“Why don’t y’all go play with those li’l figures out there.” Gabriel’s Wannabees, Mattel’s Hub Bubs, and Kenner’s Strawberry Shortcake … Gen X vintage toys

Me.

Scenes from a crazy room – judgment free zone. In this pandemic, and honestly with the loss of my mom, I have felt increasingly nostalgic. I suppose some of us silly humans are plagued with an instinct to gather up trivial objects in an effort to nest during difficult times.

Tigger and Bo (or maybe Doodle) and little Roy

There were three toy lines when I was a child that I knew at the time the world believed I was either the wrong age or gender to enjoy as much as I did. Such a shame we do that to kids. What I discovered in pandemic is that all three lines were much more finite than I had realized back then. Due to the magic of eBay, I was able to re-gather playthings I thought lost to the ether. The joys of acquisition and completion and display have been a strange comfort to me.

My beloved parents Don and Susie with yours truly

Gabriel’s Wannabees were a failed attempt to compete with Playmobil figures and Fisher-Price’s Little People. My grandma Edna must have scooped them all up at a clearance table in the 70s to keep her beloved grandkids/great-grandkids happy and occupied AND safely out of her Mamie Eisenhower-esque coiffure. She kept the Wannabees all in a wicker, wood-lidded picnic basket on her temperature controlled, enclosed back porch. You could tell you had overstayed your welcome in her kitchen when she said in her lilting North Carolina accent, “Why don’t y’all go play with those li’l figures out there.” (Not as much a query as a directive.)

Wannabees

An odd collection of “professions“ was represented by the figures, which I didn’t realize then was by toy maker design. A cowboy, a football player, a gymnast, a nurse, the Lone Ranger, firemen, a helicopter pilot. Sounds like a casting call for the Village People. Anyway, having these little creatures in my hands again 40+ years later is as surreal as it is transporting, evoking what seemed like a happier, safer time.

Mattel’s Hub Bubs where a similarly unsuccessful toy line, likely intended to compete with Richard Scarry‘s ubiquitous (at the time) Busytown. A series of little anthropomorphic animal figures – attired in various uniforms like policeman, fireman, postal worker, teacher (apparently career inspiration was key back then) – could be placed in little plastic buildings. When you hooked the structures together, and turned a little crank, they all moved and interacted.

Hub Bubs

Again, I have visions of my mother Susie, who always was a sucker for anything animal related, seeing all of these on a sale table, grabbing them all in the feverish way she always shopped, and bringing them home. And likely wanting to play with them even more than I did. Further, I always assumed there were more characters and buildings than we once had. It was just a few months ago that I realized we basically had the complete set, which I then replicated in the feverish online way I tend to shop. That apple (iPhone) doesn’t fall very far from the tree.

And this last toy confession is likely where I will get the most critique, but I loved Kenner’s Strawberry Shortcake dolls. I’ll say it! The smell, the world building, the fact that character conflict existed but was always quickly resolved with minimal harm to any involved. My parents grudgingly bought me a couple of the dolls when I was a kid, but it was an era when that made everyone far more uncomfortable than it should have.

Strawberry Shortcake

Ironically, I learned recently that I had a couple of relatives who thought having dolls in my crib when I was a baby made me gay. I also had another grandmother who thought having a brass bed (which I did) would make me gay. Irony of ironies. If only it were that easy, the gay mafia would be a lot larger. Of course, all that really tells you is how Dr. Freud effed up generations of nosy, well-meaning, lightly toxic kin who failed at job one: live and let live, love and let love.

Thank goodness I had good friends in elementary school – Hope, Missy, Pam – who shared sans judgment their Strawberry Shortcake toys with me, exemplifying from an early age what acceptance, kindness, and inclusion actually looked like. And now as a *slightly* unusual 50-year-old man I have my own set. All still smell great BTW. Lord knows with what kind of chemicals they were doused for their respective aromas to linger so!

And I’m still gay. And proud of it. And not because of any toys I had. And not because of parental-driven decor. But I’m comfortable being me – and thriving – because I have been blessed with parents who loved and supported and celebrated me unconditionally.

Me with neighbor dog Muffy

I also love superheroes which didn’t turn me Kryptonian. And GI Joe which didn’t make me a Marine. And He-Man which didn’t make me a bodybuilder. And Star Wars which didn’t make me a Jedi.

What all these Gen X materialistic influences DID make me was a creative soul who continues to be energized by flights of fancy and imagination. And all led me to a happy, successful, stable loving life. I’ll take that all day long.

My mom always had me dapper

A day late and a dollar short: NBC’s Peter Pan Live!

[Image Source: Wikipedia]

[Image Source: Wikipedia]

I was an apologist for last year’s inaugural live musical broadcast on NBC: The Sound of Music Live! starring pop/country superstar and American Idol winner Carrie Underwood.

In defense of those rather cardboard proceedings, featuring an underwhelmingly wooden (see what  I did there? 🙂 ) performance from the otherwise charming, sweet, golden-voiced Ms. Underwood, I wrote, “Bully to NBC and the production team and the cast for their accomplishment and for giving the Wal-Mart generation a glimpse of another era. … Let’s hope for more live theatre on network TV … and less Wal-Mart.”

After finally slogging through Peter Pan Live! via the wonders of DVR, can I rescind that wish?

Good lord, but there was even MORE Wal-Mart: the creepily self-satisfied, Midwestern, hetero-normative, consumerist-fantasy, vaguely Christian with a capital “C”, generic family that peppered every d*mn commercial break during last year’s broadcast being replaced by a creepily self-satisfied, Midwestern, hetero-normative, consumerist-fantasy, vaguely Christian with a capital “C”, celebrity family, that of Sabrina the Teenage Witch Melissa Joan Hart, doing her darndest to look winsome and bake cookies and project a calm, ethereal, Donna Reed-passivity that would make Gloria Steinem’s head explode.

And good googly wooglies but as much as I hated the ever-increasingly invasive Wal-Mart ads, the show was worse. Others seem to disagree, but I found this production flatter, duller, drearier, and more aggravating than last year’s. Perhaps I gave Underwood and company a pass because it was the first time in decades someone had attempted such a spectacle. Perhaps Rodgers & Hammerstein’s Sound of Music is just a stronger show in its bones than Jule Styne/Adolph Green/Betty Comden’s Peter Pan. Perhaps Sound of Music had a stronger supporting cast, capable performers like Audra McDonald and Laura Benanti who knew how to transcend the molasses and pop off the screen with sparkle and charm. Perhaps all of the above.

 

My mother Susie Duncan Sexton emailed me immediately following the Peter Pan broadcast – the subject line was “panning pan” and the content is slightly edited here for a family audience 🙂 …

Petuh, Petuh, Petuh…Christopher Walken as Hook channeled Bette Davis?  Kelli O’Hara as Mrs. Darling could have played Petuh or Wendy.  Wendy girl [Taylor Louderman] was great but looked 47.  Nana dog was the best of all.  Show was about as LIVE as a corpse in a casket.

The costumes? (Kelli alone even got that right)  Petuh Pan girl should have worn tights and elf shoes/hiking boots exposing a hint of waxed legs…And, with their outrageous costumery for Tiger Lily’s men and sometimes the pirates, why not give Petuh a pointy hat?!?

And Allison Williams as Petuh never left girldom.  Was this a fever dream about some very odd female rite of passage? Just exchange thimbles either with other girls or with castrated fun-loving immature boys whom they will mother, rather than ever … you know what?

And I kept thinking of Natalie Wood for some reason?  What would she have thought of Walken on a boat with BTW the most talented folks in the show?  Had been looking forward to the production and kept thinking –through all of the lengthy commercial breaks (breaks causing ADD) filled with materialistic mind sets from big families who could even maybe adopt lost boys–that it would improve?

And how about this suggestion.  When Minnie Driver pushed the show down for a completed drowning death that the windows might have opened and Allison’s dad, newscaster Brian Williams, himself flew in?  His man daughter with the waxed legs all grown up?  And did they write unmemorable new-stale songs for this thing or what?

 

My mom is spot on.

As I watched this thing in dribs and drabs over the past weekend – 30 minutes here, 30 minutes there – I grew more horrified with each installment. Was Walken being punished somehow? Or were we, the audience? He seemed miserable, tone-deaf, and medicated like an aging drag queen who’d put in one too many performances of “I Will Survive” at The Jolly Roger in Provincetown. And the dancing? His much-vaunted dancing? All I saw was a lot of leaning left and right, fay hand gestures, and an occasional pretend tap sequence or too. Is that latter bit called lip-syncing? Toe-syncing?

Williams is arguably a smidgen better actor than Underwood but she definitely doesn’t have the erstwhile Maria’s pipes or, for that matter, simple sweetness. Williams had all the pluck and charm of a ball point pen and, at times, she performed like a well-heeled, smart-alecky co-ed slumming on her winter break from Barnard.

Christian Borle as Mr. Darling/Smee was ok. I find him talented but one-note usually. I may be in the minority, but I thought this production highlighted all of his airless, stiff limitations. O’Hara, on the other hand, was magic. In this production, she reined in her overly plucky twinkle, and gave us a Mrs. Darling who was warm, authentic, poignant, and haunting. I very much like what she did with the role. It was a sobering juxtaposition to everything else.

Ah, everything else. The ingeniously fluid set design employed during Sound of Music was definitely on display, but a bigger budget does not necessarily bring better taste or strategic restraint. Neverland looked like it was outfitted by Hot Topic and Justice store employees hopped up on acid and Diet Coke. The Lost Boys/Pirates/Natives (basically all the group numbers) were a hoot to watch – that’s generally when the show came alive, especially the Pirates … but they all appeared to have been costumed by cast-off pieces from The Village People’s camp classic (?) Can’t Stop the Music (directed by Nancy Walker, btw/wtf).

It was this jarring conflict of tone and energy and intent that was most problematic. As my mom suggests with her “pointy hat” remark, if the show had just gone for all-out crazy the way the set and costume design suggest, it would have been an absolute riot. Peter Pan is a strange children’s (?) book with a lot of bizarre Freudian subtext (and super-text) made even odder when musicalized with a grown woman playing the lead and a cast of grown men all in pursuit of and at odds over finding the perfect mother (seemingly the show’s primary narrative conceit).

The production designers seemed to get that innate oddness, but, apparently, they were attending different team meetings from the director and cast who approached the material with flat affect and somber tone … when they could remember their lines, that is. The only way this thing would have worked (in addition to excising an hour of material/advertisements) would have been to celebrate its peculiarity, not only in production values but in performance. We needed unhinged whimsy but got unhinged boredom.

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Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.