“Why don’t y’all go play with those li’l figures out there.” Gabriel’s Wannabees, Mattel’s Hub Bubs, and Kenner’s Strawberry Shortcake … Gen X vintage toys

Me.

Scenes from a crazy room – judgment free zone. In this pandemic, and honestly with the loss of my mom, I have felt increasingly nostalgic. I suppose some of us silly humans are plagued with an instinct to gather up trivial objects in an effort to nest during difficult times.

Tigger and Bo (or maybe Doodle) and little Roy

There were three toy lines when I was a child that I knew at the time the world believed I was either the wrong age or gender to enjoy as much as I did. Such a shame we do that to kids. What I discovered in pandemic is that all three lines were much more finite than I had realized back then. Due to the magic of eBay, I was able to re-gather playthings I thought lost to the ether. The joys of acquisition and completion and display have been a strange comfort to me.

My beloved parents Don and Susie with yours truly

Gabriel’s Wannabees were a failed attempt to compete with Playmobil figures and Fisher-Price’s Little People. My grandma Edna must have scooped them all up at a clearance table in the 70s to keep her beloved grandkids/great-grandkids happy and occupied AND safely out of her Mamie Eisenhower-esque coiffure. She kept the Wannabees all in a wicker, wood-lidded picnic basket on her temperature controlled, enclosed back porch. You could tell you had overstayed your welcome in her kitchen when she said in her lilting North Carolina accent, “Why don’t y’all go play with those li’l figures out there.” (Not as much a query as a directive.)

Wannabees

An odd collection of “professions“ was represented by the figures, which I didn’t realize then was by toy maker design. A cowboy, a football player, a gymnast, a nurse, the Lone Ranger, firemen, a helicopter pilot. Sounds like a casting call for the Village People. Anyway, having these little creatures in my hands again 40+ years later is as surreal as it is transporting, evoking what seemed like a happier, safer time.

Mattel’s Hub Bubs where a similarly unsuccessful toy line, likely intended to compete with Richard Scarry‘s ubiquitous (at the time) Busytown. A series of little anthropomorphic animal figures – attired in various uniforms like policeman, fireman, postal worker, teacher (apparently career inspiration was key back then) – could be placed in little plastic buildings. When you hooked the structures together, and turned a little crank, they all moved and interacted.

Hub Bubs

Again, I have visions of my mother Susie, who always was a sucker for anything animal related, seeing all of these on a sale table, grabbing them all in the feverish way she always shopped, and bringing them home. And likely wanting to play with them even more than I did. Further, I always assumed there were more characters and buildings than we once had. It was just a few months ago that I realized we basically had the complete set, which I then replicated in the feverish online way I tend to shop. That apple (iPhone) doesn’t fall very far from the tree.

And this last toy confession is likely where I will get the most critique, but I loved Kenner’s Strawberry Shortcake dolls. I’ll say it! The smell, the world building, the fact that character conflict existed but was always quickly resolved with minimal harm to any involved. My parents grudgingly bought me a couple of the dolls when I was a kid, but it was an era when that made everyone far more uncomfortable than it should have.

Strawberry Shortcake

Ironically, I learned recently that I had a couple of relatives who thought having dolls in my crib when I was a baby made me gay. I also had another grandmother who thought having a brass bed (which I did) would make me gay. Irony of ironies. If only it were that easy, the gay mafia would be a lot larger. Of course, all that really tells you is how Dr. Freud effed up generations of nosy, well-meaning, lightly toxic kin who failed at job one: live and let live, love and let love.

Thank goodness I had good friends in elementary school – Hope, Missy, Pam – who shared sans judgment their Strawberry Shortcake toys with me, exemplifying from an early age what acceptance, kindness, and inclusion actually looked like. And now as a *slightly* unusual 50-year-old man I have my own set. All still smell great BTW. Lord knows with what kind of chemicals they were doused for their respective aromas to linger so!

And I’m still gay. And proud of it. And not because of any toys I had. And not because of parental-driven decor. But I’m comfortable being me – and thriving – because I have been blessed with parents who loved and supported and celebrated me unconditionally.

Me with neighbor dog Muffy

I also love superheroes which didn’t turn me Kryptonian. And GI Joe which didn’t make me a Marine. And He-Man which didn’t make me a bodybuilder. And Star Wars which didn’t make me a Jedi.

What all these Gen X materialistic influences DID make me was a creative soul who continues to be energized by flights of fancy and imagination. And all led me to a happy, successful, stable loving life. I’ll take that all day long.

My mom always had me dapper

Musings from the bleak midwinter … family, friends, memories, reflection, and writing. (Oh, and dogs, breakfast, novelty tees, heirloom quilts, and Jack Kirby.)

Musings from the bleak midwinter … I woke up here in Grey Gardens cranky – the pandemic and life’s obligations weighing me down. I know everyone is feeling it.

But then I saw these little footprints of Hudson’s in the snow which gave me some warmth and perspective. Life continues in beautiful ways.

John Doordashed some unhealthy but tasty and comforting breakfast treats, and I had some lovely NSFW check-ins from my adopted siblings (whether they like it or not) Blaine Fowler and Diane Hill.

I took a much-needed shower (why are we all so averse to bathing in pandemic?) and threw on my new 80sTees.com Mister Miracle shirt (thanks, Kevin Stecko!), which reminded me how much the escapism (pun intended) of comic books thrills me.

Jack Kirby created Mister Miracle (a cosmic Houdini) and the rest of DC Comics’ bonkers New Gods at the height of his most unfettered creativity. Kirby had jettisoned Stan Lee’s reportedly toxic self-promotion from his professional life and let his freak flag fly. This was after already gifting the world Captain America, the Fantastic Four, Black Panther, Thor, the X-Men, Hulk, Iron Man, and so many other incredible characters.

I found kinship in Kirby by inadvertent means. In the mid-80s, Kenner toys released arguably the greatest super hero figures ever with their SuperPowers line: a well-constructed, detailed (for that era), heady mix of characters both popular and obscure. I was gobsmacked when I saw Dr. Fate and Red Tornado hanging on the pegs alongside Superman and WonderWoman at our local KayBee.

But my favorites among all of the figures in the line were the New Gods – Darkseid, Steppenwolf, DeSaad, Kalibak, Orion, and, yes, Mister Miracle. They were day-glo Shakespearean – epic, fun, transfixing. It would be years later that I would learn the New Gods are suspected to have inspired (in part) my other geek love at the time (and still) Star Wars. (Also, an incredible Kenner toy line over which I obsessed.)

So, I put on this shirt, and thought what lessons can I take from King Kirby? How can I live my life as boldly and creatively? And maybe inspire others as he had inspired me?

One of the treasures my dad Don Sexton unearthed these past few months was a beautiful quilt my great grandmother Money had made. (At least I hope I have that right. My mother Susie Sexton is somewhere saying “I KNEW you weren’t listening to me!”)

After brainstorming a bit with dear friend Aaron Latham about the merits and downsides of framing it (ain’t no wall big enough for THAT!), it occurred to me to order one of those plexiglass display cases you find in jewelry stores and trade shows. Thank you, Shoppopdisplays, for coming to the rescue and delivering on Sundays!

I spent far too much time trying to figure out how to fold this damn thing, but I’m thrilled that it is safe and displayed now in our TV room.

That little moment of creative endeavor and honoring the past did my heart good. I’m no Jack Kirby, but this artistic activity – not to mention that quilt’s bold colors and beautiful lineage – will brighten my January/February days.

My crankiness has subsided, and that is all due to family, friends, memories, reflection, and writing (this right here if you made it this far). Food, shopping, and cute dogs help too!

Yes, I overshare, but social media and blogging for me are (as they were for my mom) the perfect combo of bulletin board, journal, and party that never ends. Thanks for being there. ❤️

“Destroy anything that’s different…” The Lego Movie

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“Destroy anything that’s different,” exclaims one of the ubiquitous yellow-faced citizens of The Lego Movie‘s Orwellian-metropolis Bricksburg … employing such a chipper voice that he may as well be ordering a $37 cup of coffee or watching a mindlessly mind-numbing sitcom (which, by the way, he does).

This is how the deftly satirical “kiddie movie” opens, with the peppy denizens of a perfectly ordered society (constructed from little plastic bricks) extolling the virtues of conformity and their brain-dead escapist indulgences (like instruction manuals, caffeinated beverages, and reality TV).

As this gonzo movie opened, I wondered for a moment if I was watching Toy Story … or South Park. The Lego Movie, directed with sharp wit and a kind heart by Phil Lord and Chris Miller (Cloudy with a Chance of Meatballs), has both worlds in its DNA, along with bits of Wreck-It Ralph, Who Framed Roger RabbitThe Wizard of Oz, Star Wars, Pink Floyd’s The Wall, and the granddaddy of “toys that come to life and teach us important life lessons” flicks Raggedy Ann and Andy’s Musical Adventure. However, it never feels derivative for a second.

With a hero’s quest screenplay that seems like it was written by Joseph Campbell on crack, the movie details the journey of a lowly schlubb named Emmett (Chris Pratt) who revels in the petty details of his mundane, ordered, predictable life but who also can’t avoid the empty ache of loneliness. One thing leads to another, including finding a magic brick (the cutely named “Piece of Resistance”) that will inspire creativity and save the day from the villainous Lord Business (Will Ferrell), a shameless capitalist who spends his days plotting how to keep all the Lego-heads busy and bored and static.

Along the way, as in all such narratives, Emmett is joined by a ragtag group of allies – Wyldstyle (saucy Elizabeth Banks), Vitruvius (wizened yet whimsical Morgan Freeman), Batman (a very funny and very vain Will Arnett who nearly steals the show), and assorted other residents of the bottom of the toy bin (including an adorable cat/unicorn hybrid named Uni-Kitty that captured my heart … darn you, Alison Brie!). Oh, and Liam Neeson is a comic delight as a quite literal “good cop/bad cop” who chases our intrepid heroes all about Legoworld.

The plot is intentionally inconsequential and dripping with juvenilia (by design), all as set-up for a reveal that is a telling critique of our arrested development era. I don’t want to spoil it (though I think anyone over 12-years-old will see it coming), but the filmmakers offer a spot-on (though never mean-spirited) critique of adults (like yours truly) who can’t let go of the playthings of their youth but who have also put those material goods on such a pedestal they have forgotten what made those items special and treasured in the first place.

In this transformative moment, we see who we are (and shouldn’t be) today: a society that prizes ironic sentiment over real-time connection, materialistic perfection over messy emotion.

The movie zaps our middle-class, cookie-cutter lifestyle where everyone loves the same song, the same drinks, the same clothes, the same rules and where everyone overuses the word “awesome” to nauseatingly hyperbolic levels. In fact, the characters are lulled, as if by the Greek Sirens of yore, by an ear-wormy disco cheer-anthem (written by Devo’s Mark Mothersbaugh) that infinitely repeats the chorus “Everything is Awesome.” The Lego Movie, an incisive allegory disguised in the Trojan Horse of a children’s film, seems to caution, “If everything is awesome, then nothing truly is.”