More coverage of Reel Roy Reviews, Vol. 1!

Thanks to Washtenaw County Legal News for this coverage of the release of Reel Roy Reviews, Vol. 1! Here’s an excerpt …

Roy Sexton’s first book “Reel Roy Reviews, Vol. 1: Keepin’ It Real” is set for release on the Open Books imprint February 28. Sexton, a resident of Saline/Ann Arbor, launched his entertainment blog of the same name (www.reelroyreviews.com) on Independence Day in 2012 and, nearly two years later, is a published author.

“Reel Roy Reviews, Vol. 1: Keepin’ It Real” is a compilation of essays composed in tribute to (and sometimes frustration with) the art-form known as “cinema” —with a few theatre, music, and concert analyses thrown in for good measure.

If you have trouble reading the scanned version below, click here.

Washtenaw Legal News

Washtenaw Legal News

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Reel Roy Reviews is now a book! In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound and Memory Lane both also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

3 … 2 … 1 …. Blast Off! That’s Entertainment!

From my wonderful publisher Open Books…

Happy Release Day to Roy Sexton, author of ReelRoyReviews: VOL. 1: KEEPIN’ IT REAL!, a book of film, music, and theatre reviews, coming to a bookstore near you!

Please note that, in addition to online ordering, the book currently is being carried by Bookbound in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound and Memory Lane both also have copies of Susie Duncan Sexton’s Secrets of an Old Typewriter series.

About Roy’s work, author Susie Duncan Sexton (and Roy’s mom!) writes, “Well, Roy blogs fabulously via his ‘Reel Roy Reviews’ … his rapidly expanding collection of fair and honest and loving critiques; each one shines, as gems always do! Reel Roy’s brilliant, witty, reverent love letters — laced with gentle candor — entice me to leave the house, the sole purpose being to either confirm his evaluations or argue with his appraisals the very next time he visits.”

Roy notes, “One of my earliest memories is going to the movies – perhaps Robin and Marian with Audrey Hepburn and Sean Connery. I would have been four at the time, and I remember zilch about the film itself other than it contained a lot of British accents and rolling green hills and some anachronistic hair-dos. I haven’t seen it since, but I do recall being comforted by the dark stillness of the theatre itself, transfixed by the colorful flickering and the larger-than-life images and sounds. I suppose I fell in love with the visceral aspects of movie-going then and found my way to appreciate film’s more complex narrative pleasures as I grew older.”

Learn more about REEL ROY REVIEWS, VOL 1: KEEPIN’ IT REAL by Roy Sexton at http://www.open-bks.com/library/moderns/reel-roy-reviews/about-book.html. Book can also be ordered at Amazon here.

P.S. Thanks again to Colin McCallister and The Fort Wayne News-Sentinel for this coverage – print version of the article is below…

News Sentinel Coverage

News Sentinel CoverageNews Sentinel Coverage

“The U.S. Army might not care about art, but they sure as sh*t care about gold!” The Monuments Men

Description: Film poster; Source: Wikipedia [linked]; Portion used: Film poster only; Low resolution? Sufficient resolution for illustration, but considerably lower resolution than original. Other information: Intellectual property by film studio. Non-free media use rationales: Non-free media use rationale - Article/review; Purpose of use: Used for purposes of critical commentary and illustration in an educational article about the film. The poster is used as the primary means of visual identification of this article topic. Replaceable? Protected by copyright, therefore a free use alternative won't exist.

[Image Source: Wikipedia]

I am the sort of person that, if I see a forlorn Lego mini-figure abandoned in a snowy mud puddle as I’m leaving the movie theatre, will “rescue” it, put it in my pocket, wash it off when I get home, and set it on a shelf in our over-crowded basement alongside sundry other “misfit toys.”

(Yeah, that happened tonight.)

So, George Clooney’s latest directorial effort The Monuments Men, in which a ragtag team of sentimentally minded art lovers bands together to snatch classic sculptures, paintings, and other works from the fiendish grip of the Nazis in World War II, spoke to this “leave no stuff behind” part of my soul. (I likely need an intervention.)

A less rambunctious hybrid of Raiders of the Lost Art, Inglourious Basterds, National Treasure, and Clooney’s own Ocean’s 11 trilogy, The Monuments Men is b-movie silliness disguised as a “based on true events” prestige picture. And there’s nothing wrong with that.

The plot, which is a bit wispy, concerns Clooney’s character convening a number of his aging buddies (museum curators, architects, and scholars who include Bill Murray, Bob Balaban, Matt Damon, Hugh Bonneville, Jean Dujardin, and John Goodman) for one last great adventure, taking on Nazi forces in the latter days of the war and returning lost works to their original owners (both private collectors and museums).

Y’see, the film posits that Hitler, a failed painter turned insane dictator, is hoarding as much of Europe’s great art as he can get his grubby mitts on, aiming to populate a proposed “Fuhrer Museum” with his haul. I don’t know how accurate that is – it very well may be – but it conveniently offers the film its “stop Darth Vader’s Death Star at all costs” whiz bang roller coaster motivation.

The film does stop periodically in its “gang of great joes making the world safe for democracy/creativity” whimsy to ground us in the stark realities of the era (albeit rather superficially). A few characters do not emerge unscathed; we see varied references to the darkest atrocities of the Nazi regime; and Clooney, at the film’s conclusion, has a marvelous speech delivered to a captured SS officer sharply illustrating both the broad scope and ugly futility of Hitler’s hate-filled tyranny.

Largely, however, the film is a frolic and a throwback to a simpler cinematic era. In fact, some of the movie’s most salient observations emerge from comic throwaway lines. At one point, when “The Monuments Men” (they actually were called that) unearth a ton of gold bricks (the entire Nazi treasury) alongside some stolen art, the joint chiefs swoop in and take credit for the find. Goodman intones, “The U.S. Army might not care about art, but they sure as sh*t care about gold.” The more things change, the more they stay the same.

I have to say that I adore latter-day Bill Murray (I wasn’t as much a fan of his younger days, post-Saturday Night Live.) He has transitioned from shaggy, petulant misanthrope to a warm, world-weary presence. Maybe I am just as exhausted by this planet now as he has always been, but I find his gentle emotional dyspepsia completely identifiable. He even accomplished the impossible for me and made his film sidekick Bob Balaban tolerable … and even kinda cute.

Cate Blanchett, so good in the recent Blue Jasmine, has another great, if more understated turn here, as a frustrated art curator who may or may not be a Nazi sympathizer. She has to pull off a tricky part that is one part 40s spitfire moll, one part “Marian the Librarian,” and two parts tortured aesthete. She does a fine job, quietly grating and heartbreaking at the same time.

Continuing my track record of crying at the darndest movies, I found myself weepy (and snotty) a couple of times. (I won’t tell you where, though one may involve Jean Dujardin and a horse and one may include Clooney’s aforementioned speech.) Yup, add The Monuments Men alongside Star Trek Into Darkness, Captain Phillips, and even The Lego Movie as films that made me (and likely no other humans on the planet) cry.

“Little pink houses…” Wonderful hometown coverage

Thanks to the Columbia City Post & Mail for this feature on the new book!

Columbia City Post &  Mail Coverage

Columbia City Post & Mail Coverage

Ann Arbor, Michigan – Roy Sexton’s first book Reel Roy Reviews, Vol. 1: Keepin’ It Real is set for release on the Open Books imprint February 28, 2014. Sexton, a resident of Saline/Ann Arbor, launched his entertainment blog of the same name (www.reelroyreviews.com) on Independence Day in 2012 and, nearly two years later, is a published author.

Reel Roy Reviews, Vol. 1: Keepin’ It Real is a compilation of essays composed in tribute to (and sometimes frustration with) the art-form known as “cinema” —with a few theatre, music, and concert analyses thrown in for good measure. As a populist at heart, Sexton’s sensibility is grounded in a desire to see good stories, well told.

For Sexton, film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story—beginning, middle, and end—introducing you to new friends, enemies, and locales in an efficiently designed delivery mechanism. With a good film, Sexton feels you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion.

Sexton argues that, in the best movie-going experience, your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.

Sexton notes, “I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster….Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.”

Open Books Technical Editor Kelly Huddleston adds, “Whether he is reviewing August: Osage County or Wreck-It Ralph, Sexton delivers smart and funny reviews sprinkled with clever and thought-provoking insights about modern-day culture. This is not just a book about movie, theatre, music, and concert reviews. Viewed throughout the reels, Reel Roy Reviews, Vol 1: Keepin’ It Real offers a clever and candid social commentary on American life.”

A self-described small town boy who never quite fit in but learned how to survive playground games with a sense of humor, a bit of style, and a love of movies, Sexton, son of Don and Susie Sexton, grew up in Columbia City, Indiana. His mother (www.susieduncansexton.com) is also a published author, whose two essay collections Secrets of an Old Typewriter and More Secrets of an Old Typewriter, are published by Open Books (www.open-bks.com).

Roy earned his Bachelor’s degree from Wabash College in 1995 and is a 1997 graduate of The Ohio State University, where he earned his Master’s degree in Theatre. In 2007, Roy graduated with his MBA from the University of Michigan. He is a graduate of Leadership Detroit, is a governor-appointed member of the Michigan Council of Labor and Economic Growth and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012.

Roy has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. Sexton is Senior Vice President of Corporate Affairs for Trott & Trott, P.C., a Farmington Hills, Mich.-based real estate law firm.

Prior to joining Trott, Roy spent 10 years in various planning and communications roles at Oakwood Healthcare System, serving as the Corporate Director of Strategic Communications and Planning. In this role he led a staff of 20 marketing professionals and developed the strategic direction for the $1 billion health care system.

Sexton has been an active participant in the local theatre scene for nearly twenty years, having appeared in a number of productions. Sexton most recently had the lead role in Ann Arbor’s Penny Seats production of the Neil Simon/Cy Coleman/Carolyn Leigh musical Little Me, playing seven different characters. He is a co-founder of the theatre company. He was featured as Professor Callahan in Legally Blonde the Musical at Farmington Players, and he played Georg Nowack in She Loves Me with The Penny Seats. He has also appeared in Goodnight Desdemona (Good Morning Juliet), What Corbin Knew, Oklahoma!, The Pajama Game, Company, Bells are Ringing, Rags, Side by Side by Sondheim, The Taming of the Shrew, Fiddler on the Roof, The Fantasticks, The Merry Wives of Windsor, Ah, Wilderness!, God’s Country, The American Clock, As You Like It, Tartuffe, The Battle of Shallowford, Trout, and The Merchant of Venice. He is also an active cabaret performer.

Sexton notes, “I tend to go see whatever film has been most obnoxiously hyped, marketed, and oversold in any given week…art films? Bah! Won’t find too many of those discussed here. And every once in a while, I may review a TV show, theatrical production, record album, concert, or book (yeah, probably not too many of those either).” Reel Roy Reviews, Vol. 1: Keepin’ It Real will be released on February 28, 2014 and can be pre-ordered (paperback or ebook) at www.open-bks.com. It will also be available after the publication date at Amazon and iTunes.

Coming to a theatre … er … bookstore near you: Reel Roy Reviews, Vol. 1: Keepin’ It Real!

The cover! As designed by the wonderful Kelly Huddleston

Coming to a theatre … er … bookstore near you: Reel Roy Reviews, Vol. 1: Keepin’ It Real! Just wanted to let you know the exciting news that this l’il ol’ blog of movie reviews is going to be a book released on February 28. You can find out more at this link: www.open-bks.com/library/moderns/reel-roy-reviews/about-book.html

Click here for additional coverage by BroadwayWorld/BooksWorld!

About the book…

Reel Roy Reviews, Vol. 1: Keepin’ It Real is a compilation of essays composed in tribute to (and sometimes frustration with) the art-form known as “cinema” —with a few theatre, music, and concert analyses thrown in for good measure. As a populist at heart, Sexton’s sensibility is grounded in a desire to see good stories, well told.

For Sexton, film is an encapsulated medium. Whether 90 minutes or three hours, a movie tells one story—beginning, middle, and end—introducing you to new friends, enemies, and locales in an efficiently designed delivery mechanism. With a good film, Sexton feels you get the experience of reading a novel (whether or not the film is in fact based on any work of literature) in a highly compressed fashion.

In the best movie-going experience, your brain leaves your body for a bit, you take a mini-vacation to places you might not otherwise ever see, and you return to your regularly scheduled life a bit changed, perhaps enlightened, and hopefully re-energized.

Sexton notes, “I try to respect that (for the most part) these are show business professionals putting (ideally) their best feet forward and that they are human beings with hearts and souls and feelings. I hope I never seem cruel. I don’t mean to be. These writings are off-the-cuff and journal-style and come from as positive a place as I can muster….Approach everything and everyone honestly and with positive intent and offer candid feedback with an open heart and as much kindness as possible.”

About the author…

Roy Sexton is a small town boy who never quite fit in but learned how to survive playground games with a sense of humor, a bit of style, and a love of movies. He has been blogging at www.reelroyreviews.com for a couple of years now to an audience of … tens of people. He writes, “I tend to go see whatever film has been most obnoxiously hyped, marketed, and oversold in any given week…art films? Bah! Won’t find too many of those discussed here. And every once in a while, I may review a TV show, theatrical production, record album, concert, or book (yeah, probably not too many of those either).”

Sexton aims to make his friends and family suffer through at least one community theatre production with him in it annually; he is a marketer and strategic planner by trade; but he mostly just wants to enjoy life and pop culture, to help our animal friends, and to live and let live.

Sexton, a graduate of Wabash College who also holds an MA in theatre from Ohio State and an MBA from the University of Michigan, resides in Ann Arbor, Michigan, with a cinematically adventurous auto engineer and two amiably neurotic rescue dogs. He is also the son of Susie Duncan Sexton, whose two essay collections Secrets of an Old Typewriter and More Secrets of an Old Typewriter, are published by Open Books.

Quick cut: Spotlight Players’ production of Barnum … and that’s no humbug!

[Image Source: Spotlight Players]

[Image Source: Spotlight Players]

In the huckster spirit of PT Barnum, this isn’t really a review…but rather a shameless plug for some talented friends of mine, friends currently performing the Cy Coleman musical Barnum with Spotlight Players in Canton, Michigan at the Village of Cherry Hill Theatre.

In 21st century postmodern fashion, though, I should be additionally “transparent” (whatever that silly, overused word really means) and divulge that I was on the Spotlight Players board when this particular show was selected (not to mention chair of the play selection and director selection committees when the musical was on its way through the decision-making process).

Regardless, I urge you to go check out this production of a musical that is rarely performed. You have a unique chance to see this one staged, not to mention presented with great love and energy from a game and talented cast.

Why isn’t the show done much any more? I’m not totally sure – I will admit that there are some book problems. However, it was a precursor of sorts to the modern psychodrama musical where factual biography morphs with more fantastical, metaphorical elements and back again.  In essence, Barnum’s life is told in a pastiche of circus tropes. There are a number of shows that do better service to this structural approach, but this particular one is stuffed with catchy songs and many lovely character moments, particularly between Barnum and his wife Charity.

You have one more weekend to see Spotlight Players’ production, and it is a lot of fun. Clocking in at just over two hours (a blessing in community theatre), the show is briskly paced and performed with aplomb. The ensemble brings great heart, and the principals are a giddy delight. Leo Babcock sparkles as the titular showman, and Cathy Skutch matches him delightfully has Barnum’s saucy, long-suffering wife. The pair exude warmth onstage, particularly during one of the show’s signature songs “The Colors of My Life.”

Featured players Rebecca Winder as Jenny Lind, Tina Paraventi as Joice Heth, Jeff Foust as the Ringmaster,  Jim Jackson as Tom Thumb, and Sarah Rauen (“Black and White”) are all excellent as well. Winder deserves special note for bringing comic zing to Lind, particularly in her first meeting with Barnum, a truly funny moment of linguistic misunderstanding akin to the finest Marx Brothers routines.

Barnum is a tough show to pull off due to the spectacle required, but Spotlight does a fine job using visual tricks of lighting and proportion and makeup, clever choreography, and abstract but effective set pieces to achieve a Big Top atmosphere. In another clever touch, the orchestra, led expertly by music director Richard Alder, remains onstage the whole time as part of the action. And there are even a few novel surprises of the pyrotechnic variety during the climactic number “Join the Circus.”

Give this one a shot – one more weekend to see. Tickets can be purchased at www.spotlightplayersmi.org. You won’t regret it…and that’s no humbug!

Quick cut: Animal Crackers (Pentimenti)

Animal Crackers

[Image Source: IMDB]

Animal Crackers (Pentimenti) is a short film by the talented director Tyler A. Chase and is currently running the festival circuit. It is beautifully done and so compelling. Lead Krista Blomberg is a dynamo. 

Blomberg, as a potentially murderous parent with seemingly noble intentions, does a marvelous job keeping the viewer off-kilter yet engaged, as we hope to better understand her motivations. She is so committed that she inspires both sympathy and revulsion. Clever edits abound, and great use of symbolism throughout (e.g. bicycles as a metaphor for escape; bird perched on barbed wire, etc.). Chase is a talent worth following.

You can find out more about this remarkable film and where it is playing next at http://www.animalcrackers-pentimenti-film.com

About the film…

ANIMAL CRACKERS (Pentimenti)
Recent Winner of Award of Merit from Best Short Films Competition
A Short Film That You Will Never Forget
IMDB SITE: http://www.imdb.com/title/tt2361986/
Directed/Produced by Tyler A. Chase
Executive Producer: Lisette Cevallos
Adapted by Tyler A. Chase from a Short Story,
“Her Rite” by Krista Blomberg
A Chase/Blomberg/Cevallos Collaboration and
A  L’ORAGE Production

There is no doubt that Sylvie (Krista Blomberg) adores Little Amanda (Alexis Weil) as she spends time with her and they prepare for Amanda’s bath, but who is Sylvie? Is she an ex wife, a babysitter or Amanda’s mother? Sylvie discovers what appears to be bruises on Amanda and she attempts to get answers from the two year old.  What happens that evening is never clear. Ten years later Sylvie is a changed woman and is dealing with life altering events and a nemesis, Mr. James (Jurgen Jones) … but is Sylvie’s reality one of her making or one of circumstance? ANIMAL CRACKERS (Pentimenti) is a mind bending drama with many layers, delving deep into the complex psyche of Sylvie
with a tour de force performance by Krista Blomberg .