“She’s so little and sparkly … I want her as a key chain!” So commented my very witty pal and fellow Leadership A2Y (Ann Arbor/Ypsilanti) classmate Naomi Fink on one of the many photos I feverishly posted on Facebook while watching the Divine Miss M (Midler, that is) perform at The Palace of Auburn Hills.
Keep in mind, we were under strict instructions not to take photos, so what you see here is ill-gotten gain. I’m not sure how or why artists in this day and age even try to prevent images from being captured and shared.
I was accompanied at the show by another wonderful A2Y colleague Heidi Fisher, who prepared for her impending audience with Queen Bette by listening to two days worth of her classic tunes on Pandora. Now that’s dedication.
Needless to say, we loved the moving, funny, ribald, political, sparkling spectacle that is Bette Midler’s Divine Intervention tour.
Both of us were likely in a sentimental mood, having just driven from Ann Arbor where we had spent our final day together as a leadership class.
The balance of the day, after receiving our certificates of merit, was occupied by a last blast scavenger hunt (cleverly designed by another classmate Peg Windsor and program director Barb Davenport): we met with as many different Ann Arbor business people and creative types as we could cram before we waved goodbye (or perhaps just “see you later”) to our beloved classmates and program.
So we were pretty spent before we even got in the door for Bette.
Fortunately, we fit right in – as Midler joked in her opening monologue: “So glad to see my fans can still drive at night.” Indeed, it was that most blessedly rare of large-venue concert experiences where a respectful audience sat the whole time.
Ok by me. And, not unexpectedly for the spirit of the crowd and our state-of-mind, we made some new friends in our row. A schoolteacher from Grand Rapids and her East Lansing mom. And a man who seemed really sour about being there, until Heidi took a selfie with him. See, Bette, social media does make the world go ’round.
Oh, right, the concert? It was an old-school hoot, dressed up with the latest in projection technology and a dash of Midler’s own trademark pyrotechnic raunch.
The show opened with a quick animation, highlighting a cause famously near and dear to Midler’s heart: the environment and how deeply we have effed things up.
Good for her. I don’t think I can stand to hear one more local yokel/short-sighted fool who makes their living destroying the planet say, “Why don’t you people mind your own business? What I do in my town/state/whatever is my business.”
It is our business because we share this resource; we eat your crops the world over; we breathe the same air; we drink the same water. Consequently, I was thrilled to see Midler lead with such a powerful and sobering message.
In her inimitable style, she then launched right into a cheeky medley of “Divine Intervention” and “I Look Good” amidst the detritus of a disposable society – giant size Coke cans, burning tires, and other debris – all with that impish smile and twinkle in her eye. Yes!
Polluters, agribusiness, and big manufacturing weren’t Midler’s only targets through the evening, though.
With a wry touch, she took shots at Vladimir Putin, the Kardashians, Fox News, Dick Cheney, and even Caitlyn Jenner – and her wizened audience ate it all up with glee.
She reserved her sharpest barbs for social media in a tart skit about how we can’t live in the moment without documenting every moment, as she was wheeled too and fro reclining on a hot pink sofa shaped like a pair of lips. Touche, Ms. M.
She hit all the expected musical high points with a verve that belied her long history in the entertainment industry: “Beast of Burden,” “Boogie Woogie Bugle Boy,” “Do You Wanna Dance.” You can tell Midler lives to be in front of an audience and her energy positively crackles. She also incorporated numbers from her latest album It’s the Girls, a salute to decades of so-called “girl groups” in pop music, the best of all being her poignant take on TLC’s cautionary “Waterfalls.”
She offered a fetching and frisky “I Put a Spell on You,” bewigged as her saucy witch character from Disney’s Hocus Pocus, and, in the show’s strongest segment “Bird in the Hand,” channeled her idol Sophie Tucker for a machine gunned sequence of the kind of filthy jokes twelve-year-old boys find hysterical. Since she was dressed for the number as if Mae West had made an X-rated appeared on Sesame Street, it was utterly delightful.
Yes, the high-schmaltz trinity of “The Rose,” “From a Distance,” and “Wind Beneath My Wings” rounded out the evening.
I had a grandmother who was just too enamored of those tunes, in part due to some meddling family members who thought it fun to use the lyrics in rather passive aggressive fashion, so hearing any one or all of them always puts me on edge. (Not Midler’s fault obviously and apropos of nothing for this overview.)
I offer that context, though, to note that hearing Midler sing these signature tunes live redeemed them for this fan. In light of her passion for this planet and for all of us on it and in keeping with her parting wish for us to “be kind,” these ballads now make all the sense in the world to me.
I will add that the jarring juxtaposition of these saccharine hits against her “Last of the Red Hot Mamas” burlesque persona has always greatly amused me, and, in that sense, they are a sweet aperitif on her storied career.
In closing, she gave Detroit a glowing review, donning an “I [Heart] Detroit” t-shirt for the encore. She, the mistress of reclamation who joked earlier “I never get rid of anything … they say I put the whore in hoarding,” crowed about the reinvention of the Motor City and of its spirit of reusing and celebrating all that has come before.
She had visited Shinola (the celebrated watchmaker here) and took a tour of all the development along Woodward Avenue. She was breathlessly effusive, urging us to “keep it up” and to keep taking care of this city and each other. Will do, Ms. M. Will do.
The Penny Seats summer season is about to launch, with not just one but two shows at Ann Arbor’s West Park. The Complete Works of William Shakespeare [Abridged] runs July 9-25 and Urinetown the Musical (that’s the one I’m in!) runs July 30 to August 15. Tickets are available at http://www.pennyseats.org, and we’ve gotten some great coverage already…
Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital).
In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.
My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.