Countdown: Shania Twain – Still the One

From my wonderful publisher Open Books

Happy Valentine’s Day! 14 days left until the official release of ReelRoyReviews, a book of film, music, and theatre reviews, by Roy Sexton! The book is now (for however long THAT will last 😉 !) on Amazon’s list of top-selling “Guides and Reviews”!!

Here’s what Roy thought about the Las Vegas residency show Shania Twain: Still the One. “And I am not ashamed to admit that I cried buckets when she sang her signature tune ‘You’re Still the One’ to her horse, a horse I might add that, with no harness or apparent lead, followed her all about the stage like a puppy. Now that is some Vegas magic in which I can heartily believe.”

Learn more about REEL ROY REVIEWS, VOL 1: KEEPIN’ IT REAL by Roy Sexton at http://www.open-bks.com/library/moderns/reel-roy-reviews/about-book.html. Book can also be ordered at Amazon here.

“Little pink houses…” Wonderful hometown coverage

Thanks to the Columbia City Post & Mail for this feature on the new book!

Columbia City Post &  Mail Coverage

Columbia City Post & Mail Coverage

Ann Arbor, Michigan – Roy Sexton’s first book Reel Roy Reviews, Vol. 1: Keepin’ It Real is set for release on the Open Books imprint February 28, 2014. Sexton, a resident of Saline/Ann Arbor, launched his entertainment blog of the same name (www.reelroyreviews.com) on Independence Day in 2012 and, nearly two years later, is a published author.

Reel Roy Reviews, Vol. 1: Keepin’ It Real is a compilation of essays composed in tribute to (and sometimes frustration with) the art-form known as “cinema” —with a few theatre, music, and concert analyses thrown in for good measure. As a populist at heart, Sexton’s sensibility is grounded in a desire to see good stories, well told.

For Sexton, film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story—beginning, middle, and end—introducing you to new friends, enemies, and locales in an efficiently designed delivery mechanism. With a good film, Sexton feels you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion.

Sexton argues that, in the best movie-going experience, your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.

Sexton notes, “I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster….Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.”

Open Books Technical Editor Kelly Huddleston adds, “Whether he is reviewing August: Osage County or Wreck-It Ralph, Sexton delivers smart and funny reviews sprinkled with clever and thought-provoking insights about modern-day culture. This is not just a book about movie, theatre, music, and concert reviews. Viewed throughout the reels, Reel Roy Reviews, Vol 1: Keepin’ It Real offers a clever and candid social commentary on American life.”

A self-described small town boy who never quite fit in but learned how to survive playground games with a sense of humor, a bit of style, and a love of movies, Sexton, son of Don and Susie Sexton, grew up in Columbia City, Indiana. His mother (www.susieduncansexton.com) is also a published author, whose two essay collections Secrets of an Old Typewriter and More Secrets of an Old Typewriter, are published by Open Books (www.open-bks.com).

Roy earned his Bachelor’s degree from Wabash College in 1995 and is a 1997 graduate of The Ohio State University, where he earned his Master’s degree in Theatre. In 2007, Roy graduated with his MBA from the University of Michigan. He is a graduate of Leadership Detroit, is a governor-appointed member of the Michigan Council of Labor and Economic Growth and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012.

Roy has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. Sexton is Senior Vice President of Corporate Affairs for Trott & Trott, P.C., a Farmington Hills, Mich.-based real estate law firm.

Prior to joining Trott, Roy spent 10 years in various planning and communications roles at Oakwood Healthcare System, serving as the Corporate Director of Strategic Communications and Planning. In this role he led a staff of 20 marketing professionals and developed the strategic direction for the $1 billion health care system.

Sexton has been an active participant in the local theatre scene for nearly twenty years, having appeared in a number of productions. Sexton most recently had the lead role in Ann Arbor’s Penny Seats production of the Neil Simon/Cy Coleman/Carolyn Leigh musical Little Me, playing seven different characters. He is a co-founder of the theatre company. He was featured as Professor Callahan in Legally Blonde the Musical at Farmington Players, and he played Georg Nowack in She Loves Me with The Penny Seats. He has also appeared in Goodnight Desdemona (Good Morning Juliet), What Corbin Knew, Oklahoma!, The Pajama Game, Company, Bells are Ringing, Rags, Side by Side by Sondheim, The Taming of the Shrew, Fiddler on the Roof, The Fantasticks, The Merry Wives of Windsor, Ah, Wilderness!, God’s Country, The American Clock, As You Like It, Tartuffe, The Battle of Shallowford, Trout, and The Merchant of Venice. He is also an active cabaret performer.

Sexton notes, “I tend to go see whatever film has been most obnoxiously hyped, marketed, and oversold in any given week…art films? Bah! Won’t find too many of those discussed here. And every once in a while, I may review a TV show, theatrical production, record album, concert, or book (yeah, probably not too many of those either).” Reel Roy Reviews, Vol. 1: Keepin’ It Real will be released on February 28, 2014 and can be pre-ordered (paperback or ebook) at www.open-bks.com. It will also be available after the publication date at Amazon and iTunes.

Coming to a theatre … er … bookstore near you: Reel Roy Reviews, Vol. 1: Keepin’ It Real!

The cover! As designed by the wonderful Kelly Huddleston

Coming to a theatre … er … bookstore near you: Reel Roy Reviews, Vol. 1: Keepin’ It Real! Just wanted to let you know the exciting news that this l’il ol’ blog of movie reviews is going to be a book released on February 28. You can find out more at this link: www.open-bks.com/library/moderns/reel-roy-reviews/about-book.html

Click here for additional coverage by BroadwayWorld/BooksWorld!

About the book…

Reel Roy Reviews, Vol. 1: Keepin’ It Real is a compilation of essays composed in tribute to (and sometimes frustration with) the art-form known as “cinema” —with a few theatre, music, and concert analyses thrown in for good measure. As a populist at heart, Sexton’s sensibility is grounded in a desire to see good stories, well told.

For Sexton, film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story—beginning, middle, and end—introducing you to new friends, enemies, and locales in an efficiently designed delivery mechanism. With a good film, Sexton feels you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion.

In the best movie-going experience, your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.

Sexton notes, “I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster….Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.”

About the author…

Roy Sexton is a small town boy who never quite fit in but learned how to survive playground games with a sense of humor, a bit of style, and a love of movies. He has been blogging at www.reelroyreviews.com for a couple of years now to an audience of … tens of people. He writes, “I tend to go see whatever film has been most obnoxiously hyped, marketed, and oversold in any given week…art films? Bah! Won’t find too many of those discussed here. And every once in a while, I may review a TV show, theatrical production, record album, concert, or book (yeah, probably not too many of those either).”

Sexton aims to make his friends and family suffer through at least one community theatre production with him in it annually; he is a marketer and strategic planner by trade; but he mostly just wants to enjoy life and pop culture, to help our animal friends, and to live and let live.

Sexton, a graduate of Wabash College who also holds an MA in theatre from Ohio State and an MBA from the University of Michigan, resides in Ann Arbor, Michigan, with a cinematically adventurous auto engineer and two amiably neurotic rescue dogs. He is also the son of Susie Duncan Sexton, whose two essay collections Secrets of an Old Typewriter and More Secrets of an Old Typewriter, are published by Open Books.

Ring a ding ding! A new Rat Pack’s in town: Jay-Z and Justin Timberlake at Detroit’s Ford Field

Look, ma! Their stage!
[Photo by Author]

Niece Gabby before the big show
[Photo by Author]

Have you ever seen a concert that’s just so good that there isn’t much to say about it?

Me neither. But I did last night.

Justin Timberlake and Jay-Z’s tour-de-force concert Legends of the Summer hit Detroit’s Ford Field last night with the gale force of a hurricane. It was a marvel. And it was so good…for once I’m at a loss for words. Or at least a loss for quips.

Timberlake with guitar…and a very large peace sign. [Photo by Author]

I’ve seen a lot of concerts this year, for some reason – P!nk, Suzanne Vega, Shania Twain, New Kids on the Block, 98 Degrees, BoyzIIMen – and I enjoyed them all thoroughly. They all pale in comparison to this show.

Why? For one, there were no flying motorcycles, no gymnastic feats, no flying saucers, no aerial acts, no trapeze artists, and no horses. (Well, I will say, I thought the two live horses at Shania’s show were pretty amazing and really sweet.) There was just music and the joy of performing… though admittedly the lacquered red rectangle of a set that turned into a million different light projections was a nifty technical addition.

The D brings folks together! Surprised to find a former co-worker seated nearby [Photo by Author]

Timberlake and Jay-Z shared the stage about 70% of the time, and, reminiscent of the Rat Pack vibe that Timberlake has been rather successfully co-opting for about a half dozen years, the two swells bounced off each other musically, complementing each other’s showmanship beautifully.

Neither performer missed a beat as they sailed through nearly 40 songs in about two and a half hours. The show is briskly paced and does not bore for one second.

Timberlake, who used to suffer a bit from the “hey look what I can do now” curse of too many child performers (and of a couple of show choir show-boaters I avoided during high school), has mellowed at the ripe old age of 32 (!). He moves effortlessly from piano to keyboard to vocal to dance with finesse and surety, his former overeagerness having transitioned beautifully to a playful confidence.

Tiger stage projection during Jay-Z performance
[Photo by Author]

And Jay-Z (who I think is about my age) was like the elder statesman – Martin or Sinatra to Timblerake’s Sammy? I don’t know his music as well as I do Timberlake’s and I’m not always nuts about hip hop (with the shining exception of my fascination with Kanye West) but Jay-Z made me a convert. He approached his rhymes like a jazz musician who isn’t afraid of melody. He swoops and glides and compels the audience to hang on to every word. Mesmerizing.

The show was a graduation present of sorts for our niece as she heads off to college, and I could tell that it was just the right send off. She was on cloud nine during the nearly hour-long departure from the stadium. For once, the exiting crowd was a fun extension of the evening as opposed to a burden as everyone seemed euphoric.

That big red stage…kinda looked like a Target store display [Photo by Author]

(One notable exception being the truly obnoxious inebriated Kardashian clones seated immediately behind us during the whole show. Note to future concert-goers: just because you have floor seats does not give you the right to keep pushing your chairs against the patrons in the next row. Thank goodness for the sweet folks in front of us, who, sensitive to our plight, moved their seats up to give us more room.)

Yup, kids, there’s a new Rat Pack in town and it’s led by Jay-Z and JT. They only have a few shows left this summer. Don’t miss ’em! (And lookee there…guess I did have something to say after all…and even a quip or two!)