“Lights. Camera. Cure.” theatrical event to raise money for American Cancer Society Relay for Life, February 6 + delightfully serendipitous miscellany

Originally published by BroadwayWorld here.

“Lights. Camera. Cure.” is a special theatrical event to be held Wednesday, February 6, 2019 at 7:00 p.m. (doors open at 6 pm) – a musical fundraiser featuring classic film hits as sung by local performers at The Village Theater at Cherry Hill. View a preview video here

Producer/director Denise Staffeld of Lake Michigan Credit Union observes, “Last year, we had a vision to do a Cancer Society fundraiser that celebrated the healing power of Broadway. I had no idea – though I had faith – that it would be such a runaway success. We sold out the house, and raised over $15,000. We also had an amazing time along the way, so how could we NOT do this again?”

Music direction is by Kevin Robert Ryan, Director of Music and Liturgy at St. Thomas a’Becket Catholic Church. Ryan adds, “I love working with this cast. They are so clever and so talented. Film music speaks to all of us, doesn’t it? Reminds you of a happy time or a special memory. We’ve got Disney hits, classic musical numbers, The Wizard of Oz, on through The Greatest Showman. This is going to be an absolute ball.” Jeff Mongrain, Sonny Teodoro, and Joel Walter round out the orchestra.

Roy Sexton, director of marketing for the Clark Hill law firm, will emcee the evening as well as perform. “I wouldn’t miss this for the world. Denise is a long-time friend and such a pillar of our community. I don’t know how she does all that she does, but I’m honored to be a part of this. And somehow she’s convinced me to sing a Whitney Houston solo from The Bodyguard. This could get really interesting,” notes Sexton.

The cast is comprised of semi-professional and professional talent from throughout Southeast Michigan’s theatre community: Shirley Auty, Denise Staffeld, Aimee Chapman, Christina Bair, Cathy Golden, Cathy McDonald, Caitlin Chodos, Noel Bittinger, Julzie Gravel, Bethany Basanese, Keri Mueller, Janine Creedon, Tracey Bowen, Diane Dimauro, Roy Sexton, Jeff Steinhauer, AJ Kosmalski, Bruce Hardcastle, Tim Chanko, Kurt Bowen, Tracy Neil, Carl Nielsen, David Dilsizian, and Paul Bromnick.

Kelvin Elvidge will serve as sound designer/engineer. Lia DeBiasi is the production’s stage manager, and Daniel Pocock will assistant stage manage. There will be special appearances by Tom Cassidy and Canton Township Supervisor Pat Williams, opening remarks by Kim Scartelli, and event support by Megan Schaper (American Cancer Society) and Tammy Brown and Marion Rozum (Chicks 4 Charity).

Before the performance, there will be a red carpet reception, with silent auction and desserts. Just like the Oscars, there will be a pre-show, hosted by Canton Chamber of Commerce President Thomas Paden and Stephanie Tierney.

Paden laughs, “We get to channel Ryan Seacrest and Joan Rivers. We are going to broadcast via Facebook live, interviewing attendees as they arrive and sharing real time updates on our fundraising. I’m thrilled to be part of this and to see us all take this event to the next level.”

American Cancer Society Community Development Manager Megan Schaper notes, “The Cabaret is a great representation of the flexibility we have in partnerships. We want to attach cancer how our communities want to attack it. So ideas like musicals and other fun things allow us the chance to connect with different groups in the community and spread out our efforts year round.” Schaper supports Canton, Plymouth, Westland, Wayne, Ypsilanti, Livonia and Redford.

All proceeds for this event benefit the American Cancer Society Relay for Life Canton-Plymouth Event.  Tickets are available for $25.00 by visiting www.cantonvillagetheater.org. The event includes the performance, dessert reception, coffee bar, a silent auction and a cash bar.  This event is being offered in partnership with the Women’s Life Society, Chapter 827, Chicks for Charity and The American Cancer Society.

“We have so many surprises in store.” Tammy Brown of Chicks for Charity said. “We’ve already sold nearly a third of our tickets as the people who saw last year’s show don’t want to miss the next installment. Everyone loves movies, and everyone loves helping their neighbors, friends, and family. We are fighting this insidious disease with hope and music, your dollars and love. Please join us.”

Today, I’m sporting a new birthday gift (the shirt) from my folks AND proudly displaying (in my office) the sweet card they made me.

[View the Canton Chamber of Commerce’s recent “Business Spotlight” video feature on “Life is a Cabaret” here.]

Tickets: Online or visit or call the theater 10am-2pm Monday-Friday. 734-394-5300 ext 3. PLEASE LEAVE A MESSAGE. CALLS WILL BE RETURNED WITHIN 24 HOURS OR WEEKEND CALLS BY END OF DAY MONDAY. All ages must have a ticket. No refunds or exchanges.

________________________

Have I mentioned how proud I am to be on the Mosaic Youth Theatre of Detroit board?

From The Detroit News: “Jeffrey Seller [Hamilton producer] recently saw the youth perform at New York’s The Public Theater. ‘He had the reaction that a lot of people have when they see the performances,’ Stefanie Worth said. ‘He was really, really impressed by the young artists. He has an affinity for what Mosaic does.’ … The $1 million grant will be used for two of Mosaic’s most popular programs: its four-week summer camp and the Mosaic Experience Empowerment Program, an eight-week after school program in nine Detroit schools. Both programs teach kids theater and vocal training and culminate with a student showcase, said Worth, who recently took over as Mosaic’s executive director.”

More: https://www.detroitnews.com/story/news/local/detroit-city/2019/01/02/detroit-theatre-gets-1-m-hamilton-producer/2468760002/

________________________

Lol. Well, thank you, Heather Morse-Geller! I think we make a fine team where THAT is concerned:

“Life is too damn short, and, honestly, Roy Sexton can only bring so much FUN to the world. So, yes, #BeARoySexton. Don’t take yourself or your life or your job too seriously. Give back to those around you, and have some FUN while doing it all!”

More: https://www.legalwatercoolerblog.com/2019/01/03/new-year-new-no-way/

________________________

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

“The world and the way things are.” Mosaic Youth Theatre of Detroit’s alumni production of The Wiz

“Sweet thing, let me tell you ’bout the world and the way things are. You’ve come from a different place, and I know you’ve traveled far. … He’s the Wiz. He’s the Wiz. He’s the Wizard of Oz. He’s got magic up his sleeve. He’s the Wizard. And you know without his help it would be impossible to leave. Fantastic powers at his command, and I’m sure that he will understand.” – Addaperle, “He’s the Wizard” from The Wiz

A stranger in a strange land. Myth and parable and children’s literature have long made great use of this trope to teach us lessons in humanity and inhumanity, courage and acceptance. Alice’s Adventures in WonderlandThe Odyssey. Dante’s Inferno. The Phantom Tollbooth. The NeverEnding Story. Star Wars. E.T. On and on.

And, yes, that most all-American of hero’s quest tales: The Wizard of Oz.

I’ve written at length of my adoration, nay obsession, with The Wiz, Charlie Smalls’ 1970s urbanized musicalization of L. Frank Baum’s classic. As a tyke, I recreated the sets from Sydney Lumet’s bleak and transfixing film adaptation out of construction paper and magic markers and Scotch tape. I ruined countless needles on my little Raggedy Ann & Andy portable record player, cranking that two-disc film soundtrack – fished from an Ayr-Way cutout bin in Fort Wayne, Indiana – to insane decibel levels. I can still recite pages of dialogue, and I’d kill to have a Wiz-themed birthday party one day. And the soundtrack was also my gateway drug to all things Quincy Jones – just listen to the original stage score and then study what Q does with said score for the film, deconstructing and rebuilding to such a shiny pop sheen that it takes your breath away.

So, when, in my first meeting as a new board member of Mosaic Youth Theatre of Detroit, I learned that the storied company would be performing The Wiz this summer in a special alumni production, I suggested, if anyone fell through, that I would be happy to play any (or all) of the parts. I’m still waiting for them to get back to me on that. …

Digression … about Mosaic: “Mosaic Youth Theatre of Detroit is one of Southeast Michigan’s most highly regarded cultural treasures. Our critically acclaimed student-driven performances and national and international tours have brought worldwide attention to Detroit as a center for arts and culture while shining a spotlight on the area’s talented young people and creating new and diverse audiences for the performing arts. Founded by Rick Sperling in 1992 to address gaps in Metro Detroit arts education, Mosaic served 25 young artists in its inaugural year. Today, hundreds of youth from more than 50 Metro Detroit schools participate in Mosaic’s First, Second and Main Stage programs every year. These innovative programs provide expert training, mentoring and opportunity to the area’s young actors, singers, and stage technicians, while fostering a culture of high expectations, active participation and acceptance that serves them beyond the stage.”

Back to The Wiz …  how is Mosaic’s production? Especially for someone as fixated as yours truly? I am happy to report (wearing my critic’s hat, and not my board member one) that the production is warm and funny, contemporary and poignant, zippy and engaging. I said to myself that I wouldn’t cry when Dorothy (a luminous and preternaturally poised Crystal Tigney) sings the sweeping ballad “Home” at the conclusion of her journey through Oz. Nope, not me. I’m tough. Well, one single man tear during the first verse turned into a salty river down my cheeks (and one helluva runny nose) by the time Tigney hit that final soaring note. Dammit.

Directed with heart by Yewande Odetoyinbo, the production is expertly paced and turns the economic scale of Mosaic’s black box space into a strategic advantage, relying on clever costuming (with an assist from Nadia Johnson), minimal props, lighting effects (by Yemisi Odetoyinbo with Seth Swift) and projections (by Lumumba Reynolds), and the exceptional talent (and voices) of the principles and ensemble to sell this oft-told tale.

Odetoyinbo’s direction embraces camp without detracting from the essence of the piece. Glinda (exquisite Krystal Hill who also plays Aunt Em), for example, arrives with a retinue of footmen who hold an electric box fan in front of her so her diaphanous gown billows just so (Beyonce-style). Addaperle (a whip-smart Brittany Myree who doubles as Evilene) works the room like a Vegas comic. The Tin Man (a sparkling D’Marreon Alexander) integrates some charming 80s pop-n-lock into his choreography, and The Lion (a crackerjack, at times heart-wrenching, but always funny Carman Cooper) makes her entrance like a cheesy TV-variety show host, complete with her own back up lion-cub dancers. Justin Shephard is a hoot in the showy titular role, pulling out all the stops as part-time revivalist, full-time huckster.

Tigney, Alexander, Cooper, and Day

Keith Anderson Day, Jr. is a standout as The Scarecrow, invoking both Ray Bolger and Michael Jackson, while making the part completely his own. I’m showing my bias toward the version of The Wiz I first experienced, but the stage Scarecrow’s signature tune “I Was Born on the Day Before Yesterday” is no “You Can’t Win” (its sonic replacement in the film). Day’s performance of “Day Before Yesterday,” however, has me significantly reconsidering that assessment. Utterly winning, Day struts and pouts, shimmies and shines, landing the number and establishing that this Wiz is going to be something special. It’s a fantastic performance.

Music director DeLashea Strawder – with accompanists Maurice Draughn and Keir Ward – does wonders in the challenging space, nailing every number, eliciting beautiful harmonies and nuanced dynamics from her stellar cast. Javon Jones’ choreography is spry and contemporary, efficiently employing the ensemble to do all the heavy-lifting to convey settings (e.g. Yellow Brick Road) and effects (e.g. the twister that brings Dorothy to Oz). As for that ensemble (Chloe Davis, Myles Dungey, Nya Johnson, Kristianna Marks, Alexandria Miller, Jamiliah Minter, Kaila Scales, Brionne White, and Coleman Ward), they are all in, sassily interacting with the audience and seizing their moments to shine, while always honoring the narrative whole.

Now, perhaps more than ever, The Wiz offers an essential message of inclusion and of challenging the status quo. Home is where the heart is, but, on her journey to rediscover that “feeling we once had,” Dorothy takes her shots at demagogues and bullies, embraces and champions the marginalized, and offers hope to the hopeless. I can’t think of a more important message for today’s America.

Cooper, Tigney, Shephard

Mosaic Youth Theatre’s The Wiz runs one more weekend (August 16-19 with multiple show times) and tickets may be purchased here.

“Well there may be times when you wish you wasn’t born. And you wake one morning just to find your courage gone. But just know that feeling only lasts a little while. You stick with us, and we’ll show you how to smile.” – Dorothy, Scarecrow, Tin Man, and Lion, “Ease on Down the Road”

______________________________

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

 

“At the end of this, I will be exhausted. You probably will be too.” My whirlwind 48-hour career as a motivational speaker and Detroit FM radio DJ … #BeARoySexton?! What is that exactly?!

Photos courtesy Brenda Zawacki Meller, Milan Stevanovich (w/ Chanel Stevanovich), Ziggy Whitehouse, and my iPhone.

  • View video – courtesy Brenda Meller of Meller Marketing – here.

What do you do when you know you need to network and market yourself but the introvert within says, “Uh, maybe later”? On August 9, 2018, Kerr Russell Director of Marketing Roy Sexton (that’s me!) presented strategies for embracing your qualities as an introvert (or for those occasions when you aspire to introversion!) and establishing and maintaining a successful personal brand, both online and in person.

About the session, co-chair Brenda Zawacki Meller of Meller Marketing wrote, “Today my friend and marketing idol Roy Sexton of Kerr Russell presented ‘How to Win the Room When You’d Rather Stay Home’ to a PACKED ROOM at Inforum Michigan Troy. Video link below. Now that the meeting is over, I have to confess: I was freaking out a bit this week. We typically have 30 attendees at this monthly meetup and our registration was at 62 people earlier this week. We were getting pretty close on seating. It was almost going to be ‘standing room only’ at one point! But we brought in extra chairs. This is what happens when you book a ROCK STAR MARKETER for your speaker. I think both his marketing and the topic itself were both reasons for our outstanding turnout. Roy was an amazing presenter. I knew he would be great, but he was even better than I anticipated. Roy has a genuine, approachable, and relatable speaking style. He reminded us introverts that we’re OK to be an introvert. We don’t need to apologize for it, and we can be effective at networking, too. I learned that if you give introverts an assignment at a meeting (live tweeting, taking pics, helping at the registration table), it eases our anxiety. Need a keynote or conference presenter? Check out Roy Sexton. And tell him Brenda sent you. Then, check out the hashtag #BeARoySexton.”

Roy (me again!) has nearly 20 years of experience in marketing, communications, business development, and strategic planning. He earned his BA from Wabash College, his MA (theatre) from The Ohio State University, and his MBA from University of Michigan. He is a graduate of Leadership Detroit and Leadership A2Y. He sits on the boards of Ronald McDonald House Charities of Ann Arbor, Royal Starr Film Festival, Mosaic Youth Theatre of Detroit, EncoreMichigan.com, and Legal Marketing Association – LMA International. A published author with two books (ReelRoyReviews), Roy is an active performer, awarded 2017 Best Actor (Musical) by BroadwayWorld Detroit. He recently received recognition as one of Michigan Lawyers Weekly’s “Unsung Legal Heroes.”

And then THIS happened …

My mother Susie Sexton’s critique of my first (and probably last) radio gig as vacationing Rochelle Burk’s stand-in alongside Robby Bridges on their 96.3 WDVD drive-time show Friday, August 10. This is one of the funnier things I’ve read in a while: “stayed for nearly every second? geesh? you both were fabulous….nice repartee all the way around…I now am no longer a music lover as I was listening to stuff about the smell of sexy sheets and such just to hear your patter? one little bit I missed was when I needed to medicate issie with her pill and she was hiding? the word mousey was said and something about walking down a street? and sears called with a mix-up….they had changed delivery date to aug. 17 and then just called to robot me about tomorrow delivery again…that was sure effing fun. maybe straightened out now. damn 4 hours of choreography, engineering and listening to countless sex-crazed songs….but the patter was mighty fine…spell-check? no…I am exhausted.”

Postscript – she added when we chatted on the phone: “I liked that man (Robby) a lot. He has a kind, sweet quality that is inviting and not snarky, but also very funny. That is rare.” ❤️

And – bonus – Brian Cox, editor of Detroit Legal News, ran my “tech thoughts” article from the Legal Marketing Association’s Strategies Magazine. Whew! You can read the full text here.

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital).

In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by BookboundCommon Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.

My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.