Dewey! Decimal! System! Book makes its debut at the Saline District Library

photo 1Reel Roy Reviews is in the Dewey Decimal System! (Kids, if you don’t know what that means, ask your parents…)

Check out these photos of the book on the shelf at the Saline District Library – thanks to the library for their support!photo 2

And you can always order your own copy by clicking the book cover … over there … up … to the right – there you go!

Save the date! A couple of upcoming book launch events in Southeast Michigan …

photo 4photo 3First up, Common Language in Ann Arbor will host a mixer on Thursday, April 10 at 7 pm.

Then, my pals Megan and Peter at Bookbound, also in Ann Arbor, have scheduled a book-signing/Q&A for Saturday, April 26 at 3 pm.

In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound and Memory Lane both also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

More coverage of Reel Roy Reviews, Vol. 1!

Thanks to Washtenaw County Legal News for this coverage of the release of Reel Roy Reviews, Vol. 1! Here’s an excerpt …

Roy Sexton’s first book “Reel Roy Reviews, Vol. 1: Keepin’ It Real” is set for release on the Open Books imprint February 28. Sexton, a resident of Saline/Ann Arbor, launched his entertainment blog of the same name (www.reelroyreviews.com) on Independence Day in 2012 and, nearly two years later, is a published author.

“Reel Roy Reviews, Vol. 1: Keepin’ It Real” is a compilation of essays composed in tribute to (and sometimes frustration with) the art-form known as “cinema” —with a few theatre, music, and concert analyses thrown in for good measure.

If you have trouble reading the scanned version below, click here.

Washtenaw Legal News

Washtenaw Legal News

___________________

Reel Roy Reviews is now a book! In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound and Memory Lane both also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

“Little pink houses…” Wonderful hometown coverage

Thanks to the Columbia City Post & Mail for this feature on the new book!

Columbia City Post &  Mail Coverage

Columbia City Post & Mail Coverage

Ann Arbor, Michigan – Roy Sexton’s first book Reel Roy Reviews, Vol. 1: Keepin’ It Real is set for release on the Open Books imprint February 28, 2014. Sexton, a resident of Saline/Ann Arbor, launched his entertainment blog of the same name (www.reelroyreviews.com) on Independence Day in 2012 and, nearly two years later, is a published author.

Reel Roy Reviews, Vol. 1: Keepin’ It Real is a compilation of essays composed in tribute to (and sometimes frustration with) the art-form known as “cinema” —with a few theatre, music, and concert analyses thrown in for good measure. As a populist at heart, Sexton’s sensibility is grounded in a desire to see good stories, well told.

For Sexton, film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story—beginning, middle, and end—introducing you to new friends, enemies, and locales in an efficiently designed delivery mechanism. With a good film, Sexton feels you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion.

Sexton argues that, in the best movie-going experience, your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.

Sexton notes, “I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster….Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.”

Open Books Technical Editor Kelly Huddleston adds, “Whether he is reviewing August: Osage County or Wreck-It Ralph, Sexton delivers smart and funny reviews sprinkled with clever and thought-provoking insights about modern-day culture. This is not just a book about movie, theatre, music, and concert reviews. Viewed throughout the reels, Reel Roy Reviews, Vol 1: Keepin’ It Real offers a clever and candid social commentary on American life.”

A self-described small town boy who never quite fit in but learned how to survive playground games with a sense of humor, a bit of style, and a love of movies, Sexton, son of Don and Susie Sexton, grew up in Columbia City, Indiana. His mother (www.susieduncansexton.com) is also a published author, whose two essay collections Secrets of an Old Typewriter and More Secrets of an Old Typewriter, are published by Open Books (www.open-bks.com).

Roy earned his Bachelor’s degree from Wabash College in 1995 and is a 1997 graduate of The Ohio State University, where he earned his Master’s degree in Theatre. In 2007, Roy graduated with his MBA from the University of Michigan. He is a graduate of Leadership Detroit, is a governor-appointed member of the Michigan Council of Labor and Economic Growth and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012.

Roy has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. Sexton is Senior Vice President of Corporate Affairs for Trott & Trott, P.C., a Farmington Hills, Mich.-based real estate law firm.

Prior to joining Trott, Roy spent 10 years in various planning and communications roles at Oakwood Healthcare System, serving as the Corporate Director of Strategic Communications and Planning. In this role he led a staff of 20 marketing professionals and developed the strategic direction for the $1 billion health care system.

Sexton has been an active participant in the local theatre scene for nearly twenty years, having appeared in a number of productions. Sexton most recently had the lead role in Ann Arbor’s Penny Seats production of the Neil Simon/Cy Coleman/Carolyn Leigh musical Little Me, playing seven different characters. He is a co-founder of the theatre company. He was featured as Professor Callahan in Legally Blonde the Musical at Farmington Players, and he played Georg Nowack in She Loves Me with The Penny Seats. He has also appeared in Goodnight Desdemona (Good Morning Juliet), What Corbin Knew, Oklahoma!, The Pajama Game, Company, Bells are Ringing, Rags, Side by Side by Sondheim, The Taming of the Shrew, Fiddler on the Roof, The Fantasticks, The Merry Wives of Windsor, Ah, Wilderness!, God’s Country, The American Clock, As You Like It, Tartuffe, The Battle of Shallowford, Trout, and The Merchant of Venice. He is also an active cabaret performer.

Sexton notes, “I tend to go see whatever film has been most obnoxiously hyped, marketed, and oversold in any given week…art films? Bah! Won’t find too many of those discussed here. And every once in a while, I may review a TV show, theatrical production, record album, concert, or book (yeah, probably not too many of those either).” Reel Roy Reviews, Vol. 1: Keepin’ It Real will be released on February 28, 2014 and can be pre-ordered (paperback or ebook) at www.open-bks.com. It will also be available after the publication date at Amazon and iTunes.

Stop taking photos of sandwiches: Betty Buckley’s “Ah, Men!”

100_1292

Legendary Betty Buckley with not-so-legendary Roy Sexton [Photo by Author]

Facebook is a funny thing. Such a powerful tool that could do so much to create positive social change is being used for rather mundane, likely superficial, arguably dumb things: bragging about new homes, taking photos of sandwiches, complaining about Lady Gaga.

I love (not) the people who opine about “declining morals of society” and then post photos of themselves doing body shots at a Jimmy Buffett concert. Accountability? Yeah, apparently only when it’s a one-way street headed to Sarah Palin-ville.

774426_10201925779765039_2101944603_o

Lobby of The Columbia Club
[Photo by Author]

And then there are the friends (and sometime relatives) who bloviate about how some people have “too many friends” and “how could you know all of those people” and “aren’t you afraid of identity theft…cause you want to waaaaaaatch.” I don’t know what motivates this last string of comments: jealousy, annoyance, small-picture thinking, or the fact that the more friends one has the harder it is to stalk all their comings and goings on the social network.

So why am I on this annoyingly self-serving high horse? Perhaps I’m full of myself because I had the privilege of meeting a Tony Award-winning performer I’ve long-admired. I was listening to her CDs in college when my fraternity brothers were blasting Bob Marley and Pearl Jam on the front lawn.

100_1293

Buckley with Susie Duncan Sexton [Photo by Author]

What does this have to do with Facebook? Well, said performer has very smartly leveraged the communication platform to connect with generations of fans in an authentic and direct way, without the meddling intermediary of a PR agent. I was beyond geeked a few years back when we “friended” one another in cyberspace and struck up conversations over the intervening months about politics, movies, and animals.

Who is this tech-savvy celebrity? You’ve probably deduced by the blurry photos above (my family just can’t be trusted with cameras, myself included) or, heck, from this blog entry’s title: Betty Buckley.

1412679_10201925728603760_347948021_o

Entrance to The Columbia Club
[Photo by Author]

Betty Buckley is known to some musical theatre neophytes as “Abby” on Eight is Enough or as Sissy Spacek’s sympathetic (slap notwithstanding) gym teacher in Carrie. To some adventurous cinephiles, Buckley is remembered for her character turns in Tender Mercies, Frantic, or The Happening. And for millennials who subsist on a steady diet of the CW and ABCFamily, they would have seen Buckley pop up on brother Norman Buckley’s saucily fun Pretty Little Liars. (Norman and mom Betty Bob are fantastic Facebookers as well!)

But for us theatre nuts, Ms. Buckley will always be known for her knockout performances in such classic musicals as 1776, The Mystery of Edwin Drood, Cats, and Sunset Boulevard among many others. And for her series of jazz-infused, confessional cabaret recordings over the past 20+ years.

100_1286

“Ah, Men!” album cover [Photo by Author]

One of her latest cabaret offerings – recording as well as live performance – is a show called “Ah, Men! The Boys of Broadway!” The nifty conceit of the show is Buckley’s fulfillment of a lifelong desire to perform all the great Broadway anthems written expressly for men.

Given our Facebook connection with Ms. Buckley, there was no way we would miss seeing her perform in Indianapolis’ most splendid room: The Cabaret at The Columbia Club, a surprisingly intimate yet Eloise-esque marble-floored, velvet-curtained, lost-moment-in-time hall with a ceiling-to-floor window overlooking the twinkling lights of Monument Circle.

1403073_10201925860127048_1039339739_o

Stage at The Cabaret [Photo by Author]

You must catch this show if it comes anywhere near your community. It’s not often you get to hear a legend in person, let alone one as relatable as Buckley. Her between-song patter is a hoot: for example, as a kid, she desperately wanted to be a “Jet” in her local community’s production of West Side Story, and these anecdotes offer the perfect context for her song choices.

And, oh, what song choices! Many of my personal favorites – from The Fantasticks‘ rallying “I Can See It” to Guys and Dolls’ elegiac “More I Cannot Wish You” – are featured. The Sweeney Todd medley effortlessly marries “Not While I’m Around,” “Johanna,” and “My Friends,” capturing the melodiously tragic arc of Sondheim’s best show in a perfect seven-minute bon-bon.

100_1296

Roy Sexton, Susie Duncan Sexton, and The Cabaret’s executive director Shannon Forsell [Photo by Author]

Accompanist and arranger Christian Jacob helps Buckley transform the bombast of The Pajama Game‘s signature tune “Hey There” into a haunting, undulating meditation on regret, loneliness, and heartache. But the show’s highlight is a ten-minute Spike Jones-meets-Mel Brooks riff on My Fair Lady’s “Hymn to Him” in which Buckley runs through nearly every noteworthy male role in the musical theatre canon and winkingly expounds on how much better her take on said roles would be.

We have admired and appreciated Ms. Buckley’s talent throughout her career; we are grateful to live in an age where technology allows us to appreciate the person as well as the performer, an age that can inspire thought and expression and compassion and kindness … if people will let it … and stop taking photos of their d*mn sandwiches.

_________________________

P.S. Sorry for another outright plug, but please do check out my mom Susie Duncan Sexton’s new book Misunderstood Gargoyles and Overrated Angels – in paperback or digital download at  www.susieduncansexton.com, www.amazon.com, or www.open-bks.com (also available on iTunes). I love what pundit, columnist, and radio host Carol Baker just wrote about the book and thought I’d share it here…

As a weekly columnist, writing on topics of politics and social justice, I find Susie’s writing style a breath of fresh air. As I sailed through story after story, it was like sitting across a kitchen table, having an old friend share stories of their life over an endless cup of coffee. I know how to bring a reader into a story to laugh or to cry or to be an intimate observer, but Susie effortlessly helps to evoke memories of my own early childhood, my youth, young adulthood and ultimately, to come to terms with an aging body. Susie glides from topic to topic through time and weaves her stories like a familiar old song. I’ve committed to attempting a Susie Duncan Sexton homework assignment of becoming a storyteller because she’s proven it’s never too late to stretch my writing chops. She inspires me to write more – and to write better. She inspires me to write with less angst and to simply “think out loud on paper”. Perhaps to be a little more understanding of the gargoyles and a little less approving of the angels.

This is comfort food for a writer’s soul.