Instagram live replay of my interview with HRC Michigan – Annie, you’re a gem! We discussed my recent recognitions by INvolve People and Corp! Magazine, how Clark Hill creates an inclusive culture, the important work the Legal Marketing Association has done around DEI, what authenticity really means, and how important it is to simply live and let live.
Thank you, Legal News’ Brian Cox, Brad Thompson, Sheila Pursglove, for the lovely support you’ve consistently shown me in my career. Grateful for you, for your friendship, and for all you do for our profession!
Roy Sexton, director of marketing has been selected by Corp! Magazine as one of Michigan’s 2024 Most Valuable Professionals.
Sexton was among the winners of the 9th annual MVP Awards, honoring the state’s most dynamic and influential business leaders. Corp! Magazine characterized the winners as the leading voices in shaping Michigan’s business and economic direction. The MVP Awards recognize individuals who have made significant contributions to their businesses, their communities, and the state of Michigan.
Sexton leads Clark Hill’s marketing, branding and communications efforts in collaboration with the firm’s exceptional team of marketing and business development professionals. He has over 25 years of experience in marketing, communications, business development and strategic planning.
“At Clark Hill, our value proposition is simple. We offer our clients an exceptional team, dedicated to the delivery of outstanding service,” says Sexton. “We recruit and develop talented individuals and empower them to contribute to our rich diversity of legal and industry experience. “
Sexton is passionate about problem solving, facilitating business growth, crafting communications strategy and enhancing law firm culture. He works closely with the marketing team to advance the firm’s digital and social media presence and external engagement, using multi-channel distribution and data collection. This enables the team to quantify results and use those results to produce thoughtfully and strategically organized content for clients and prospects.
Sexton was named one of INvolve People’s 2023 Top 100 OUTstanding LGBTQ+ Executives internationally. He was listed in Crain’s Detroit Notable LGBTQ in Business in 2021 and Notable Leaders in Marketing in 2023, and he was a Michigan Lawyers Weekly Unsung Legal Hero in 2018.
In 2022, Clark Hill’s marketing campaign received the Best Marketing Campaign award from the Managing Partners’ Forum in London, celebrating professional services organizations. The campaign was noted for its focus on values, diversity and inclusion. The Clark Hill marketing and business development team was also awarded Best Marketing Initiative by Managing Partners’ Forum in 2020.
“I’m proud of how DEI has become so fully integrated into my professional efforts in this world. As international president of the Legal Marketing Association (LMA) in 2023 and as immediate past president this year, we have kept inclusion front and center, including me singing ‘Born This Way’ with drag queen Athena Dion in Florida last year at our annual conference,” says Sexton.
He adds, “At Clark Hill we received Mansfield Certification for our efforts in the DEI space as well as conducting firmwide allyship training, all led by our fabulous HR team, supported by the marketing team on external messaging, including a series of DEI-focused videos. Those videos have received hundreds of thousands of views which is very heartening to the team here.”
Sexton hosts the monthly Expert Webcast series “All the World’s YOUR Stage: Authentic Culture Drives Authentic Growth,” discussing the importance of inclusion, allyship, authenticity, and personal/professional branding with nationally recognized executives and thought leaders. Each episode has a monthly reach of at least 20,000 impressions.
“Always take the pause. This is advice my wonderful boss, our Clark Hill Chief Marketing and Business Development Officer Susan Ahern, has imparted on me regularly. We live in such a wired world, and, while responsiveness will always have its place, being measured and thoughtful, listening and learning first, and then collaboratively coming to solutions always wins the day. This has been transformational advice for me. Oh, and pick up the phone sometimes – nuance is too frequently lost in email and things can unfortunately escalate as a result!” Sexton comments. “Also, I carry with me the wisdom my late mother often shared: ‘Tell people what they mean to you in the moment when it will mean something to them.’ Carrying the large responsibilities of the LMA presidency, this thinking served me very well. Again, pause, acknowledge, reciprocate. It makes the world better for all.”
In 2023, Sexton was the international president of the 4,000-member Legal Marketing Association (LMA), a professional organization he’s been a member of since 2012. Throughout his tenure as LMA’s leader, Roy prioritized DEI issues, putting them front and center on all education and messaging efforts.
Sexton also serves on the board of Mosaic Youth Theatre of Detroit, and he is a published author of two books: Reel Roy Reviews, Volumes 1 and 2. He was named Best Actor in a Musical by BroadwayWorld Detroit in 2017 for his performance as Jasper in The Mystery of Edwin Drood at Ann Arbor Civic.
“Be open and inquisitive to all adventures before you. Every task represents an opportunity to learn and nothing should be ‘beneath us.’ Obviously, know and hold your worth, but sometimes working on that presentation with a colleague is an opportunity to see how others think, to help shape narrative, and to expand your skill set,” Sexton advises.
He adds, “That was what differentiated me in the early days of my career when I was still in healthcare. I worked on bond rating presentations, board retreats, strategic visioning decks and everything in between. I’m a theatre person by training so storytelling is important to me, and I was able to enrich the work by helping my colleagues consider audience needs in their presentations. Through that I built relationships, gained trust, and was exposed to a number of operational areas that would have otherwise been unavailable to me.”
July 24, 6 pm eastern time … live on Instagram with HRC Michigan – more info here.
And thank you dear friends and colleagues Steve Fretzin and Ray Koenig for the lovely shout out here. Love you, both!
EXCERPT …
STEVE: So would we be, so we would be doing the right thing by giving a shout out to Roy Sexton, huh?
RAY: We can always give a shout out to Roy Sexton. Roy heads our marketing for entire firm and he is the king of celebrating other people.
STEVE: King of authenticity. That guy is crushing that on so many levels, but when I think about authentic, I go right to Roy, he’s amazing.
RAY: He really is and he provides a really great example for the attorneys in our firm. And then I think especially for the younger ones. And I think also for the people that in our firm, that most of us feel we don’t fit a cookie cutter mold and don’t want to, that’s Roy.
Roy is who he is and in a really good way. He’s also really smart and strategic. He does so many things well, but he’s just, he’s really good at, he’s authentic, but he’s also really good at celebrating other people, which I just, I really appreciate in that respect.
And then we also, full disclosure, we have a very good friendship. So he’s one of the first people to text me or call me when something good happens in my life. He’s just a great human being.
STEVE: Yep, yep, absolutely agreed. And he’s, I think he’s been on the show a couple of times. He’s just one of my favorite people and always so warm and inviting.
Roy Sexton, Director of Marketing at Clark Hill, has been named one of Michigan’s 2024 Most Valuable Professionals by Corp! Magazine. The recognition highlights Sexton’s significant contributions to his firm and the broader business community in Michigan.
With over 25 years of experience in marketing, communications, business development, and strategic planning, Sexton leads Clark Hill’s marketing, branding, and communications efforts. His work emphasizes collaboration with a skilled team to deliver exceptional service to clients. “We recruit and develop talented individuals and empower them to contribute to our rich diversity of legal and industry experience,” Sexton stated.
Sexton was named one of INvolve People’s 2023 Top 100 OUTstanding LGBTQ+ Executives internationally. He was listed in Crain’s Detroit Notable LGBTQ in Business in 2021 and Notable Leaders in Marketing in 2023, and he was a Michigan Lawyers Weekly Unsung Legal Hero in 2018.
Sexton’s leadership extends to his role as the 2023 International President of the Legal Marketing Association (LMA), a position he has used to prioritize diversity, equity, and inclusion (DEI). “I’m proud of how DEI has become so fully integrated into my professional efforts in this world. As international president of the Legal Marketing Association (LMA) in 2023 and as immediate past president this year, we have kept inclusion front and center,” Sexton said. Under his guidance, the LMA has launched member resource groups and enhanced its inclusive talent pipeline.
His efforts at Clark Hill have also led to notable recognitions, including Mansfield Certification for DEI efforts and awards from the Managing Partners’ Forum for marketing campaigns focused on values, diversity, and inclusion. Sexton’s team has been instrumental in advancing the firm’s digital and social media presence, producing strategically organized content for clients and prospects.
Sexton is also active outside his professional responsibilities. He serves on the board of Mosaic Youth Theatre of Detroit and is a published author of two books. Additionally, he hosts the monthly Expert Webcast series “All the World’s YOUR Stage: Authentic Culture Drives Authentic Growth,” where he discusses inclusion, allyship, authenticity, and branding with nationally recognized executives.
Reflecting on his career, Sexton emphasized the importance of thoughtful communication and collaboration. “Always take the pause. This is advice my wonderful boss, our Clark Hill Chief Marketing and Business Development Officer Susan Ahern, has imparted on me regularly,” he commented. He also shared personal wisdom from his late mother: “Tell people what they mean to you in the moment when it will mean something to them.”
“Playing comedy is hell. The necessity to have an audience love you is perhaps more overwhelming than in any other form of entertainment. With singing, dancing, acting you don’t know until it’s over if you’ve had acceptance or rejection. The comic knows sooner. The audience laughs or it doesn’t.” – Imogene Coca
One might describe marketing and business development similarly. In fact, there is one unicorn in this industry who is adept at BOTH: Brenda Pontiff. We are thrilled that Brenda is joining host Roy Sexton to talk about how business development and stand-up comedy are in fact two great tastes that taste great together!
Born and raised in Texas, Brenda Pontiff left for graduate school in Kansas and wound up touring the country with the Complex Improv Theater. She returned home and began working on her stand-up comedy skills at The Houston Comedy Workshop’s Comixh Annex, the infamous club that spawned the likes of Bill Hicks and Sam Kinison. A few years later, she moved to Los Angeles and became a New Face at the famed Hollywood Improv. She was also a regular at Igby’s and toured as a feature act for franchise clubs including Punchlines, FunnyBones, and Laff Stops. She took a 14-year break in the early 2000s to focus on her global business development career but has happily returned to bring her Texas meets California perspective to the stage. Brenda believes comedy is like the Mafia, you can never leave.
During said global business development career, Brenda founded Partner Track Academy after years of watching young accountants and lawyers, often part of a group challenged with inclusion barriers, panic over business development expectations related to making partner. So often firms’ marketing staff members are not trained to support non-partners’ revenue generation efforts or they simply do not have the bandwidth to do so. This missing component can be filled through individual, customized coaching or periodic workshops and presentations that provide tools, tips, and best practices that lead to improved networking habits, client satisfaction, revenue growth, and ultimately, a coveted seat at the partners’ table.
Brenda has:
· More than 25 years in accounting and law firm sales and marketing.
· Sold services on behalf of an AmLaw 100 firm, exceeding sales and new client acquisition goals for almost eight years.
· Worked as a professional speaker, stand-up comic, writer, and actress, winning several national awards.
· Created a new sales process for a Big Four accounting firm, taking revenues from zero to $3.7 MM in the first year.
· Led a Big Four sales support team during the demise of Arthur Andersen, winning 67% of the regional client base while competing against three other international accounting firms.
· Maintained a 100% success rate while working as a Big Four global strategist to retain critical, at-risk clients.
· Created a cross-selling client team that increased an AmLaw 200 firm’s revenue by $900,000 through one pitch meeting.
· Spoken frequently at association events and corporate retreats regarding account-centric methodologies, best practices for networking at conferences, diversity and inclusion change management, harnessing stress for better productivity, navigating the book of business demand, and embracing resiliency.
Thank you, Clark Hill and Corp! Magazine, for this recognition. It truly means the world. I do the best I can to focus on helpfulness and team-building and community and celebrating the authenticity in everyone, so a nod like this really puts the wind in my sails. I’m grateful I get to work for such an incredible organization as Clark Hill as well as support my professional community in the Legal Marketing Association. I’m truly a fortunate soul!
And thank you, Joel Epstein, Leslie Smithson, Jennifer Kluge, Alexis Yaeger (Jakowinicz), for your friendship and support on this. I appreciate you all very much!
Thank you to producer Anna Spektor for her loving support and to friend (and our next guest!) Brenda Pontiff for connecting me with the divine Tim Duffy, CMT!
What is that old joke? “How do you get to Carnegie Hall? Practice, practice, PRACTICE!” On this episode, we discuss a different kind of practice but one no less applicable to the business world: how meditation can enhance mindfulness and yield personal and professional success.
Guest Tim Duffy and host Roy Sexton unpack the career pivot Tim has taken to leverage his personal discoveries in this arena to help business leaders worldwide. Roy, being an avowed entertainment geek and fanboy, will no doubt ask Tim to talk about his career journey in Hollywood, what he learned from those experiences, and how his successful navigation of the entertainment industry now informs his coaching and consulting work.
Recently featured as a speaker at the iconic Netflix is a Joke Fest and the Hollywood and Mind Summit, Tim is a two-time Emmy-winner, an advanced meditation practitioner and a Mindfulness-based Executive Coach. His unique background in Behavioral Psychology paired with his wildly successful career as a Fortune 500 Executive and two-time startup Founder fuels his work with executives, performers and organizations.
Tim writes, “In 2010, I launched MTV Networks’ first Mindfulness Program and immediately became enamored with helping businesses harness the power of their greatest asset: people! During the next 13 years, I trained high-level executives throughout corporate America at companies like Amazon, Endeavor Agency, Netflix, AirBnB, and more, while implementing the same techniques and insights in my ‘other life.’ … In 2013, I launched my first startup, Ugly Brother Studios, which became widely known as one of the premier Food & Travel production companies in Entertainment. During this time, I created, sold, produced, and directed over 12 series, garnering nine Emmy Nominations, two life-changing wins, and four James Beard Award Nominations. … Through mindfulness and meditation, I’ve learned how to be truly alive to these people and to my own body and mind. Alive to the births of my children, the struggles of business, the joy of winning awards, the challenges of divorce, the loss of my father, the bliss of falling in love and, like us all, a freakin’ pandemic.”
Two of my Jiminy Cricket guardian angels – Liz Sobe and Laura Gassner Otting – just ran into each other at the train station! Hijinks ensued.
I spent this afternoon with John Cena. It was heaven. HBOMax’s Peacemaker is brilliant. A dash of Netflix’s Cobra Kai, a smidge of Fox’s Deadpool, some of Amazon’s The Boys, and even a little of HBO’s Watchmen. (That last reference comes full circle as Watchmen’s “The Comedian” was a riff on the original comic book “Peacemaker.”)
The show is bonkers, irreverent, subversive, and more than a bit poignant. Yes, Peacemaker is a study in male arrested development and will appeal to the naughty and vulgar 8th grader in all of us.
But Cena also conveys a tragic sadness amidst the rampant silliness, a beefy Willy Loman in spandex. And the smart ensemble trapped in an unceasing series of Rube Goldberg-esque dead-ends owes as much to The Iceman Cometh as it does to the X-Men.
See? Not all of my references are comic book-oriented.
Danielle Brooks as a comically green field agent (who might not be as inept as she telegraphs), Jennifer Holland as her more seasoned (read: wryly, candidly cynical) colleague, and Freddie Stroma as adorably homicidal and overeager wannabe sidekick Adrian Chase (aka “Vigilante”) are standouts.
Showrunner James Gunn takes the merry melody he began in last year’s The Suicide Squad and turns it into a symphony. Whereas that film occasionally was mired in its own fan service, Peacemaker builds upon its predecessor’s promise and avails itself of the expanded real estate serial television provides to develop its characters without sacrificing any gee whiz puerile shenanigans.
And watching The Suicide Squad is not a prerequisite. There is a brief recap in the first episode, and, in many ways, Peacemaker is the far stronger production. I almost wish I HADN’T seen The Suicide Squad first (which nonetheless I did enjoy).
Even if you loathe superheroes – or ESPECIALLY if you do – you’ll find it endlessly entertaining.
A week or so ago, I caught up with Netflix’s tick, tick…BOOM! and Amazon’s Being the Ricardos, which also could be dubbed the “late bloomers double feature” (not just because I saw them well after their respective premieres). Both films explore the challenging intersection of art and commerce, a limbo often riddled with casualties who *just* haven’t quite made it yet but keep hitting that show biz gaming table for one last hopeful spin.
tick, tick…BOOM! is the autobiographical musical by the late Jonathan Larson, Pulitzer Prize-winner for Rent. Detailing his 30th year of living, the piece reads like a Gen X bohemian Company with its protagonist bouncing from well-meaning friend to less-well-meaning friend on a journey to find himself and a backer for his long-gestating musical (no, not Rent … yet).
Director Lin Manuel-Miranda displays a sure hand with the material, fueled no doubt both by love and respect for his contemporary Larson but also from his own career’s stops and starts.
The film is a glorious fairytale of hardship, and its leading man Andrew Garfield (always a marvel) turns in a career best performance, deftly walking a high wire of being inspiring, endearing, maddening, and self-serving. Oh, and he sings (gorgeously), plays the piano, and (sort of) dances, all while painting one of the clearest-eyed portrayals of the white hot isolation of a creative spirit I’ve ever seen.
Supporting players Alexandra Shipp, Robin de Jesus, Vanessa Hudgens, Joshua Henry, MJ Rodriguez, Judith Light, and Bradley Whitford (as Stephen Sondheim no less!) are all stellar, sharply capturing the earnest if ephemeral nature of relationships in the theatre community. There are Broadway cameos aplenty, and I won’t spoil the fun, but I will give shout outs to Laura Benanti (always a comic delight) and Judy Kuhn who are positively larcenous in their all-too-brief respective scenes.
Comparably, Being the Ricardos is shaped by the endless, thankless years performers toil in an effort to “make it.” While the film focuses on Lucille Ball and Desi Arnaz at the peak of I Love Lucy’s fame, we learn, through flashbacks and writer/director Aaron Sorkin’s signature rat-a-tat dialogue, the steep challenges through which this legendary couple powered to achieve blockbuster success relatively late in their respective careers.
The film clarifies without belaboring that Lucy and Desi’s success came with a steep price. Years of working in obscurity created hairline fractures that would eventually blossom into infidelity, but throughout they remained a united front in art and business.
Notably, while Kidman doesn’t look one whit like Ball, she does nail Lucy’s husky smoker’s voice and overall demeanor. We leave the film with incredible admiration for Lucille Ball as an entrepreneur who transformed the industry, as a comic visionary with an artiste’s obsession for detail, and as a social progressive who beautifully didn’t give a damn for mid-century social norms.
Kidman and luminous Javier Bardem (as Desi) conduct an acting master class in how to portray beloved historical figures, channeling their essences, while making them uniquely their own. Consequently, they land a timely and timeless message of living in one’s moment.
They are aided and abetted by JK Simmons and Nina Arianda as William Frawley and Vivian Vance respectively. Despite Arianda being saddled with an unfortunate body shaming subplot, both Arianda and Simmons sparkle brilliantly as showbiz workhorses who simultaneously value and resent their “second banana” success.
And, for those who geek out over sumptuous scenic and costume design, there is lush Eisenhower-era eye candy aplenty, with one postcard-perfect image after another of Hollywood’s (and television’s) golden age.
The film’s politics get slippy at times. Sorkin seems intent on force-fitting a modern liberal’s gaze onto Lucy and Desi’s history, but tricky details like Richard Nixon exonerating Lucy from her communist party past get in the way. Be that as it may, the performances transcend any pedantry to detail lives fully lived in service to art and cultural progress.
Laramie Project review originally published by Encore Michigan here.
[Image Source: The Ringwald’s Facebook page]
The Ringwald Theatre’s 2018-19 season opener The Laramie Project is not a production that needs to be reviewed. It is a production that needs to be viewed. It is a production that essentially illustrates (beyond question) that the most impactful theatre requires very little: words, voice, people, movement. Storytelling in its truest form. As an audience member, I haven’t cried like I did opening night of Laramie Project in years (if ever).
At the end of act one, I was a puddle, with two acts to go, and, by the time the performance wrapped, I was red-eyed, gutted, mad-as-hell, and cautiously hopeful. It’s that good. I suppose some projection was involved on my part. I was roughly Matthew Shepard’s age when he was savagely brutalized and murdered. I grew up and attended college in Indiana, which, as Mike Pence’s political ascent will attest, is a state not unlike Wyoming – more Handmaid’s Tale than Moulin Rouge.
That notwithstanding, The Ringwald’s production of Laramie Project is a slow-burn powerhouse.
The play written by Moises Kaufman and members of the Tectonic Theater Project assembles first-person narratives from hundreds of interviews with Laramie townspeople, University of Wyoming faculty members, friends of Matthew’s, and the Tectonic Theater’s actors themselves. The narrative roughly follows this arc: defining Shepard’s humanity and upbringing, detailing the incidents of that tragic evening, and assessing its aftermath, all in the words of narrators both reliable and not. It is up to the audience to sort the wheat from the chaff and to make sense of a society where such irrational cruelty can occur. The approach is as journalistic as it is theatrical, and the topic is (sadly) as timely today as it was when the piece was written in 2000.
Director Brandy Joe Plambeck has assembled an empathetic, deep-feeling, yet commanding cast to perform dozens of roles: Joe Bailey, Greg Eldridge, Kelly Komlen, Sydney Lepora, Joel Mitchell, Taylor Morrow, Gretchen Schock, and Mike Suchyta. Rarely does this stellar group miss a beat, and Plambeck wisely eschews distractingly overt theatricality for a stripped down readers’ theatre approach. The emphasis is quite literally on the words on the page, and, as the details mount, both performers and audience are swept into a hurricane of emotion, of indignation, and of heartbreak.
As for those tears of mine? Well, Lepora and Bailey are the chief culprits, tasked to deliver some of the more devastating speeches and historical detail. They resist the temptation to indulge their characters’ raw emotions in a broad, selfish, “actorly” way. Rather, they quite realistically and subtly show their characters desperately trying (and failing) to stifle and contain their confusion, their anguish, their rage. And that damming of emotion, only to see the floodgates fail, is what cuts an audience to the quick.
Suchyta is quite effective as a series of “Wyoming” alpha men, from a star theatre student to a local bar owner to Shepard’s tormentors Aaron McKinney and Russell Henderson. Mitchell is a sparkplug, breathing bold strokes life into the play’s few comic moments as a surprisingly insightful cab driver, and Morrow does a fine job balancing characters both reprehensible (local “mean girls” who basically imply Shepard deserved his fate) and painfully noble (one of the very few out-and-proud lesbian faculty members at the University of Wyoming).
That said, I hate to single out any performances, because this is an ensemble show in the truest sense of the word, and everyone is excellent. Plambeck paces the show in a measured but never ponderous way. The costuming is minimal, stage directions and character names are read by Plambeck, and scene changes/location names are projected on the back wall of the space. This approach results in a production that places the emphasis squarely where it belongs – on the voices of the people who experienced this tragedy and on a nation that both evolved and devolved as a result. Don’t miss this production.
“I’m so Chinese I’m an economics professor with lactose intolerance.” – Crazy Rich Asians
The other week we saw the film Crazy Rich Asians. Somehow life got in the way of me writing anything at length about the film, which is a shame because it is quite exceptional. Let me say this: while it was marketed as a wall-to-wall laugh riot a la Bridesmaids, it shares more with that film’s DNA than just riotous shenanigans.
Don’t get me wrong, Crazy Rich Asians has its fair share of zaniness, chiefly supplied by sparkling comedienne Awkwafina, but like Bridesmaids, that tomfoolery belies a gentler, sweeter, yet exceptionally subversive core. It’s been 20-some years since Hollywood produced a film starring an all-Asian cast (the far inferior Joy Luck Club), and the box office success of Crazy Rich Asians will hopefully inspire a bit of sea change where Asian representation in Tinseltown is concerned. Money matters (sadly).
Crazy Rich Asians is part fair tale fantasy, part light comedy, part soap opera, all heart. Luminous Constance Wu arrives a fully formed movie star as Rachel Wu, a whip-smart economics professor in New York whose life is turned upside down when she learns her longtime boyfriend Nick Young (a dashing Henry Golding) is in actuality Singapore real estate royalty. As Rachel runs the gauntlet of Henry’s wackadoo family members – including a sympathetically subtle turn by Michelle Yeoh as Henry’s fearful and controlling mother Eleanor – Wu reveals varied layers of heartache and resilience. It’s a thoughtful performance, understated and thereby likely to be unfairly overlooked come awards season, but nonetheless an exceptional depiction of female frustration and agency in this maddening modern era.
Catch this film while still in theaters or on home video shortly.
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[Yes, a window into my musical taste.]
Blaine Fowler’s AmericaMy friend Blaine Fowler is a brilliant, witty, and delightful radio DJ here in metro Detroit on WDVD 96.3 FM. His morning show is a top-rated listen in this market. He and his wife Colleen are also among the kindest people you’ll have the chance to meet with two lovely and successful children. But one of his greatest loves is music. I wrote a bit about his last iTunes album 49783 here.
His latest release America was just posted on iTunes and Amazon for download.The whole album is divine. More cohesive sonically and rawer lyrically than the prior one, with an almost “song cycle” effect and an evocative moodiness. I liked it very much. Highlights include “Love Is” (a trippy throwback to Prince at his Minneapolis peak), “Reach,” “Oval Beach,” and “Best Friend.” This is an impressive evolution, which is saying something as I very much enjoyed Blaine’s previous effort. Keep it up. And keep experimenting. My two cents.
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Freeman Means Business
This week, my friend and fellow legal marketer Susan Freeman interviewed me for her podcast. She writes, “Check out the latest great conversation about the life of a legal marketer from our ‘Peer Pod’ podcast featuring Roy Sexton, a real dynamo — and a reel dynamo too!” Click here or here.
“Be patient. Listen to those with experience in areas that are new or foreign to you. Don’t be afraid to be your authentic self. People WILL respond.” Thank you, Susan!
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Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.
Thanks to Jennifer Romano and Talk of the Town! Read here. Quote from yours truly: “As my blog rolls into another year of entertainment, rife with comic book adaptations, sequels, Oscar bait, arena shows, and theatrical productions big and small, sometimes I wonder if I am choking the life right from this hobby of mine. Can you imagine if every time you saw a film that your OCD tendencies forced you to rush home, throw some quippy hoo-ha on the internet, and wait eagerly for 3.5 comments to appear? Ah, well, it’s still too much fun to stop now—anticipate Volume THREE Roy’s Movie Migraine shortly.”
Excerpt: “Regarding BUT HAVE YOU READ THE BOOK jazz, my mother ALWAYS asked that question. Guess what? She very seldom had actually read the books herself; I preferred to write my book reports based on the more enjoyable movie versions!”
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Reel Roy Reviews 2
Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)
I am very lucky to have parents who continue to support and celebrate everything I do, even though I am too old to be doing all these silly things. My dad always makes a point to brag about me at his weekly Rotary meetings in Columbia City, Indiana, the small town in which I grew up and where my parents still reside. Below is a snapshot of the front page of the latest Rotary newsletter – you can see a mention of me and the latest book in the lower right corner. Thanks, Susie and Don – love you!
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Reel Roy Reviews 2
Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)
Freeman Means Business
