Ann Arbor’s Penny Seats Theatre Company opens Xanadu on July 14

5 Xanadu Penny SeatsOn July 14 at Ann Arbor’s West Park Band Shell, the Penny Seats Theatre Company launches their production of 2007 Broadway musical smash, Xanadu (based on the 1980 cult classic movie of the same name), with a book by Douglas Carter Beane and music and lyrics by Jeff Lynne and John Farrar.

Tony nominated musical comedy Xanadu tells the tale of a Greek Muse’s descent from Mt. Olympus to Venice Beach, California, to inspire a struggling artist to achieve the greatest artistic creation of all time – the world’s first roller disco. And yes, there will be roller skating in the park!

With direction by R. MacKenzie Lewis and choreography by Sebastian Gerstner, based on concepts by Phil Simmons, the show will feature performers Paige Martin (Ann Arbor), Matthew Pecek (Adrian), Roy Sexton (Saline), Kasey Donnelly (Ypsilanti), Allison Simmons (Holland), Sebastian Gerstner (Ann Arbor), Logan Balcom (Hillsdale), Jenna Pittman (Waterford), and Kristin McSweeney (Ypsilanti). Musical Direction is provided by Richard Alder, costuming by Virginia Reiche, and set design and technical direction by Steve Hankes.

Paige Martin in rehearsal as Clio or Kira with her muse sisters - Jenna Pittman, Logan Balcom, Sebastian Gerstner, Kristin McSweeney, Allison Simmons, and Kasey Donnelly

Paige Martin in rehearsal as Clio or Kira with her muse sisters – Jenna Pittman, Logan Balcom, Sebastian Gerstner, Kristin McSweeney, Allison Simmons, and Kasey Donnelly

Martin, who has been nominated for an Encore Michigan Wilde Award for her performance as “Little Sally” in last summer’s Penny Seats production of Urinetown – the company’s first nomination in the prestigious competition, portrays muse Kira (played by Kerry Butler in the Broadway cast), whose positive intentions to inspire art and love quickly go awry. (Lewis and Gerstner are also nominated this year for Wilde Awards for their work last year at other area theatres.) Martin notes, “This is my third show with the Penny Seats, after playing Little Sally in Urinetown and choreographing Jacques Brel, and I really love the spirit of this company, blending professionalism, inclusion, and whimsy. Playing this muse – Clio or Kira or Kitty or whatever name she’s using at any given moment – is such a fun adventure. I get to play screwball comedy and romance and a little campy Greek tragedy all at once. It’s a hoot.”

Matthew Pecek in rehearsal as Sonny Malone

Matthew Pecek in rehearsal as Sonny Malone

Pecek, a graduate of Adrian College, portrays Kira’s romantic interest ‘Sonny Malone’ [played in the original Broadway production by American Horror Story’s Cheyenne Jackson], and it is Xanadus unique score that holds the greatest joy for him. “Electric Light Orchestra’s harmony-infused pop songs make for the perfect jukebox musical and adding Olivia Newton-John’s power ballads into the mix keeps the soundtrack fresh. I truly believe this is the best jukebox musical ever written. This soundtrack kept me alive during exams my sophomore year of college and now I get to rock out to it every night all over again.”

Martin, a graduate student at the University of Michigan, observes, though, that the show isn’t all fun and games, “I am beyond thrilled to be playing Kira, but the role has come with some significant challenges. Not surprisingly, the most difficult aspect of playing Kira has been the roller skating. It’s amazing how much the skates cause slight balance shifts and inhibit sudden, quick movements, thus greatly affecting my acting. Of course, performing on a stage of ‘rough rock’ [West Park’s stamped concrete patio] doesn’t make it any easier, but it certainly will add an element of adventure to each performance! I just love playing this quirky, Australian-accented muse from Ancient Greece, among a vibrantly talented cast and creative team, in this ridiculous, yet endearing show.”

Roy Sexton in rehearsal as Danny Maguire

Roy Sexton in rehearsal as Danny Maguire

Pecek adds, wryly, “Working with Roy Sexton [Sonny’s elder rival ‘Danny Maguire,’ played by Tony Roberts in the original stage show] has been an incredible experience. His poise and natural instinct onstage is rivaled only by his giving nature and his fierce passion for his art. I’ll never meet the likes of him again …and I don’t think I’d ever want to.”

The production process beautifully exemplified how cohesive the local theatre community can be when, due to unforeseen challenges, Phil Simmons was unable to continue in the director role. Penny Seats president Lauren London notes, “More than any other, this show has demonstrated to me the power of our theater community when we stick together. We were heartbroken to lose Phil Simmons as a director for this show, but literally within minutes we had Sebastian expanding his role, Phil’s colleague Ryan taking the reins, and friends from The Encore Musical Theatre Company offering their aid as well. The cohesion of this group boggled our minds, crystallized Phil’s vision, and touched all of us. We owe the whole community a huge debt of gratitude, and we can’t wait to share the result of this collaboration. And we look forward to working with Phil again on a future production.”

Xanadu production team including director R MacKenzie Lewis, stage manager Kerry Rawald, and costumer Virginia Reiche - with guest Brendan August Kelly

Xanadu production team including director R MacKenzie Lewis, stage manager Kerry Rawald, and costumer Virginia Reiche – with guest Brendan August Kelly

MacKenzie Lewis is currently the composer and music director for Eastern Michigan University’s Theater Department and a lecturer with their Department of Music. Lewis’ recent works include composing The Wings of Ikarus Jackson at the Kennedy Center in Washington, D.C., orchestrating and music directing the National Tour and Off-Broadway productions of The Berenstain Bears LIVE: Family Matters, composing Video Games: The Rock Opera and the world premiere musical with Ben Vereen, Soaring on Black Wings. He has kept busy by music directing at the Hangar Theatre in New York, the Performance Network in Ann Arbor, Michigan, and recently performing in the Las Vegas production of Ain’t Misbehavin’.

Lewis is effusive about Xanadu and its kitschy era, “This is a show that takes us back to a moment when times were simpler, carefree, our hair was feathered, and roller skates reigned supreme. I love this cheeky and totally tubular love letter to the 80’s that both satirizes and celebrates the spirit of my childhood. And who can beat watching videos of Olivia Newton-John roller skating for show research?”

Pecek elaborates, “This show is certainly an irreverent romp through the 80s but at its core, it’s about a man who needs guidance and the woman who shows him the path to artistic fulfillment. The musical serves as both a ridiculous comedy and a feminist anthem and I think that’s one reason it’s been so successful in the last decade.”

Xanadu will run at West Park’s band shell from July 14th to July 30th at 7:00pm on Thursdays, Fridays, and Saturdays.

Advance tickets are available for $10 at the group’s website, http://www.pennyseats.org. Although the curtain goes up at 7:00pm each evening, pre-show picnicking is encouraged for audience members, and the group will sell water and concessions at the park as well.

ABOUT THE PENNY SEATS: Founded in 2010, we’re performers and players, minimalists and penny-pinchers. We think theatre should be fun and stirring, not stuffy or repetitive. We believe going to a show should not break the bank. And we find Michigan summer evenings beautiful. Thus, we produce dramas and comedies, musicals and original adaptations, classics and works by up-and-coming playwrights. And you can see any of our shows for the same price as a movie ticket.

FOR MORE INFORMATION about The Penny Seats call 734-926-5346 or Visit: www.pennyseats.org.

She’s fun; she’s frisky; and she doesn’t give a f*ck. Madonna’s #RebelHeart Tour in #Detroit

Madge

Madge

Madonna albums are like cast recordings for a film or stage musical. You buy the album before you have a sense of the visual or of the narrative that overlays the music.

Iconic

Iconic

It isn’t until you watch the music performed live or in video form that you really “get” the intent.

Holiday

Holiday

And then the album becomes a kind of souvenir, an aural remembrance of the pageant and all its themes and provocations.

That is not to say Madonna’s music doesn’t stand on its own (generally it does, even the lesser works … <cough> Hard Candy) but it doesn’t really come alive until you see, sense, feel, taste (?) the spectacle swaddling her nursery rhyme-like tunes.

I’ve had the good fortune now to have seen her live on four occasions (and one additional stalking moment when I spied her gliding into a Traverse City movie theatre for the premiere of her documentary I Am Because We Are; I was perched precariously with one knee on a parking meter and one foot on John’s shoulder at the time to get the best view I could … I’m not subtle).

Body Shop

Body Shop

In 2001, she brought her Drowned World Tour (supporting Music and Ray of Light) to Detroit after years of not stopping in the Motor City. I had practically committed to memory the cheeky joys of Blonde Ambition and The Girlie Show (both of which had been broadcast on HBO) so the somber, take-no-prisoners/play-no-hits/look-at-me-wearing-a-kilt-and-playing-an-electric-guitar-badly approach of this production was an unintentional let down.

Holiday

Holiday

I wanted camp and kitsch and got sturm und drang. As the years have passed, I’ve come to reconsider my initially superficial disappointment with that show, realizing that she was predicting musically and visually the angst and anxiety and chaos that have come to define America in the 21st Century. Go figure.

Iconic

Iconic

I caught The Sticky and Sweet Tour when it stopped at Ford Field in 2008. While Hard Candy was a bit of a Milk Dud upon first listen, that show which supported the much-maligned album opened a world of confectionery delights in its rainbow-colored, kaleidoscopic staging.

In many respects, the show was a return to multi-culti appropriation form for the Material Girl as her years living hand-to-mouth in New York and her interests in hip-hop, eastern rhythms, and gypsy folk were distilled into a revelatory, propulsive brew.

Bitch, I'm Madonna

Bitch, I’m Madonna

A dark heart still beat at the center of the show as Madonna continued to channel a justifiable rage against the machine, skewering a society that consumes relentlessly and persecutes shamelessly.

If the dark heart of Sticky and Sweet was hidden behind a coating of tasty caramel, it was on full corrosive display in The MDNA Tour (supporting the EDM-chugging album of the same name). Madonna, freshly divorced from director Guy Ritchie, was letting her angry Id freak flag fly, and it was glorious … and cold.

Whereas the album at times seemed a meandering if compelling mess, the show was a silver bullet to the heart of America, with a series of pneumatic projection screens that raised and lowered to depict gun-ridden crime scenes, oppressive religious structures, and a cracked political landscape. It was a brilliant show though a tad impenetrable and joyless.

Madonna and Nicki Minaj

Madonna and Nicki Minaj

With my talented pal - actor and designer - Barbie Weisserman

With my talented pal – actor and designer – Barbie Weisserman

Which brings us to her latest – The Rebel Heart Tour – which was performed at Detroit’s Joe Louis Arena last night (October 1).

I’m a big fan of the particular record this tour supports (see my review here) which, to me, is a spiritual sequel to the caustic, intoxicating Erotica album but with a level of maturity, exhaustion, and peace that only 20+ years of living could bring. Needless to say, I was curious, excited, and a bit nervous about what interpretations she might bring to this superior collection of ditties.

She did great.

The show is a standard Madonna production, with top-of-the-line choreography, lightning fast costume changes, a healthy dose of sociopolitical sniping, and some flat-out stunning visuals (both digital and set design). What sets this show apart from the three live shows already described is that, well, Madonna seems happy. Not goofy or forced or self-aggrandizing. Just happy.

Lourdes

Lourdes [Photo Courtesy Glenn Nolan]

Her University of Michigan-attending daughter Lourdes was seated just a few rows over from us and Madonna’s father was somewhere in the crowd, so Madonna seemed genuinely, authentically giddy to be back home.

(By the way, watching Madonna’s daughter beam with pride and delight as her famous mom did her thing pretty much made the show. I suggest that somebody set up a live-feed of Lourdes to run on a screen somewhere at every tour stop from here on out.)

Material Girl

Material Girl

The show is structured in the Madonna boilerplate: four sections – a religious pastiche, a desert garage, a Latin party, and the roaring 20s. New songs from Rebel Heart are juxtaposed with left-of-center arrangements of classic hits, in a successful effort both to freshen up the old and validate the new.

Our seats

Our seats [Image Created by Becca Mansfield]

Set changes are simple but effective, achieved mostly through digital projections and some props, and Madonna’s costumes are less glam than we typically see and more utilitarian, a base costume for each of the four sections, adjusted with the addition or deletion of pieces depending on the song being performed.

The stage

The stage

One of my favorites from the new album – the title track “Rebel Heart” – is a high point of the evening. Madonna strums a guitar (she’s gotten quite proficient at it over the past 15 years!), standing alone on the catwalk stage (shaped like a crucifix, a heart at the end and spanning the entire arena floor), with a series of fan-created tribute images behind her.

Who's That Girl

Who’s That Girl?

As we watch hundreds of interpretations of Madonna’s famous mug morph one into another – water color, photo collage, pen and ink, and so on – what would have once seemed yet another exercise in her seemingly limitless supply of hubris is instead touching and loving, a capstone on an exceptional career that continues to brim with unbridled potential.

Her mother's daughter [Photo Courtesy Glenn Nolan]

Her mother’s daughter [Photo Courtesy Glenn Nolan]

As I viewed those images, I thought of college-age Lourdes sitting a few rows away, gobsmacked myself at how time slips away and wondering what must be going through Madonna’s daughter’s head as she watches countless depictions of her mother’s famous stances and poses sail by.

The show is riddled with such visceral, thoughtful, and, yes, entertaining moments. Opener “Iconic” with a guest video appearance from Mike Tison is a bombastic gut punch, Zack Snyder’s 300 if designed by Bob Mackie, with Madonna, the Warrior Queen, descending from the ceiling in a gilded cage.

Music

Music

Thereafter, we quickly enter Madonna’s favorite territory – pop blasphemy lite – with a sequence that ends in a “Last Supper” tableau, that is if the Last Supper had been held in a discotheque in Miami. What a pip!

The show slows down a bit after that, allowing both performers and audience, to stop clutching their pearls and to catch their breath.

Motown

Motown

As Madonna strums away, she turns classic chestnut “True Blue” into a campfire ode and makes the raunchy “Body Shop” sound like a salute to old-fashioned courtship and love.

Classic club track “Deeper and Deeper” makes a glorious return to stage in one of the most epic line-dances I’ve ever seen, and we even got a winking re-branding of “Material Girl” (a perfect song that Madonna has always inexplicably claimed to hate, which is a shame because it’s … perfect).

True Blue

True Blue

Merchandise!

Merchandise!

Madonna, possibly still smarting from not getting cast in Chicago, struts atop a steeply angled platform, dressed as a 20s flapper and crooning all those famous “some boys” lines from the tune, knocking one male dancer after another off her perch as they slide down the raked stage into a tuxedo-garbed heap on the floor.

There is a glorious flamenco-style medley of her classic tunes that spins out of Madonna’s torreodor-from-space visioning of her recent hit “Living for Love,” and she slaps “Like a Virgin” on the behind and turns it into a dub-step R&B banger. It shouldn’t work, but it does. Brilliantly.

And then there was the moment where she sang “La Vie En Rose” … in powerful voice … in French … with a ukulele. Simply because her daughter loves the song and asked her to sing it. Not a dry eye in the house.

Barbie with new friends all the way from Australia - Glenn and Philip

Barbie with new friends all the way from Australia – Glenn and Philip

(I daresay this is a direction she might want to pursue more fully for her next reinvention. Please? If Lady Gaga can monkey around with Tony Bennett, Madonna can go full Edith Piaf.)

The show has its flaws. Any big arena tour doesn’t hold up under intense scrutiny. These are circus acts for the new millennium, full of false emotions, phony posturing, smoke and mirrors.

MeBut what Madonna does so well on this tour is humanize: herself, her personae, her history, her songs, her legacy.

We have lived with a rigid, defensive Madonna for about 15 years now (I blame Guy Ritchie … or England), and we are starting to get our quintessentially American street urchin, our mugging-Horatio-Alger-rag-dolly back, and I couldn’t be happier. She’s fun; she’s frisky; and she doesn’t give a f*ck.

Welcome back, Madge.

____________________________

CakeSpeaking of Rebel Hearts …

This past Sunday, September 27, I married my long-time partner John Mola in a ceremony officiated by Ann Arbor Mayor Christopher Taylor and Pastor Ian Reed Twiss and attended by a small gathering of family and friends. We honored our guests with donations to the Huron Valley Humane Society and also gave, on behalf of the wedding officiants, to Equality Michigan, 826Michigan, and the Jim Toy Center.

John and Roy

John and Roy

Dinner at Weber’s in Ann Arbor, Michigan, immediately followed the ceremony and included a three-tiered wedding cake that gave a nod to John’s and my shared interests in Disney, superheroes, and classic cars.

Family

Family

Our parents Susie and Don Sexton and Luci and Simone Mola (respectively) presented the grooms, and readings (1 John 4: 16-21; excerpt from the Supreme Court ruling Obergefell v. Hodges, and “Maker of Heaven and Earth – All Things Bright and Beautiful” poem by Cecil Frances Alexander) were given by Stephanie Kassman, Rachel Green, and Gabby Rundall (our niece). Lori Rundall, John’s sister, presented the toast, and photographs of the event were taken by Gabby Rundall and Kyle Lawson.

100_2035

Vision in green – Zach & Susie

About the day, my mom wrote on her blog (here) …

“Took a tumble off some steps and directly into prickly shrubbery, rode in a limousine–my virgin ride, kept my hat on, lost my dress and my shoes, urged the Ann Arbor mayor to prevent deer culling, learned I am not alone in detesting Bing Crosby, spoke to a journalist about the Last Tango in Paris and why I sorta love Trump and not Bernie and that I want to vote for Hillary, posed with Zach because we are kindred spirits and love mint green, met my second minister that I see eye to eye with since the beginning of time, and today am sore all over ‘my little body’? And the wedding occurred on schedule in spite of it all and was the happiest moment of my lifetime! Congrats, John and Roy ♥!!!!

John and I dearly love this description – it makes me smile every time I read it!

Ian, John, Roy, & Christopher

Ian, John, Roy, & Christopher

Thanks to our parents and our family for their love and support and their unyielding championing of bravery and authenticity and kindness. Thanks to our friends for giving us this wonderful network of fun and joy. Thanks to Ian and Christopher for their guidance and their important and gracious roles in making it all “official.” Thanks to the Supreme Court for doing the right thing in the face of a wall of political foolishness.

IMG_2894And, I can feel John rolling his eyes now, but thanks to performers and artists like Madonna, who have pushed for compassion and inclusion for decades for us all, for anyone who is different or who is judged unfairly based on gender, age, race, species, sexuality, faith, financial status, and so on. We are a nation that can do so much good by just being kind. Let’s do more of that.

____________________________

Image by Lee Gaddis of Gaddis Gaming

Drawing of yours truly as a superhero by Lee Gaddis of Gaddis Gaming

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Urinetown reviewed! “Enjoyable two hours out in the park with fine singers, actors and dancers and an amusing, satirical musical comedy”

Ensemble

Ensemble

WOW! What a fantastic opening weekend for Urinetown – capacity crowds, wonderful feedback, marvelous coverage, and an amazing review from Bridgette Redman for Encore Michigan – click here to read.

Here is an excerpt …

“Director Lauren M. London has her work cut out for her with the space. There is a moat between the bandshell where the orchestra plays and the main staging area where most of the action takes place. She has no choice but to let some of her actors be seen before the arrive on stage as they have a bit of a hike to get to the stage, but she manages that well and creates compelling stage pictures so that you’re not looking off to the sides.

Maika Van Oosterhout and Roy Sexton

Maika Van Oosterhout and Roy Sexton

“Roy Sexton plays Officer Lockstock, the narrator for the evening. He kicks off the musical with a speech that prepares the audience for what they can expect—an evening of satire and parody. Little Sally (Paige Martin) joins him in his early exposition and they frequently break the fourth wall to outright talk about the musical. Both are skilled in their roles. Sexton narrates with aplomb, moving in and out easily of narrator and police officer. Martin is loveable and innocent, asking naïve questions that Sexton answers magnanimously. She has great physicality, doing cartwheels and splits and interacting with the teddy bear she carries with her. She believably creates a child much younger than her actual age.

Ensemble

Ensemble

“Linda Rabin Hammell brings character and spice to the role of Penelope Pennywise. She’s peppery as the custodian of Public Facility #9, insisting that everyone pay the proper fee else not get to pee. Her voice is perfect for the role.

“Brendan Kelly makes a handsome lead as Bobby Strong, the revolutionary leader who follows his heart. He’s earnest and heroic, with a strong singing voice that carries him through his many songs. …

Sarah Ann Leahy, David Kiley, and Roy Sexton

Sarah Ann Leahy, David Kiley, and Roy Sexton

“Playing opposite Kelly was Maika Van Oosterhout as Hope Cladwell. Hers was a fun role and she carried it off with style and grace. Her eyes were constantly wide, portraying an innocence and naîveté that fit the part well. She was especially amusing dancing while bound and gagged in a chair.

“There were no weak members in the ensemble either. Each of them had their own characteristics, making them individuals while still fulfilling the part of an ensemble. They were giving to each other and changed quickly between roles when doubled. They did an especially good job as the town’s poor who desperately needed to pee in the first act and in the second were revolutionaries that were brash and frightened.

Maika Van Oosterhout and Brendan Kelly

Maika Van Oosterhout and Brendan Kelly

“The singing, under the musical direction of Richard Alder, was impressive, as was the pit band that performed the music to accompany it. There were complicated harmonies throughout and upbeat songs that often belied what they were singing about. …

“Victoria Gilbert’s choreography was most often amusing and always fit with the character of the show. Bridget Bly deserves a callout for her costumes. She provided good contrast between the UGC employees and the run-down poor of the city. She also made it possible to switch in and out of costumes, sometimes right on stage.”

Read the complete post here

Roy Sexton

Roy Sexton

AND a subset of the cast (including yours truly) appeared Friday on Rebecca Hardin’s charming WCBN radio show Hot in Here. The audio is here, and you can read about the special collaboration that prompted the broadcast here. Be sure to check out Hot in Here‘s page (here) if you want to hear me epically mangle the “Cop Song” from Urinetown. Plus, I say words like “crap,” “damn,” and “tinkle” on the air … probably why it took them a while to post it!:) You will also hear our director and president Lauren London say really smart things about art and theatre and Ann Arbor as well as the mellifluous tones of fellow cast members Brendan Kelly, Maika Van Oosterhout, and Paige Martin, accompanied by our wonderful music director Richard Alder (BTW, a great article about Richard appeared in the latest Detroit Jewish News – see below).

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Sarah Ann Leahy, Brendan Kelly, and Roy Sexton

Last but not least, a special thanks to the friends who made this opening weekend so special with their attendance (and apologies to anyone I missed): John Mola, Rachel Green, Kyle Lawson, Jim Lynch, Nick Oliverio, Brent Stansfield, Zach London, Sharon Steig, Ashley Kryscynski, Heidi Fisher, Matt Cameron, Kelly Cameron, Anne Cattermole Levy, Artun Kircali, Leanne Young, Ivan Procopovich, Robin Skiba Myler, Laura Sagolla, Barbara Davenport, Roxane Raffin Chan and Kevin and friends and family, Magda and Dan Johnson, Rachel Urist, Jen Esch and friends, Angie Choe and Sean, Roberta and Richard­­­ London and family, Jason Gilbert, Ivan Procopovich, Christopher Taylor, Eva Rosenwald, Narda Wishka, Kristy McDonald and Thatcher. Two more weekends (Thursday, Friday, Saturday performances, all 7 pm) – get your tickets at www.pennyseats.org before they’re all gone!

Photos (above) by Ivan Procopovich

Richard Alder ____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Penny Seats Theatre Company and University of Michigan’s Environmental Biotechnology Group unite for water conservation

Brendan Kelly

Brendan Kelly

A local collaboration between Ann Arbor’s Penny Seats Theatre Company and the University of Michigan’s Environmental Biotechnology Group will feature the musical Urinetown: The Musical! and water conservation research in a creative way during the next three weekends starting July 30.

This art and engineering collaboration will be featured on the radio show It’s Hot In Here 88.3 WCBN FM (www.hotinhere.us/) on Friday July 31 at noon, with the recording to be posted shortly thereafter on the Penny Seats’ website and Facebook page. An Environmental Engineering research team from the University of Michigan is studying how human urine and products derived from it need to be processed to safely fertilize food crops.

Roy Sexton

Roy Sexton

The University of Michigan is one of five institutions involved in this first large-scale pilot project of its kind in the United States. They will be providing mobile restrooms during the Penny Seats’ performances of Urinetown in hopes that patrons will help with this unusual project.

“This is a fun and unique partnership to be sure. We are thrilled with the opportunity, and this aligns with the Penny Seats mission … it’s educational, it benefits society, and it brings value to our loyal patrons who are so kind to brave the great outdoors every summer for our shows,” comments Lauren London, Urinetown’s director and the Penny Seats’ president.

Urinetown: The Musical! The Tony-award-winning hit from 2001, will be performed by The Penny Seats Theatre Company July 30, 31, Aug 1, 6, 7, 8, 13, 14, and 15 (all shows at 7 pm).

Ensemble

Ensemble

Set in an admittedly absurd dystopian future where one must pay to pee, the show lampoons corporate bureaucracy, pie-in-the-sky optimism, revolution without a plan, and the musical theatre genre itself. With a full pit orchestra (led by Richard Alder) on the band shell stage, the action takes place around the audience in the park. Featured performers include Brendan August Kelly (Ypsilanti), Roy Sexton (Saline), David Francis Kiley (Ann Arbor), John DeMerell (Walled Lake), Sarah Ann Leahy (Ann Arbor), Paige Martin (Ann Arbor), Cathy McDonald (Plymouth), Christina McKim (Albion), Jenna Kellie Pittman (Waterford/West Bloomfield), Linda Rabin Hammell (Detroit), Jeff Stringer (Jackson), Maika Van Oosterhout (Ann Arbor), and Daniel Bachelis (Howell). Production photos taken by Scarlett London.

Maika Van Oosterhout and David Kiley

Maika Van Oosterhout and David Kiley

London says the piece is a natural for the group: “Since its turn on Broadway, Urinetown has been a favorite of performers, for its snappy score and hilarious, wink-to-the-audience feeling. It’s a perfect show to place in our park, where the cast can interact up close with the audience, and take them into the show’s silly world. Our cast is filled with performers who excel at just this type of theatre, and we’re thrilled to bring it to the park.”

Advance tickets are available at the group’s website, www.pennyseats.org. Although the curtain goes up at 7:00pm each evening, pre-show picnicking is encouraged, and the group will sell water and concessions at the park as well. All performances will be at the West Park band shell.

Roy Sexton and Paige Martin

Roy Sexton and Paige Martin

Patrons are encouraged to bring a picnic dinner to enjoy at the park before or during the show.  Lawn chairs, hats, bug spray, and other outdoor gear are also encouraged. Alcohol may also be brought and enjoyed responsibly.  Water and concessions will be available for purchase. More information about tickets, parking, and available packages, is available on the company’s website, www.pennyseats.org.

Photos by Scarlett London

____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Legal News coverage of #LMA15 presentation – and home again in #Indiana

Thanks to the Detroit Legal News for this coverage of my upcoming presentation – alongside Gina Rubel, Heather Morse, and Megan McKeon – at the national Legal Marketing Association conference.  You can find out more about LMA at legalmarketing.org – here’s a scan of the article and the full text follows …

(Congratulations also to my colleague Marcy Ford and her recognition here as a recipient of the inaugural “Career Mastered: Women’s Leadership in Action” award in Southeast Michigan!)

Marcy Ford and Roy Sexton April 2015 Detroit Legal News

IMG_1410Trott Law, a Farmington Hills-based real estate finance law firm, announced today that Senior Vice President of Corporate Affairs Roy Sexton has been selected to participate in a panel on legal marketing at the 2015 Legal Marketing Association (LMA) Annual Conference. The conference will take place on April 13-15 at the Hilton San Diego Bayfront in San Diego, California.

As the authority for legal marketing that brings together marketing and business development professionals from firms across the Unites States, LMA invited Sexton to sit on a four-person panel, titled “Collaboration and Coexistence among Barristers and ‘Baristas.’” Sexton and his fellow panelists will focus their discussion on practical advice on effectively communicating with lawyers, leveraging generational commonalities, delivering results that will build credibility and establishing a career network.

IMG_1395Sexton earned his Bachelor’s degree from Wabash College in 1995 and is a 1997 graduate of The Ohio State University, where he earned his Master’s degree in Theatre. In 2007, he graduated with his MBA from the University of Michigan. He is a graduate of Leadership Detroit, a governor-appointed member of the Michigan Council of Labor and Economic Growth, and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012. Currently, Sexton is an active participant in the Leadership Ann Arbor/Ypsilanti program.

Additionally, Sexton has been involved in a number of nonprofit boards and committees, including First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. He recently published two books, Reel Roy Reviews, Volumes 1 & 2, collections of essays on film, theatre, and culture culled from his blog, reelroyreviews.com.

IMG_1403Prior to joining Trott Law, Sexton spent 10 years in various planning and communications roles at Oakwood Healthcare System, serving as the corporate director of strategic communications and planning. In this role he led a staff of 20 marketing professionals and developed the strategic direction for the $1 billion health care system. 

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IMG_1399And I had a great visit to Indiana this past weekend – yes, that Indiana (the one I famously excoriated in my last entry, which was reprinted in my mom’s “Old Type Writer” column here) – to spend time with parents and to celebrate my dad’s birthday and Easter and whatnot.

Well, we had a fabulous time, and the Easter Bunny brought me (via my thoughtful, clever parents) a beautifully custom-made “Reel Roy Reviews” sweatshirt.

We had some great meals out and about, catching up, at these various local eateries, with sweet Nancy Hartman, my high school classmate Cammie Simmons Casey, and Mad Men fan Steven Wegman.

Happy spring, everyone! Let’s hope for increased tolerance, acceptance, and love for all creatures … be they two-legged, four-legged, finned, feathered, insectoid, or reptilian.

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And a little hometown love from The Columbia City Post & Mail …

Roy Post and Mail LMA____________________________

Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Talk of the Town features Reel Roy Reviews, Vol. 2

Reel Roy Reviews, Volume 2

Reel Roy Reviews, Volume 2

Thanks to Jennifer Romano and Talk of the Town! Read here. Quote from yours truly: “As my blog rolls into another year of entertainment, rife with comic book adaptations, sequels, Oscar bait, arena shows, and theatrical productions big and small, sometimes I wonder if I am choking the life right from this hobby of mine. Can you imagine if every time you saw a film that your OCD tendencies forced you to rush home, throw some quippy hoo-ha on the internet, and wait eagerly for 3.5 comments to appear? Ah, well, it’s still too much fun to stop now—anticipate Volume THREE Roy’s Movie Migraine shortly.”

Roy and Susie waiting for the big show

Roy and Susie waiting for the big show

BONUS: Enjoy this fabulous new blog entry from my mom Susie Duncan Sexton – provocative and fun! Read “Got (almond) milk? Books, movies, politics, culture, and AGRIganda” by clicking here.

Excerpt: “Regarding BUT HAVE YOU READ THE BOOK jazz, my mother ALWAYS asked that question. Guess what? She very seldom had actually read the books herself; I preferred to write my book reports based on the more enjoyable movie versions!”

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Even though I am too old to be doing all these silly things

I am very lucky to have parents who continue to support and celebrate everything I do, even though I am too old to be doing all these silly things. My dad always makes a point to brag about me at his weekly Rotary meetings in Columbia City, Indiana, the small town in which I grew up and where my parents still reside. Below is a snapshot of the front page of the latest Rotary newsletter – you can see a mention of me and the latest book in the lower right corner. Thanks, Susie and Don – love you!

Axle Grease RRR2

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Reel Roy Reviews 2

Reel Roy Reviews 2

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Volume 2 is number 2 … right now on Amazon

Thanks, everyone! What an exciting Oscar Nomination Thursday for Reel Roy Reviews! Get your copy of the latest volume here.

 

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Thanks to Columbia City Post & Mail for coverage of Volume 2!

Thanks to the Columbia City Post and Mail for this coverage of the release of Reel Roy Reviews, Vol. 2: Keep ‘Em Coming – available now to order at Amazon: http://www.amazon.com/Reel-Roy-Reviews-Keep-Coming/dp/0692360433/ref=asap_bc?ie=UTF8

Post and Mail coverage of RRR2

Click to view larger version

 

Volume 2 now available on Amazon – just ask my parents!

Reel Roy Reviews 2

Reel Roy Reviews 2

You can now purchase Reel Roy Reviews, Vol. 2: Keep ‘Em Coming!” on Amazon in whatever form you like (paperback, Kindle … well, that’s about it). Click here – please, click here – buy the d*mn thing. It’s good – I promise!:)

Wait … if you don’t believe me … just ask my parents. They are TOTALLY objective here …

Excellent – honest – fun – intelligent reviews! These reviews of current films and concerts are perfect pieces reflecting the state of entertainment and the amount of creativity, or lack of creativity, that is found in each endeavor. And unlike some reviewers who take themselves too seriously, Roy uses humor and good sense to make this book enjoyable and pure pleasure. Highly recommended. – Don Sexton

Night at the Museum

Night at the Museum

About time a genius emerged from our vast family tree…and here he is…brilliant, fair-minded, entertaining, and provocative. The other genius in our genealogy served as Harry Truman’s secretary…so it has indeed been awhile. Buy this book…volume II and enjoy the reverence for and keen judgment of the film industry…casts, characters, scripts, cinematography, special effects or lack of them, themes, and all delivered with authority and humor from an astute author and fun and witty critic! He is the best! Gene Siskel, move over!Susie Sexton

So, there you go! And if you can’t trust the parents of a shameless self-promoter like me, whom can you trust?