A night at the opera: Tipping Point’s production of A Comedy of Tenors

Originally published at EncoreMichigan here

“Dying is easy, but comedy is hard” goes the old mantra, hyperbolically detailing the degree of difficulty for making an audience laugh. That said, it probably should be modified to read: “Dying is easy, comedy is hard, and farce is impossible.” Whether you love farce or not (I sorta don’t), it requires the crack timing of a Swiss clock, the physicality of a gymnast, and the rapid-fire delivery of a machine gun.

Fortunately, for those in the opening night audience of Tipping Point’s latest A Comedy of Tenors, farce is one of the company’s super powers.

The piece, a sequel to Ken Ludwig’s Lend Me A Tenor, details the chaotic hours before an operatic concert of three (maybe four) tenors in 1930s Paris. As the performance hangs in the balance from the tempestuous machinations of a set of male divas (toxic masculinity in its absurdist reality), producer Saunders (a hellzapoppin’ human stress-ball performance by company mainstay Dave Davies) flips every lever, ethical and otherwise, so that the show can go on.

As you can imagine, many doors are slammed as the cast romps about Monika Essen’s creamy-fine French Moderne set (someone be sure to reinforce all those floor joists for the duration of the run!). Costuming by Suzanne Young is period-perfect, ultra-tailored gorgeousness. And with Midwesterners trying their hands at a world’s atlas worth of dialects (high and low country Italian, Brooklynite, Russian), dialect coach Christopher Corporandy has his work cut out for him … and succeeds with “it’s a small world after all” aplomb. Able lighting and sound design, effortlessly transitioning the action from hotel suite to arena stage and back again, are provided by Neil Koivu and Julia Garlotte respectively.

The cast is on the balance terrific. As opera superstar Tito, the emotional vortex of this comic storm, Richard Marlatt is clearly having a ball, and, pun intended, never misses a note. I won’t spoil the first-act surprise, but he has to work double-time and applies a refreshing amount of nuance to differentiate the contrasting moments he has to play. He is aided and abetted by the ever-fabulous Sarab Kamoo as his long-suffering, take-no-prisoners wife Maria.

Joe Zarrow brings a lovable accessibility to production assistant turned singing sensation Max, and Nick Yocum sparkles as young matinee idol sensation Carlos. Tito and Maria’s Hollywood hopeful daughter Mimi could be a thankless role, bringing more narrative complication than character definition, but Hope Shangle nicely blends the hot-headed charm and earnest pragmatism of her stage parents. Last but certainly not least, Melynee Saunders Warren is a Molotov cocktail tossed into the play’s second act as a Russian chanteuse whose unrequited love for Tito escalates the mania to a fever pitch. She is sheer slinky stage magic.

The script is more sitcom than art, and that’s just fine. The opening night audience was enrapt by the crackerjack performances. Directed with military precision by Angie Kane Ferrante (assistant direction by Mary Conley), this top-of-their-game cast elevates the material and delivers a fine and fun evening of escapist entertainment. And, heaven knows, we all could use that. A frisky holiday offering from the always exceptional Tipping Point.

Tipping Point Theatre presents Ken Ludwig’s A Comedy of Tenors Thursdays through Sundays, November 15 through December 23. Previews November 15 and 16 include talkbacks the producing artistic director James R. Kuhl and director Angie Ferrante. Tickets are $26. Senior citizens 62 and older: $2 off per ticket; groups of 15 or more: $3 off per ticket for all performances, excluding previews and opening night. This may be combined with the senior discount. All tickets are available online at http://www.TippingPointTheatre.com.

Click here for show days, times and details.

Thanks, David Liebrecht of Heartland Home Health & Hospice, for the nice shout out at the 57 minute mark here on Mark S. Lee’s “Small Talk” program. And to Brenda Zawacki Meller of Meller Marketing for alerting me! Always a fun and informative show.

Plus, Blaire Miller, CCM, MBA of Hunter Group, Sheilah Clay and Linda Little MBA, RN, CCM of Neighborhood Service Organization – NSO, Bob Lambert of Detroit Foundation Hotel, and Paula Christian Kliger, PhD of Psychological Assets Pc.

Listen to Small Talk with Mark S. Lee – November 18th, 2018 by Lee Group #np on #SoundCloud

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Life in an aquarium: Tipping Point Theatre’s “Invasive Species” (world premiere)

Invasive SpeciesI’m certain it breaks some unspoken critics’ oath to review a show featuring one of your dearest friends, so don’t consider this a review of Tipping Point Theatre’s world premiere Invasive Species, starring Aral Gribble (whom I don’t know) and Melynee Saunders Warren (whom I most assuredly know and with whom I may or may not have shared a stage … or two).

But this play is so good that I have to write something.

Joseph Zettelmaier’s intimately inventive script, making its debut here in Michigan, details the misadventures of a lonely widower schlub Earl Hobbs (Gribble) whose life is transformed when he discovers an exotic creature in his favorite fishing hole and takes said specimen (soon dubbed “Toothy”) home as a confidante and pet. Warren portrays a well-intentioned DNR officer Eden Selkirk, plagued by her own personal tragedies, who ends up (spoiler alert!) aiding and abetting Hobbs in his efforts to keep Toothy alive and thriving.

A theatrical pas de deux like Invasive Species is no easy task, and, under the sure-handed direction of Joseph Albright, Gribble and Warren keep the laughs (and the poignancy) flowing in the show’s crisp 90-minute running time. “Life in an aquarium” is a recurring theme in the production as both Hobbs and Selkirk find themselves drawn together by the confines of small-town, small-state, small-life. The smart set design by Jennifer Maiseloff and lighting design by Alex Gay ably assist the cast in this endeavor, providing them a beautifully insular series of indoor/outdoor levels with which to play. The efficient use of space is as breathtaking as it is lean, mean, and, well, perfect.

The script, perhaps at times a bit too rapturous about rural Michigan’s charms (particularly in its closing monologues), is incisive and deeply affecting. Zettelmaier has a keen insight into heartache and loneliness, but never for one moment devolves into cloying condescension. Hobbs and Selkirk are broken souls seeking kinship from nature and from each other, and their painfully heartwarming collision is as moving as it is horrifying.

The animal lover in me appreciated the central  metaphor in Hobbs’ adoption of the contraband Toothy: sometimes the unlikeliest friends can unlock our shattered psyches. And the delicate acting work of Gribble and Warren is a charming wonder, their deeply human connection transformative and empathic, showing how the rigidity of rules and regulations can melt away to compassion and understanding. This show is a gem, and runs through August 23 – don’t miss it: http://www.tippingpointtheatre.com/

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.