“All the World’s YOUR Stage” on Expert Webcast with guest Brenda Pontiff… “Yes … and – how business development and stand-up comedy are two sides of the same coin”

“Playing comedy is hell. The necessity to have an audience love you is perhaps more overwhelming than in any other form of entertainment. With singing, dancing, acting you don’t know until it’s over if you’ve had acceptance or rejection. The comic knows sooner. The audience laughs or it doesn’t.” – Imogene Coca

VIEW EPISODE HERE.

One might describe marketing and business development similarly. In fact, there is one unicorn in this industry who is adept at BOTH: Brenda Pontiff. We are thrilled that Brenda is joining host Roy Sexton to talk about how business development and stand-up comedy are in fact two great tastes that taste great together!

Born and raised in Texas, Brenda Pontiff left for graduate school in Kansas and wound up touring the country with the Complex Improv Theater. She returned home and began working on her stand-up comedy skills at The Houston Comedy Workshop’s Comixh Annex, the infamous club that spawned the likes of Bill Hicks and Sam Kinison. A few years later, she moved to Los Angeles and became a New Face at the famed Hollywood Improv. She was also a regular at Igby’s and toured as a feature act for franchise clubs including Punchlines, FunnyBones, and Laff Stops. She took a 14-year break in the early 2000s to focus on her global business development career but has happily returned to bring her Texas meets California perspective to the stage. Brenda believes comedy is like the Mafia, you can never leave.

During said global business development career, Brenda founded Partner Track Academy after years of watching young accountants and lawyers, often part of a group challenged with inclusion barriers, panic over business development expectations related to making partner. So often firms’ marketing staff members are not trained to support non-partners’ revenue generation efforts or they simply do not have the bandwidth to do so. This missing component can be filled through individual, customized coaching or periodic workshops and presentations that provide tools, tips, and best practices that lead to improved networking habits, client satisfaction, revenue growth, and ultimately, a coveted seat at the partners’ table.

Brenda has:

·  More than 25 years in accounting and law firm sales and marketing.

·  Sold services on behalf of an AmLaw 100 firm, exceeding sales and new client acquisition goals for almost eight years.

·  Worked as a professional speaker, stand-up comic, writer, and actress, winning several national awards.

·  Created a new sales process for a Big Four accounting firm, taking revenues from zero to $3.7 MM in the first year.

·  Led a Big Four sales support team during the demise of Arthur Andersen, winning 67% of the regional client base while competing against three other international accounting firms.

·  Maintained a 100% success rate while working as a Big Four global strategist to retain critical, at-risk clients.

·  Created a cross-selling client team that increased an AmLaw 200 firm’s revenue by $900,000 through one pitch meeting.

·  Spoken frequently at association events and corporate retreats regarding account-centric methodologies, best practices for networking at conferences, diversity and inclusion change management, harnessing stress for better productivity, navigating the book of business demand, and embracing resiliency.

Thank you, Clark Hill and Corp! Magazine, for this recognition. It truly means the world. I do the best I can to focus on helpfulness and team-building and community and celebrating the authenticity in everyone, so a nod like this really puts the wind in my sails. I’m grateful I get to work for such an incredible organization as Clark Hill as well as support my professional community in the Legal Marketing Association. I’m truly a fortunate soul!

And thank you, Joel Epstein, Leslie Smithson, Jennifer Kluge, Alexis Yaeger (Jakowinicz), for your friendship and support on this. I appreciate you all very much!

Latest “All the World’s YOUR Stage” on Expert Webcast: “Practice makes perfect … how mindfulness and meditation make good business sense” with guest Tim Duffy

Enjoy our latest episode of “All the World’s YOUR Stage” on Expert Webcast: “Practice makes perfect … how mindfulness and meditation make good business sense

Thank you to producer Anna Spektor for her loving support and to friend (and our next guest!) Brenda Pontiff for connecting me with the divine Tim Duffy, CMT!

What is that old joke? “How do you get to Carnegie Hall? Practice, practice, PRACTICE!” On this episode, we discuss a different kind of practice but one no less applicable to the business world: how meditation can enhance mindfulness and yield personal and professional success.

Guest Tim Duffy and host Roy Sexton unpack the career pivot Tim has taken to leverage his personal discoveries in this arena to help business leaders worldwide. Roy, being an avowed entertainment geek and fanboy, will no doubt ask Tim to talk about his career journey in Hollywood, what he learned from those experiences, and how his successful navigation of the entertainment industry now informs his coaching and consulting work.

Recently featured as a speaker at the iconic Netflix is a Joke Fest and the Hollywood and Mind Summit, Tim is a two-time Emmy-winner, an advanced meditation practitioner and a Mindfulness-based Executive Coach. His unique background in Behavioral Psychology paired with his wildly successful career as a Fortune 500 Executive and two-time startup Founder fuels his work with executives, performers and organizations.

You can learn more about Tim at http://www.timduffymeditation.com/

Tim writes, “In 2010, I launched MTV Networks’ first Mindfulness Program and immediately became enamored with helping businesses harness the power of their greatest asset: people! During the next 13 years, I trained high-level executives throughout corporate America at companies like Amazon, Endeavor Agency, Netflix, AirBnB, and more, while implementing the same techniques and insights in my ‘other life.’ … In 2013, I launched my first startup, Ugly Brother Studios, which became widely known as one of the premier Food & Travel production companies in Entertainment. During this time, I created, sold, produced, and directed over 12 series, garnering nine Emmy Nominations, two life-changing wins, and four James Beard Award Nominations. … Through mindfulness and meditation, I’ve learned how to be truly alive to these people and to my own body and mind. Alive to the births of my children, the struggles of business, the joy of winning awards, the challenges of divorce, the loss of my father, the bliss of falling in love and, like us all, a freakin’ pandemic.”

Two of my Jiminy Cricket guardian angels – Liz Sobe and Laura Gassner Otting – just ran into each other at the train station! Hijinks ensued.

“I believe when we can be our authentic selves, we are free and comfortable to do our best work.” Nishlis Legal Marketing’s “Talking Pride with …” ME!

Oh my goodness, Idan Nishlis, Lee Saunders, Nishlis Legal Marketing, thank you for this lovely opportunity to tell a bit about my journey as a gay man in this industry. This absolutely made my day. Love you and grateful for your leadership and all you give our community. 🌈💕

“As part of Pride month we have been interviewing key figures in the legal industry for our series ‘Talking Pride with…’

“We are excited to share insights from Roy Sexton, Director of Marketing at Clark Hill and Past President of the Legal Marketing Association – LMA International (LMA). In this interview Roy discusses with Nishlis Legal Marketing the impact of identity on career choices, the importance of authenticity in the workplace, and Clark Hill’s commitment to Diversity, Equality, and Inclusion (DEI).

“‘I believe when we can be our authentic selves, we are free and comfortable to do our best work. I’m glad to see the world catching up to that idea.’

Read more about how being true to oneself can lead to professional success and how law firms are evolving to embrace inclusivity.”

Full interview

Talking Pride with… Roy Sexton

By Lee Saunders|June 17th, 2024

As part of Pride month we have been interviewing key figures in the legal industry for our series “Talking Pride with…”

We are excited to share insights from Roy Sexton, Director of Marketing at Clark Hill and Past President of the Legal Marketing Association (LMA). In this interview Roy discusses with Nishlis Legal Marketing the impact of identity on career choices, the importance of authenticity in the workplace, and Clark Hill’s commitment to Diversity, Equality, and Inclusion (DEI).

How – if at all – has your identity shaped or influenced your career choices? 

Whether from being a member of the LGBTQ+ community or being an only child or some intersection of both, I’ve always been willing to take risks. This world imposes unnecessary limits on us based on identity, and when faced with that, I always feel some peculiar urge to prove everyone wrong. I had an executive coach once who laughingly said I seemed willing to put myself in harm’s way (career-wise) just to see what might happen. Lol.


I had spent the better part of a decade in healthcare and found myself getting bored with it, so I just threw my résumé out there and was hired by my first firm in 2011. The managing partner at the time was running for Congress and wanted someone to step in and pick up the marketing responsibilities he had so ably carried.  I didn’t realize I was taking a risk making such a dramatic career pivot, but I’m incredibly glad that I did. 

This has been such a rewarding industry to support, and being part of the Legal Marketing Association community and being embraced by it so fully gave me a sense of self and confidence that I don’t know that I had had previously. 


What were your expectations of the law as a member of the LGBTQ+ community? Did you have any specific preconceptions, fears, or concerns and how has that turned out in reality?

Given what might be perceived as career recklessness on my part, I don’t know that I had any preconceived notions when I joined this industry in 2011. I mean, much like healthcare, I presumed there would be an element of keeping focus on the work first and foremost with identity/authenticity being secondary. 

I’ve always felt differently about that presumption and have tried to flip it on its head wherever I worked. I believe when we can be our authentic selves, we are free and comfortable to do our best work. I’m glad to see the world catching up to that idea.  

And honestly, I think I was refreshingly surprised by the firms where I’ve had the privilege to work. Yes, there has always been an element of keeping a professional polish on everything, but I have also found in law, a great joy in celebrating our own quirks and eccentricities and differences. I feel like that’s where the marketing magic really lies. And thereby one can execute some really fascinating storytelling to promote one’s chosen organization. 


Much is made of Diversity, Equality and Inclusion (DEI) these days and its role in law, how active are you / your law firm in this area?

I’m really thrilled by our leadership in this arena. Our CEO John Hensien and leadership team more broadly have such a visible commitment in this space. We have dedicated resource groups to support everyone in the firm, attorneys and staff. 

And we have made a concerted effort to weave DEI education into all of our external marketing messaging. The firm rolled out allyship training firm wide in the last couple of years, requiring all to attend. The conversations were robust and thoughtful and energizing. We have pursued and achieved Mansfield certification multiple years in a row, and our DEI videos and external content have received hundreds of thousands of views. 
The team I am privileged to lead has been involved in all of these efforts at various levels, in partnership with our fantastic HR team and other operational leaders. It is very gratifying. 


And, of course, in my leadership role last year as president of the Legal Marketing Association,  I put this issue front and center in all of my communications. And I may have brought a drag queen on stage in Florida at 8:30 in the morning just to make a point. 😊 I was honored to be recognized for these efforts by INvolve People as one of their top 100 LGBTQ executives worldwide last year.

This all sounds very self-aggrandizing to type, but the real point of it all at this stage of my life is to be the visible example I would have appreciated at earlier points in my career. If I can show people that being myself – my weird and happy and quirky self – yields success, while celebrating the joyous life I have with my husband and our rescue dogs, then I feel like I can make some small difference.

How do you feel law firms are generally today on this topic and what work remains to be done?

I think we have come a long way, and I encourage the industry to keep the courage of its convictions. I have been cautiously optimistic/pleased this Pride month (so far) as I feared firms might walk back visible messaging in light of the cultural pushback that we saw last year that caused some consumer facing companies to walk back their visible advocacy efforts. 

It feels as though the industry has in fact, stayed the course, on the balance, and I would encourage those midsized and smaller firms that might still be on the fence about making visible declarations of inclusion to realize the world is evolving, clients are evolving, talent is evolving, and the future will be an inclusive one. Not an exclusive one.

Roy Sexton, Director of Marketing, Clark Hill and Past President of the Legal Marketing Association (LMA). 

Founded in 1890, Clark Hill is an international law firm with 700 attorneys in over 25 offices in the U.S., Ireland and Mexico.

Thank you to Scott Lawrence and Gittings Global for this snazzy new headshot

Latest episode of “All the World’s YOUR Stage” on Expert Webcast: “Another openin’, Another show” – How a Life in Theatre Makes Good Business Sense … with guest Lauren London of Eastern Michigan University and The Penny Seats Theatre Company

Enjoy “Another openin’, Another show” – How a Life in Theatre Makes Good Business Sense, the latest episode of “All the World’s YOUR Stage” on Expert Webcast … On this episode, guest Lauren M. London and host Roy Sexton commiserate on how a life in theatre has informed their respective career arcs; what it is like to be a community minded entrepreneur in the arts world; the intersection of professional services, law, and audience building; and how the magic of storytelling and narrative can drive personal and professional success to achieve business outcomes.

Excerpt above – full episode here

Lauren London graduated from Brown University in 1998 with an Sc.B., with honors in Psychology. She attained her law degree from the University of Wisconsin-Madison in 2002, and later completed a judicial clerkship with the Honorable Raymond M. Kethledge of the U.S. Court of Appeals for the Sixth Circuit. She has practiced law in Michigan for over 20 years, and presently serves as the General Counsel at Eastern Michigan University, a position she’s held since 2018.

She joined Eastern in 2013 as its sole Associate General Counsel, having previously worked as Assistant General Counsel for Bosch USA in Farmington Hills, Michigan, focusing on commercial law, contract negotiation, product liability, antitrust, and civil litigation. She began her legal career as a litigator and appellate specialist with the Dykema law firm. Working in the firm’s Ann Arbor, Detroit, and Bloomfield Hills offices, she gained significant experience in the areas of civil appeals, constitutional law, and litigation. Lauren has lectured extensively on the First Amendment, speaking to students, faculty, and staff at EMU and in the surrounding community. She is an active member of a number of professional associations, including the National Association of College and University Attorneys.

For the past 13 years, alongside her legal career, Lauren has also served as President and now Executive Director of The Penny Seats Theatre Company, an Ann Arbor-based non-profit professional theater. She co-founded the company in 2010 with a group of friends (among them, one Roy Sexton!) The Penny Seats produces 3-4 mainstage shows per year and provides paid work to numerous Michigan-based artists and designers. Lauren lives in Ann Arbor with her husband, Zach, and their two children.

Thank you, Anna Spektor, for your loving production, friendship, and kindness!

Plus shout outs in the show to Nina and Bob Schwartz, Susie and Don Sexton, Elissa Altman, Tim Duffy.

Year-end Legal Marketing Coffee Talk holiday extravaganza 2021: zany costumes, beloved pups, heartfelt sentiments, plentiful laughs, and maybe a show tune or two

View on …

Facebook: https://fb.watch/9XP8lzXK6-/

LinkedIn: https://www.linkedin.com/posts/robkates_legalmarketingcoffeetalk-legalmarketing-lmct-activity-6875147102234648576-j7aF

YouTube: https://youtu.be/GVE6T6Ye32k

We had a ball this afternoon with our year-end holiday broadcast. Yes, there were zany costumes, beloved pups, heartfelt sentiments, plentiful laughs, and maybe a show tune or two. (Yes, I sang – about midway – WITH prerecorded accompaniment because I’m fancy like that.) So grateful to be part of this fab Legal Marketing Coffee Talk crew: our fearless leader Rob Kates and fellow hosts Tahisha Fugate, Jessica Aries, and Andrew Laver. The kind words offered during the show about my late mom Susie Sexton, our honorary sixth cast member, were so appreciated and healing.

Thanks to today’s incredibly brilliant special guest stars, including Gina Furia Rubel, Amy Payton Verhulst, Nancy Leyes Myrland, Brenda Pontiff. You are such beautifully authentic souls.

Shout outs aplenty during today’s show: Heather Morse-Geller, Gail Porter Lamarche, Terry Isner, Nikki Girard Sherrill, Toni Wells, James Barclay, Ed Lovatt, Marcia Delgadillo, Nikki Bagdady Horn, Scott Lawrence, Nathalie M. Daum, Jay Harrington, Heather Harrington, Jennifer Forester, Cyndy McCollough, Timothy Corcoran, Jenna Green, Rachel Shields Williams, Shade Vaughn, Jennifer Simpson Carr, Trish Desilets Lilley, and likely many more I won’t remember until I watch again tonight! 🤣

Thank you to Kates Media: Video Production and By Aries for supporting this show and to amazing Katelynn Audrey Wynn McGuire and Clarita Bonilla for the exceptional promotional work on our collective behalf.

See you in 2022! #LMAMKT

Postscript … I am truly lucky to have a wonderful friend with whom I also happen to work. I’ve known Megan McKeon maybe about 10 years now? But we first actually collaborated in 2015 on a Legal Marketing Association – LMA International annual conference quick start panel. Fellow panelists Heather Morse-Geller and Gina Furia Rubel said, “We gotta get Megan to join us!” They were absolutely right. Few people are as devoted, as hard-working, as caring as Megan.

Flash forward a few years later, and Megan introduced me to Clark Hill. Heather told me that I MUST take the job – as she saw it as the right next step for me. Don’t tell Heather I said this, but she’s darn right 99% of the time! 😉

This community blesses us with guardian angels at every turn, and three years ago when I received the distinct privilege to work with Megan my life improved for the better. I’ve never worked harder in my life, been challenged to be a better professional, or had someone so consistently in my corner as I have had with Megan, and our wonderful boss Susan Ahern, and our incredible colleagues.

Why am I telling you all this? Well, it’s late. And I’m in a reflective mood. And this magical surprise (pictured) appeared on our front doorstep today. Admittedly, one can argue it’s a year early as I will be president elect of the international association next year and president the following. Nonetheless, when my husband opened this, thinking he was going to find new floor mats for his Jeep 😅, we both squealed with delight. Of course, being me, I couldn’t get this on our movie poster wall fast enough.

This gift puts such a big smile on my face after one hell of a year, and I won’t lie that it tickles me to be side-by-side with fellow Hoosier James Dean here. Everyone knows I love movies obsessively, but Megan has a distinct giftgiving prowess and somehow she found somebody who could turn me into my own movie poster. The tagline is hysterical: “Only the marketing is legal.” 🤣

Fun fact, Megan took this picture of me – and it is one of my favorites. We were in Chicago, on a sidewalk patio, shortly after I had started with the firm (halfway between a couple of my quarterly nervous breakdowns 😂), waiting for Ray Koenig and Susan to join us for drinks. Little did that naive Roy know what incredible adventures were ahead. But I’m looking at this poster, reflecting on the past year, the past three years, the past 10 years, incredibly grateful for what our legal marketing community has given all of us and for this friendship with dear Megan. Love you, Megan.

Legal marketing, the arts, and more: Christopher Johnson interviews yours truly + I’m officially official as LMA prez elect!

Facebook Video: https://www.facebook.com/CalmClearCommunications/videos/554077525808992/

LinkedIn Video: https://www.linkedin.com/posts/cgjohnson_legal-marketing-the-arts-and-more-activity-6843966424755576832-8×1-

YouTube: https://www.youtube.com/attribution_link?a=Ri3c8mhTSebquYtm&u=/watch%3Fv%3DSk4tfEslEhs%26feature%3Dem-lbrm

I had a ball chatting with Christopher Johnson today. Thank you, Brenda Meller of Meller Marketing 🥧, for connecting us. Terry Bean, if your ears were burning, watch. 🤣 We chatted about the power of family, great parenting, the arts, human connection, narrative power of marketing, trends in digital, Britney Spears headsets, and so much more. Enjoy!

Mentions include Don Sexton, Susie Sexton, John Mola, Clark Hill Law, Legal Marketing Association – LMA International, Ronald McDonald House Charities Ann Arbor, Mosaic Youth Theatre of Detroit, and more!

I’m officially official and deeply honored to be “ratified” as LMA’s 2022 prez-elect and 2023 president!

Gould & Ratner’s Chief Marketing Officer John Byrne on Legal Marketing Coffee Talk

VIEW HERE: https://fb.watch/7OB8qXsaGi/

We had a pretty fantastic – and free-wheeling – conversation with our friend John Byrne today. This may be one of my favorite shows we’ve done yet. To be honest, I’m not even quite sure how to recap it, other than this was an authentic conversation between people who respect and love each other. There might be some references to the bathroom habits of naughty cats, a general love of anything Disney, and appreciation for the unique attributes of the only child – AND an understanding that truth when delivered from the heart is always a good thing.

Shout outs in the show to … Susie Sexton, Don Sexton, Thor Hodges, Lisa Towey Simon, Anne Gallagher, Megan McKeon, Nancy Leyes Myrland, Nancy Slome, Brenda Pontiff, Andrew Laver, Michelle Friends, Kelly MacKinnon, Brenda Plowman, Amy Payton Verhulst, Laura Toledo, Lindsay Griffiths, Kevin Iredell, Dianne Rychlewski, William Fitzgerald, Linda Sedloff Orton, Stephen D Barrett, Jose’ Cunningham, Trish Desilets Lilley, #oklahoma, #themusicman, and more!

Facebook: https://fb.watch/7OB8qXsaGi/

LinkedIn: https://www.linkedin.com/posts/robkates_new-day-same-fabulous-guests-this-week-activity-6838603731827855360-5Euj

YouTube: https://youtu.be/rg5tObv3DdA

Support Laura Toledo’s cancer fight: https://www.gofundme.com/f/phjaa6-help-lauras-fight/donate

Taco 🌮 Tees! https://www.bonfire.com/lauras-taco-team/

SHOW DESCRIPTION:

It’s the show about legal marketing and the people that make it happen.

This week, Roy Sexton’s guest is fellow LMA International Board Member AND Midwesterner John Byrne, Chief Marketing Officer for Gould & Ratner LLP. John and Roy will not only reflect on nearly a decade of friendship and volunteer leadership together, but what trends they see in marketing, communications, and thought leadership in these neverending pandemic days. John, who also has worked as a practicing attorney and as a newspaper editor, will offer his observations on the intersectionality of legal and media and the opportunities represented for marketers therein. John and Roy are both only children who also have strong ties to the medical profession AND they both tend to enjoy the occasional shenanigan (or eight), so this conversation is sure to be heartfelt, free-ranging, and raucous!

Join our team of hosts: Jessica Aries, Tahisha Fugate, Andrew Laver and Roy Sexton , each week, as we talk to the leaders in the legal marketing community.

Legal Marketing Coffee Talk is brought to you by: By Aries and Kates Media.

SAVE THE DATE(S) … SING HAPPY! music of John Kander and Fred Ebb – a fundraiser for Theatre Nova, 10/28 – 11/7

So … THIS is happening. 10/28 – 11/7. I should be ready to leave my basement by then. 😉 🎶 Thank you, Diane Hill, Ryan MacKenzie Lewis, and Theatre Nova, for your kindness, including me in this fabulous upcoming event!

SING HAPPY! music by John Kander and Fred Ebb with musical arrangements by R. MacKenzie Lewis – Theatre NOVA Fundraiser. More on the full season here: https://www.theatrenova.org/2021-22-season

A fundraiser for Theatre NOVA and presented in concert, Sing Happy! is a celebration of the work of Broadway’s famous duo, Kander and Ebb. An ensemble of singers will take the stage with showstoppers from “Cabaret,” “Chicago,” “Kiss of the Spider Woman” and many others while weaving a tale of strength and determination.

Directed by Diane Hill. Music Direction by R. MacKenzie Lewis. Featuring Jason Briggs, John DeMerell, Kalyse Edmondson, Diane Hill, Elizabeth Jaffe Smoot, Sarah Stevens, Connor Thomas Rhoades, Carrie Jay Sayer, and Roy Sexton (that’s me! 🤩).

Spoiler alert: my solos are “Mr. Cellophane” from Chicago and “A Quiet Thing” from Flora the Red Menace.

LIMITED ENGAGEMENT
October 28 – November 7, 2021
Single tickets: $30

Diane saw this post on social media a few weeks back, and subsequently lobbied Ryan to include “Mr. Cellophane.” I hadn’t told her this but – and imagine me at around four of five years old – Mr. Cellophane was (inexplicably) one of the first songs I ever sang spontaneously as a kid. My mom and dad captured it on a portable tape recorder. They must have been listening to the cast album a lot back then. And I took a shine to that song. Lord knows where that cassette ended up at this point!

“It’s not the circle of life … it’s the meaningless line of indifference.” Disney’s The Lion King (2019)

[Image Source: Wikipedia]

People, namely but not exclusively critics, are all of a dither because The Lion King, as directed by Jon Favreau (The Jungle Book) – the latest in Disney’s unyielding march of “live action” remakes and re-imaginings of their own animated classics – is not original enough. People! Didn’t you know the “D” is Disney stands for “derivative”? That’s the Mouse House’s stock-in-trade.

Whereas once upon a box office, Disney strip-mined the works of the Brothers Grimm, Hans Christian Andersen, J.M. Barrie, Lewis Carroll, P.L. Travers, Carlo Collodi, and A.A. Milne for their cinematic output (which was in itself then repurposed across theme parks, television series, video releases, toy stores, straight-to-home animated sequels, and so on), NOW CEO Robert Iger and team have turned to modern-day folklorists like George Lucas, Stan Lee, and Walt Disney himself to source and resource their intellectual property. Lazy? Maybe. Smart capitalism? Indubitably. All-American? You bet your a$$.

And like all good mythology, these stories bear repeating, whether around the campfire or the eerie glow of an iPhone. Hell, Shakespeare was just as guilty of the practice as any contemporary entertainment conglomerate. There’s a sucker born every minute. We lemmings have been ever guilty of plunking our hard-earned money at the ticket counter to re-view the shopworn and redundant.

[Image Source: Wikipedia]

Speaking of Shakespeare, The Lion King has often been described as “Hamlet in the jungle,” with its story of a young prince (Simba) who suffers from the machinations of a despicable uncle (Scar) and who grapples with the uneasy responsibilities of royal leadership after the untimely death of his father (Mufasa). It’s just that in The Lion King, every character happens to be a four-legged denizen of the African pride land who occasionally breaks into an Elton John/Tim Rice-penned show tune. The original animated film was a box office behemoth in its day, yielding in turn a Julie Taymor-directed puppet extravaganza that collected every Tony on earth and continues to mint money. Tell me again, why Disney shouldn’t bring The Lion King back in yet another guise to multiplexes? Ka-ching.

As I’ve often said to fellow critics, reviewing their umpteenth community production of Oklahoma! or The Putnam County Spelling Bee, we aren’t critiquing the script or the music at this point, nor even the very choice to do one of these damn shows again (much as we might like to), but rather the intention and the execution.

That said, the 2019 Lion King is pretty darn flawless and sticks its landing, even if some are scratching their heads if it was needed at all. This film is a technological wonder, marrying the heart and horror of the animated film with a hyper-reality that makes all of the stakes disconcertingly real. It’s one thing to watch a James Earl Jones-voiced Mufasa trampled by a multi-colored two-dimensional stampede of wildebeest; it’s something else altogether to watch a photorealistic James Earl Jones-voiced Mufasa in the same harrowing circumstance.

I’m not sure how kids are going to sit through this thing, what with all of the National Geographic-style eat-what-you-kill royal court intrigue of Scar (a menacing Chiwetel Ejiofor, rejecting any of predecessor Jeremy Irons’ fey mannerisms in the role) and his grotesque hyena henchmen (a slithering trio voiced by Florence Kasumba, Keegan-Michael Key, and Eric Andre, offering very little of the comic relief previously offered by Whoopi Goldberg, Cheech Marin, and Jim Cummings in the original). Shudder.

[Image Source: Wikipedia]

As the adult Simba and his best friend (soon-to-be paramour) Nala, Donald Glover (Solo) and Beyonce, respectively, are as luminous vocally as you would imagine, notably on the ubiquitous anthem “Can You Feel The Love Tonight?”  In fact, the film truly roars to life (pun intended) at the mid-way mark after Simba befriends Rosencrantz and Guildenstern stand-ins Timon and Pumbaa (a meerkat and a warthog naturally) who teach him the finer points of not giving a sh*t (“Hakuna Matata”), and a gobsmacked Nala (think Ophelia without the manic suicidal tendencies) urges Simba to get woke and return home as Scar has made a big ol’ scorched earth mess of the kingdom.

(NOTE: one of the best and most original elements of this new Lion King roll-out is Beyonce’s spin-off album The Gift, not unlike how Madonna’s Dick Tracy-inspired I’m Breathless album had arguably more zip than the film that inspired it.)

[Image Source: Wikipedia]

Billy Eichner as Timon to Seth Rogen’s Pumbaa is a revelation. Who knew Eichner had such a divine singing voice? And the best lines in the flick are his. At one point, he dismisses the narrative’s overworked philosophy that everything (including becoming a lion’s dinner entree) happens for a divine and glorious purpose with a stinging, “It’s not the circle of life … it’s the meaningless line of indifference.”

I admit as comfortable as I am with Disney’s master plan to take over the world with reworked, utterly unnecessary versions of old movies still readily available at our Netflix’d fingertips, even I would have liked more Eichner-style anarchy and less safe familiarity in the 2019 Lion King. As brainwashed as audiences have become, marching steadfastly from one box office event picture to the next, mindlessly apathetic toward the tragic state of the real world, Eichner’s “meaningless line of indifference” is an apt and sobering description of us all.

_______________

[Image Source: Wikipedia]

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital).

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“You’re always sorry. And there’s always a speech. But we no longer care.” Dark Phoenix (and another thought or two on Hugh Jackman’s The Man. The Music. The Show. in Detroit)

[Image Source: Wikipedia]

Perhaps Dark Phoenix was a creative casualty of corporate wrangling via the finalized Disney/Fox combination that brought the previously Fox-licensed X-Men characters fully back into the Mouse House’s Marvel Cinematic Universe. Perhaps the X-Men movies should have called it a day (no pun intended) with the far superior Days of Future Past. (Don’t get me started on the candy coated cluster that was its follow-up Apocalypse.) Perhaps longtime writer/new-time director Simon Kinberg should have just stuck with the writing (though that isn’t very good either in Dark Phoenix and not up to par with his previous work). Or perhaps we all are just (finally) suffering from movie superhero fatigue.

All I know is that Dark Phoenix is a soapy bore, not unwatchable by any means, but not a hellvua lot of of fun either.

I began this week taking in erstwhile Wolverine Hugh Jackman’s sunny, zippy one-man The Man. The Music. The Show. at Detroit’s Little Caesars Arena, and I ended the week with this X-Men: Last Stand retread that made me long for Hugh to show up and sing a few more Peter Allen-penned show-tunes while swiveling his bedazzled 50-year-old-hips. Hugh was a wise man to finally walk away from this sputtering franchise and spend the summer doing what he does (and loves) best. Thank you, X-Men, for giving Hugh his start in this country … and, 20 years later, for setting him free.

Dark Phoenix attempts to right the wrongs of Last Stand, an over-baked muddle from 13 years ago that first told the tale of mutant Jean Grey’s descent into madness via a cosmic-based parasitic “Phoenix force.” I know to non-geeks it sounds absurd, but the original “Phoenix/Dark Phoenix” story-line by Chris Claremont and John Byrne from the late 70s is a beloved one, revolutionary in its day for its exploration of gender issues, agency/autonomy, and how absolute power can corrupt absolutely.

[Image Source: Wikipedia]

Don’t get me wrong. Dark Phoenix tries. Really, really hard. And that’s part of its problem. Too self-serious by half, yet slapdash in its execution, the film takes a solid cast – Michael Fassbender, James McAvoy, Nicholas Hoult, Jennifer Lawrence, Jessica Chastain, Evan Peters, Alexandra Shipp, and Sophie Turner (as the titular antihero) – portraying classic Marvel characters, all lovingly re-established in a fresh, postmodern way with X-Men: First Class, and squanders the whole shebang with heaps of illogical character motivation and turgid dialogue. As Fassbender’s Magneto cautions his bromantic rival James McAvoy’s Charles Xavier: “You’re always sorry. And there’s always a speech. But we no longer care.” True dat.

It’s a shame. It truly is. The series could have gone out on a high-note, pulling all the topsy turvy threads of time travel, lost souls, and marginalized identity into one super nova of an ending … if they’d just have followed the blueprint of the original damn comics. Seriously, look at how many Oscar winners/nominees are in the cast; yet, at times, I thought I was watching Guiding Light: The Mutant Years.

[Image Source: Wikipedia]

C’est la vie. The plot, as it is, details how young Jean Grey was orphaned (or was she?) by telepathic powers run amok. Charles Xavier rescues her (or does he?) and raises her as his own, always wary of the limitless powers at her disposal. One epic space shuttle tragedy later, a now-adult Jean Grey finds herself imbued with the nuclear power of a thousand solar systems, but she really just wants to mope around, glare a bit, and throw her enemies into the sides of buildings. Chastain as some alien despot with the albino aesthetic of Edgar Winter seeks Jean’s newfound power for herself. And, blah, blah, blah … more moping, more glaring, more throwing.

Jennifer Lawrence’s Mystique notes to Xavier, “By the way … we women are always saving the men around here. You might want to change the name of this group to X-WOMEN.” Now, THAT’s a movie I think I would have preferred to see. And, as poorly written as that line is, it says something about Lawrence’s uncanny abilities that it lands like the best zinger you’ve ever heard from a Noel Coward comedy. Otherwise, Lawrence is clearly just collecting a paycheck here, waiting for her contract obligations to final run out.

Photos taken by my parents Monday night in Detroit

Back to Hugh. If Dark Phoenix truly is the death knell of the X-Men movie universe, perhaps the rest of the cast should follow suit and launch their own respective concert tours. As noted here earlier, his show is an absolute delight … and also a bit surreal, given that it is the culmination of Jackman’s wildly varied career, plus a melange of influences and experiences close to his heart. It is, in essence, a two-hour midlife crisis, Vegas-style, but a kicky, charming, loving, unmissable one. [Photo album here.]

What I also learned this week is that there are two kinds of people: those who know that Hugh Jackman sings … and those that don’t. As to the former, all I had to do was mention I saw him in concert, and they rattled forth rapturous perspectives on which songster Hugh they loved the most: Les Miserables, Greatest Showman, Oklahoma, The Boy from Oz … all of which were featured in Monday night’s show. As to the latter, I was met with a quizzical gaze and a “what did he do for two hours?!”

Ah, what didn’t he do? Tap dancing to AC/DC’s “Thunderstruck”? Check. Channeling his best Gene Kelly for a Singin’ in the Rain homage? Check. Working through what felt like some Freudian confessionals about family, romance, and fatherhood? Check. Offering a salute to the atrocities experienced by the aboriginal peoples of his Australian homeland, complete with didgeridoo? Check.

There were some missteps Monday night. A blown mic … or three. Some faulty projection screens. Heartfelt but at times overly fawning tributes to Detroit (we ate it up … but at times it got a bit thick). A strangely sequenced second act that seemed to jettison the chronological overview of the first act for a random grab-bag of themes and ideas. I also admit that I wouldn’t have minded a bit more attention paid to his Tony-winning role in The Boy From Oz. The medley of Allen’s more obvious (for American ears) pop tunes was understandable as was the Rip Taylor-style vamping in the audience; yet, I longed for more of Peter Allen, the brilliant singer/songwriter and a bit less of the theme park character flash on display. That said, these are all minor quibbles in an otherwise extraordinary evening.

My hunch is that our singing, dancing, jazz-hand flinging former-“Wolverine” will be riding this arena-gig until the wheels fall off. The Hugh Jackman on display Monday night was simply too exquisitely blissed out not to, and, as a result, I’m sure he will be playing every arena, concert venue, and state fairgrounds into which he can get his twinkly visage booked. Given what I just experienced this afternoon watching Dark Phoenix, that’s one damn smart career move!

[Image Source: Wikipedia]

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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.