Lauren London, and Roy Sexton

Brendan August Kelly, Lauren London, and Roy Sexton

ABOUT THE PENNY SEATS: Founded in 2010, we’re performers and players, minimalists and penny-pinchers. We think theatre should be fun and stirring, not stuffy or repetitive. We believe going to a show should not break the bank.

And we find Michigan summer evenings beautiful. Thus, we produce dramas and comedies, musicals and original adaptations, classics and works by up-and-coming playwrights.

We also provide cabaret shows, acting classes, and wacky improv evenings. And you can see any of our shows for the same price as a movie ticket. FOR MORE INFORMATION about The Penny Seats call at 734-926-5346 or Visit: www.pennyseats.org.

Roy as Shepherd

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

SAVE THE DATE! Jacques Brel is Alive and Well and Living in Paris, presented by The Penny Seats in February at Ann Arbor’s Conor O’Neill’s

Jacques BrelYup, I’m in this show, and I have some really glorious numbers to sing. Jacques Brel is a cabaret show for all you Francophiles out there.

Or for people who like songs about Brussels, sailors, marathons, Jupiter, carousels, and baguettes.

ParisOr for those of you who want a fun Thursday night in February, having a great dinner AND a show for one low, low price! Jacques Brel runs February 11, 18, 25, and March 3 (all Thursdays).

You can read the original article from Encore here (or below), and you can order tickets ($10 for the show; $20 for the show + dinner) at www.pennyseats.org

________

Jacques-Brel--002The Penny Seats return to the stage this upcoming winter for Jacques Brel is Alive and Well and Living in Paris, a musical revue of the songs of Jacques Brel, translated into English by Eric Blau and Mort Shuman.

eiffelThe show kicks off the sixth season for The Penny Seats and will run on Thursdays February 11, 18, 25, and March 3rd, at Conor O’Neill’s Irish Pub and Restaurant, 318 South Main Street, Ann Arbor. The two companies are partnering to offer a dinner theatre-style show, with dinner seatings available starting at 6:00 pm, and performances each night at 7:30pm. Audience members can purchase tickets for the dinner-and-show package for just $20, or for the show only, for $10. Advance tickets (which are encouraged) are available online at www.pennyseats.org or by phone at (734) 926-5346.

Jacques Brel On Stage At "La Tete De L'Art", Avenue De L'Opera In Paris, France -“The show is filled with songs that explore the deepest emotions–heartache, longing, regret, fear– and yet because of Brel’s quirky perspective always manage to steer clear of the maudlin or clichéd,” explains the show’s director, Laura Sagolla. “I’m so excited to bring Brel back to those who’ve missed him and to introduce a new audience to this truly modern singer-songwriter.”

notre dameThe musical revue stars Brendon Kelly of Ypsilanti, Natalie Rose Sevick of Swartz Creek, Lauren London of Ann Arbor, and Roy Sexton of Saline. Laura Sagolla (of Ann Arbor) directs with the assistance of Matt Cameron (of Plymouth) and technical direction by Stephen Hankes (of Ann Arbor). Musical direction will be provided by Richard Alder (of Westland) as well as choreography by Paige Martin (of Ann Arbor).

Following the success of the group’s 2015 two-show summer series of The Complete Works of William Shakespeare [Abridged] and Urinetown: The Musical in West Park, Ann Arbor last summer, The Penny Seats is proud to announce another two-show summer series for 2016. The season will feature an adaption of Chaucer’s The Canterbury Tales and the 2007 Broadway Musical Comedy Xanadu, based on the 1980 film of the same name.

CarouselTheSongsofJacquesBrel“I am excited about this slate,” said Lauren London, The group’s President.  “It’s a diverse group of shows, and it explores many things The Penny Seats do well:  music, satire, comedy, open-air theater, and partnerships with other local businesses.  We’re also building relationships with some fantastic regional artists, both on stage and off.  We hope to channel some of the terrific excitement we were able to generate last year–our biggest season ever–and up the ante once more. It’s going to be a tremendous experience.”

Performances of The Canterbury Tales will run Thursday, Friday, and Saturday nights from June 16 – July 2, 2016 in West Park, Ann Arbor. Performances of Xanadu are set for July 7- July 23 , 2016 and will also run Thursday, Friday, and Saturday nights at the park.

NERD

NERD

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

The Penny Seats 2016 Annual Appeal: Next year? Even better! (VIDEO)

Penny Seats

 

Dear Friend,

Thank you for making 2015 our most successful season ever.  2016 will be even better.  But we need your help.

In six years we have enjoyed enthusiastic and growing support from the community. We’’re proud and excited, and we have many to thank. But the key to our success has been our business model:  raise each season’’s funds in advance, and don’’t spend what you can’’t raise. Because we don’’t count on ticket sales to provide the lion’s share of our funds, we can keep ticket prices very low. But it all depends on you. Community support–not ticket sales–drives our survival and our growth.

This year, we’re preparing three  shows,  one  indoors  and  two  at  the  park,  and  we  are  again  preparing  for  a  full  six-week  summer season.   First, on the heels of our sold-out run of Tomfoolery last year, we’ve again partnered with Conor O’Neill’s restaurant to bring you a dinner  theatre performance of Jacques Brel is Alive and Well and Living in Paris.   Playing throughout February and into March, this show will feature Brel’s haunting and hilarious work.  And at just $10 for dinner and another $10 for the show, it’s the best live performance value around. (Grab your tickets now at www.pennyseats.org. Space is limited!)   Next, our 2016 Summer Season at West Park  will  feature  two  knockouts:   a  modern  adaptation  of  Chaucer’s  The  Canterbury  Tales,  directed by  Anne Levy, and the 2008 Broadway smash, Xanadu (based on the cult classic 1980 film of the same name), directed by Philip Simmons. These shows, different as they are, share our penchant for humor, audience interaction, and innovation.  We can’t wait to share them with you.

Helping out is easy, and it comes with some great perks, including free tickets to all our shows. So please, take a look, and help us achieve what we set out to do. Let’’s give Ann Arbor a fabulous, top-quality summer theatre festival in the park.

Thanks.

 

Support is made possible by

 

“I act because it compels…” The Penny Seats’ upcoming production of Elektra

“…The audience is being given the gift of live theater. Films do not ask from us in their enacting, a film can merrily play out to an empty room, but the very beauty of live theater is the human exchange. Without that sense, it is dead.”

– Emily Miller Mlcak

(Mlcak is a beloved professor from my undergraduate days at Wabash College, and she wrote this in response to “scha·den·freu·de.”)

Elektra cast photo by Dawn Marie Kaczmar

Elektra cast photo by Dawn Marie Kaczmar

These words rang in my ears the other week when I crashed a rehearsal of The Penny Seats’ summer production Elektra (as adapted by Ann Arbor’s own Anne Carson) for a sneak peek of the glorious mayhem that is sure to delight audiences at the West Park Band Shell July 10 – 26.

In the spirit of transparency (oh, how I do hate that overused expression), I am one of the founders of The Penny Seats, and I held featured roles in the company’s first slate of offerings: Goodnight Desdemona (Good Morning Juliet), What Corbin Knew, She Loves Me, and Little Me. However, to reclaim some balance in my personal life, I stepped off the board last year and am just a blissfully unencumbered theatre-goer this summer.

(I think I’d be pretty lousy in Greek tragedy anyway – my cheesy musical comedy shtick would likely grate in the world of Sophocles.)

“The very beauty of live theater is the human exchange.” From what I saw of Elektra’s opening scenes, that quality is evident by the bucket-ful. Portraying the title character, Ypsilanti’s Emily Caffery, who recently appeared onstage at both Performance Network and Two Muses Theatre, captures the visceral heartache of a daughter betrayed as her family unravels before her very eyes.

For those unfamiliar with the tragedy, Elektra details the revenge scheme the title character and her brother Orestes exact upon their mother Clytemnestra and step father Aegisthus, in retribution for father Agamemnon’s murder. The action takes place in Argos, shortly after the Trojan War.

Caffery, a student of the Eugene O’Neill Theater Center’s National Theater Institute, notes, “This translation is not stuffy. The piece is very recognizably human. It is immediate and real, and I am using the text as much as possible to bring each image to life.” Indeed, her Elektra is violent yet empathetic, adrift yet fierce, inconsolable yet laser-focused … Dorothy Gale by way of Katniss Everdeen.

The yin to Caffery’s theatrical yang is Sonja Marquis as Elektra’s soccer-mommy-from-hell Clytemnestra. Marquis, a resident of Brighton, has worked at Tipping Point, Purple Rose, Encore, Two Muses, and The Ringwald among many other local theatre companies. “Don’t be scared of the Greek mythology. You’ll find lots to enjoy,” Marquis observes. “Clytemnestra is painted as a villain, but I don’t judge her. As an actor, I look for the justification … Elektra’s father killed my child [Iphigenia, sacrificed to the gods before the play begins]. Obviously, Elektra sees it differently, but why wouldn’t Clytemnestra be angry?”

Marquis quickly adds, with a hearty laugh, “But don’t worry … I definitely haven’t identified with my character’s villainy that much!”

Remaining cast members include Samer Ajluni (“Old Man”/“Aegisthus”), Scott Wilding (“Orestes”), DeAnnah Kleitz-Singleton, Sarah Lovy, Katherine Nelson, and Kez Settle. Like Marquis and Caffery, these accomplished thespians have all appeared in venues across Southeast Michigan: Hillberry Theater, Abreact Performance Space, Waterworks, Wild Swan, Planet Ant, JET, and more.

Director Russ Schwartz along with assistant director JP Hitesman are mining the material for contemporary resonance – familial discord, jealousy, anxiety in wartime, sexism, ageism – and are layering in a light amount of cheekiness to keep their audience engaged (and to highlight the darkness that much better). For example, keep your ears open for Ajluni’s marvelously witty take on the expository tale of Orestes’ “death” by chariot race – imagine Ben-Hur as told by an announcer at the Belmont Stakes.

Ajluni, who calls Farmington Hills home, is savvy to the challenges of outdoor theatre. (Elektra will not only be performed outdoors, but the production will take full advantage of all the space surrounding the West Park Band Shell.) “I once did a show in Central Park, and you get a different feel every show. Focus is key,” notes the actor, adding that playing two very different characters “lets you do something far from yourself. … I love when the Old Man gets to be the voice of the audience, telling the characters, ‘Stop giving so many speeches!’”

Lovy, who plays Pylades, a mute boy, chuckles, “I like that they gave me a chance to do drag! Seriously, though, plays like this are important for education. I was introduced at a young age to the classics. That exposure has helped me relate to daily life, family dynamics, and themes. I’m really grateful for that. … I’m the eyes and ears of the show, and I can’t let on what I know or the whole family will blow up”

Settle, one half of the show’s Greek chorus, concurs, “We are there to influence the outcome. We have a job to do … but we are ethereal beings performing a delicate dance between justice and vengeance.”

Nelson, Settle’s fellow chorus member, elaborates, “Ancient Greece is where theatre started, and it continues as a source of great drama with plots as extreme as any summer blockbuster. In our daily lives, we are all so worried about being calm and polite, but a show like this? You can really cut loose.”

With such a fun, fizzy, and damn erudite cast, Schwartz is grateful for this summertime collaboration and echoes his actors’ perspectives. “This show and this cast are so perfect for the space. This is different than anything The Penny Seats have done before, and we wanted to expand our direction a bit.”

Hitesman adds, “This is challenging stuff … very active. The relationships are so intense, like a real family, and working on this reminds you how much the Greek classics have influenced today’s theatre, film, TV.”

Schwartz concludes, “Carson’s adaptation gets to the spirit of what modern audiences will appreciate. It is very immediate and draws you in. If you’ve been away from Greek drama for a while, this show is a great way to reconnect … and if you’ve never seen a Greek tragedy, this is the one for you. Immediate and relatable.”

In the play’s opening scene, Elektra declares, “I act because it compels.” In the context of the play, this proclamation indicates an urgency of movement, but, witnessing this intrepid band of actors exercise their talents, these words take on double meaning. Indeed, they do act because the very doing compels – compels the hearts and minds of both performers and audience. And I, for one, can’t wait to see the finished results!

Elektra opens July 10 and runs through July 26. Shows are Thursday, Friday, and Saturday at 7 pm, and tickets are $10 per person. You can purchase tickets at www.pennyseats.org or by calling (734) 926-5346. Patrons may want to may want to bring blankets or camp chairs to sit on, as the tiered seating around the pavilion does not have back support. The company has partnered with a local caterer to have food on-site, and picnicking (beginning at 5:30 pm performance nights) is encouraged.

[This piece first appeared on BroadwayWorld here – I appreciate their wonderful support!]

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.