Tag Archives: Stevie Wonder

“Hotter than July.” The Legal Marketing Association is fired up this summer ― plus more playlists! #lmamkt #lma23

11 July 2023

Leave a comment

“Hotter than July.” That’s not just a kickass Stevie Wonder album, but is a phrase that could also be used to describe all of YOU! LMA is en fuego this summer. I’m inspired by all of the amazing content you are generating these days: thought leadership, webinars, social media, in-person presentations, social outings, conference planning, on and on. I try like the Dickens to keep up with it all, and am happy to report that is humanly IMPOSSIBLE. So kudos to y’all!

I was fortunate enough to make a trip to Toronto in June to join one of the Canada Region’s summer socials. And it was off the chain. Eighty attendees, vibrant dialogue, so much connection and just great fun. Kudos to Jessica Horowitz and team for all the hard work and planning! Thank you to Canada President Hans Chang for extending the invite AND for treating me to an incredible lunch the next day. You may or may not know this, but Hans was tapped as president-elect this year, but stepped up to the prez role in quick fashion when this year’s original president left our wonderful industry for another great opportunity. (A testament to how in demand you all are BTW!) Hans pivoted like the champ he is and quickly immersed himself. Didn’t skip a beat. He has led with heart and authenticity, and he shared with me that he sees himself as a steward, adding to what has come before and simply hoping to leave things a bit better than he found them. I’d say he’s doing very well at that mission! That’s all we can ask of ourselves as leaders.

While I was there, Canada Board Member Sara Short (communications) said these magical words: “I love your playlists! I’m going to miss those!” So you can blame her for this…another playlist to round out your summer fun. Hopefully as good for a glass of wine on the patio as a raging house party. You’re welcome! Here on iTunes and Spotify 🎵. And, yes, my beloved theater peeps Idina Menzel and Billy Porter are well-represented…but these ain’t no show tunes. You’ll see!

 

Roy July Pres mssg_canada 2 photo
Roy July Prez mssg_canada 1 photo

Shout out to the Midwest Region who is killing it with a series of meet-ups across the region. I was able to join the Michigan Architecture tour here in Detroit – thanks to John Reed and Andrea Oleszczak and team for planning such a thoughtful, inspiring, engaging afternoon. And I see you Kate Shipham, Amie Allison, Jason Klika, Rich Marsolais, Jennifer Shankleton, Tanya Riggan and other Midwest Board members getting your miles (and steps) in touring our Midwest LSCs. 

Midwest Michigan Architecture

 

The photos of these meet-ups are such great fun to see!

Kudos to our Northeast Region and Mid-Atlantic Region for following a similar model on socials AND launching some incredible educational content this summer. I know a recent client-service education event in the Northeast had over 115 attendees! Way to go, Northeast President Jay Linder, Mid-Atlantic President Kathryn Burke and respective teams!

(Sidenote: I worry when I start going down this path of shout-outs that I’m leaving someone out. Please know that this is all offered just in the spirit of celebration and that we are grateful for ALL of the efforts at play this summer!)

Speaking of the Midwest – thank you to Ashley Defay, Kate Harry Shipham, Lauren McNee, Sara Pierson and Rob Kates for this opportunity to reflect on being a gay man in this industry, my mid-year reflections on this wonderful role I get to carry, leadership lessons generally, and…The Little Mermaid. If you missed the interview, you can catch it here. It’s a pretty candid chat and all comes from the heart.

21DAY SOCIAL MEDIA CHALLENGE

Kudos to Jennifer Forester, Jacob Eidinger, Erika Galarneau and the Social and Digital Media SIG team for their exceptional work on June’s “21-Day Social Media Challenge,” (login to view) in its second year. 

I didn’t think they could top themselves from last year…but they did. The conversations were robust and provocative and actionable. If you missed it this year, do NOT miss it in the future. It exemplifies what is so incredible about LMA: community: sharing knowledge and insight and connecting through learning. 

And as robust as our LMA community is, I must admit that we had a “shoot for the moon” goal of 4,500 members in 2023 as an International Board. Truth be told, the eddies of a shifting economy among other issues have conspired and we’re more likely to hit 4,100. Still growth from last year, but not as big as we’d hoped. And that’s ok. (For those ready to hit the “I told you so” button, I’m pre-empting you!) That said, the International Board is hard at work in a series of sub-teams looking at membership, regional growth, education and revenue diversification toward the end of yielding nuanced, achievable goals for next year. More to come on that. But that’s the job we signed up and we’re happy to support the continued evolution of this marvelous association. (Know someone who should be a member? Invite them to join LMA with our special Mid-Year Membership Offer!)

We’re halfway through this year and already we’ve had so many great events and impactful educational offerings. To date across HQ and regions, we have offered 100+ educational opportunities with thousands of attendees — in addition to the 1,100+ attendees at the 2023 Annual Conference (recordings available here)! And there are many more events happening now and planned for this year.

As you have likely seen on social media and beyond, we have a number of great regional conference offerings in the queue for this fall. Check out the schedule for your region and make sure to join one (or more!) to continue your growth and development as professionals. One last shout-out to our Southeast Region and President Laura Hudson. Not only are they planning a fab conference for THIS fall, but they are also already ahead of the curve, securing NEXT YEAR’S dates with a very thoughtful approach. Love seeing that collaboration, hard work and embracing of best practices. Go, team!

And while you may have a little downtime, consider sharing your expertise and submitting an educational session idea for the LMA 2024 Annual Conference Call for Content which is open only through July 17. You can alternately submit your name for consideration as a possible speaker or panelist.

Keep taking time for you where you can – and keep connecting meaningfully with each other! That’s why we joined this LMA club and what makes it all worthwhile!

Love you,

Roy

President, 2023 LMA International Board of Directors

Roy E. Sexton
Director of Marketing
Clark Hill

 

Save the Date! #LMA24 I April 3-5 I San Diego

Add Your Expertise! Call for Content Open Through July 17

LMA_1090950-23_ThemeDesign_LI_1584x396

LMA’s Got Skills! #lma20 #lmamkt

14 October 2020

2 Comments

View here: https://www.facebook.com/KatesMedia/videos/908769526197418/?vh=e&extid=0&d=n

Enjoy this fun chat with my buddies Jon, Kristen, Gia, Rob, Renee, Jennifer as we discuss all of the amazing things in store for next week’s Legal Marketing Association – LMA International annual conference. There are also rich conversations about the importance of diversity and inclusion, a renewed focus on mental health and resilience, the challenges of managing workflow and engagement in pandemic, and the details of our fantastic talent show. I also may stumble through #StevieWonder’s classic “As.” Also, shout outs in the show to Sheenika Shah Gandhi, Jill Mason Huse, Brook Weeks Redmond, Jasmine C. Trillos-Decarie, and … The Ohio State University. Go Bucks!

Episode description: “Are you ready for #LMA20? On Wednesday, October 14th, Legal Marketing Coffee Talk brings you a very special episode. Hosted by the Conference Co-Chairs Kristen Bateman Leis, Chief Marketing and Business Development Officer at Parker Poe Adams & Bernstein LLP & Jonathan Mattson, Chief Marketing and Business Development Officer Stinson LLP. They are joined by Gia Altreche, Director of Business Development & Marketing, Newmeyer Dillion; Renee Branson Founder | Principal Consultant, RB Consulting: Resilience. Bounty; Jennifer A. Manton, Chief Marketing & Business Development Officer, Kramer Levin Naftalis & Frankel LLP; & Roy Sexton, Clark Hill, Director of Marketing, who will all tell you about what they are presenting at this year’s conference.”

View here: https://www.facebook.com/KatesMedia/videos/908769526197418/?vh=e&extid=0&d=n

Oops … I Did It Again!
Don’t Rain On My Parade
I Will Wait For You
As You Like It
Pure Imagination
Like A … Legal Marketer?
Putting It Together
Thank you to Alex Aksenchik of Intapp for the out-this-world surprise in tonight’s mail! #BabyYoda

“We look at those that are shattered and different as less than. What if they are MORE than?” Split, Sing, and Lion (yeah, you read that correctly)

5 February 2017

9 Comments

[Image Source: Wikipedia]

[Image Source: Wikipedia]

Why are we here? What makes life worth living? Where is our place in this (increasingly strange) world?

Maybe I’m just going through some kind of existential mid-life crisis. (Hey, who’d like to produce this 44-year-old singing all of his favorite ill-suited pop songs – Lady Gaga, Tori Amos, Madonna, Bjork – as an expression of manopausal self in a cabaret extravaganza? It will be your best theatre going experience of the past 14.75 years. I guarantee!) Regardless, the three films viewed this weekend – seemingly drawn from a grab bag of fourth quarter 2016 offerings – all explore beautifully the very reason we dwell on this loony planet.

Split is a return to form for Hitchcock/Spielberg aspirant M. Night Shyamalan, chiefly because he was wise enough to cast it with a crackerjack James McAvoy (X-Men: Days of Future Past, X-Men: Apocalypse) and Betty Buckley (Carrie, Tender Mercies). (At one point while viewing, I wished Shyamalan had had the moxie to have staged this as a two-hander play with these two lightning bolts. Equus would have seemed like Oklahoma! by comparison.)

The film is a mash-up – a little bit of Silence of the Lambs, a touch of Primal Fear, a skosh of Dressed to Kill, a dab of Prisoners, a spritz of, well, any and all of Shyamalan’s other films (save The Last Airbender – the less said about that one, the better). We have a central figure “Kevin Wendell Crumb,” portrayed brilliantly by McAvoy (with just a hint of Baby Jane camp), suffering from dissociative identity disorder, as 23 different personalities (some nice, some really naughty) play ping-pong with Kevin’s daily routine. Buckley, as Dr. Karen Fletcher, is his cautious, morbidly transfixed therapist, whose ethereally calm demeanor and career aspirations keep her engaged with Kevin’s Sybil-esque shenanigans.

The plot details Kevin’s devolution into something called “The Beast” (think Silence of the Lambs‘ “Buffalo Bill” with, yes, super powers) as he kidnaps three teenage girls and locks them in one of those byzantine, blue-lit subterranean lairs that only seem to exist in really creepy movies. Dr. Fletcher starts to catch wise as various (kinder) personalities in Kevin’s psyche begin sending her panicked emails in the middle of the night. I won’t spoil any of the twists and turns, but the Hitchcockian “fun” derives from Buckley’s Fletcher calmly, relentlessly querying McAvoy’s Kevin about his nightly doings. Much like Hitchock’s late-career Psycho, Shyamalan’s Split is a directorial resurgence that simultaneously exploits the audience’s most prurient interests while giving us a Playhouse 90-style character study. McAvoy is a creepy hoot, and Buckley does yeoman’s work as a wary proxy for the audience’s revulsion/fascination. (My favorite quote from the film? When Buckley’s Fletcher describes the restaurant Hooters: “It’s like if Henry VIII ran a fast food franchise.”)

At one point, Buckley’s Fletcher asks plaintively, “”We look at those that are shattered and different as less than. What if they are more than?” The film’s central thesis is a half-realized query about whether or not mental illness is a kind of super power. It’s an intriguing idea not fully baked in the film, but Buckley’s delivery of that line, coupled with McAvoy’s scenery-chewing performance, gives me hope for the inevitable sequel.

[Image Source: Wikipedia]

[Image Source: Wikipedia]

And then I saw Sing, an animated film about koalas and elephants and pigs and porcupines and mice trying (literally) to find their voices in a world that had passed them by. Do I know how to plan a weekend at the movies?

Guess what? Sing is brilliant and surprisingly moving. If you are not crying at the film’s conclusion wherein every misfit animal featured heretofore takes the stage and seizes the spotlight with deep-feeling abandon, well, then I feel sorry for you,  you cold, emotionless curmudgeon!

The plot of Sing is a nifty corollary to Zootopia, which depicted a similar land where all creatures great and small coexist (mostly) in harmony, struggling (like us all) to make a decent living, pay the bills, and have a bit of joy. “Buster Moon,” a disarmingly charmingly skeezy koala (voiced by Matthew McConaughey finding the perfect role for his disarmingly charmingly skeezy career) is trying to revive his failing theatre by hosting a music competition. His best buddy (a trust-fund lamb voiced by an ever-dopey John C. Reilly) asks, “Singing competition? Who wants to see another one of those?” Well, this one? You will want to see.

Reese Witherspoon (Wild), Scarlett Johansson (Lucy), Taron Egerton (Kingsman … SUCH a voice – like a choir-boy Robbie Williams), Seth MacFarlane (Family Guy), Tori Kelly vocalize for the menagerie (pig, porcupine, ape, mouse, elephant – respectively) that joins Buster on his preposterous adventure. I found myself a bucket of salty tears when Kelly’s shy elephant Mimi belts Stevie Wonder’s “Don’t You Worry ‘Bout a Thing” at the film’s jubilant finale. Maybe it’s because I know what it feels like to be a misfit singer who has been excluded from others’ “reindeer games,” but I found Sing to be a riotous, thoroughly enjoyable celebration of letting all of us find and exercise our unique voices in this increasingly stifling world. I can’t wait for this inevitable sequel either.

[Image Source: Wikipedia]

[Image Source: Wikipedia]

Finally, Lion. Oh, Lion I wish I knew how to quit you. This film knocked me to the floor – either because of its excellence or because my low blood sugar from sitting in a darkened theatre for hours on end finished me off. Lion – the feature directorial debut by Garth Davis – relays the true story of Saroo Brierley (portrayed with zero guile as a child by Sunny Pawar and with heartbreaking ambivalence as an adult by Dev Patel) as he finds himself lost from his family in India and, ultimately, adopted by a well-meaning Australian couple (a haunting Nicole Kidman and David Wenham).

Reminiscent of the the Jack Lemmon/Sissy Spacek classic Missing, Lion captures the devastating claustrophobia of a family separated by geography, time, bureaucracy. The toddler Saroo’s inability to communicate (he speaks Hindi and nearly no one else around him does) nor to identify his home (he accidentally ends up on a decommissioned train that takes him from a small town, the name of which he mispronounces, to the overpopulated metropolis of Calcutta) is the stuff of nightmares. The film plays fast and loose with narrative chronology, as the adult Saroo tries to unravel the mystery of his life before being adopted. Everyone is excellent, with Kidman giving her most subtle, nuanced performance in ages – one scene in particular where she palpably renders the tension of the adoptive parent to balance truth versus security as her child tries to make sense of his upbringing. Lion is a remarkable film, as full of hope as it is heartbreak.

I cried a lot this weekend at the movie theatre. Singing elephants, multiple personality protagonists, and displaced Indian orphans: all transfixing metaphorical representatives of our own existential pain over belonging, finding ourselves, and seeking a path forward. Well done, Hollywood. Well done.

_______________

Betty Buckley and Roy Sexton

Betty Buckley and Roy Sexton

Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital). In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

Zippy, socially incendiary fun with a side of self-mythologizing: Motown the Musical in Chicago

13 June 2014

11 Comments

Somewhere between the toxic camp of Dreamgirls and the theme park spectacle that is Motown the Musical, the real story of Berry Gordy and Diana Ross lives.

Currently playing at Chicago’s Oriental Theatre, the Broadway transplant tells the tale of Motown Records’ founding and (ostensibly) the true life story of its chief mastermind Gordy and of his key preoccupation/inspiration call-her-MISS-Ross.

(Yes, this Metro Detroit resident – yours truly – had to travel to Chicago to see a musical about the Motor City. Ah, show biz. Why this tuner isn’t in permanent residence at Detroit’s Fox Theatre I will never know.)

What I enjoyed about the show is how seamlessly it blends all of the magical hits of the Motown era into one narrative, running the gamut from Joe Louis’ historic title bout victory to the Detroit race riots to Motown’s iconic 25th anniversary television special.

The ensemble is unbelievable. A relatively small cast literally portrays hundreds of characters, many of them etched into our collective memories: Michael Jackson, Smokey Robinson, Marvin Gaye, Mary Wells, Martha and the Vandellas, Gladys Knight, Stevie Wonder, The Temptations, The Four Tops, and on and on.

For the most part, the cast – who must have a thousand dressers backstage and racks upon racks of costumes and wigs – avoids devolving into cheap mimicry, giving us fully realized, albeit brief, glimpses into the lives of these pop music celebrities.

A few moments made me wince, particularly the portrayal of a young Stevie Wonder, but that may have just been my oversensitivity at the strange chuckles from an audience who seemed to find Wonder’s blindness a source of amusement.

I don’t know how this cast does this jam-packed, high energy, Jerome Robbins-on-caffeine-pills show night after night. They must have the aerobic health of decathletes.

Clifton Oliver as Gordy and Allison Semmes as Ross acquit themselves in a lovely fashion with roles that are just a bit too idolatrous. Given that Gordy is a producer, I guess that adoration is unsurprising.

Semmes gives a nuanced performance, introducing as much critique of Ross’ famed ambition as she was likely allowed, evolving from 17-year-old hopeful to seasoned diva before our very eyes.

Other standouts are Nicholas Christopher who gives us a sweet-hearted, nervous-headed Smokey Robinson (providing the show’s best comic moments) and Jarran Muse whose Marvin Gaye is both epic talent and maddening flake.

This isn’t a bad show. In fact it’s quite delightful. However, it is too long by at least 30 minutes. And at times the manner in which fairly significant historical moments are reduced to song and dance amidst pretty fantastic digital projections is a little goofy.

I wanted to love this show. I wanted to leave the theater with all of these marvelous songs dancing through my head. At times, however, I felt pummeled by Gordy’s self-mythologizing, to the point I wanted to spend the rest of my life listening to hair metal.

Go for the spectacle, the amazing costumes, the brilliant use of light and minimalist set pieces, but prepare yourself for a marathon. The talented cast redeems a marginal book and does yeoman’s work reminding us why Motown’s canon was and is such zippy, socially incendiary fun.

________________

Reel Roy Reviews is now a book! Thanks to BroadwayWorld for this coverage – click here to view. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton’s Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.

20140612-234749-85669522.jpg