Thanks to Jennifer Romano and Talk of the Town! Read here. Quote from yours truly: “As my blog rolls into another year of entertainment, rife with comic book adaptations, sequels, Oscar bait, arena shows, and theatrical productions big and small, sometimes I wonder if I am choking the life right from this hobby of mine. Can you imagine if every time you saw a film that your OCD tendencies forced you to rush home, throw some quippy hoo-ha on the internet, and wait eagerly for 3.5 comments to appear? Ah, well, it’s still too much fun to stop now—anticipate Volume THREE Roy’s Movie Migraine shortly.”
Excerpt: “Regarding BUT HAVE YOU READ THE BOOK jazz, my mother ALWAYS asked that question. Guess what? She very seldom had actually read the books herself; I preferred to write my book reports based on the more enjoyable movie versions!”
Reel Roy Reviews 2
Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)
I am very lucky to have parents who continue to support and celebrate everything I do, even though I am too old to be doing all these silly things. My dad always makes a point to brag about me at his weekly Rotary meetings in Columbia City, Indiana, the small town in which I grew up and where my parents still reside. Below is a snapshot of the front page of the latest Rotary newsletter – you can see a mention of me and the latest book in the lower right corner. Thanks, Susie and Don – love you!
Reel Roy Reviews 2
Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)
You can now purchase Reel Roy Reviews, Vol. 2: Keep ‘Em Coming!” on Amazon in whatever form you like (paperback, Kindle … well, that’s about it). Click here – please, click here – buy the d*mn thing. It’s good – I promise! 🙂
Wait … if you don’t believe me … just ask my parents. They are TOTALLY objective here …
Excellent – honest – fun – intelligent reviews! These reviews of current films and concerts are perfect pieces reflecting the state of entertainment and the amount of creativity, or lack of creativity, that is found in each endeavor. And unlike some reviewers who take themselves too seriously, Roy uses humor and good sense to make this book enjoyable and pure pleasure. Highly recommended. – Don Sexton
Night at the Museum
About time a genius emerged from our vast family tree…and here he is…brilliant, fair-minded, entertaining, and provocative. The other genius in our genealogy served as Harry Truman’s secretary…so it has indeed been awhile. Buy this book…volume II and enjoy the reverence for and keen judgment of the film industry…casts, characters, scripts, cinematography, special effects or lack of them, themes, and all delivered with authority and humor from an astute author and fun and witty critic! He is the best! Gene Siskel, move over! – Susie Sexton
So, there you go! And if you can’t trust the parents of a shameless self-promoter like me, whom can you trust?
Thanks to The Legal News for this coverage (click here for digital version) …
“Keep ’em coming!” is something Roy Sexton’s readers have said frequently over the past dozen months since the release of his first book of film reviews, Reel Roy Reviews: Keepin’ it Real.
Sexton, a resident of Saline/Ann Arbor, started out penning saucy missives about the latest Hollywood blockbusters at his blog www.reelroyreviews.com, but lately he has been writing more about theatrical productions, concerts, and other live musical performances, as well as conducting the occasional interview.
In his latest book Reel Roy Reviews, Vol. 2: Keep ‘Em Coming!, Roy reviews Sting’s new musical The Last Ship, offers musings on shows by Lady Gaga, Cher, Randy Newman, and Katy Perry; and has written one of the snarkiest pieces you will ever read about a Transformers film.
Open Books Technical Editor Kelly Huddleston observes, “Honest, humorous, witty, delightfully snarky… Sexton’s approach to movie, concert, music, and theatre reviews rivals that of legendary Gene Siskel. If you loved the first volume, then you are sure to enjoy Volume 2: Keep ‘Em Coming.”
Fellow author Tom Joyce (The Freak Foundation Operative’s Report) adds, “The guy’s obviously a hardcore film geek, who’s seen a ton of movies and has a good sense of what makes a quality film. But there’s an element of populism to his approach that I see lacking in a lot of film reviewers. He understands that sometimes you’re just not in the mood for a transcendent redefinition of the cinematic art form. Sometimes you just want a fun night at the movies. In other words, he doesn’t review like a serious student of cinema, so much as a regular person who just happens to really like movies. And, since that description fits me and — I’d venture to say — the vast majority of movie viewers that makes his reviews enormously engaging.”
Reel Roy Reviews, Vol. 1: Keepin’ It Real was released on the Open Books (www.open-bks.com) imprint in February 2014, and this second volume is available for pre-order now (print edition and digital downloads distributing mid-January 2015). Both volumes will also be available on Amazon, iTunes, and Nook. The books can be found in Southeast Michigan at Dearborn’s Green Brain Comics and Ann Arbor’s Bookbound and Common Language book stores.
In the second volume’s introduction, Sexton writes, “As my blog rolls into another year of entertainment, rife with comic book adaptations, sequels, Oscar bait, arena shows, and theatrical productions big and small, sometimes I wonder if I am choking the life right from this hobby of mine. Can you imagine if every time you saw a film that your OCD tendencies forced you to rush home, throw some quippy hoo-ha on the internet, and wait eagerly for 3.5 comments to appear? Ah, well, it’s still too much fun to stop now—anticipate Volume THREE Roy’s Movie Migraine shortly.”
Sexton, son of Don and Susie Sexton, grew up in Columbia City, Indiana. His mother (www.susieduncansexton.com) is also a published author, whose two essay collections Secrets of an Old Typewriter and More Secrets of an Old Typewriter, are published by Open Books.
Roy earned his Bachelor’s degree from Wabash College in 1995 and is a 1997 graduate of The Ohio State University, where he earned his Master’s degree in Theatre. In 2007, Roy graduated with his MBA from the University of Michigan. He is a graduate of Leadership Detroit, is a governor-appointed member of the Michigan Council of Labor and Economic Growth and was appointed to the Michigan Mortgage Lenders Association Board of Governors in 2012. He is currently participating in the Ann Arbor/Ypsilanti Chamber of Commerce’s yearlong Leadership A2Y program, and he is an active member of the Legal Marketing Association.
Roy has been involved on the following nonprofit boards and committees: First Step, Michigan Quality Council, National MS Society, ASPCA, Wabash College Southeast Michigan Alumni Association, Penny Seats Theatre Company and the Spotlight Players. Sexton is Senior Vice President of Corporate Affairs for Trott Law, P.C., a Farmington Hills, Michigan-based real estate law firm.
Prior to joining Trott, Roy spent 10 years in various planning and communications roles at Oakwood Healthcare System, serving as the Corporate Director of Strategic Communications and Planning. In this role he led a staff of 20 marketing professionals and developed the strategic direction for the $1 billion health care system.
Sexton has been an active participant in the local theatre scene for nearly twenty years, having appeared in a number of productions. Sexton most recently performed in The Penny Seats’ sold out run of the Tom Lehrer cabaret Tomfoolery at Conor O’Neill’s in Ann Arbor. Prior to that, Sexton had the lead role in Ann Arbor’s Penny Seats production of the Neil Simon/Cy Coleman/Carolyn Leigh musical Little Me, playing seven different characters. He is a co-founder of the theatre company. He was featured as Professor Callahan in Legally Blonde the Musical at Farmington Players, and he played Georg Nowack in She Loves Me with The Penny Seats. He has also appeared in Goodnight Desdemona (Good Morning Juliet), What Corbin Knew, Oklahoma!, The Pajama Game, Company, Bells are Ringing, Rags, Side by Side by Sondheim, The Taming of the Shrew, Fiddler on the Roof, The Fantasticks, The Merry Wives of Windsor, Ah, Wilderness!, God’s Country, The American Clock, As You Like It, Tartuffe, The Battle of Shallowford, Trout, and The Merchant of Venice. He is also an active cabaret performer.
Sexton comments, “Thanks to all those people out there who support with their time, their money, their attention popular art in all its varied forms. Now go see something fun and tell all your friends about it! That’s the best kind of reviewing in the world.”
Just when you thought it was safe to go back in the bookstore … bam, the sequel! Reel Roy Reviews, Volume 2 coming January 2015 – here’s the announcement from the publisher:
“Keep ‘em coming!” is something Roy Sexton’s fans have said frequently over the past dozen months since the release of his first book of film reviews, Reel Roy Reviews: Keepin’ It Real.
Roy started out penning saucy missives about the latest Hollywood blockbusters, but lately he has been writing more about theatrical productions, concerts, and other live musical performances, as well as conducting the occasional interview.
Fellow author Tom Joyce writes, “The guy’s obviously a hardcore film geek, who’s seen a ton of movies and has a good sense of what makes a quality film. But there’s an element of populism to his approach that I see lacking in a lot of film reviewers. He understands that sometimes you’re just not in the mood for a transcendent redefinition of the cinematic art form. Sometimes you just want a fun night at the movies. In other words, he doesn’t review like a serious student of cinema, so much as a regular person who just happens to really like movies. And, since that description fits me and — I’d venture to say — the vast majority of movie viewers that makes his reviews enormously engaging.”
And enjoy this video of my mother Susie Duncan Sexton and me on The Kevin Storm Show, discussing animal rights, theatre, culture, and more … and if you’ve ever wondered what radio people do while their on-air guests are talking, now you know! Definitely some unintentionally ironic comedy here …
This video is really adorable – and I can say that without any vanity (yet perhaps a little bit of pride) because, though I am a happy member of this intrepid troupe, I did not have anything to do with the video’s artistic creation! (You will see some pics of me below though – ah, vanity!) Happy December!
Hi friends, this is our one big chance to raise funds for our 2015 Summer Season. And this year, it’s twice as exciting as it’s ever been. Why? Watch here …
Help us achieve our dream! Two shows, six whole weeks, at West Park this Summer.
After five years of steady growth and our 2014 season ending with a tremendous sold-out run, we ask for your help as we achieve a long-awaited dream: in Summer 2015, our fifth year at Ann Arbor’s West Park, The Penny Seats will present two full-scale, professional shows at the park, for nine performances each, over six weeks.
This will double our summer residency, and at last build us into the summer repertory company we set out to be. In five years we have enjoyed enthusiastic and growing support from the community. We’re proud and excited, and we have many to thank. Since day one, our funding model has been simple:
raise every season’s funds in advance, and don’t spend what you can’t raise.
We rely on donations and grants for 100% of our season budget. We don’t count on ticket sales, so we can keep prices very low. We want to be the best theatrical value in town, delivering top-quality theatre at bargain prices. That’s where you come in.
Our goal is ambitious: to achieve our dream this year, we need to pay two sets of royalties, two times the rent for West Park and rehearsal space, and, most importantly, we need the proper funds to pay the dedicated Michigan artists at the center of it all. Can you help?
Helping out is easy, and it comes with some great perks, including 2 free tickets to all our shows for a $100 donation! So please, this year, help us achieve what we set out to do. Let’s give Ann Arbor a fabulous, top-quality summer theatre festival in the park. Donate today. Thanks.
The Penny Seats are:
Lauren London, President
Sean Murphy, Technical Director
J.P. Hitesman, Marketing Director
Board of Directors:
Bridget Bly, Treasurer
Matthew Cameron, Chair
Zachary N. London, Secretary
Laura Sagolla, Vice Chair
The first concert I ever attended (at least that I remember) was when my parents took this eighth grader to see Bobby McFerrin at the much-vaunted Holidome in Crown Point, Indiana. Just take a moment and let that sentence settle in … and try to contain your envy. Yes, some kids in the late 80s went to see Madonna or Aerosmith or MC Hammer or New Kids on the Block, but for me it was Bobby McFerrin all the way. And this was before “Don’t Worry, Be Happy.” So there.
The show was in the round, with just McFerrin and maybe a piano. I can’t recall. But with his phenomenal, otherworldly musicality, he rattled (largely acapella) through two hours of amazing numbers, not to mention his complete re-creation of the entire film The Wizard of Oz, including that iconic “I’m melting!” bit.
Flash forward, nearly 30 years (sigh), and I find myself yet again riding along in the backseat of my parents’ car, on our way to see another Baby Boomer mainstay Randy Newman, this time in Indianapolis. Nothing takes you back to the feeling of being a child like riding in the backseat of your parents’ car on a long car trip – that intoxicating mix of comfort and powerlessness as you cruise down the road listening to the squabbling and the laughter, to music you don’t recognize and familial history references you do. I wouldn’t trade that feeling for anything.
So it is with this context that we took in Newman’s concert at Carmel, Indiana’s palatial music hall, the Palladium at the Center for Performing Arts. Such a musical hall Indiana has never before seen – a concert venue that looks like it was designed by M.C. Escher, if overdosed with Benzedrine by Liberace’s hairdresser, after visiting the Palace of Versailles or Disneyland’s “Hall of Presidents.” It really is beautiful and strange, with a byzantine entrance and egress system that made me feel like I was playing Milton Bradley’s Mousetrap.
However, there isn’t a bad seat in the house (nor a reasonably priced one), with Phantom of the Opera-esque box seats at every turn, polished cherry and marble floors, phenomenal acoustics and lighting, and super-cushy chairs.
As we sat there taking in the opulence, Newman lumbered on stage, after a loving introduction by Michael Feinstein himself. You see, Feinstein, a Columbus, Ohio native, helped get the Center established five or so years ago, alongside his husband Terrence Flannery, as a permanent monument to the Great American Songbook and to our musical theater traditions. The space also houses The Great American Songbook Foundation, which is very much worth visiting if you have some time to spare before a show there. They are great about arranging tours.
Roy and Susie waiting for the big show
For over two hours, it was just Newman, his piano, and a very responsive audience. Newman isn’t quite the showman that McFerrin was/is – likely an unfair comparison since they’re such different artists, and I am judging them across a divide of 30 years. Ah well.
But what Newman lacked in showmanship, he made up in shaggy charm. He would periodically play wrong notes, stop, look up at the audience, shake his head, and say things like, “I never was a very good pianist.” Then, he would dive back into plunking out notes for many of his signature songs like “I Love L.A.,” “Short People,” “You Can Leave Your Hat On,” and “Mama Told Me Not to Come.”
A highlight for me was his performance of “Love Story (You and Me),” a Newman tune covered previously by artists as diverse as Harry Nilsson, Lena Horne, and Harry Belafonte. The song is a poignant charmer and has not aged a bit. Newman delivered it with aplomb, his frogs-and-molasses voice the perfect accent to the song’s lilting, loping melody.
Newman peppered his set-list, which pretty much seemed made up as he went along, with anecdotes about his life as a child of Los Angeles, as a child of the 60s, and as a child of a movie soundtrack dynasty (he is the nephew of acclaimed film composers Alfred and Lionel Newman and the cousin of Thomas Newman). The casual vibe he affected was on the whole delightful, though a bit more preparation and variety would have benefited the slow-going second act.
An artist of Newman’s caliber with such an accomplished history in pop, theater, and movie music is pretty much just going to do whatever the hell he wants, so that’s just fine. It is unlikely he will come this way again, so we are grateful we got the chance to see him.
Newman at piano
I never realized just how many songs the man has written about cities and/or states: Baltimore, Los Angeles, Birmingham, Louisiana. And he performed them all. They follow a similar formula, with snarky verses that alternate with hypnotic repetition of said geography’s name. He worked in a wink and a nod to his Hoosier hosts, noodling through “On the Banks of the Wabash” and “Back Home Again in Indiana,” at one point looking around the beautiful Palladium and cheekily observing, “What a dump.”
His show was riddled with his caustic takes on religion and politics, government and capitalism. That was a breath of fresh air in an otherwise conservative community, so I’m sure a few spiky letters to the editor will arrive at the Indianapolis Star this week.
Yet, if he had really wanted to drive a stake through the heartland, he should have played one of my personal favorites, his theme “That’ll Do” from Babe: Pig in the City. While originally sung by Peter Gabriel, their voices are rather interchangeable at this point, so I think Newman delivering this subtle ode to kindness and to compassion and, well, to pigs would have been the perfect punctuation mark on his performance in factory farming Indiana (sad example here). We thought about shouting the title “That’ll Do” (like some rowdy concert-goers shouted “Free Bird” when I saw Tracy Chapman at the Wabash College Chapel years ago), but then we realized he might misunderstand, think we were telling him he was done for the evening, and then walk off stage.
Newman, ever the iconoclast, also worked in his shots at corporate giant Disney, letting us know in no uncertain terms, that while he has appreciated the opportunity, he hasn’t always been thrilled with the artistic limitations imposed. In a funnier bit, he commented how frustrating it is to score something such as a toy soldier falling into a drawer, adding that there is a good 20 minutes of Toy Story he’s never seen, because that particular section didn’t require any musical scoring. He then launched into a fine rendition of “You’ve Got a Friend in Me,” one of the sharpest musical moments of the evening. Again, I wouldn’t have minded hearing a slightly more obscure tune from the Toy Story saga, the beautiful and heartbreaking “When She Loved Me” (originally sung by Sarah McLachlan and written by Newman).
I guess it is a sign that I am more of a fan than I knew, having left the show enjoying what I heard but wishing for more songs than time had allowed.
Feinstein and Sexton
As a final note, we realized after the show was over, that we had been seated in a box next to Michael Feinstein and his family and some potentially uber-wealthy donors. No doubt we probably would have been a bit better behaved had we known this – not putting our feet on the backs of chairs, nor taking flash photos, nor snapping our chewing gum. We are so classy. Regardless, after he finished schmoozing Daddy Warbucks and Co., Feinstein was kind and gracious enough to take a photo with us and to chat for a bit, though I suspect the cleaning crew was dispatched to our vacated box immediately.
Do take a moment to check out Feinstein’s Foundation and the great work they’re doing there, and if you feel like sending a donation to preserve our musical history and keep art alive, I’m sure it would be appreciated. If you find yourself in Indianapolis, definitely stop by for a visit or show. It’s worth it!
Great closing night of Tomfoolery! What a show! Thanks, JP Hitesman, Mary Lynn Stevens, Michelle Clark, Julie Krohta, Susie Sexton, Don Sexton for being there!
My cast-mate Brent Stansfield wrote, “We finished our run of Tomfoolery tonight. It has been a real treat working with Roy Sexton, Laura Sagolla, Matt Cameron, and Rebecca Biber and to be directed by Lauren M. London. I didn’t think I’d enjoy doing theater again but these guys make all the work so much fun. Thanks guys!” Couldn’t agree more!
And our esteemed director Lauren added, “It was a joy, made of willing, enthusiastic, creative participants, all of whom were out to have fun, work hard, and be funny. It brought happiness and riotous laughter everywhere it went, and I’m very sorry to see it go. … Davi Napoleon was right when she said it could run for months at the pub. It could. We had willing, eager audiences clamoring to see it and a very pleasant partner in Conor O’Neill’s.”
Enjoy these video snippets from the show – courtesy of wonderful super-fan Rebecca Winder – click here to view in sequence or view separately below. (Photos taken by my parents last night are sprinkled throughout this blog entry, but you can also view them here.)